THE PICTURE OF THE VIRGIN.
Miss Sarah Bugle, in her fits of devotion, talked much of death, and of her longings after the heavenly Jerusalem and her spiritual bridegroom; yet this did not prevent her from thinking, even more frequently still, of an earthly bridegroom. Since her five-and-fortieth year she indeed solemnly declared that she never would marry; nevertheless, she had her fits of maiden weakness, particularly when some stately widower would banter her, or some gay bachelor look up to her window as he went by. "I dare say he has some designs," she would then say. "Well, time will show; it's wrong to swear anything rashly! If it is to be,—well; the Lord's will be done! I'm in my best years. My namesake in the Old Testament was eighty when she christened her first child. It would be no blue wonder if it did turn out so!"
Thus she would soliloquize, particularly when some single man had been looking kindly at her; and, as this seemed to her to be frequently the case, she at last came to suspect every man in the place, of "evil designs," as she called it, on her chaste person. At length,—for her imagination had been wanton with her for more than twenty years,—she came to look upon every single man as her silent adorer, and every married man as her faithless one.
It may easily be conceived with what inveteracy she declaimed against weddings of every kind, and how bitterly she abused the whole godless, light-minded male sex, (for her quarrel was with the whole sex,) and with what transcendent venom she inveighed against the coquettish minxes who had the impudence to think of a man before they were out of their leading-strings; though these same minxes in leading-strings were all the while walking about in shoes such as are generally manufactured for damsels about to bid adieu to their teens.
Some elderly maidens, pure and pious like herself, assisted her in the laudable occupation of prying into the domestic occurrences of the town, and moralising over them while sipping their coffee. In this conclave, every new gown, every wedding, every christening, was conscientiously discussed; and no time was lost in dispersing the result of their amiable confabulations through every corner of the town. A saucy sign-painter being once called on to paint a picture of the goddess of Fame, armed her with a bugle instead of a trumpet; and, when some pre-eminent piece of scandal became current, it was customary to say "the bugle has been sounded,"—by which it was intended to indicate the quarter where the report originated.
If to these amiable qualities we add the extreme godliness of the chaste Sarah, and her invincible partiality for compound interest, it is not difficult to understand why, with the exception of the said ancient maidens and the four expecting nephews, every creature was careful to remain at a most respectful distance from her.