SUNDAY AT SEA—A REVERY.

“We could not pray together on the deep,

Which, like a floor of sapphire, round us lay,

Soft, solemn, holy!”

Hemans.

’Tis Sunday!—Far to the westward lie the regions of the Amazonians, and, in the east, the Caffre hunts the ostrich. From the south, the lonely island of Tristan d’Acunha looms high above the horizon. Although twenty-three miles of water intervene between us and the base of this extinct volcano, the spray of the long billows of the southern ocean rises in misty clouds above the perpendicular and rocky shores, shading the mountain with a pearly veil, widely different in color from the soft blue tint of distance.—Even from the mast-head, whither the desire of solitude has led me, the summits of three or four billows complete the range of vision; for, around the entire circuit of the earth, the eternal west winds sweep, with scarce a barrier to their action.

To those who are familiar with the Atlantic only—that comparatively diminutive expanse, which Humboldt has appropriately called “an arm of the sea,”—the extent of these mountain swells must appear almost incredible. It is not their height—for this is fixed within narrow limits by an immutable law—but their vast, unbroken magnitude, that awes the observer with the consciousness of infinite power. What are the proudest monuments of human strength and skill, dotting the surface of creation, when compared with these majestic waves, which are themselves but the ripple of a passing breeze?

Reclining in the main-top, above all living things except the wild sea bird—an antiquated volume on the Scandinavian mysteries in hand—I give myself up to solitary reflection.—Dark dreams of superstition!—and must the order and loveliness of this glorious world be terminated in one wild wreck—one chaos of hopeless ruin!—shall all the labors of creative goodness sink beneath the power of the unchained demon of destruction!

We move upon the hardened crust of a volcanic crater!—The solid pillars of the earth have given way once and again!—The stony relics of a former world forewarn proud man himself, that he too, with all his boastful race is hurrying to his doom!—All things have their cycles.

“This huge rotundity we tread grows old!”

What a pitiful guide is the unaided light of human reason, when it grapples with the mysteries of creation! The good and great have lived in every land, and all have striven to elevate the soul of man above the grovelling passions and desires that link him with the brutes—pointing his attention to the future, and instilling a belief in other powers, by whose high best our destiny is governed, and whose wise decrees will prove hereafter the reward of virtue and the scourge of vice.—Yet what have they accomplished!—Each forms a Deity, whose attributes are the reflection of the physical objects which surround him, or the echo of his own ill-regulated feelings!

In the bright regions of the East, where the unremitting ardor of the sun gives birth to an infinity of life, and the decaying plant or animal is scarce resolved into its elements, ere other forms start forth from its remains—there, the soul of man must wander from link to link in the great chain of Nature, till, purified by ages of distress, it merges into the very essence of the power supreme!—a power divided and engaged in an eternal contest with itself! a never-ceasing war between the principles of Good and Evil!

In those distant regions of the North, where winter rules three-quarters of the year, and the orb of day, with look askance, but half illuminates man’s dwelling and his labors—where verdure, for a few days, clothes the hills with transitory grace; but all that seeks support from vegetable aliment is endowed with fleetness like the reindeer, or migrates, in the icy season, to more genial climes with the wild duck and the pigeon;—in that gloomy circle, where the frozen earth scarce yields a foot in depth to all the warming influence of summer, and men, curtailed of half the sad resource spared even in the primeval curse, swept with their robber hordes the provinces of their more fortunate neighbors until the iron art of war barred up the avenues to these precious granaries;—in that inhospitable region where dire necessity inters the living infant with the departed mother, and resigns the aged and decrepit to starvation!—the Parent of Good is a warrior armed, compelled to struggle fruitlessly with Fate, until, with Thor’s dread hammer in his hand, he yields, and breathes his last beneath the arm of liberated Locke!

All! all contention!—Our very nature refuses credence in annihilation! Then⁠—

“When coldness wraps this suffering clay,

Ah! whither flies the immortal mind!”

Is there no place of rest?—no truth in the visions which haunt us as the sun declines, and the rich hues of evening fade away—when the spirits of those we have loved “sit mournfully upon their clouds,” gazing, with a chastened melancholy which refines but cannot darken the calm bliss of Paradise, upon the ceaseless, bootless turmoil of their once cherished friends? Mythology presents us with no brighter future than the wild riot of the Hall of Odin, the lethean inanity of Hades, or the sensual and unmanly luxury of the Moslem Bowers of the Blest.

But hark! A manly voice, speaking of a loftier philosophy, rises upon the clear air from the very bowels of the vessel.

“And the earth,” it cries, “was without form and void, and darkness was upon the face of the deep: and the spirit of God moved upon the face of the waters.”

Slowly and in measured cadence poured forth, from the lips of one who felt the truths he uttered, the exposition of the order of creation and the high destinies of the creature. ’Tis a layman’s effort, clothed in language suited to the rude ideas of simple-minded men:—I am not of his faith,—and cannot crowd my thoughts within the narrow compass of our wooden walls:—aloft in air, my temple is the canopy of heaven!—my hymn—the wild tone of the ocean-wind with the low rushing of the billows!—the symphony of Nature!—yet, as the words of prayer ascend upon the gale, my own thoughts follow them.—I know them for the pure aspiration of the heart,—the breathing of a contrite spirit!—They are registered above!

All is still!—But, again, the harmony of many voices strikes the ear. A hymn of praise from the wide bosom of the southern ocean!—No hearer but the spirit to whose glory these sweet notes are tuned! The distance, and the deadening influence of the narrow hatches, render words inaudible; but, such as this, their tenor might have been.

Being of almighty power,

On the wide and stormy sea,

In thy own appointed hour,

Here, we bow our hearts to thee!

What is man, that he should dare

Ask of Thee a passing thought?

Ruling ocean, earth, and air,

Thou art all—and he is naught!

Like a mote upon the earth!

(Earth—a mote in space to Thee!)

What avails his death or birth!

What, his hopes or destiny?

Yet, a spirit Thou hast given

To thy creature of the clay,

Ranging free from Earth to Heaven,

Heir of an eternal day!

In thy image Thou hast made,

Not the body, but the mind!

That shall lie defiled—decayed!

This to loftier fate consigned,

Shall, above the tempest roar,

Viewless, gaze on all below,

And, its mundane warfare o’er,

Calmly watch Time’s ceaseless flow!

Aid us! Father! with thy power!

(Without Thee our strength is naught!)

Thus, in Nature’s dreaded hour,

We may own the peaceful thought,

That, our blinded efforts here,

May not mar Thy great design,

And each humble work appear

Worthy of a child of Thine!

The voices have ceased.—The service, in which all the company except the helmsman and myself had joined, is ended; and, one by one, the officers of the vessel, followed by the watch on duty, in their well blanched trousers and bright blue jackets, appear on deck; their sobriety of mien, and cheerfulness of countenance speaking volumes in favor of the benign influence of Christianity, even when acting upon what are erroneously considered by many, the worst materials.


ROSALINE.

———

BY JAMES RUSSELL LOWELL.

———

Thou look’d’st on me all yesternight,

Thine eyes were blue, thy hair was bright

As when we murmured our trothplight

Beneath the thick stars, Rosaline!

Thy hair was braided on thy head

As on the day we two were wed,

Mine eyes scarce knew if thou wert dead⁠—

But my shrunk heart knew, Rosaline!

The deathwatch tickt behind the wall,

The blackness rustled like a pall,

The moaning wind did rise and fall

Among the bleak pines, Rosaline!

My heart beat thickly in mine ears:

The lids may shut out fleshly fears,

But still the spirit sees and hears,

Its eyes are lidless, Rosaline!

A wildness rushing suddenly,

A knowing some ill shape is nigh,

A wish for death, a fear to die,⁠—

Is not this vengeance, Rosaline!

A loneliness that is not lone,

A love quite withered up and gone,

A strong soul trampled from its throne,⁠—

What would’st thou further, Rosaline!

’Tis lone such moonless nights as these,

Strange sounds are out upon the breeze,

And the leaves shiver in the trees,

And then thou comest, Rosaline!

I seem to hear the mourners go,

With long black garments trailing slow,

And plumes anodding to and fro,

As once I heard them, Rosaline!

Thy shroud it is of snowy white,

And, in the middle of the night,

Thou standest moveless and upright,

Gazing upon me, Rosaline!

There is no sorrow in thine eyes,

But evermore that meek surprise,⁠—

Oh, God! her gentle spirit tries

To deem me guiltless, Rosaline!

Above thy grave the robin sings,

And swarms of bright and happy things

Flit all about with sunlit wings,⁠—

But I am cheerless, Rosaline!

The violets on the hillock toss,

The gravestone is o’ergrown with moss,

For Nature feels not any loss,⁠—

But I am cheerless, Rosaline!

Ah! why wert thou so lowly bred?

Why was my pride galled on to wed

Her who brought lands and gold instead

Of thy heart’s treasure, Rosaline!

Why did I fear to let thee stay

To look on me and pass away

Forgivingly, as in its May,

A broken flower, Rosaline!

I thought not, when my dagger strook,

Of thy blue eyes; I could not brook

The past all pleading in one look

Of utter sorrow, Rosaline!

I did not know when thou wert dead:

A blackbird whistling overhead

Thrilled through my brain; I would have fled

But dared not leave thee, Rosaline!

A low, low moan, a light twig stirred

By the upspringing of a bird,

A drip of blood,—were all I heard⁠—

Then deathly stillness, Rosaline!

The sun rolled down, and very soon,

Like a great fire, the awful moon

Rose, stained with blood, and then a swoon

Crept chilly o’er me, Rosaline!

The stars came out; and, one by one,

Each angel from his silver throne

Looked down and saw what I had done:

I dared not hide me, Rosaline!

I crouched; I feared thy corpse would cry

Against me to God’s quiet sky,

I thought I saw the blue lips try

To utter something, Rosaline!

I waited with a maddened grin

To hear that voice all icy thin

Slide forth and tell my deadly sin

To hell and Heaven, Rosaline!

But no voice came, and then it seemed

That if the very corpse had screamed

The sound like sunshine glad had streamed

Through that dark stillness, Rosaline!

Dreams of old quiet glimmered by,

And faces loved in infancy

Came and looked on me mournfully,

Till my heart melted, Rosaline!

I saw my mother’s dying bed,

I heard her bless me, and I shed

Cool tears—but lo! the ghastly dead

Stared me to madness, Rosaline!

And then amid the silent night

I screamed with horrible delight,

And in my brain an angel light

Did seem to crackle, Rosaline!

It is my curse! sweet mem’ries fall

From me like snow—and only all

Of that one night, like cold worms crawl

My doomed heart over, Rosaline!

Thine eyes are shut: they nevermore

Will leap thy gentle words before

To tell the secret o’er and o’er

Thou could’st not smother, Rosaline!

