A DOLL’S “ARABIAN NIGHTS”

A Rhymed Scenario for Mae Marsh, when she acts in the new many-colored films

I dreamed the play was real.

I walked into the screen.

Like Alice through the looking-glass,

I found a curious scene.

The black stones took on flame.

The shadows shone with eyes.

The colors poured and changed

In a Hell’s debauch of dyes,

In a street with incense thick,

In a court of witch-bazars,

With flambeaux by the stalls

Whose splutter hid the stars.

Camels stalked in line.

Courtezans tripped by

Dressed in silks and gems,

Copper diadems,

All the wealth they had.

This refrain to be elaborately articulated and the instrumental music then made to match it precisely.

Oh quivering lights,

Arabian Nights!

Bagdad,

Bagdad!

You were a guarded girl

In a palanquin of gold.

I was buying figs:

All my hands could hold.

You slipped a note to me.

Your eyes made me your slave.

“Twelve paces back,” you wrote.

No other word gave.

The delicate dove house swayed

Close-veiled, a snare most sweet.

“Joy” said the silver bells

On the palanquin-bearers’ feet.

Then by a mosque, a dervish

Yelled and whirled like mad.

Oh quivering lights,

Arabian Nights!

Bagdad,

Bagdad!

I reached a dim, still court.

I saw you there afar,

Beckoning from the roof,

Veiled, a cloud-wrapped star.

And your black slave said: “Proud boy,

Do you dare everything

With your young arm and bright steel?

Then climb. You are her king.”

And I heard a hiss of knives

In the doorway dark and bad.

Oh quivering lights,

Arabian Nights!

Bagdad,

Bagdad!

The stairway climbed and climbed.

It spoke. It shouted lies.

I reached a tar-black room,

A panther’s belly gloom,

Filled with howls and sighs.

I found the roof. Twelve kings

Rose up to stab me there.

But I sent them to their graves.

My singing shook the air.

My scimitar seemed more

Than any steel could be,

A whirling wheel, a pack

Of death-hounds guarding me.

And then you came like May.

You bound my torn breast well

With your discarded veil.

And flowery silence fell.

While Mohammed spread his wings

In the stars, you bent me back,

With a quick kiss touched my mouth,

And my heart was on the rack.

Oh dreadful, deathless love!

Oh kiss of Islam fire.

And your flashing hands were more

Than all a thief’s desire.

The morning after is always noted in the Arabian Nights.

I woke by twelve dead curs

On bloody, stony ground.

And the grey watch muttered “shame,”

As he tottered on his round.

You had written on my sword:—

“Goodby, O iron arm.

I love you much too well

To do you further harm.

And as my pledge and sign

You are in crimson clad.”

Oh quivering lights,

Arabian Nights!

Bagdad,

Bagdad!

* * * * *

* * * * *

The rocs scream in the air.

The ghouls my pathway clear.

For I have drunk the soul

Of the dazzling maid they fear.

The long handclasp you gave

Still shakes upon my hands.

O, daughter of a Jinn

I plot in Islam lands,

Haunting purple streets,

Hissing, snarling, bold,

A robber never jailed,

A beggar never cold.

I shall be sultan yet

In this old crimson clad.

Oh quivering lights,

Arabian Nights!

Bagdad,

Bagdad!