1
No one knew what sin Nikolai Kupreloff had committed to bring on his head so terrible a penalty. Year after year his wife and he had prayed for a child, to their ikons in the tiny basilica in the wood, and when his wife gave birth at last, it was neither a child nor children. She had given birth to two little boys, perfectly made, exquisitely proportioned, but there was a deadly thing had befallen them ... the tiny right hand of the one was inexorably seized by the left hand of the other.
The little woodcutter’s cottage of Nikolai lay deeply hidden in the great pine woods of Lower Serbia, miles from his nearest neighbour. Yet even in that wild country the fame of the intertwined children travelled far, and the wise old women from those parts came to see if herbs or chanting or any of their dark gifts might be of the least avail. They were no more useful than a real doctor who had studied at Belgrade, was practising at Monastir, and was stimulated to great interest by the account of these strange children. The case defied all the arts of black or white magic, and the interest of the episode flickered and died down.
So it was that Nikolai reconciled himself to the inevitable, and as the boys grew older he would cross himself devoutly and say: “Thank God, it might have been a thousand times worse!” They were lads of extraordinary beauty. Peter and Ivan he called them, Ivan being the lad who held so irrevocably the wrist of his brother within his fingers. In appearance they were identical—the light, tough hair and the laughing blue eyes of the Serbian Slav, sturdy, well-knit limbs, and a sterling robustness of physique. It was only their parents and themselves who knew that between them there was one slight but unmistakable mark of distinction—below the knuckle of Ivan’s thumb was marked dully a little red arrow. In fact, a stranger might not have known that this abnormal bond existed between the two brothers as he saw them swinging along under the pines. “What a loving little pair!” he would exclaim, as he heard them laugh and chatter in complete harmony, and look into each other’s eyes with the understanding born of flawless love.
When they were about fifteen years old their mother died, and the father Nikolai began more and more to remain behind in his cottage attending to the frugal needs of the little family, while Peter and Ivan, as the years went on, grew even more skilful in the art of woodcutting; for Peter wielding the axe in his left hand, Ivan in his right, achieved such a fine reciprocity of movement, that Nikolai would laugh in his great yellow beard and mutter: “Truly the ways of God are inscrutable, for even out of their calamity has He made a great blessing!” The passing of time only knit closer their perfect intimacy, so that they almost did not notice when their father Nikolai sickened and died. Now they were left to their cottage and their woodcutting and their complete love, the whole being crowned by the splendid physique of young foresters at twenty-one; so that life, it seemed, had nothing in store for them but long years of undivided love and content.
Yet even into their seclusion rumours came of the great world beyond. Now and again they would catch glimpses of the marvels of Salonika in the eyes of travelled men. They would hear of a city where lovely women, infinitely more beautiful than the queen of the tousled gypsies who flickered from time to time along the forest paths, sang upon stages of golden wood, in gardens full of hanging lights. They would hear of the sea and glowing ships, and men who spoke low musical languages uttered in countries beyond the sea.
So it was the brothers determined to leave their woodcutting behind them for a season and adventure forth into the world of ships and songs and lovely women.