VIII.
"UNDER THE SURFACE."
Upon the surface you saw a bright, accomplished lady. She had marked ability as a linguist. She acquired a great deal of German as a child by carefully attending while present at the German lessons given to her sisters. She learnt enough Greek and Hebrew to read her Hebrew Bible and to enjoy her Greek Testament, and often brings out in her letters the fact that she had been studying it. As we have seen, she was an accomplished musician, and she was untiring in her literary productions. Her books of poems comprise Life-Chords, consisting of "Under His shadow,"—"Her last poems"—"Loyal Responses," and "Her earlier poems;" Life Mosaic, comprising "The Ministry of Song," and "Under the Surface;" Swiss Letters and Alpine Poems, written during several tours in Switzerland.
Her chief prose works Kept for the Master's Use, The Royal Invitation,
My King, Royal Commandments, Royal Bounty, Starlight through Shadows,
Morning Stars, Morning Bells, Little Pillows, and Bruey, a little Worker
for Christ.
Upon the surface, too, you saw a woman of sound-common sense. This was evidenced both in her writings, and her daily life. For example, she writes thus one day: "I felt as if I rather wanted a little intellectual bracing, as if something of contact with intellect were necessary to prevent my getting into a weak and wishy-washy kind of thought and language. I like intellects to rub against and have no present access to books which would do it, so I bethought myself of seeing what Shakespeare would do for me and I think my motive was really that I might polish my own instruments for the Master's use."
Again, as regards dress her sensible comment was, "If the King's daughter is to be 'all glorious within,' she must not be outwardly a fright! I must dress both as a lady and a Christian. The question of cost I see very strongly, and do not consider myself at liberty to spend on dress that which might be spared for God's work; but it costs no more to have a thing well and prettily made."
Yes, on the surface you saw an accomplished lady, and on the surface you saw also beaming out the fact that under the surface she was a whole-hearted Christian. This was the most marked feature in her character. No one could be in her company five minutes without recognising Whose she was and Whom she served. A clergyman, who knew perhaps more of her inner life than any one else, in a letter to the writer, says, "The two most prominent characteristics of the last five and a half years of her life seemed to me to be her unreserved consecration and her absolute confidence in the Lord and His Word." The preceding chapters will have shown the reader how true an estimate this is. The business of her life was to glorify God and enjoy Him for ever. Of delicate health, she might have spent a large portion of her time in fretful complainings; but she looked to her Heavenly Father to consecrate even her sicknesses to His service.
Her standard of Christian life was a very high one. She thus writes of a friend: "I write to you as one who is really wanting to follow Jesus altogether, really wanting to live and speak exactly according to His commands and His beautiful example; and where this is the standard, what seems a little thing or nothing at all to others, is sure to be sin, because it is disobeying His dear Word and not 'following, fully.'" Her intimate knowledge of Scripture, her sound common-sense kept her from falling into many of the errors into which some who have aimed high in holy things have fallen.
In a letter to her sister on this subject, she thus expresses herself: "As to 'perfectionism' or 'sinlessness,' I have all along, and over and over again, said I never did and do not hold either. 'Sinlessness' belongs only to Christ now, and to our glorified state in heaven. I believe it to be not merely an impossibility on earth but an actual contradiction of our very being, which cannot be 'sinless' till the resurrection change has passed upon us. But being kept from falling, kept from sins, is quite another thing, and the Bible seems to teem with commands and promises about it. First, however, I would distinctly state, that it is only as and while a soul is under the full power of the blood of Christ that it can be cleansed from all sin; that one moment's withdrawal from that power, and it is again actively, because really, sinning;… one instant of standing alone is certain fall."
While magnifying the Saviour's power to save, she had a just estimate of her own condition; only about two years before her death she thus expresses herself: "I can say for myself that I feel I have deserved the very suffering of hell for my transgression of the first great commandment of the law ('Thou shalt love the Lord thy God,' etc.), and for my sin of unbelief." While she aimed high, she knew full well that she had not attained, neither was already perfect.
"As to sanctification, that it is the work of the Holy Spirit, and progressive, is the very thing I see and rejoice in. He has brought me into the 'highway of holiness' up which I trust every day to progress, continually pressing forward, led by the Spirit of God."
The simplicity of her trust in God and His Word comes out strikingly in her writings. She seems to have grasped the fact that Jesus Christ was "a living bright reality," pledged to uphold and help and comfort all who go to Him as little children. Another marked feature in her life was her deep sympathy with others in their trouble and anxieties. And this spirit of unselfishness enabled her in her prose writings and her hymns to inspire something of her simple trust into those who read them with receptive minds.
To see under the surface of Frances Ridley Havergal's character, look into her works, and you find the humble servant of Jesus Christ revealed. She "walked with God," and by the attraction of a life bright with the beauty of holiness revealing itself in her writings, she has exercised and still exercises a great power upon Christians by lifting them up to a higher walk with God. And many singers will doubtless join hereafter in the song of "Moses and the Lamb" whose souls were on earth attuned to heavenly music through the pleading words or holy example of Frances Ridley Havergal.
John P. Hobson, M.A.