Thine eyes are shut: they will not shine

With happy tears, or, through the vine

That hid thy casement, beam on mine

Sunfull with gladness, Rosaline!

Thy voice I nevermore shall hear,

Which in old times did seem so dear,

That, ere it trembled in mine ear,

My quick heart heard it, Rosaline!

Would I might die! I were as well,

Ay, better, at my home in Hell,

To set for ay a burning spell

’Twixt me and memory, Rosaline!

Why wilt thou haunt me with thine eyes,

Wherein such blessed memories,

Such pitying forgiveness lies,

Than hate more bitter, Rosaline!

Woe’s me! I know that love so high

As thine, true soul, could never die,

And with mean clay in church-yard lie⁠—

Would God it were so, Rosaline!


SONNET.

If some small savor creep into my rhyme

Of the old poets, if some words I use,

Neglected long, which have the lusty thews

Of that gold-haired and earnest hearted time,

Whose loving joy and sorrow all sublime

Have given our tongue its starry eminence.⁠—

It is not pride, God knows, but reverence

Which hath grown in me since my childhood’s prime;

Wherein I feel that my poor lyre is strung

With soul-strings like to theirs, and that I have

No right to muse their holy graves among,

If I can be a custom-fettered slave,

And, in mine own true spirit, am not brave

To speak what rusheth upward to my tongue.

J. R. L.


MRS. NORTON.[[2]]

———

BY PARK BENJAMIN.

———

In the last edition of Mrs. Norton’s poems, the unrivalled burine of Lewis has attempted to trace the form and lineaments of the authoress—one of the most perfect specimens of female loveliness that ever furnished an idea to the painter or inspiration to the poet. Affliction, which has graven such deep lines into her heart, has not yet effaced the beauty of her countenance, or impaired the perfection of her form. We have, in the engraving before us, the full maturity of that gorgeous beauty, which, in its infancy, commanded the unqualified admiration of the most severe and fastidious critics, that ever sat in the Court of Fashion. We have still spared to us, that full and voluptuous bust—the arm that statuaries delight to chisel, and a neck that would have crazed Canova, while it rivals in whiteness, the purest Carrara of his studio. But it is the more minute and delicate lines of her beauty that have been swept by the touch of grief. Her countenance is sad and subdued; her full and flexible lip is no longer played upon by ever-varying smiles, and her eye, which once beamed with every expression, from the twinkle of arch simplicity to the flash of an insulted Jewess, has now settled into the melting, mournful, appealing gaze of heart-breaking sorrow.

When we consider that a form so peerless, is the dwelling place of a most brilliant and gifted spirit—that a countenance so winning and expressive is but the reflex of a pure and exalted soul,—that her eye is moistened by the swelling fountain beneath—that lips whose mute beauty is so persuasive, are the oracles of “thoughts that breathe and of words that burn,” we can no longer discredit the miracles, which, in all ages, female loveliness has wrought, the devotion and the sacrifices it has wrung from the stern and selfish spirit of man. We are at no loss for the reason, why the Greeks of old raised altars to incarnate Beauty, why heroes bent their knees at her feet, and purchased trophies with their blood that they might suspend them in her temples.

If such endowments melt us into fealty, when, like the distant stars, they shine above our reach and our aspirations,—if such a being commands our respectful yet ardent love, when moving in a sphere we never can approach, exacting homage from a thousand hearts, and raised as much above our sympathy as our position—what strength of affection, what full, free, unreserved devotion is enlisted in her service, when she is brought near to us by sorrow, when the sympathy of the humblest may be a balm to the wounded spirit of the highest, when innocence is assailed in her form, her character defamed, her honor maligned, her “life’s life lied away!”

It must be known to most of our readers, that, incited by the political enemies of Lord Melbourne, the husband of Mrs. Norton commenced legal proceedings against that nobleman, alleging at the same time, the infidelity of his own wife. No means, which personal hatred or political bigotry could employ, were left untried, to sustain the accusation, and the fate of this unfortunate lady became involved with the triumph or the overthrow of Cabinets. All the arts, which were so successfully used to blacken the memory and hurry to an early grave the illustrious consort of George the Fourth, were revived against Mrs. Norton. Servants were bribed, spies were employed, key-holes searched, perjury encouraged, letters forged, surmises whispered about as facts, and doubts magnified into certainties, that the lady might be convicted and the minister crushed. The whole life, conduct, and conversation of the victim were subjected to the most searching scrutiny, her letters and private papers, her diary even—the communings of an imaginative woman with her own soul—were placed in the hands of dexterous and sophistical attorneys, that they might be tortured into proofs of guilt. Acts which the most rigid duenna would not have named—indiscretions, the out-gushings of a heart conscious of its own purity, the confiding conduct of innocence, and the licentiousness of her grandfather, were the strong proofs of adultery which counsel had the impudence to present to an English Jury. On the testimony of bribed witnesses, perjured coachmen and lubricious chambermaids, they sought to impeach the unsullied honor of a British matron; to fix stain on the pure lawn of a seraph by evidence which would not have sullied the flaunting robes of a Cyprian. Need it be said that the result of such an infamous attempt was the complete and triumphant vindication of the accused? But the acquittal of a Jury can be no reparation to a woman whose honor has been publicly assailed. Female virtue must not only be above reproach, but beyond suspicion, and the breath of calumny is frequently as fatal to it as the decrees of truth. The verdict of “not guilty,” is no bar to the malignity of scandal-loving human nature; there remain the cavil, the sneer, the “damning doubt,” the insolent jest. She is separated by an impassable gulf from her only lawful protector; she can fly to no other without shame; she is placed in the most ambiguous position in society—that of an unmarried wife; fettered by all the restraints, watched with all the jealousy, but entitled to none of the privileges of the conjugal tie. And, in addition to all this, she becomes a bereaved mother; for the “righteous law entrusts the children to the exclusive guardianship of the father.” Such is the position which a combination of most untoward circumstances has forced upon a lady who has every claim upon the protection, the respect, the admiration and the love of mankind.

We have dwelt thus long upon the domestic infelicity of Mrs. Norton, for the purpose of illustrating the influence which it has had in modifying her genius, and accounting for the undercurrent of deep melancholy which is discernible in many of her pieces, and for the outbreaks of passionate sympathy with the peculiar sorrows and sufferings of her own sex, which distinguish all of her more recent productions. Not alone, however, is Mrs. Norton in her misfortunes. She is but one of a large sisterhood, who, finding the waters poisoned that rill from “affection’s springs,” have sought to relieve their thirst from the “charmed cup” of Fame, who, in the deep and bitter fountains of unrequited love, in the gulfs of their own woe, have gathered pearls to deck the brow of female genius. The mournful song of Hemans, of Tighe and of Landon, had scarcely died away, before the lips of a fourth were touched with live coals from the same furnace of affliction. Indeed, domestic infelicity is so often connected with the developement of the poetical faculty in woman, is so frequently the cause which first awakens those deep and vivid emotions which are the essence of poetry, is so universally the concomitant and the burthen of female song, that the relation between the two is well worthy of philosophic investigation.

It seems to us that the effect is a very manifest result of the cause. The female mind is distinguished from that of the sterner sex, by its more delicate organization, by its keener sensibility, by its stronger and more sensitive affections; by its inferiority in mere strength of intellect, clearness of understanding, and range of observation. Her vision, therefore, though nicer, more accurate and susceptible, within its own range, takes in but a very small portion of that poetic realm which stretches from “heaven to earth, and from earth to heaven.” She is consequently more entirely introversive than man, and draws whatever she communicates more from within than from without. She does not derive her inspiration, she does not form her genius, from a wide and accurate survey of human passions. The emotions which gave birth to such creations as Satan, Prometheus, Shylock, Manfred; the frightful visions which glare from the lurid page of Dante’s Inferno; the wide range of incident, description and passion which distinguish the poetry of Scott and Southey—it would be unnatural and unreasonable to expect from the delicate and peace-loving nature of woman. Her heart could never “bide the beatings” of such storms. She can, at the most, but love ardently, hope lastingly, and endure faithfully; and when she sings she can be but the oracle of her own heart. When her hopes are baffled, when her household gods are scattered, when despair takes up its abode within her breast these emotions become vocal, and she sings of yearning love, of deathless affections, of unshaken constancy, of patient endurance, of self-sacrificing devotion. As by the law of her nature, so by her position in society, the cultivation of her affections must be by far the most prominent object of her life, as well as her most reliable source for enjoyment.

In man’s life love is but an episode; in woman’s it is the entire action of the piece. With him it is but one act in the drama, with her it is the beginning, middle, and end. Man’s warfare with the world is like the battle array of the Romans—they had their first, second, and third rank. If the first was defeated it fell back into the intervals of the second, and both together renewed the attack; if vanquished again they were received into the wider intervals of the third, and the whole mass united made a more impetuous onset. Thus with man, if unsuccessful in Love he rallies on Ambition; if again defeated, he falls back with accumulated energy upon Avarice—the peculiar passion of old age. Not so with woman; upon her success as a wife and a mother, her whole happiness is risked. In her encounter with the world she has no passion in reserve; she concentrates her whole force into one line and trusts herself and her fortune upon the success of a single charge. If unfortunate in this venture, she has no place for retreat except the recesses of her own heart. Can we wonder, then, that disappointment in what she values the most, the utter blight of her hopes, affections driven back upon her heart, and trust betrayed, should excite those strong and fervent emotions which will not “down” at mortal bidding, but express themselves in song? or, that the wing of her spirit while brooding over the ruin of her peace, should gather strength for poetic flight?

We do not know where we could have found a more complete illustration of these views than in the history of Mrs. Norton. The blow which blighted the fair promise of her spring, found her a poetess of some celebrity. She had given to the world many pieces, imbued with the warm sensibility, the pure, ardent, and devoted love of woman; but nothing which in sincerity, strength, fervor and truthfulness of passion, can compare with the “Dream”—gushing as it does from the heart of the betrayed wife and abandoned mother. We had intended to speak at some length of the characteristics of Mrs. Norton’s genius, but we believe that the same end will be accomplished more to the edification of our readers, by giving a short analysis of this beautiful poem.

The story of the piece, is brief and simple, and was undoubtedly suggested to her mind by the association of contrast. We are presented with a widowed mother watching

“her slumbering child,

On whose young face the sixteenth summer smiled.”

And we have the following exquisite family piece presented—“O matre pulchrâ filia pulchrior.”

