XII
The hands of destiny, turning upon the face of the movie clock, had brought Vee’s hour of glory again. The great picture was ready, and once more she was on all the billboards of the city: “Schmolsky-Superba presents Viola Tracy in the twelve-reel Superspecial, ‘The Devil’s Deputy, Million Dollar Heart Drama of the Russian Revolution.’ ” The scene which ornamented the billboards disclosed Vee, as usual with her lingerie torn, crouching in the arms of the ineffably handsome young American secret service agent, and the agent presenting a revolver to a mass of tangled black whiskers, behind which hideous foreign faces lurked.
Also there was publicity in the newspapers, columns and columns about the picture, the authors of the book, the continuity man and the director and the writer of the titles and the artists and the decorators and the costumers and the musicians; but most of all about the star. Was it to be expected that the publicity man should drop no hint to the reporters about the fascinating young oil prince who had now become Miss Tracy’s most intimate friend? It had been expected by Bunny, and maybe by Dad, but assuredly not by anyone else. The reporters laid siege to the young prince, and sweet, sentimental sob-sister ladies sought to lure him into revealing how it felt to be the very, very dearest dear friend of such a brilliantly scintillating star of the movie heavens. One day it was rumored they were engaged to marry, and the next day they were not; and if they said nothing, the reporters knew what they ought to have said. And when Bunny would not give his picture, they snapped him on the street, and when he turned his face away, they gave it a jolly caption: “Oil Prince Is Shy!”
“The Devil’s Deputy” was to have its “world premiere” at Gloobry’s Million Dollar Melanesian Theatre; and these “world premieres” are, as you may know, the great social events of Southern California. Searchlights search the clouds and bombs boom in the sky; red fire makes an imitation Hades in the streets, and kleig lights make day in the arcade which the million dollar Melanesians hold upright upon their naked shoulders. The crowds pack the streets, and swarms of burglars invade the city, because all the police department is required to make a pathway for the movie stars as they move in their appointed courses, from their shining ten thousand dollar limousines, across the sidewalk and through the arcade and under the million dollar portals. The kleigs glare upon them, and a dozen moving picture cameras grind, and flashlights boom, and the crowd surges and quivers and murmurs with ecstasy.
Never in all human history has there been such glory; never have the eyes of mortals beheld such royal pageantry! Trappers and hunters have perished in the icy wastes of the arctic to bring the ermines and sables in which these queens are robed; divers have been torn by sharks to bring up their pearls from the depths of tropic seas, and miners have been crushed in the deep earth to dig their blazing diamonds; chemists have blown themselves up in search for their cosmetics and dyes, and seamstresses have grown blind embroidering the elaborate designs which twinkle upon their silken ankles. All this concentrated in one brief glory-march—do you wonder that heads are high and glances regal? Or that the crowd surges, and rushes wildly, and women faint, and ambulances come clanging?
Inside the theatre, over the head of one of the million dollar Melanesians, is a huge megaphone; and as the great ones descend from their cars, a giant’s voice acquaints the audience with their progress. “Mr. Abraham Schmolsky is coming through the arcade. Mr. Schmolsky is accompanied by Mrs. Schmolsky. Mrs. Schmolsky wears a blue satin opera cloak trimmed with chinchilla, made by Voisin, just brought by Mrs. Schmolsky from Paris. Mrs. Schmolsky wears her famous tiara of diamonds. Mr. and Mrs. Schmolsky are now entering the theatre. Mr. and Mrs. Schmolsky have stopped to talk with Mr. and Mrs. Jacob Gloobry.”
And so on and on, thrill after thrill—until at last, exactly at the sacred hour of eight-thirty, the supreme, the superthrill of the evening:
“Miss Viola Tracy is descending from her car. Miss Tracy is accompanied by her friend, Mr. J. Arnold Ross, junior, discoverer and heir-apparent of the Ross Junior oil field, of Paradise, California. Miss Tracy and Mr. Ross are coming through the arcade. Miss Tracy wears a cloak of gorgeous ermine furs; her slippers are of white satin, trimmed with pearls. She wears a collar of pearls and a pearl head-dress, presented to her by Mr. J. Arnold Ross, senior. Miss Tracy and Mr. Ross junior are in the lobby, shaking hands with Mr. and Mrs. Schmolsky and Mr. and Mrs. Gloobry”—and so on, until Miss Tracy and Mr. Ross junior are in their seats, and history is at liberty to begin.