III
Early in 1933 William Fox, most mighty of the movie moguls—excuse the movie language—came into my life. He wrote that he wished to visit my home. My wife, who knew the smell of money when it came near, got a good fire burning in our fireplace and saw that a pitcher of lemonade was prepared, with no alcohol in it. The country boy from Oregon who was our servant at that time was literally trembling with excitement at the prospect of seeing the great William Fox. When the boy came in to report the arrival, Craig said, “What did you tell him?” The answer was, “I told him to rest his hat and set.”
William Fox had brought his lawyer with him and was “set” for action. He had been robbed of a good part of his fortune during the recent panic; he wanted that story told—and I was the man to do it. I explained somewhat sadly that I was in the midst of another writing job and never liked to break off my work once started. Usually Craig let me make my own decisions, but not that one. She told Mr. Fox that I would accept his offer of twenty-five thousand dollars—and what could I do about that?
Every day Fox came with his suitcase full of documents and his little round pudgy lawyer to elucidate them. Every day he rested his hat and set, and every day he had his pitcher of prohibition lemonade. I hired two secretaries to listen on alternate days, and so in a very short time I had a book. The great mogul himself suggested the title, Upton Sinclair Presents William Fox; and when the mighty labor was done and the bulky manuscript complete, Fox put the check into my wife’s hands—not mine! He went off to New York in the midst of loud cheers from the Sinclair establishment.
And what happened then? Well, to be precise—nothing. I waited patiently for two or three days, and then I waited impatiently for two or three weeks, and I heard not a word. Then I received a letter from my friend Floyd Dell, who happened to be in New York. How Floyd got the information I have forgotten, but the substance of it was that Fox was using the threat of publishing my manuscript in an effort to get back some of the properties of which he had been deprived. I asked a lawyer friend in New York to verify this information for me, and when it was verified I knew exactly what to do. I sent my carbon copy to my dependable printers in Hammond, Indiana, and instructed them to put the book into type, send me the proofs, and order paper for twenty-five thousand copies. Before long it occurred to me that it might be a wise precaution to tell them to order paper for another twenty-five thousand copies.
When those beautiful yellow-covered books hit Hollywood, it was with a bang that might have been heard at the moon if there was anybody there to listen. It wasn’t but a few hours before I received a frantic telegram from William Fox, threatening me with all kinds of punishments; but the twenty-five-thousand-dollar check had been cashed, and the books had gone to reviewers all over the United States—and I guess William Fox decided that he might just as well be the hero I had made him. Anyhow, I heard no more protests, and I sold some fifty thousand copies of the book at three dollars a copy. (It would cost twice that today.) I was told that immediately after the book appeared, there was posted on the bulletin board of all entrances to the immense Fox lot a warning that anyone found on the lot with a copy of the book would be immediately discharged. So, of course, all the hundreds of Fox employees had to do their reading at home.
It is interesting to note that now, as I read the proofs of this book, the great Fox establishment is shut down and the company is issuing statements that it is not going into bankruptcy.