“So like they seem’d in form and lineament,

You might have deem’d her face its shadow gave

To the clear mirror of a fountain’s wave;

Only in this they differ’d; that, while one

Was warm and radiant as the summer sun,

The other’s smile had more a moonlight play,

For many tears had wept its glow away;

Yet was she fair; of loveliness so true,

That time which faded, never could subdue;

And though the sleeper, like a half blown rose,

Show’d bright as angels in her soft repose,

Though bluer veins ran through each snowy lid,

Curtaining sweet eyes by long dark lashes hid⁠—

Eyes that as yet had never learnt to weep,

But woke up smiling like a child from sleep;⁠—

Though fainter lines were pencill’d on the brow,

Which cast soft shadow on the orbs below;

Though deeper color flush’d her youthful cheek,

In its smooth curve more joyous and less meek,

And fuller seem’d the small and crimson mouth,

With teeth like those that glitter in the south,⁠—

She had but youth’s superior brightness, such

As the skill’d painter gives with flattering touch,

When he would picture every lingering grace,

Which once shone brighter in some copied face;

And it was compliment when’er she smiled

To say, ‘Thou’rt like thy mother, my fair child’.”

Over such a child the mother hangs with devoted fondness, with sweet recollections of her infancy, and

“of the change of time and tide

Since Heaven first sent the blessing by her side,”

and with mournful anticipations, of what would befall the fledged bird, when it should grow impatient of the nest. The child at length awakes⁠—

“And when her shadowy gaze

Had lost the dazzled look of wild amaze,”

she relates her dream to the mother.

“Methought, oh! gentle mother, by thy side

I dwelt no more as now, but through a wide

And sweet world wander’d, nor even then alone;

For ever in that dream’s soft light stood one,⁠—

I know not who,—yet most familiar seem’d

The fond companionship of which I dream’d!

A Brother’s love is but a name to me;

A Father’s brighten’d not my infancy,

To me in childhood’s years no stranger’s face

Took from long habit friendship’s holy grace;

My life hath still been lone, and needed not,

Heaven knows, more perfect love than was my lot

In thy dear heart; how dream’d I then, sweet Mother,

Of any love but thine, who knew no other?”

Dear little innocence! you have much to learn. Thy “shadow and herself” wander together by the “blue and boundless sea,” the shore is covered with flowers and “tangled underwood” and “sunny fern.” The ocean, “the floating nautilus,” the “pink-lipped” shells⁠—

“And many color’d weeds

And long bulbous things like jasper beads,”

and ships with “swelling sails unfurled,” dance before her in this delightful vision until⁠—

“The deep spirit of the wind awoke,

Ruffling in wrath each glassy verdant mound,

While onward roll’d the army of huge waves,

Until the foremost with exulting roar,

Rose proudly crested o’er his brother slaves,

And dashed triumphant to the groaning shore.”

The ocean finally passes from her sleeping vision and the winged travellers fly into a different scene⁠—

“We look on England’s woodland fresh and green,”

and a beautiful picture is presented of the rural scenery of Great Britain, until the scene changes again to some romantic resting-place of the dead, to some Père la Chaise, or Laurel Hill, or Mount Auburn, to a⁠—

“heath

Where yew and cypress seemed to wave

O’er countless tombs, so beautiful, that death

Seemed here to make a garden of the grave.”

And as the fair one wanders over the “mighty dead,” over “warriors,” and “sons of song” and orators⁠—

“whose all persuading tongue

Had moved the nations with resistless sway,”

and “pale sons of science”⁠—

“He who wandered with me in my dream

Told me their histories as we onward went,

Till the grave shone with such a hallowed beam,

Such pleasure with their memory seem’d blent

That, when we looked to heaven, our upward eyes

With no funereal sadness mock’d the skies.”

We are ourselves getting rapidly to envy that “fellow” who is “wandering with her.” In our opinion she will soon be able to answer her own naïve question about love. Her companion leads her, with admirable discernment, as we think, into a glorious “old library.” What better place could he have selected to impress the heart of an imaginative and appreciating “little love.” If the cemetery and those “histories” did not explain to her the novel psychological emotion about which she consulted her mother, what occurs in the library certainly will. For see how the youth plays with the susceptibilities of a girl of “sixteen”⁠—

“We sate together: his most noble head

Bent o’er the storied tome of other days,

And still he commented on all we read,

And taught me what to love and what to praise.

Then Spencer made the summer day seem brief,

Or Milton sounded with a loftier song,

Then Cowper charmed, with lays of gentle grief,

Or rough old Dryden roll’d the hour along.

Or, in his varied beauty dearer still,

Sweet Shakspeare changed the world around, at will;

And we forgot the sunshine of that room

To sit with Jacques in the forest gloom;

To look abroad with Juliet’s anxious eye

For her gay lover ’neath the moonlight sky;

Stand with Macbeth upon the haunted heath,

Or weep for gentle Desdemona’s death;

Watch on bright Cydnus’ wave, the glittering sheen,

And silken sails of Egypt’s wanton Queen;

Or roam with Ariel through that island strange,

Where spirits and not men were wont to range,

Still struggling on through brake and bush and hollow,

Hearing the sweet voice calling ‘Follow! follow!’

Nor were there wanting lays of other lands,

For these were all familiar in his hands:

And Dante’s dream of horror work’d its spell,⁠—

And Petrarch’s sadness on our bosoms fell.⁠—

And prison’d Tasso’s—he, the coldly loved,

The madly-loving! he, so deeply proved

By many a year of darkness, like the grave,

For her who dared not plead, or would not save,

For her who thought the poet’s suit brought shame,

Whose passion hath immortalized her name!

And Egmont, with his noble heart betrayed,⁠—

And Carlo’s haunted by a murder’d shade,⁠—

And Faust’s strange legend, sweet and wondrous wild,

Stole many a tear;—Creation’s loveliest child!

Guileless, ensnared, and tempted Margaret,

‘Who could peruse thy fate with eyes unwet?’ ”

If such a quantity of poetry and such poetry—Spencer, Milton, Dryden, Cowper, Shakspeare, Dante, Tasso and Göethe did not enlighten the “young innocent,” respecting the emotions with which she regarded the “fond companion of her dreams,” we do not know to whom to commend her for instruction. But we must hurry on with the story; the pair wander over Italy, and a picture is presented, of mountain and vale, of orange and myrtle groves, of grottoes, fountains, palaces, paintings, and statues that would “create a soul” under the ribs of a utilitarian. We were inclined to think that he of “the most noble brow,” entrapped the young affections of the dreamer in the “old library,” but we do not believe that she breathed the delicious confession into his ear until they reached the sunny clime of Italy. It was the unrivalled music of that land which unsealed her lips.

“We sate and listened to some measure soft

From many instruments; or faint and lone

(Touch’d by his gentle hand or by my own)

The little lute its chorded notes would send,

Tender and clear; and with our voices blend

Cadence so true, that when the breeze swept by

One mingled echo floated on its sigh!

And still as day by day we saw depart,

I was the living idol of his heart:

How to make joy a portion of the air

That breathed around me seemed his only care.

For me the harp was strung, the page was turned;

For me the morning rose, the sunset burn’d;

For me the Spring put on her verdant suit;

For me the Summer flowers, the Autumn fruit;

The very world seemed mine, so mighty strove

For my contentment that enduring love.”

But the slumbers of the dear girl are at length broken, she discovers that it is but a dream, and thus repines over the contrast.

“Is all that radiance past—gone by for ever⁠—

And must there in its stead for ever be

The gray, sad sky, the cold and clouded river,

And dismal dwelling by the wintry sea?

Ere half a summer altering day by day,

In fickle brightness, here, hath passed away!

And was that form (whose love might well sustain)

Naught but a vapor of the dreaming brain?

Would I had slept forever.”

The “mournful mother” now speaks. And how sweetly come from her lips the lessons of piety and resignation. She gently rebukes her daughter, contrasts the world which fancy paints with the stern realities of existence, and distils into the opening mind of the child the wisdom which her own sad experience had taught.

“Upbraid not Heaven, whose wisdom thus would rule

A world whose changes are the soul’s best school:

All dream like thee and ’tis for mercy’s sake

That those who dream the wildest soonest wake;

All deem Perfection’s system would be found

In giving earthly sense no stint or bound;

All look for happiness beneath the sun,

And each expects what God hath given to none.”

It is in this part of the argument that we discover the fervor, strength, and pathos that the lessons of experience impart. It is here that Mrs. Norton teaches in song what she has herself learnt in suffering. If the following is not poetry it is something that moistens the eye very much like it.

“Nor ev’n does love whose fresh and radiant beam

Gave added brightness to thy wandering dream,

Preserve from bitter touch of ills unknown,

But rather brings strange sorrows of its own.

Various the ways in which our souls are tried;

Love often fails where most our faith relied.

Some wayward heart may win, without a thought,

That which thine own by sacrifice had bought;

May carelessly aside the treasure cast

And yet be madly worshipped to the last;

Whilst thou forsaken, grieving, left to pine,

Vainly may’st claim his plighted faith as thine;

Vainly his idol’s charms with thine compare,

And know thyself as young, as bright, as fair.

Vainly in jealous pangs consume thy day,

And waste the sleepless night in tears away;

Vainly with forced indulgence strive to smile,

In the cold world heart-broken all the while;

Or from its glittering and unquiet crowd,

Thy brain on fire, thy spirit crushed and bow’d,

Creep home unnoticed, there to weep alone,

Mock’d by a claim which gives thee not thy own;

Which leaves thee bound through all thy blighted youth

To him, whose perjured heart hath broke its truth;

While the just world beholding thee bereft,

Scorns—not his sin—but thee, for being left!

* * * * * *

“Those whom man, not God, hath parted know,

A heavier pang, a more enduring woe;

No softening memory mingles with their tears,

Still the wound rankles on through dreary years,

Still the heart feels, in bitterest hours of blame

It dares not curse the long familiar name;

Still, vainly free, through many a cheerless day,

From weaker ties turns helplessly away,

Sick for the smile that bless’d its home of yore,

The natural joys of life that come no more;

And, all bewildered by the abyss, whose gloom

Dark and impassible as is the tomb,

Lies stretch’d between the future and the past,⁠—

Sinks into deep and cold despair at last.

Heaven give thee poverty, disease or death,

Each varied ill that waits on human breath,

Rather than bid thee linger out thy life

In the long toil of such unnatural strife.

To wander through the world unreconciled,

Heart-weary as a spirit-broken child,

And think it were an hour of bliss like Heaven

If thou could’st die—forgiving and forgiven,⁠—

Or with a feverish hope, of anguish born,

(Nerving thy mind to feel indignant scorn

Of all thy cruel foes who ’twixt thee stand,

Holding thy heart-strings with a reckless hand,)

Steal to his presence now unseen so long,

And claim his mercy who hath dealt the wrong!

Within the aching depths of thy poor heart

Dive, as it were, even to the roots of pain

And wrench up thoughts that tear thy soul apart,

And burn like fire through thy bewildered brain.

Clothe them in passionate words of wild appeal

To teach thy fellow creatures how to feel.⁠—

Pray, weep, exhaust thyself in maddening tears,⁠—

Recall the hopes, the influences of years,⁠—

Kneel, dash thyself upon the senseless ground,

Writhe as the worm writhes with dividing wound,

Invoke the heaven that knows thy sorrow’s truth,

By all the softening memories of youth⁠—

By every hope that cheered thine earlier day⁠—

By every tear that washes wrath away⁠—

By every old remembrance long gone by⁠—

By every pang that makes thee yearn to die;

And learn at length how deep and stern a blow

Near hands can strike, and yet no pity show!

