XI
He saw, however, that he would soon have to go. He clung on, but the sale was imminent; red and black posters appeared on all the cottages; and larger, redder, and blacker posters announced the sale, “By order of Peregrine Chase, Esq.,” of “the unique collection of antique furniture, tapestries, pictures, and contents of the mansion,” and in types of varying size detailed these contents, so that Chase could see, flaunting upon walls, trees, and gate-posts, when he wandered out, the soulless dates and the auctioneer’s bombast that advertised for others the quality of his possessions.
An illustrated booklet was likewise published. Nutley gave him a copy. “This quite unique sixteenth century residence”; “the original panelling and plasterwork”; “the moat and contemporary outbuildings”; “the old-world garden”—Chase fluttered over the pages, and rage seized him by the throat. “Nicely got up, don’t you think?” Nutley said complacently.
Chase took the booklet away with him, up into the gallery. He always liked the gallery, because it was long, low, deserted, and so glowingly ornate; and more peaceful than any of the other rooms in the whole peaceful house. When he went there with the booklet in his hand that evening, he sat quite still for a time while the hush that his entrance had disturbed settled down again upon the room and its motionless occupant. A latticed rectangle of deep gold lay across the boards, the last sunlight of the day. Chase turned over the leaves of the book. “The Oak Parlour, an apartment 20 ft. by 25 ft., partially panelled in linen-fold in a state of the finest preservation,” was that his library? it couldn’t be, so accurate, so precise? Why, the room was living! through the windows one saw up the garden, and saw the peacocks perched on the low wall, one heard their cry as they flew up into the cedars for the night; and in the evening, in that room, the fir-cones crackled on the hearth, the dry wood kindled, and the room began to smell ever so slightly of the clean, acrid wood-smoke that never quite left it, but remained clinging even when the next day the windows were open and the warm breeze fanned into the room. He had known all that about it, although he hadn’t known it was twenty foot by twenty-five. He hadn’t known that the panelling against which he had been accustomed to set his bowl of coral tulips was called linen-fold.
He was an ignorant fellow; he hadn’t known; he didn’t know anything even now; the sooner he went back to Wolverhampton the better.
He turned over another page of the booklet. “The Great Staircase and Armorial Window, (cir. 1584) with coats-of-arms of the families of Chase, Dacre, Medlicott, and Cullinbroke,”—the window whose gaudiness always seemed to attract a peacock to parade in rivalry on the outer ledge, like the first day he had come to Blackboys; but why had they given everything such high-sounding names? the “Great Staircase,” for instance; it was never called that, but only “the staircase,” nor was it particularly great, only wide and polished and leisurely. He supposed Nutley was responsible, or was it Farebrother? Farebrother who was so kindly, and might have wanted to salve Chase’s feelings by appealing to his vanity through the splendour of his property?
What a fool he was; of course, neither Nutley nor Farebrother gave a thought to his feelings, but only to the expediency of selling the house.
He turned the pages further. “The Long Gallery,”—here, at least, they had not tried to improve upon the usual name—“a spacious apartment running the whole length of the upper floor, 100 ft. by 30 ft. wide, sumptuously ornamented in the Italian style of the sixteenth century, with mullioned heraldic windows, overmantel of sculptured marble, rich plastered ceiling,” here he raised his eyes and let them stray down the length of the gallery; the rectangle of sunlight had grown deeper and more luminous; the blocks of shadow in the corners had spread, the velvet chairs against the tapestry had merged and become yet more fruity; they were like split figs, like plums, like ripe mulberries; the colour of the room was as luxuriant as the spilling out of a cornucopia.
Chase became aware that Fortune was standing beside him.
“Mr. Nutley asked me to tell you, sir, that he couldn’t wait any longer, but that he’ll be here again to-morrow.”
Chase blushed and stammered, as he always did when someone took him by surprise, and as he more particularly did when that someone happened to be one of his own servants. Then he saw tears standing in the old butler’s eyes. He thought angrily to himself that the man was as soft-hearted as an old woman.
“Seen this little book, Fortune?” he inquired, holding it out towards him.
“Oh, sir!” exclaimed the butler, turning aside.
“Well, what’s the matter? what’s the matter?” said Chase, in his most irritable tone.
He got up and moved away. He went out into the garden, troubled and disquieted by the excessive tumult in his soul. He gazed down upon the mellow roofs and chimneys, veiled in a haze of blue smoke; upon all the beauty that had given him peace and content; but far from deriving comfort now he felt himself provoked by a fresh anguish, impotent and yet rebellious, a weak fury, an irresolute insubordination. Schemes, that his practical sense told him were fantastically futile, kept dashing across his mind. He would tell Fortune to shut the door in everybody’s face, more especially Nutley’s. He would destroy the bridge across the moat. He would sulk inside his house, admitting no one; he and his house, alone, allied against rapacity. Fortune and the few other servants might desert him if they chose; he would cook for himself, he would dust, he would think it an honour to dust; and suddenly the contrast between the picture of himself with a duster in his hand, and of himself striking at the bridge with a pickaxe, caused him to laugh out loud, a laugh bitter and tormented, that could never have issued from his throat in the Wolverhampton days. He wished that he were back in those days, again the conscientious drudge, earning enough to keep himself in decent lodgings (not among brocades and fringes, or plumed and canopied beds! not in the midst of this midsummer loveliness, that laid hands more gentle and more detaining than the hands of any woman about his heart! not this old dignity that touched his pride!), and he stared down upon the roofs of the house lying cupped in its hollow, resentful of the vision that had thus opened out as though by treachery at a turning of his drab existence, yet unable to sustain a truly resentful or angry thought, by reason of the tenderness that melted him, and the mute plea of his inheritance, that, scorning any device more theatrical, quietly relied upon its simple beauty as its only mediator.