GLIMPSE THE THIRD.
Northampton to-day carries her two hundred and thirty odd years lightly, and, save for the lofty and venerable elms, looks as young as the youngest of towns. How, indeed, can anything but the trees ever look old in America, since the atmosphere does not furnish old Time with moisture enough to write the record of his flight in grey tones and weather stains, and lichens, and worn and crumbling edges? Hawthorne’s “old manse” at Concord was the only ancient-looking house I saw. Either it had never been painted, or the paint was all worn off, and so the wooden walls had taken a silver-grey color, and, with its picturesque situation close to the Concord river and by the side of the field in which was fought the first battle in the War of Independence, it well deserves the honor and renown that have settled on it, both as associated with Emerson’s ancestors, his own early days, and with Hawthorne’s romance. But in general the yearly fresh coat of paint is a sort of new birth to the old houses, which makes them indistinguishable from modern ones, wood being still the material used in country-places for detached houses. But step inside some one or two of these pretty modest-looking cottages, under the shade of the Northampton elms, and you will find the low ceiling, the massive beams, small doors and windows, corner cupboards, and queer ups and downs along the passages, which tell that they were put up by hands long since mouldered in the grave, and make you feel as if you were at home again in some old Essex village.
Socially, the little town may be regarded as a kind of Cranford—but Cranford with a difference. There is the same preponderance of maiden ladies and widows—for what should the men do there? New England farming is a very slow and unprofitable affair compared with farming in the West, and there are no manufactures of any importance. There are the same tea-parties, with a solitary beau in the centre, “like the one white flower in the middle of a nosegay;” the same modest goodness, kindliness, refinement, making the best of limited means and of restricted interests. But even under these conditions the spirit of enterprise and of public spirit lurks in an American Cranford, and strikes out boldly in some direction or other. What would Miss Jenkyns have said to the notion of a college which should embody the most advanced ideas for giving young women precisely the same educational opportunities as young men? She would justly have felt that it was enough to make Dr. Johnson turn in his grave. Yet such a scheme has been realized by one of the maiden ladies of Northampton or its immediate neighborhood, in Smith College—a really noble institution; where, also, the experiment is being tried of housing the students, not in one large building, but in a cluster of pretty-looking, moderate-sized homes, standing amid lawn and garden, where they are allowed, under certain restrictions, to enter into and receive the society of the village, so that their lives may not be a too monotonous routine and “grind.”
Another maiden lady has achieved a still more remarkable success, for she had no wealth of her own to enable her to carry out her idea—which was, to perfect and to introduce on a large scale the method, devised in Spain some hundred years ago, developed by Heinicke, a German, by Bell of Edinburgh, and by his son, in a system of “visible speech,”—for enabling the deaf and dumb to speak, not with the fingers but the voice, dumb no longer, and to hear with the eyes, so to speak, by reading the movements of the lips. Miss Harriet Rogers, who had never witnessed this method in operation, began by teaching a few pupils privately till her success induced a generous inhabitant of Northampton, Mr. Clarke, to come forward with £10,000 to found a Deaf and Dumb Institution, of which her little school formed the nucleus, and her unwearied devotion and special gifts the animating soul. Step into a class-room in one of these cheerful looking houses, surrounded by gay flower borders and well-kept lawns, standing on a hill just outside the town,—for here, too, the plan of a group of buildings has been adopted. About twenty children, boys and girls, are ranged, their faces eagerly looking towards a lady who stands on a raised platform. Her presence conveys a sense of that gentle yet resistless power which springs from a firm will, combined with a rich measure of sympathy and affection. She raises her hand a little way, and then moves it slowly along in a horizontal direction. The children open their mouths and utter a deep sustained tone, a plaintive, minor, wild, yet not unmusical sound. She raises it a little higher, and again moves it slowly along. The children immediately raise the pitch of their voices and sustain a higher tone. Again the voices, following the hand, sustain a yet higher, almost a shrill note. Then the hand waves up and down rapidly, and the tones faithfully follow its lead in swift transition, till they seem lost in a maze of varying inflexions; but always the voices are