Oh! weak to suffer, savage to inflict,

Is man’s commingling nature; hear him now

Some transient trial of his life depict,

Hear him in holy rites a suppliant bow;

See him shrink back from sickness and from pain,

And in his sorrow to his God complain⁠—

‘Remit my trespass, spare my sin,’ he cries,

‘All-merciful, All-mighty, and All-wise:

Quench this affliction’s bitter whelming tide,

Draw out thy barbed arrow from my side;’⁠—

And rises from that mockery of prayer

To hate some brother-debtor in despair.”

From what deep fountains of suffering must these lines have been drawn! What days, weeks, months of deferred hope, of doubt, and of final despair are recorded here!

What life-drops from the minstrel wrung

Have gushed with every word?

The mother at length ceases, and the spirited girl shrinking from the picture of life which has been presented to her, thus replies:⁠—

“If this be so, then mother, let me die

Ere yet the glow hath faded from my sky!

Let me die young; before the holy trust,

In human kindness crumbles into dust;

Before I suffer what I have not earned

Or see by treachery my truth returned;

Before the love I live for fades away;

Before the hopes I cherish’d most decay;

Before the withering touch of fearful change

Makes some familiar face look cold and strange,

Or some dear heart close knitted to my own,

By perishing, hath left me more alone!

Though death be bitter, I can brave its pain

Better than all which threats if I remain,

While my soul, freed from ev’ry chance of ill,

Soars to that God whose high mysterious will,

Sent me, foredoom’d to grief, with wandering feet

To grope my way through all this fair deceit.”

The mother then breaks forth in a beautiful strain, inculcating confidence in God and submission to his will. We have never heard a homily from any pulpit that has taught these lessons with one half the force and eloquence of these beautiful lines. If any of our readers, in the midst of sorrow, suffering or despair, are inclined to forget that there is “another and a better world,” we advise them to learn patience under tribulation from the lips of Mrs. Norton. We wish we could quote them—but we cannot—we have already transcended our limits and can only give the beautiful and touching end of this “sad and eventful history.”

“There was a pause; then with a tremulous smile,

The maiden turned and pressed her mother’s hand:

‘Shall I not bear what thou hast borne erewhile?

Shall I, rebellious, Heaven’s high will withstand?

No! cheerly on, my wandering path I’ll take;

Nor fear the destiny I did not make:

Though earthly joy grow dim—though pleasure waneth⁠—

This thou hath taught thy child, that God remaineth!’

“And from her mother’s fond protecting side

She went into the world, a youthful bride.”

Fain would we linger longer among the brilliant creations of Mrs. Norton’s genius; but, like her own beautiful sleepers, our “dream” is broken, and we must return from fairy-land to encounter “the rude world.”


[2] The Dream and other poems, by the Honorable Mrs. Norton—Dedicated to Her Grace, the Duchess of Sutherland. “We have an human heart  All mortal thoughts confess a common home.”                              Shelley. London. Henry Colburn, Publisher, Great Marlborough street, 1840.

THE VEILED ALTAR,

OR THE POET’S DREAM.

———

BY MRS. R. S. NICHOLS.

———

I bent me o’er him as he lay upon his couch,

Deep sleep weighed down the curtains of his eyes,

Forever and anon the seraph seemed to touch

His dreaming soul with radiance of the skies!

I bent me o’er him then, for mighty thoughts did seem

To pant for utterance, as he sighed for breath,

And strove to speak—for in that dark and fearful dream

He passed the portals of the phantom Death!

“The chains that clogged my spirit’s pinions roll

Powerless back to earth—a vain, base clod,

And awe-inspiring thoughts brood o’er my soul,

As angels hover round the ark of God!

I see before me in the distance far

A mystic altar veiled, and part concealed

Amid the tresses of a burning star,

Whose mysteries from earth are ever sealed!

“It gleams—that fountain of mysterious light

At holy eve, far in the western sky,

And angels smile, when man ascends by night

To read in it his puny destiny!

A something bears me onward towards the throne

With speed which mocks the winged lightning’s glance!

And here, amid the stars’ eternal home

I stand, with senses steeped as in a trance!

“I feel a power, a might within my soul

That I could wrest from angels, themes for song!

My earth-freed spirit soars and spurns control,

While deep and chainless thoughts around me throng!

I know the veil is pierced—the altar gained⁠—

I bend me lowly at its foot sublime;

Yet false inspirers, who on earth have feigned

The God, depart from this eternal clime!”

He woke—and swift unto the land of misty sleep

His dreams rolled back, and left him still on earth,

But ever after did the Poet’s spirit keep

This deep, unchanging, mystic, second birth!


THE LADY’S CHOICE.

———

BY MRS. EMMA C. EMBURY.

———

“In terms of choice I am not solely led

By nice direction of a maiden’s eyes.”

Merchant of Venice.

“I want to ask you a question, Mildred, but I am afraid you will deem it an impertinent one.”

“Ask me what you please, dear Emily, and be assured that you shall receive a frank reply; we have known and loved each other too long to doubt that affection and not mere idle curiosity prompts our mutual inquiries respecting each other’s welfare during our separation.”

“When I bade farewell to my native land, Mildred, I left you surrounded by a wide circle of admirers; you were beautiful and rich,—these gifts alone would have won you many a suitor,—but you were also possessed of the noblest qualities of heart and mind, and were as worthy to be loved as to be admired. How has it happened then that from among the many who sought your hand, you selected one so—so⁠—”

“I understand you, Emily,—so misshapen and ugly, you would say; it is precisely because I possessed a little more heart and soul than usually belongs to a fashionable belle.”

“What do you mean, Mildred? when I parted from you I thought you were more than half in love with the handsome Frank Harcourt.”

“And you return to find me married to his crooked cousin.”

“I did not know Mr. Heyward was related to your quondam admirer.”

“Ah, I see I must tell the whole story; ‘wooed an’ married an’ a’ ’ is not enough for you; I must relate all the particulars which led to such an apparently whimsical choice.

“You remember me doubtless as the enfant gâtée of society; the spoiled child of doating parents, and the flattered votary of fashion. My web of life, unbroken by a single sombre thread, seemed woven only of rose-color and gold. My mirror taught me that the world spoke truth, when it assigned to me the brightest of all womanly gifts: experience showed me my superiority in mind over the well dressed dolls of society: and the earnestness of my affection for the friends of my youth, convinced me that many stronger and deeper emotions still lay latent within my heart. Yet with all these gifts, Emily, I narrowly escaped the fate of a fashionable flirt. I could not complain, like Voltaire, that ‘the world was stifling me with roses,’ but I might have truly said, that the incense offered at the shrine of my vanity was fast defacing, with its fragrant smoke, the fine gold that adorned the idol. Selfishness is a weed which flourishes far more luxuriantly beneath the sunshine of prosperity than under the weeping skies of adversity; for, while sorrow imparts a fellow-feeling with all who suffer, happiness too often engenders habits of indulgence, utterly incompatible with sympathy and disinterestedness. Wherever I turned I was met by pleasant looks and honied words, everybody seemed to consider me with favor, and I was in great danger of believing that the world was all sincerity and Miss Mildred all perfection. The idea that I shone in the reflected glitter of my father’s gold never occurred to me. Too much accustomed to the appliances of wealth to bestow a thought upon them; entirely ignorant of the want and consequently of the value of money, I could not suppose that other people prized what to me was a matter of such perfect indifference, or that the weight of my purse gave me any undue preponderance in the scale of society. Proud, haughty and self-willed as I have been, yet my conscience acquits me of ever having valued myself upon the adventitious advantages of wealth. Had I been born in a hovel I still should have been proud:—proud of the capabilities of my own character,—proud because I understood and appreciated the dignity of human nature,—but I should have despised myself if, from the slippery eminence of fortune, I could have looked with contempt upon my fellow beings.

“But I was spoiled, Emily, completely spoiled. There was so much temptation around me,—so much opportunity for exaction and despotism that my moral strength was not sufficient to resist the impulses of wrong. With my head full of romantic whims, and my heart thrilling with vague dreams of devoted love and life-long constancy; a brain teeming with images of paladin and troubadour, and a bosom throbbing with vain longings for the untasted joy of reciprocal affection,—I yet condescended to play the part of a consummate coquette. But, no; if by coquetry be meant a deliberate system of machinations to entrap hearts which become worthless as soon as gained, then I never was a coquette, but I certainly must plead guilty to the charge of thoughtless, aimless, mischievous flirtation. If the Court of Love still existed,—that court, which, as you know, was instituted in the later days of chivalry, and composed of an equal number of knights and dames, whose duty it was to try all criminals accused of offences against the laws of Love; if such a tribunal still existed, I think it might render a verdict of wilful murder against a coquette, while only manslaughter could be laid to the charge of the flirt. The result of both cases is equally fatal, but the latter crime is less in degree because it involves no malice prepense. Do not misunderstand me, Emily, I do not mean to exculpate the lesser criminal; for if the one deserves capital punishment the other certainly merits imprisonment for life, and, next to the slanderer, I look upon the coquette and habitual flirt as the most dangerous characters in society. Yet I believe that many a woman is imperceptibly led to the very verge of flirtation by a natural and even praiseworthy desire to please. The fear of giving pain when we suspect we possess the power, often gives softness to a woman’s voice and sweetness to her manner, which, to the heart of a lover, may bear a gentler interpretation. Among the chief of our minor duties may be ranked that of making ourselves agreeable; and who does not know the difficulty of walking between two lines without crossing either? You think I am saying all this in exculpation of my past folly, and perhaps you are right.

“I was just nineteen, and in the full enjoyment of my triumphs in society, when I officiated as your bridesmaid. I must confess, Emily, that the marriage of such a pretty, delicate creature, as you then were, with a man full twice your age, in whose dark whiskers glistened more than one silver thread, and on whom time had already bestowed a most visible crown, seemed to me one of the marvels of affection for which I could not then account.”

“Now you are taking your revenge, Mildred, for my saucy question respecting your husband; but if you can give as good a reason for your choice as I found for mine, I shall be perfectly satisfied.”

“Let me gratify my merry malice, ladye fair; time has shown some little consideration for you in this matter, for, while he has left no deeper impress on your husband’s brow, he has expanded the slender girl into the blooming, matronly-looking woman. You are now well matched, Emily, and your husband is one of the handsomest men of—his age.”

