CHAPTER XXXVIII.
The Reformed Religion and Painting on Enamel—Petitot and
Heliogabalus.—Theological Discussion with the Marquise.—The King's
Intervention.—Louis XIV. Renders His Account to the Christian and Most
Christian Painter.—The King's Word Is Not to Be Resisted.—Revocation of
the Edict of Nantes.
At the moment when the first edicts, were issued against the public exercise of the Reformed Religion, the famous and incomparable Petitot, refusing all the supplications of France and of Europe, executed for me, in my chateau of Clagny, five infinitely precious portraits, upon which it was his caprice only to work alternately, and which still demanded from him a very great number of sittings. One of these five portraits was that of the King, copied from that great and magnificent picture of Mignard, where he was represented at the age of twenty, in the costume of a Greek hero, in all the lustre of his youth. His Majesty had given me this little commission for more than a year, and I desired, with all my heart, to be able soon to fulfil his expectation. He destined this miniature for the Emperor of China or the Sultan.
I went to see M. Petitot at Clagny. When he saw me he came to me with a wrathful air, and, presenting me his unfinished enamel, he said to me: "Here, madame, is your Greek hero; his new edicts finish us, but, as for me, I shall not finish him. With the best intentions in the world, and all the respect that is due to him, my just resentment would pass into my brush; I should give him the traits of Heliogabalus, which would probably not delight him."
"Do you think so, monsieur?" said I to my artist. "Is it thus you speak of the King, our master,—of a King who has affection for you, and has proved it to: you so many times?"
"My memory, recalls to me all that his munificence: has done for my talent in a thousand instances," went on the painter; "but his edicts, his cruel decrees, have upset my heart, and the persecutor of the true Christians no longer merits my consideration or good-will."
I had been ignorant hitherto of the faith which this able man professed; he informed me that he worshipped God in another fashion than ours, and made common cause with the Protestants.
"Well," said I to him then, "what have you to complain of in the new edicts and decrees? They only concern, so far, your ministers,—I should say, your priests; you are not one, and are never likely to be; what do these new orders of the Council matter to you?"
"Madame," resumed Petitot, "our ministers, by preaching the holy gospel, fulfil the first of their duties. The King forbids them to preach; then, he persecutes them and us. In the thousand and one religions which exist, the cause of the priests and the sanctuary becomes the cause of the faithful. Our priests are not imbecile Trappists and Carthusians, to be reduced to inaction and silence. Since their tongues are tied, they are resolved to depart; and their departure becomes an exile which it is our duty to share. If you will entrust me with your portraits which have been commenced, with the exception of that of Heliogabalus, I will finish them in a hospitable land, and shall have the honour of sending them to you, already fired and in all their perfection."
Petitot, until this political crisis, had only exhibited himself to me beneath an appearance of simplicity and good-nature. Now his whole face was convulsed and almost threatening; when I looked at him he made me afraid. I did not amuse myself by discussing with him matters upon which we were, both of us, more or less ignorant. I did all that could be done to introduce a little calm into his superstitious head, and to gain the necessary time for the completion of my five portraits. I was careful not to confide to the King this qualification of Heliogabalus; but as his intervention was absolutely necessary to me, I persuaded him to come and spend half an hour at this chateau of Clagny, which he had deserted for a long time past.
"Your presence," I said to him, "will perhaps take the edge off the theological irritation of your fanatical painter. A little royal amenity, a little conversation and blandishment, a la Louis XIV., will seduce his artistic vanity. At the cost of that, your portrait, Sire, will be terminated. It would not be without."
The surprise of his Majesty was extreme when he had to learn and comprehend that the prodigious talent of Petitot was joined to a Huguenot conscience, and this talent spoke of expatriating itself. "I will go to Clagny to-morrow," replied the prince to me; and he went there, in fact, accompanied by the Marquise de Montchevreuil and Madame la Dauphine, in an elaborate neglige.
"Good-day, Monsieur Petitot," said the monarch to our artist, who rose on seeing him enter. "I come to contemplate your new masterpieces. Is my little miniature near completion?"
"Sire," replied Petitot, "it will not be for another six weeks. All these affairs and decrees have deprived me of many hours; my heart is heavy over it!"
"And why do you busy yourself with these discussions, with which your great talent has no concern?" said the King to him, gently.
"Sire, it is my religion that is more concerned than ever. I am a
Christian, and my law is dear to me."
"And I am Most Christian," answered his Majesty, smiling. "I profess the religion, I keep the law that your ancestors and mine kept before the Reformation."
"Sire, this reform has been adopted by a great number of monarchs,—a proof that the Reformation is not the enemy of kings, as is said."
"Yes, in the case of wise and honest men like yourself, my good friend Petitot; but just as all your brothers have not your talents, so they have not your rectitude and loyalty, which are known to me."
"Sire, your Majesty overwhelms me; but I beg you to be persuaded that my brothers have been calumniated."
"Yes, if one is to accuse them in the mass, my dear Petitot; but there are spoil-alls amongst your theologians; intercepted correspondences depose to it. The allied princes, having been unable to crush me by their invasions and artillery, have recourse to internal and clandestine manoeuvres. Having failed to corrupt my soldiers, they have essayed to corrupt my clergy, as they did at Montauban and La Rochelle, in the days of Cardinal Richelieu."
"Sire, do not believe in any such manoeuvres; all your subjects love and admire you, whatever be their faith and communion."
"Petitot, you are an admirable painter and a most worthy man. Do not answer me, I beg you. If I believed you had as much genius and aptitude for great affairs as for the wonders of the brush, I would make you a Counsellor of State on the instant, and a half-hour spent with me and my documents and papers of importance would be sufficient to make you believe and think as I do touching what has been discussed between us. Madame de Montespan, in great alarm, has told me that you wished to leave me. You leave me, my good friend! Where will you find a sky so pure and soft as the sky of France? Where will you find a King more tenderly attached to men of merit, more particularly, to my dear and illustrious Petitot?"
At these words, pronounced with emotion, the artist felt the tears come into his eyes. He bent one knee to the ground, respectfully kissed the hand of the monarch, and promised to complete his portrait immediately.
He kept his word to us. The King's miniature and my four portraits were finished without hesitation or postponement; and Petitot also consented to copy, for his Majesty, a superb Christine of Sweden, a full-length picture, painted by Le Bourdon. But at the final revocation of the Edict of Nantes, he thought his conscience, or rather his vanity, compromised, and quitted France, although the King offered to allow him a chaplain of his communion, and a dispensation from all the oaths, to Petitot himself, to Boyer, his brother-in-law, and the chaplain whom they had retained with them.