VIII

Simon Stern and I went into partnership and wrote a novel of many adventures about which I don’t remember a thing. Together we visited the office of Street and Smith, publishers of “thrillers” for boys, and met one of the editors, who was amused to hear two boys in short trousers announce themselves as joint authors of a novel. He read it, and did not accept it, but held out hopes and suggested that we write another novel, according to his needs. We agreed to do so and went away, and to the consternation of the editor came back in a week with the novel complete. I have since learned that you must never do that. Make the editor think you are taking a lot of time because that is one of his tests of excellence—despite the examples of Dumas and Balzac and Dickens and Dostoevski and other masters.

I am not sure what became of that story. All I remember is that during the ensuing summer I was working at a full-length novel of adventure, which I am ashamed to realize bore a striking resemblance to Treasure Island. The difference was that it happened on land, having to do with an effort to find buried gold hidden by some returning forty-niners before they were killed by Indians. The Prairie Pirates was the title, and I don’t know if the manuscript survives; but I recall having read it at some later date and being impressed by my idea of “sex appeal” at the age of seventeen. The hero had accompanied the beautiful heroine all the way from California and rescued her many times from Indian marauders and treacherous half-breeds. At the end he told her blushingly that he loved her, and then, having obtained permission, “he placed upon her forehead a holy kiss.”

I was working on that novel in some country boardinghouse in New Jersey, and I mounted my bicycle with a bundle of manuscript strapped upon it, and rode to New York and up the Hudson into the Adirondack mountains, to a farmhouse on Brant Lake. At this retreat I enjoyed the companionship of a girl who was later to be my wife; her mother and my mother had become intimate friends, and we summered together several times for that reason. She was a year and a half younger than I, and we gazed at each other across a chasm of misunderstanding. She was a quiet, undeveloped, and unhappy girl, while I was a self-confident and aggressive youth, completely wrapped up in my own affairs. To neither of us did fate give the slightest hint of the trick it meant to play upon us four years later.

That fall I was invited to visit my clergyman friend, William Moir, in his brother’s camp at Saranac Lake. I got on my bicycle at four o’clock one morning and set out upon a mighty feat—something that was the goal in life of all cycling enthusiasts in those far off eighteen-nineties. “Have you done a century?” we would ask one another, and it was like flying across the Atlantic later on. All day I pedaled, through sand and dust and heat. I remember ten miles or so up the Schroon River—no doubt it is a paved boulevard now, but in 1896 it was a ribbon of deep sand, and I had to plod for two or three hours. I remember coming down through a pass into Keene Valley—on a “corduroy road” made of logs, over which I bumped madly. In those days you used your foot on the front tire for a brake, and the sole of my shoe became so hot that I had to dip it into the mountain stream. I remember the climb out of Keene Valley, eight miles or so, pushing the wheel uphill; there was Cascade Lake at sunset, a beautiful spot, and I heard Tennyson’s bugles blowing—

The long light shakes across the lakes
And the wild cataract leaps in glory.

I came into the home of my friend at half past ten at night, and was disappointed of my hopes because the total had been only ninety-six miles. I had not yet “done a century.” I took the same ride back a couple of weeks later, and was so bent upon achievement that it was all my mother could do to dissuade me from taking an extra night ride from the farmhouse to the village and back so as to complete the hundred miles. From this you may see that I was soundly built at that age and looking for something to cut my teeth upon. If it should ever happen that a “researcher” wants something to practice on, he may consult the files of the New York Evening Post for the autumn of 1896 and find a column article describing the ride. I am not sure it was signed, but I remember that Mr. Moir, job-maker extraordinary, had given me a letter to the city editor of the Evening Post, and I had become a reporter for a week. I gave it up because the staff was too crowded, and all there was for this bright kid just out of knickerbockers was a few obituary notices, an inch or two each.

It was the Post I read in the afternoon, and the Sun in the morning, and in my social ideas I was the haughtiest little snob that ever looked down upon mankind from the lofty turrets of an imitation-Gothic college. I can recollect as if it were yesterday my poor father—he was showing some signs of evolving into a radical, having been reading editorials by Brisbane in the Evening Journal, a sort of steam calliope with which Willie Hearst had just broken loose on Park Row. Oh, the lofty scorn with which I spurned my father! I would literally put my fingers into my ears in order that my soul might not be sullied by the offensive sounds of the Hearst calliope. I do not think my father ever succeeded in making me hear a word of Brisbane’s assaults upon the great and noble-minded McKinley, then engaged in having the presidency purchased for him by Mark Hanna.