The arch look of the speaker interpreted the equivocally-worded compliment, and, with a joyous laugh, Mrs. Heyward resumed:

“It was about the time of your marriage, and shortly before your departure for Europe, that I became acquainted with Frank Harcourt. You must remember his exceeding beauty. The first time I beheld him, Byron’s exquisite description of the Apollo Belvedere rose to my lips:

——“In his delicate form,—a dream of Love

Shaped by some solitary nymph, whose heart

Longed for a deathless lover from above

And maddened in that vision, is exprest

All that ideal beauty ever blessed

The mind with in its most unearthly mood.”

His admirable symmetry of form, and a face of such perfect contour, such exquisite regularity of feature, that its semblance in marble might have been valued as a relic of Grecian ideal beauty, were alone sufficient to attract the admiration of such a lover of the beautiful as I always have been; but the charm of perfect coloring, the effect of light and shade was not wanting in this finished picture. His full dark eye sparkled beneath a snow-white forehead,—his cheek was bronzed by exposure and yet bright with health,—his lips were crimson and velvet-like as the pomegranate flower,—his teeth white as the ocean pearl,—his raven curls fell in those rich slight tendrils so rarely seen except on the head of infancy,—while the soft and delicate shadowing in his lip and chin resembled rather the silken texture of a lady’s eyebrow, than the wiry and matted masses of hair usually cherished under the name of whiskers and moustache.”

“You are quite impassioned in your description, Mildred; what would your husband say if he were to hear you?”

“He would agree with me in thinking that Frank Harcourt is the most beautiful specimen of humanity that ever presented itself to my admiring eyes.”

“He has less jealousy then in his nature than most of his sex.”

“A man has little cause to be jealous of a rival he has so utterly discomfited.

“Harcourt soon professed himself my admirer and need I say that his attentions were by no means displeasing to me. The buzz of admiration which met my ear whenever he appeared,—the delight with which ladies accepted his slightest civilities,—the manœuvres constantly practised to secure his society, all tended to render me vain of his homage. Had he been merely a beautiful statue,—a rich but empty casket, I should soon have become weary of my conquest. But Harcourt possessed a mind rather above mediocrity, fine taste, elegant manners, and, what was especially useful to him, great skill in decyphering character and consummate tact in adapting himself to its various peculiarities. When those beautiful lips parted only to utter the language of high-toned sentiment, or to breathe the impassioned words of Byron and Moore,—when those bright eyes glistened with suppressed tears at the voice of melancholy music, or sparkled with merry delight at the tones of gayety; when that fine person swayed itself with inimitable grace to the movements of the mazy dance, or bent its towering altitude with gentle dignity over the slight form of some delicate girl, it is not strange, that, even to my eyes, he should seem all that was noble and majestic in mind as well as person. Flattered by his courtly attentions, congratulated by my fashionable friends, and captivated by his brilliant qualities, my imagination soon became excited to a degree which bore a strong semblance to affection. He offered me his hand and was accepted. You look surprised, Emily; I thought you knew that I was actually engaged to him.”

“Indeed I did not, Mildred, and I regret now to learn that such was the case. There is something to me very wrong,—I might almost say disgraceful in the disruption of such bonds; and the levity with which young ladies now make and break engagements, argues as ill for the morality of society, as does the frequency of bankruptcies and suspensions.”

“I agree with you, Emily, and since it has become the fashion to consider the most solemn obligations only as a strait-laced garment which may be thrown off as soon as we can shut out society from our solitude,—since women pledge their hands without even knowing whether they have such an article as a heart to accompany it,—since men with equal ease repudiate their debts and their wives, I am afraid the next generation has little chance of learning morality from their parents. But sometimes, Emily, the sin is in making not in breaking the engagement. However, hear my story, and then judge.

“All the world knew that I was affianced to the handsome Frank Harcourt, and I was quite willing to enjoy my triumph as long as possible, before I settled myself down to the dull routine of domestic life. This disposition to defer my marriage might have led me to suspect the nature of my feelings, for no woman will ever shrink from a union with one to whom her soul is knit in the close bonds of affection. My lover was respectably connected, but had been educated for no profession and was not possessed of fortune. He had left his native village to find employment, and, as he hoped, wealth, in the busy mart of the Empire state. How he managed to satisfy my father, who, in the true spirit of an old Dutch burgomaster, looked upon every man as a rogue if he did not possess some visible occupation, I never could discover. He probably flattered his self-love by listening to all his schemes for the reformation of society; and, I am not sure that he did not draw up the constitution and by-laws of a certain association which my father wished to establish,—to be entitled a “Society for the Encouragement of Integrity among men of Business,” and of which the old gentleman meant to constitute himself president.

“It was agreed that our marriage should take place at the expiration of a year, and my father (who was as fond of coincidents as a newspaper editor) declared that on the very day of our nuptials, the name of Harcourt should be added to the very respectable firm of Marchmont, Goodfellow & Co. About this part of the arrangement I cared very little. I enjoyed the present moment, and lavished my time, my thoughts and my feelings as foolishly as I did the gold with which my father supplied me. I was a mere child in my knowledge of the duties of life, and perhaps there never was one of my age to whom the word ‘responsibility’ was so mystical a sound.

“I soon discovered that I had a serious rival in the affections of my future husband. Frank Harcourt loved himself far better than he did his mistress; and though his tact enabled him to avoid any offensive expression of this Narcissus-like preference, it was still very perceptible to me. Yet how could I blame him when I looked upon his handsome person? Indeed I often found myself quoting Pope’s celebrated couplet, but with a difference,

“If to his share a coxcomb’s errors fall,

Look in his face and you forget them all.”

The truth was, that my vanity induced me to excuse his weakness. I was proud of exhibiting, as my lover, the man whom all admired; and I felt redoubled satisfaction in hearing him applauded by the very people who had already bestowed on me the meed of praise. I was even so foolish as to be vain of his costume, and although I knew that he wasted hours upon the adornment of his person, I delighted to see him appear attired in that manner, so peculiarly his own, which gave a graceful negligence to a toilet the most soignée and made a fanciful poet once style his dress ‘an elegant impromptu.’ Like some other (so-called) impromptus, many a weary hour had been bestowed upon the task of making it seem extemporaneous.

“The only one of Frank Harcourt’s family with whom I then became acquainted, was his cousin Louis Heyward, and, among the whole circle of my acquaintances, there was no one whom I so cordially disliked. His form was diminutive and slightly misshapen, while his face would have been positively ugly, but for the effect of a pair of large, dark, soft eyes which seemed to speak a more fluent language than his lips. His manners were cold, quiet and indifferent; he mingled but little in society, and I think our well-filled library and my music alone induced him to conquer his reserve sufficiently to become one of my habitual visiters. To me he was always polite and gentlemanly but no more. He never flattered,—never even commended, though he often looked as if he would have censured, had he felt himself privileged to do so. Frank used to take great pains to bring him out into company, (Heaven forgive me if I wrong him in believing now that he wanted him as a foil to his own exceeding beauty,) but, excepting at our house, Louis was rarely seen in society. He had devoted himself to the gospel ministry, and, in order to support himself independently during the period of his theological studies, he had engaged to give instructions in some of the higher branches of education, at one of our principal schools. In fact Louis Heyward was only a poor student, a school-master,—yet he dared to criticise the conduct of the flattered and spoiled Mildred Marchmont; and he alone,—of all the gifted and the graceful who bowed before her power,—he alone—the deformed, the unlovely—seemed to despise her influence.”

“Pray how did you discover that he was actuated by such feelings? he surely did not venture to disclose them?”

“No, Emily; he was usually silent and abstracted in my presence. His relationship to Frank, placed him at once on a familiar footing in our family, and, we soon became accustomed to his somewhat eccentric manners. When not listening to my harp or piano, he was often occupied with a book, seeming utterly regardless of every one around him. But, often, when I have been sitting in the midst of an admiring circle of ‘danglers’ bestowing on one a smile, on another a sweet word, on another a trifling command, and, in short, playing off the thousand petty airs which belles are very apt to practise in order to claim the attentions of all around them,—I have stolen a glance at that cold, grave countenance, and there has been such severe expression in his speaking eyes,—such a smile of contempt on his pale lip, that I have blushed for my own folly even while I hated the cynic who made me sensible of it. I was constantly disputing with him about trifling matters of opinion, and I delighted in uttering beautiful fallacies, which I knew he would contradict. It was a species of gladiatorial game which I enjoyed because it was new and exciting. I had been so long accustomed to assent and flattery that it was quite refreshing to meet with something like opposition, which could arouse the dormant powers of my mind. The information with which my early reading had stored my memory,—the quickness of repartee which generally belongs to woman,—the readiness to turn the weapon of the assailant with a shield for our own weakness which is so very feminine a mode of argument,—all afforded a new gratification to my vanity, and while I heartily disliked the disputant, I yet eagerly sought the dispute. Louis at length discovered my motives for thus seeking to draw him into discussions, and, after that, no provocation could induce him to enter into a war of wit with me. In vain I uttered the most mischievous sophistries,—in vain I goaded him with keen satire; he smiled at my futile attempts, as if I were a petted child, but deigned me no reply. It was not until then that I estimated the treasures of his gifted mind, for when he no longer allowed himself to be drawn from his reserve,—when his fine conversational powers were no longer exerted, I felt I had lost a positive enjoyment which when in my possession I had scarcely thought of valuing.

“I happened one afternoon to be walking on the Battery with the two cousins, when we overtook an acquaintance who was unattended, except by a young brother. We immediately joined her, and, with a feeling of gratified vanity, (knowing that she had once diligently sought to attract Mr. Harcourt,) I stepped back, and taking the arm of Louis, left the lady in uninterrupted possession, for a short time, of my handsome lover. There was a mean and petty triumph in my heart at which I now blush, and, as I looked up into the face of my companion, after performing the manœuvre, I was almost startled at the stern contempt which was visible in his countenance.”

“ ‘Come, Mr. Heyward, do make yourself agreeable for once,’ I exclaimed, with levity, ‘do tell me you are flattered by my preference of your society.’

“ ‘I never utter untruths,’ was the cold reply.

“My first impulse was to withdraw my arm from his, but I restrained myself, and flippantly said:

“ ‘You are as complimentary as usual, I perceive.’

“ ‘Would you have me to feel flattered by being made the tool of your vanity, Madam?’ said he, while his cheek flushed and his eye sparkled; ‘do I not know that you only sought to gratify a malicious triumph over your less fortunate rival?’

“A denial rose to my lips, but my conscience forbade me to utter it. I was perfectly silent—yet, perhaps, there was something of penitence in my countenance, for he immediately added:

“ ‘Good Heavens! Mildred,—Miss Marchmont, I mean—what capabilities of mind,—what noble characteristics of feeling you are daily wasting in society! How rapidly are the weeds of evil passion springing up amid the rich plants of virtue which are still rooted in your heart! How awful is the responsibility of one so nobly gifted as yourself!’

“ ‘What do you mean, sir?’ exclaimed I, startled at his earnestness.