obedient to the waving hand. The teacher then makes a round O with thumb and forefinger, gradually parting them like the opening of the mouth. This is the sign for crescendo and diminuendo. The voices begin softly, swell into a great volume of sound, then die away again, still with those peculiar plaintive tones; yet much do the children seem to enjoy the exercise, though, to most of them, remember, the room is all the while soundless as the grave. They learn to vary the pitch of their voices partly by feeling with the hand the vibrations of the throat and chest,—quick and in the throat for high tones, slow and in the chest for low ones—partly by help of Bell’s written signs, which represent the position peculiar to each sound of the various organs of speech—throat, tongue, lips, back of the mouth, &c. This was a class of beginners chiefly learning to develop and control their hitherto unused voices. Inexhaustible is the patience, wonderful the tact employed by Miss Rogers and her able assistants in the far more difficult task of teaching actual speech. A small percentage of the children will prove too slow and blunt of perception ever to master it, and will have to be sent where the old finger alphabet is still the method in use. Some, on the other hand, will succeed so brilliantly that it will be impossible for a stranger to detect that they were once deaf-mutes,—that they seize your words with their eyes, not with their ears, and have never heard the sound of human speech, though they can speak. And the great bulk will return to their homes capable of understanding in the main what is going on around them, and of making themselves intelligible to their friends without recourse to signs.
Our actual Cranford over the sea, then, has a considerable advantage over the Cranford of romance, in that her heroines do not wait for the (in fiction) inevitable, faithful, long-absent, mysteriously-returning-at-the-right-moment lover to redeem their lives from triviality, and renew their faded bloom. And, in the present state of the world’s affairs, what is more needed than the single woman who succeeds in making her life worth living, honorably independent, and of value to others? Through such will certainly be given new scope and impetus to the development of woman generally, and in the long run, therefore, good results for all.
Among the solid achievements of Northampton must also be mentioned an excellent free library, with spacious airy reading-room, such as any city might be proud of. There is also a State lunatic asylum, with large farm attached, which not only supplies the most restorative occupation for those of the inmates who are capable of work, but defrays all the expenses of the institution, with an occasional surplus for improvements.
If I were asked what, after some years spent in America, impressed me most unexpectedly, I should say of the people, as of the New England landscape, So like! yet so different! I speak, of course, not of superficial differences, but of mental physiognomy and temperament. Given new conditions of climate, soil, space, with their subtle, slow, yet deep and sure modifying influences,—new qualities to the pleasures of life, new qualities to its pains and struggles, new social and political conditions, new mixing of old races, different antecedents, the primitive wrestle with nature by a people not primitive but inheriting the habits and characteristics of advanced civilization,—and how can there but result the shaping of a new race out of old world stock, a fresh instrument in the great orchestra of humanity? Indicate these differences, these traits! says the impatient reader. They are too subtle for words, like the perfume of flowers, the flavor of fruit,—too much intermingled with individual qualities also, at any rate for mere descriptive words, though no doubt in time the imaginative literature of America will creatively embody them.
One lesson whoever has lived in, not merely travelled through America, must learn perforce. It is that the swift steamers, bringing a succession of more or less keen observers, the telegrams and newspapers, which we fondly imagine annihilate space and make us fully cognizant of the character and affairs of our far-off kindred are by no means such wonder-workers. In spite of newspapers, and telegrams, and travellers, and a common language and ancestry, we are full of misconceptions about each other. Nay, I found the actual condition of my own country drift slowly out of intelligible sight after a year or two’s absence. Even if every word uttered and printed were true, that which gives them their significance cannot be so transmitted; whilst the great forces that are shaping and building up a people’s life and character work silently beneath the surface, so that truly may it be said of a nation, as of an individual, “The heart knoweth its own bitterness, and a stranger intermeddleth not with its joy.” Save by the help of vital literature—in that, at last, the souls of the nations speak to one another.—Blackwood’s Magazine.