AUTUMN
There is something in the approach of autumn, the border land of summer, that is depressing, just as if the shadow of death were brooding over the future. There are dark clouds in the sky which cut off the sunshine; there is a gloom in the heart which darkens hope and makes life "scarcely worth living." The wind has a mournful cadence, and the trees saw as if the motion were a sigh of sorrow. Everything seems to harmonize with the prevailing spirit of sadness, and animate nature moans forth a dirge. Dew drops seem like tears, and the evening breeze is a sigh. The moon itself seems to wear a garb of grief and floats among the clouds, a tear-stained Diana. It is a season for men to grow mad, for anguish to gnaw at the heart, and for melancholy to usurp the throne of reason. The retina only receives dark impressions, the tympanum transmits none but doleful sounds. One is feasted on dismal thoughts on every hand until it becomes a regular symposium of sorrow. Those imps, the Blues, that feed one on dejection, are in their heyday, implacable as a Nemesis, persistent as a Devil. They revel in gloom and drag one down to the Slough of Despond. Work is performed mechanically, and what in its nature is amusement, is now a bore. One "sucks melancholy from a song as a weasel sucks eggs," and longs for night that he may seek forgetfulness in sleep—the twin-sister of Death. A miserable world this, when the year is falling "into the sear and yellow leaf;" and there is a lingering wish that the shadows which come from the West would bring that icy breath that gives forgetfulness and rest.