AUTHORSHIP.
But words are things, and a small drop of ink,
Falling, like dew, upon a thought, produces
That which makes thousands, perhaps millions, think.
Don Juan, Canto III. LORD BYRON.
Habits of close attention, thinking heads,
Become more rare as dissipation spreads,
Till authors hear at length one general cry
Tickle and entertain us, or we die!
Retirement. W. COWPER.
The unhappy man, who once has trailed a pen,
Lives not to please himself, but other men;
Is always drudging, wastes his life and blood,
Yet only eats and drinks what you think good.
Prologue to Lee's Cæsar Borgia. J. DRYDEN.
Lest men suspect your tale untrue
Keep probability in view.
The traveller leaping o'er those bounds,
The credit of his book confounds.
The Painter who pleased Nobody and Everybody. J. GAY.
Immodest words admit of no defence.
For want of decency is want of sense.
* * * * *
But foul descriptions are offensive still,
Either for being like or being ill.
Essay on Translated Verse. EARL OF BOSCOMMON.
Shut, shut the door, good John! fatigued I said,
Tie up the knocker, say I'm sick, I'm dead.
The Dog-star rages! nay, 't is past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
Epistle to Dr. Arbuthnot: Prologue to the Satires. A. POPE.
Why did I write? what sin to me unknown
Dipped me in ink,—my parents', or my own!
Epistle to Dr. Arbuthnot: Prologue to the Satires. A. POPE.
And so I penned
It down, until at last it came to be.
For length and breadth, the highness which you see.
Pilgrim's Progress: Apology for his Book. J. BUNYAN.
None but an author knows an author's cares,
Or Fancy's fondness for the child she bears.
The Progress of Error. W. COWPER.
Whether the charmer sinner it, or saint it,
If folly grow romantic. I must paint it.
Moral Essays, Epistle II. A. POPE.
"You write with ease, to show your breeding,
But easy writing's curst hard reading."
Olio's Protest. R.B. SHERIDAN.
True ease in writing comes from art, not chance,
As those move easiest who have learned to dance.
'T is not enough no harshness gives offence;
The sound must seem an echo to the sense.
Soft is the strain when zephyr gently blows,
And the smooth stream in smoother numbers flows;
But when loud surges lash the sounding shore.
The hoarse rough verse should like the torrent roar.
When Ajax strives some rock's vast weight to throw
The line too labors, and the words move slow;
Not so when swift Camilla scours the plain,
Flies o'er th' unbending corn, and skims along the main.
* * * * *
Then, at the last and only couplet fraught
With some unmeaning thing they call a thought,
A needless Alexandrine ends the song.
That, like a wounded snake, drags its slow length along.
Essay on Criticism, Part II. A. POPE.
Abstruse and mystic thought you must express
With painful care, but seeming easiness;
For truth shines brightest thro' the plainest dress.
Essay on Translated Verse. W. DILLON.
It may be glorious to write
Thoughts that shall glad the two or three
High souls, like those far stars that come in sight
Once in a century.
Incident in a Railroad Car. J.R. LOWELL.
E'en copious Dryden wanted, or forgot,
The last and greatest art—the art to blot.
Horace, Bk. II. Epistle I. A. POPE.
Whatever hath been written shall remain,
Nor be erased nor written o'er again;
The unwritten only still belongs to thee:
Take heed, and ponder well, what that shall be.
Morituri Salutamus. H.W. LONGFELLOW.