“ ‘Have you never read the parable of the unfaithful steward who hid his talent in the earth?’ was his reply: ‘God has given you beauty and mental power, and wealth and influence; yet what is your beauty but a snare?—What are your talents but instruments to gratify your vanity? Where is your wealth expended if not in ministering to your luxuries? What suffering fellow-being has ever been cheered by your sympathy?—or what weak and erring mortal has ever been strengthened in duty, or wakened to virtue by your influence?’

“I cannot describe how deeply I was shocked and pained at these impressive words. An emotion resembling terror seized me;—I was actually alarmed at the picture they abruptly presented to my view.

“Louis continued: ‘Forgive me, Miss Marchmont, if I have trespassed beyond the limits of decorum. I speak the language of truth,—a language you are but little accustomed to hear; but my conscience and my heart have long reproached my silence.’

“ ‘You are a severe judge, Mr. Heyward,’ said I, with a faint attempt at a smile; and just at that moment we were interrupted by some jesting remarks from the party who preceded us. No opportunity was afforded for renewing our conversation; but as we approached home, Louis lingered so as to secure a moment’s time, and said in a low voice:

“ ‘I will not ask you to forgive my frankness, Miss Marchmont, for something tells me that the time will come when you will not resent my apparent rudeness. I owe to you some of the happiest, and, it may be, some of the saddest moments of my life. Before we part, I would fain awaken you to a sense of your own true value, for amid all the frivolities which now waste your life, I have discovered that you were born for better things.’ As he uttered these words, we found ourselves at my father’s door, and with a cold bow he turned away.

“That night I was engaged to attend a brilliant ball, but my spirits were depressed, and my brow clouded by unwonted sadness. Whether wheeling in the giddy dance, or gliding with light words and lighter laugh amid the groups of pleasure-seeking guests, still the deep voice of Louis Heyward rung in my ears; and the words ‘you were born for better things,’ seemed written upon everything that I beheld.

“ ‘You are triste to-night, ma belle,’ said Frank Harcourt, as he placed me in the carriage to return home: ‘I shall be quite jealous of my crooked cousin, if a tête-à-tête with him has such power to dim your radiance.’

“Many a truth is uttered in the language of mockery. That walk with Louis had become an era in my life. How I longed to weep in solitude! The weariness and satiety which had long unconsciously possessed me,—the unsatisfied cravings for excitement, which had long been my torment, now seemed to me fully explained. Louis Heyward had unfolded to me the truth,—he had revealed the secret of my hidden discontent, when he told me I was born for better things. I had ‘placed my happiness lower than myself,’ and therefore did I gather only disappointment and vexation. Why did I not utter these thoughts to my affianced lover? Why did I not weep upon his bosom and seek his tender sympathy? Because I instinctively knew that he would not understand me. The charm which enrobed my idol was already unwinding, and I had learned that there were many subjects on which there could exist no congenial sentiments. For the first time in my life, I began to reflect; and, with reflection, came remorse for wasted time and ill-regulated feelings. Like the peasant girl in the fairy tale, mine eyes had been touched with the ointment of disenchantment, the illusion which had made life seem a scene of perfect beauty and happiness was dispelled forever, and I now only beheld a field where thorns grew beneath every flower, and a path where duties were strewn far more thickly than pleasures.

“A circumstance which soon after occurred confirmed my melancholy impressions. Do you remember little Fanny Rivers whom my mother took while yet a child, with the intention of making her my confidential servant and dressing-maid? She was about my age, and had grown up to be very pretty,—with one of those sweet, innocent, child-like faces, which are always so lovely in woman. Soon after your marriage she abruptly left my service, and much to my regret I was unable to obtain any trace of her. At the time of which I have just spoken, however, I received a note from her. She was sick and in distress, and she requested from me some pecuniary aid. I did not receive the appeal with indifference, and instead of merely sending her assistance I determined to seek her in person. I found her residing with a relative, a poor washerwoman, and as I sat by the sick bed of the young invalid, I for the first time beheld, with my own eyes, the actual life of poverty. Hitherto I had been lavish of money in charity, from a thoughtless and selfish wish to avoid the sight of suffering, but now I learned to sympathise with the poor and unhappy. Poor Fanny was dying with consumption, and daily did I visit her humble apartment, led thither as much by my morbid and excited feelings as by my interest in the failing sufferer. But it was not till she was near her death-hour that she revealed to me her painful story. Never shall I forget her simple words:

“ ‘I used to think ma’m, that nothing was so desirable as fine clothes, and when I saw you dressed in your beautiful silks and satins, I used to cry with envy because I was only a servant. As I grew older this wicked feeling increased, and often when you had gone to a party, I have locked myself in your dressing-room, and put on your laces, and flowers and jewels, just to see how I should look in such fine dress. I felt very proud when the large glass showed me that I looked just like a lady; but it only made me more envious and unhappy. At last my hour of temptation came. One,—whose name I have sworn never to reveal,—came to me with promises of all that I had so long wanted. He offered me silk dresses, and plenty of money, and said I should have servants to wait on me if I would only love him. He was so handsome, and he brought me such costly presents,—he talked to me so sweetly and pitied me so much for being a servant when I ought to be a lady, that I could not refuse to believe him. He told me I should be his wife in the sight of Heaven, and he ridiculed what he called my old-fashioned notions, until he made me forget the prayers which my poor mother taught me and the Bible which she used to read to me. I was vain and so I became wicked. I sold my happiness on earth and my hopes of Heaven hereafter, for the privilege of wearing fine clothes; for indeed, Miss Mildred, I never was happy after I left your house.’

“I sought to learn no more of poor Fanny’s history, Emily; I scarcely heard the tale of her subsequent desertion and destitution. My conscience was awakened, and fearfully did she knell in my ears my own condemnation. ‘Who made ye to differ?’ asked my heart, as I gazed on this victim to vanity and treachery. Who taught this fallen creature to value the allurements of dress beyond the adornment of innocence? Who sowed in her bosom the seeds of envy and discontent, and nurtured them there until they bore the poisoned fruit of sin? Was I guiltless of my brother’s blood? Had not I been the first tempter of the guileless child? Here, then, was an evidence of my influence;—how fatally exercised!

“Emily, I have repented in tears and agony of spirit:—I have prayed that this weight of blood-guiltiness might be removed from my soul; and I humbly trust my prayer has not been in vain:—but even now my heart sickens at the recollection of the being whom my example first led astray. It was at the bedside of the dying girl,—when my spirit was bowed in humble penitence—that the words of religious truth first impressed themselves upon my adamantine heart. I had listened unmoved to the promises and denunciations of the gospel, when uttered from the pulpit; but now, the time, the place, the circumstance gave them tenfold power. I visited Fanny Rivers daily, until death released the penitent from her sufferings, and then, I fell into a deep melancholy from which nothing could arouse me, and for which no one could account.

“Frank Harcourt was annoyed and vexed at this change. He earnestly pressed our immediate marriage, and talked about a trip to Paris as an infallible cure for my ‘nervous excitement.’ But in proportion as my better feelings were awakened, my attachment to him decreased, until I actually shrunk from a union with him. He now appeared to me frivolous in his tastes, and the light tone with which he spoke of moral duties, though often listened to as an idle jest, in calmer times, now offended and disgusted me. In vain I tried to recall my past feelings. In vain I gazed upon his exquisite face and watched the movements of his graceful form, in the hope of again experiencing the thrill of pleasure which had once been awakened by his presence. The flame had been kindled at the unholy shrine of vanity, and already the ashes of perished fancies had gathered over it to dim its brightness. I could no longer cheat myself into the belief that I loved Frank Harcourt. He was still as glorious in beauty,—still the idol of society; but the spell was broken, and I looked back with wonder to my past delusion.

“You will ask where, during all these changes, was Louis Heyward. The very day after the conversation which had so awakened my remorse of conscience, he bade me farewell, having been summoned to take charge of a small congregation, and to ‘build up a church in the wilderness.’ I would have given much for his counsel and his sympathy, but he was far away, absorbed in noble duties, and had probably ceased to remember with interest, the being whom his one true word had rescued from destruction. I was exceedingly wretched, and saw no escape from my unhappiness. The approach of the period fixed upon for my marriage only added to the horror of my feelings, and I sometimes fancied I should be driven to madness.

“But the dénouement,—a most unexpected one—came at length. The aunt of poor Fanny, who was very grateful for my attentions to the unhappy girl, accidentally heard that I was on the point of marriage with Mr. Harcourt, and, instigated no less by revenge than by a sense of gratitude to me, she revealed to me the name which Fanny had sworn, and she had promised to conceal. You can imagine the rest, Emily. With the indignant feeling of insulted virtue and outraged womanhood, I instantly severed the tie that bound me to him. Did I not do right in breaking my engagement?

“More than two years passed away. I had withdrawn from the follies, though not from the rational enjoyments of society; and, having joined myself to the church, I endeavored to live in a manner worthy of my profession. Alas! all my good deeds were insufficient to make amends for my wasted years and baleful example. The world ceased, at last, to wonder and ridicule my sudden reformation, (which they kindly attributed to my lover’s fickleness,) and I was beginning to enjoy the peace of mind, always attendant on the exercise of habitual duty, when I was surprised by the intelligence that Louis Heyward had been chosen to succeed the deceased pastor of our church. The day when he preached his first sermon for us will long live in my remembrance. Associated, as he was, with my brightest and my darkest hours, I almost feared to see him, lest the calm of my feelings should be disturbed by painful recollections. But he now appeared before me in a new and holier light. He was a minister of truth unto the people, and as I watched the rich glow of enthusiasm mantling his pale cheek, and the pure light of zeal illumining his dark eyes, I thought there was indeed ‘a beauty in holiness.’

“Do not think I was in love with our young pastor. I fancied that my heart was dead to such impressions, and it was only with quiet friendship that I greeted him when he renewed his acquaintance with her whom he had once known as the glittering belle of a ball-room. I saw him frequently, for I now understood the value of wealth and influence when they could be made subservient to the interests of religion and humanity. My purse as well as my time was readily bestowed for the good of others. Always in extremes, I was in danger of running into the error of fanaticism, and I owe it to Louis that I am now a rational, and I trust, earnest Christian. But a long time elapsed after this renewal of our intercourse before I was permitted to read the volume of his heart. It was not until he was well assured that the change which he beheld was the result, not of temporary disgust with the world, but of a thorough conviction of error, that he ventured to indulge the affections of his nature. He had loved me, Emily, during my days of vanity and folly. His cold, stern manner was a penance imposed upon himself, to expiate his weakness, and while he strove to scorn my levity, he was, in fact, the slave of my caprice. But he crushed the passion even in its bud, and forced himself to regard me only as his cousin’s bride. Yet the glimpses of better feelings which sometimes struggled through every frivolity, almost overcame his resolution, and the conversation which first awakened me to reflection, was the result of a sense of duty strangely blended with the impulses of a hopeless passion.

“Perfect confidence now existed between us. My external life had been almost an unbroken calm, but my heart’s history was one of change and tumult and darkness. Louis wept,—aye, wept with joy, when he learned that his hand had sown the good seed within my bosom. It is Madame de Stäel who says that ‘Truth, no matter by what atmosphere it is surrounded, is never uttered in vain;’ and I am a living proof that she is right. I have now been five years a wife; and, though my husband has not a face that limners love to paint and ladies to look upon,—though his form is not moulded to perfect symmetry, and his limbs lack the graceful comeliness of manly strength,—in short,—though he is a little, ugly, lame man, yet I look upon him with a love as deep as it is enduring, for the radiant beauty of his character has blinded my feeble eyes to mere personal defects. Frank Harcourt was the sculptured image,—the useless ornament of a boudoir, but Louis,—my own Louis is the unpolished casket,—rude in its exterior, but enclosing a pearl of price,—the treasure of a noble spirit.”

“And what has become of your former lover?”

“He is the ornament of Parisian saloons; living no one knows how, but suspected to be one of that class, termed in England, ‘flat-catchers,’ lending the aid of his fine person and fascinating manners to attract victims to the gaming-table. He is said to be as handsome as ever,—dresses well, and is the admiration of all the young ladies as well as the dread of all the mammas who are on the watch to avoid ‘ineligibles.’ And now that you have heard my story, Emily, are you still surprised at my choice?”


THE BLUE VELVET MANTILLA.

———

BY MRS. A. M. F. ANNAN.

———

“I do admire

Of womankind but one.”

John Gilpin.

“So then, Julius, you are at last a lawyer, out and out?—how did you pass your examination?”

“Just to please myself, uncle, I wasn’t stumped once.”

“Bravo! I am glad to hear it; that was exactly following my example. Before I got through, they tried hard to pose me, but I was an overmatch for them. I would have made a capital lawyer, Julius, had I chosen to practise.”

“What a pity you did not, uncle!”

“Yes, that’s what all my friends say, and that, if I had not been too rich to need it, they would have given me all the business in their power,—every cent’s worth of it. Many of them wish that I had been poorer, that I might have been of greater service to the public.”

“What kind friends you must have, sir!”

“You rascal! I see that you are laughing at me. However, I intend to take you for my raw material, and make of you everything that I have failed to be myself. In the first place, you are to rise to the height of the profession here, in this very city, to make amends for my not having attained the station.”

“But the opposite reason to yours will forbid my accomplishing that, my dear sir,—too light a purse, is, in the generality of cases, a greater obstacle than one too heavy.”

“An ingenious lawyer, to presume that, when I employ you to do my work for me, I expect you to go upon your own means! why, my worshipful attorney, you must live here with me, in my own house, and make use of my own purse. It is my place to pay the expenses.”

“Dear uncle! how kind you are! how generous!—I can never be sufficiently grateful⁠—”

“Spare your eloquence to plead my causes for me!—we lawyers know how much speeches ought to go for, so I want none of them here, just now. Am I not telling you that you are to work for me in return?—and I wish you to fulfil another of my duties towards society.”

“Anything in the world, uncle, after all the kindness⁠—”

“Poh! it’s not any uncommon task I wish you to undertake. It is only to marry a wife and to raise a family. You may imitate me in everything but in being an idler, and an old bachelor.”

“Why, everybody thinks you, sir, the happiest, most independent, most contented old bachelor in the world. Quite an enviable person.”

“I am not at all to be envied, Julius. As to being happy,—that’s all a sham. I have never been contented since they called me an old bachelor. No, no,—you must have a wife. I have picked one out for you.”

“Indeed! pray who is she, uncle?”

“One of the loveliest girls in the city,—your cousin Henrietta Attwood.”

“Etty Attwood! the pretty little second-cousin who used to come sometimes to visit us when I was a boy! I remember her well;—the most beautiful, sweetest tempered child in the world; with bright brown eyes, and flaxen ringlets curling over her shoulders and down to her waist! if she is as charming a woman as she was a child, I have not the shadow of an objection. I used to call her my little wife then, and the first poetry I ever perpetrated, was some stanzas addressed to her on her birthday.”

“Yes, she has shown them to me more than once; she remembers you as well as you do her, and often inquires of me about her cousin and old play-fellow, Julius Rockwell.”

“But do you think she would have me, uncle?”

“Why shouldn’t she?—you are plaguy good-looking,—you know that well enough,—very much like what I was at your age; you have sense plenty,—that is, if you are not a degenerate shoot of your family; if you have not, you must acquire it; you have formed no bad habits, I hope;—if you have, I must cane them out of you. And Etty will do whatever I bid her,—I know she will. She is aware that I was looking for you, and will expect you to call to see her immediately.”

“I shall be delighted to do so; can you take me this evening, uncle? But how does it happen that she is in the city? Her parents, I believe, reside in the country still.”

“She is with her aunt, Mrs. Attwood, a rich widow, who having married off all her own daughters, has begged a share of her time for the sake of her company. She is very much of a belle, but if you manage properly, you and she will make a match of it in less than six months, or my name is not Herman Holcroft. You must then live with me. I begin to feel lonesome as I grow old, and, you perceive, I have house-room for twenty more.”

“My dear uncle, you are too kind!”

“Stop a moment! remember it is only on condition you bring Etty with you; I don’t know that I would like any one else. So I will go with you, and introduce you to-night. I was afraid you would have to wait to be provided with a new suit, but am agreeably disappointed. You look not only genteel but fashionable. Your country tailors must be on the march of improvement.”

“Oh! since steam-engines are so abundant, no one need be behind the fashions, unless he chooses;—but, uncle,—look here, quick!—Ah! she has gone around that corner!”

“Who?—what is it?” asked the old bachelor, hastily rising from his superb, damask covered rocking chair, to approach the window.

“A young lady,—the loveliest, brightest⁠—”

“Pho!” returned Mr. Holcroft, sinking again into his cushions with a look of disappointment; “why I see thousands of lovely, bright-looking girls passing here every day, and so it has been for the last twenty years. That, I suppose, is one reason why I have not married. I never could get one pretty face fixed in my heart, before a hundred others presented themselves to drive it away.”

The windows of the apartment, in which the gentlemen sat, opened upon one of the most noted thoroughfares on this side of the Atlantic, which at that hour, was crowded by an unusually brilliant throng of the fair and the gay, called out by the bright sunshine of a clear December afternoon, to exhibit, each, her new assortment of winter finery. During the foregoing dialogue, young Rockwell had not been so much occupied as to be unable to throw an occasional glance into the street, and the one which preceded his exclamation, had been met by a pair of radiant eyes, with an expression so cordial and familiar, that he was quite startled,—and the more easily, that they belonged to one of the most beautiful faces and one of the richest costumes that he had noticed on the crowded pavé. “I could never have seen her before,—no, I never did,”—said he to himself, and the passage of Moore so generally known to the sentimental and romantic youths, who sigh in our language, came into his mind:⁠—

“As if his soul that moment caught

An image it through life had sought;

As if the very lips and eyes,

Predestined to have all his sighs,

And never be forgot again,

Sparkled and smiled before him then.”

“That is a favorite excuse with you old bachelors,” said he, at length, remembering that a reply might be expected to his uncle’s last observation; “but this young lady,—such a face could not be easily driven away! I wonder who she can be?—perhaps you know her,—she is evidently one of your élite, but I can’t describe her; one thing I noticed, however, she had on a blue velvet—, what is the name of those new articles?—neither a cloak nor a shawl;—you understand what I mean, uncle.”

“A mantilla, you block-head!” replied the old bachelor, consequentially, as if proud of being so far read in women’s gear.

“Yes, a mantilla,—a blue velvet mantilla, worked in yellow figures.”

“Embroidered in gold color, or straw, or canary, or lemon, the ladies say,” returned Mr. Holcroft, in a tone of correction; “there are plenty of blue velvet mantillas, and how am I to know which you mean?”

Julius admitted that it might be rather difficult, and looked out of the window with renewed interest, while his uncle kept up a rambling discourse which required no reply. In a few moments the blue mantilla again appeared, another witching glance was thrown upon him, and snatching up his hat, without a word of explanation or excuse, he darted from the room. Immediately after, a fine looking young man entered, and was saluted by the name of Elkinton, by Mr. Holcroft, who sat wondering at his nephew’s sudden disappearance.

“Has Rockwell arrived, Mr. Holcroft?” asked the visiter.

“Yes,—did you not meet him at the door?—he reached this an hour or two ago, and has just bolted out as if life and death depended on his speed. I suppose he saw something wonderful in the street. These rustics, when they come to town, are always on the stare for novelties. A fire-bell startles them as much as an earthquake would us. But won’t you sit down?—he will be back again in a few minutes, no doubt.”

“Thank you, I have not time to wait. I merely called in to see if he had come. Perhaps I may find him in the street.”

Meanwhile Julius was eagerly tracing the fair unknown, and unpractised as he was in threading the mazes of a city crowd, he found little difficulty in gaining upon the light, quick step he followed. But at length, as he joyfully held, his good genius befriended him. She was stopped by a distinguished looking girl, whose tall figure, dark eyes, and black hair, contrasted strongly with her own rather petite proportions, hazel eyes and ringlets of light brown. He came up in time to hear the lady of his pursuit say to the other, “I half expect visiters this evening, but should they not call, I shall go certainly. I believe it is the Vandenhoffs’ benefit, and, no doubt, a treat may be looked for.”

Just then a carriage drew up to the curbstone, and an elderly lady called from it, “I have half a notion to make you both walk home;—I have been driving up and down street for an hour, expecting to meet you. Get in,—quick!”

The steps were let down, and the black-eyed damsel was handed in. Her companion was about to follow, when, glancing over her shoulder, she beheld our hero. She paused, half-smiled, blushed, and springing into the carriage, was driven off, and out of sight in a moment, while Julius stood transfixed where she left him. He was aroused by a hand laid on his arm, and turning, he exclaimed, somewhat abashed at being found in a position so equivocal, “Is it possible, Elkinton!”

“My dear Rockwell! I am rejoiced to see you! I almost passed without recognising you; I could scarcely have expected to meet you, fresh from the country, standing in a brown study, in the most crowded square of the city!”

The two young men had been classmates at college, and though a regular correspondence had not been kept up between them, they were always the warmest of friends whenever they chanced to meet. They turned to walk together towards Mr. Holcroft’s.

“Pray, Elkinton, do you know any lady who wears a blue velvet mantilla?” asked Julius as soon as politeness allowed him to introduce an extrinsic subject.

“Very probably I may, but I never recollect ladies by their dress, as I seldom pay the slightest attention to it. What sort of a lady do you mean?”

“A young, very beautiful one, with bright complexion, clear hazel eyes and sunny tresses.”

“I know several such,—you may see plenty of them passing any hour; but what about her?”

“Oh, nothing! only I saw her in the street and was struck with her appearance.”

“Pshaw! you will be struck ten times a minute if you are on the look-out for beauty. For my part, I have given up looking at the ladies in general.”

“Then it must be because you are engrossed by one in particular.”

“Right, and I’ll introduce you to her for old acquaintance sake. Don’t you remember our standing argument, that neither of us would marry without a communication to, and a consultation with, the other?”

“Of course,” replied Julius abstractedly; “I must try to find out who she is.”

“You shall know all about her, my Julius, and become acquainted with her; as soon as you are at leisure, I should like to have your impression of my choice,” returned Elkinton cordially; of course alluding to his own lady love; “but I have not time to talk longer, just now. I’ll call to see you in the morning.”

“Stay, at which house are the Vandenhoffs to perform to-night?” asked Julius, detaining him.

Elkinton named the theatre and hurried away.

On returning to his uncle, there being visiters present, no questions were asked about his absence, and when they were again alone, the old gentleman desired him to have himself in readiness to call on his cousin, Miss Attwood, after tea. With some hesitation, he excused himself. “Perhaps you would like to go to see the Vandenhoffs, as this is their last night,” said Mr. Holcroft, presuming that to be his objection; “if so, by going early to visit Etty, we may have a chance to take her along, if she is not engaged. You need not mind being out of etiquette, as I shall propose it myself.”

Still Julius demurred about the visit, and added, “It was my intention to go to the theatre, but I should prefer going alone.”

“Going alone!” repeated the old gentleman, looking at him scrutinizingly; “that is altogether wrong, Julius. A young man should not, if possible, appear at a place of amusement, which ladies are sanctioned to attend, without having one along. They are a protection from improper associations, and add greatly to the respectability of one’s appearance. On the present occasion, your attendance on Henrietta Attwood will establish your standing in society at once. She is certainly one of the most admired girls in the city.”

“No doubt of it, uncle; but for my part I never admired dumpy girls.”

“Dumpy girls?—what do you intimate by that, sir? why Etty has one of the most perfect figures I ever saw! she is a very sylph.”

“Indeed! when she was a child, she was very short and fat. At any rate, she must have white hair,—she formerly had,—and I have no great partiality for ‘lint white locks.’ ”

“White hair! what the plague has got into the fellow? she has no such thing. An hour or two ago you were all anxiety that I should take you to see her, and you seem ready to decline going altogether.”

“Excuse me, uncle, but really I don’t feel in the humor for ladies’ society this evening.”

“Oh, very well, sir; consult your own pleasure,” replied the old bachelor in a tone of pique, and took his tea in silence.

Julius noticed it, but though sorry to displease him, was ashamed to confess his motive for wishing to go alone, and, after a few minutes of constraint, in the drawing-room, he set off for the theatre.

He arrived early, and selecting a place which commanded a view of the whole house, he kept his eyes in constant motion from door to door, with the purpose of scanning every group that entered, a feat not easy to accomplish, as an unusual number were thronging the house. At length, a round of applause, on the rising of the curtain, distracted his attention, for a moment, and on again turning round, he beheld in a box near him, the identical blue velvet mantilla, accompanied by an elderly gentleman, and the tall brunette. The best acting of the season was all lost upon him, the one object alone chaining his eyes and his thoughts. She, too, evidently perceived him, while surveying the audience. At the end of the first act, and several times afterward, she met his gaze with conscious blushes, and an apparent effort to repress a smile. He also fancied that some communication on the subject passed between her and her companions.

The play at length was over, and the party rose to go. Julius pushed through the crowd until he found himself beside them. In the press, the mantilla became unfastened, and, unperceived, by its owner, a gentleman set his foot upon it. “The lady’s mantilla, sir!” said our hero, eagerly catching it up. She nodded her thanks with looks half downcast, and confusedly taking it from his hand, wrapped it around her and, in a few minutes, they had reached the door. The old gentleman handed his fair charges into a carriage in waiting, and, saying that he would walk, ordered the servant to drive on.

“Have a hack, sir?” asked a coachman.

“Yes,—follow that carriage,” replied Julius, and springing in, was driven into one of the most fashionable streets of the city. The carriage stopped before one of the handsomest houses in it, and he saw the ladies alight and enter the door. Then discharging his coach, he reconnoitered the house and square, to know them again, and congratulating himself on his discovery, he returned to his uncle’s.

Mr. Holcroft had recovered, in some degree, from his displeasure against the morning, and with a return of his usual manner, he questioned his nephew upon the quality of the past night’s entertainment.

“I can hardly tell, sir; that is,—I believe it was good, sir;” answered he with some incoherence.

“Why, my good fellow, I hope you are not so green as not to know whether a theatrical performance was good or the contrary!” said the old bachelor, staring at him, whereupon the young gentleman felt himself necessitated to be somewhat less abstracted.

After breakfast he took up his hat with unexpressed intention to visit the scene of his discovery, and half formed hopes, and his uncle, having observed that in a stroll through the city he might see some books, or other such matters, which he would like to possess, kindly proffered him funds to purchase them.

Julius thanked him, and answered that he was provided with a sum, naming it, amply sufficient for the expenses of the three or four weeks he had proposed for the length of his visit.

“Don’t forget to be back again at twelve,” said Mr. Holcroft; “against that time I shall want you to go with me to see your cousin Etty.”

“Hang my cousin Etty!” thought Julius, but he said nothing, and, with a bow, he departed. On reaching the place where his thoughts had been all the morning, he examined the door, but could find no name, nor could he see a child or a servant within half a square, of whom he might have obtained information. But, crossing the street in his disappointment, he noticed on the first house before him, a large brass door-plate, inscribed “Boarding,” and actuated by the first suggestion of his fancy, he rang the bell, and inquired if he could obtain lodgings for a short time.

“My rooms are all taken, sir,—that is, all the best apartments,” replied the mistress of the mansion, presuming, from his appearance, that none but good accommodations would answer.

Julius paused a moment, but having gone so far, he concluded not to draw back. “I would be willing to put up with an inferior one, provided it is in the front of the house,” said he.

“The small room, in the third story, over the entrance, is vacant,” said the lady, hesitating to offer it.

“I’ll take it, madam,” he returned, and without further question or examination, he hastened to have his baggage brought. This he executed without the knowledge of his uncle, the old gentleman having rode out after breakfast.

He felt half ashamed of his precipitancy, when he saw his trunks deposited in a chamber, so filled up by a narrow bed, a washstand and a single chair, that there was hardly space enough for them, but on approaching the window, he beheld the blue mantilla descending from the steps of the house opposite, and he regarded himself as fully compensated for the sacrifice.

“Who lives in the house immediately across the way?” asked he of the servant who was arranging the room.

“Mr. Lawrenson, sir,—that gentleman coming out.” It was the old gentleman of the theatre.

“There are a couple of young ladies in the house, are there not?”

“Only one, sir, that I know of,—a great belle among the quality. The gentlemen call her the beautiful Miss Lawrenson.”

Julius was satisfied. He knew the family by reputation, and to have attracted the attention, and commenced a flirtation of the eyes with a beauty so distinguished, he felt was an adventure to be pursued without respect to little inconveniences. He was strengthened in this sentiment by some of the gentlemen at the dinner-table stating, that one of the most prominent ornaments of the dress circle, at the theatre, the night before, was the beautiful Charlotte Lawrenson.

After dinner he watched long for the return of his fair neighbor, an occupation not the most comfortable, as there was no chimney in the room, and therefore no possibility of his having a fire; but she did not again appear, and recollecting that his uncle ought to be informed of his change of quarters, he proceeded to fulfil that duty. On his way he had some misgiving that the old gentleman would not receive his apprisal on the best of terms, and he was projecting some plausible excuse to satisfy him, when the result of his ingenuity was annihilated by his encountering, face to face, the lady of his thoughts,—his heart, as he believed. The same half-smile met him,—there might have been observed an additional expression of familiarity;—the same blush, and he would have turned to follow her again, but his sense of propriety had not so far left him, as to admit of the repetition,—particularly as there was no object to be gained by it. So, satisfied that from his close vicinity, he could have an opportunity of seeing her daily, and of taking advantage of any favorable accident for a better acquaintance, he entered the drawing-room of the old bachelor, who received him with an exclamation of “Where upon earth have you been all this day, Julius?”

“At my lodgings, sir,” replied the youth, having come to the conclusion that it would be best to treat his desertion in the most matter of course way possible.

“Your lodgings!” repeated Mr. Holcroft, in astonishment.

“Yes, uncle; as I don’t like to trouble my friends more than I can help, I decided upon taking boarding, and your absence, when I came to remove my baggage, prevented my informing you of it.”

“What, after I had proposed your taking up your residence in my house, not only during your visit, but during my life time! I need a better excuse than that. Where have you gone?”

Julius named the place.

“One of the most expensive establishments in the city, and one frequented by dandies, roués, and bon vivants,—the very worst sort of society for a young man, who aspires to attaining eminence in one of the learned professions. You might, at least, have consulted me about a place proper for you, even though you had decided upon mortifying me by leaving my house. How long have you engaged to stay?”

“Only a week or two, uncle,” replied Julius, devoutly hoping that no questions would be asked, which would compel him to confess that he had ensconsed himself in the worst apartment in the house.

“I waited dinner for you an hour, after having expected you for two or three to go with me to visit your cousin Etty. However, you can stay to tea, and go with me in the evening.”

“Excuse me, dear sir,—I have a particular reason for declining.”

“What! again?—how do you intend to dispose of yourself?”

“I—I shall stay in my own room, I believe, uncle.”

“You vex and surprise me more and more, Julius. Independent of my earnest desire that you should see your cousin, your duty as a gentleman and as a relative requires that you should make her a visit, and the sooner it is done, the more it will be to your credit.”

“The young lady in question being only my second-cousin, I cannot perceive that there is any duty connected with the matter. Second-cousins, except in cases of convenience, are seldom regarded as relatives at all.”

“Whew! I presume that, after all that, I need not be surprised if you should propose to dissolve the connection between me and yourself! I, a queer, plain, old fellow, will hardly be likely to remain an acknowledged kinsman of one who declines the relationship of one of the loveliest girls that ever the sun shone upon!”

“My dear uncle, I meant no disrespect towards Miss Attwood, much less to you, but really, I have something to attend to, that will debar me from the pleasure of fulfilling your wishes, to-night. I will see you again in the morning. Good evening.”

“I must keep a sharp watch on that youngster,” said the old bachelor to himself; “he can’t have formed an attachment at home, for he appeared delighted, at first, with my proposition for his settlement. As to his leaving my house, it strikes me that it was done for the purpose of escaping my surveillance. I must be careful as to what sort of habits he has formed, before I decide on carrying out my plans. I must go to see Etty this evening myself, and as she will expect some excuse for his not calling, I can tell her that he is diffident,—not used to ladies’ society, or something that way. She has not been here for several days, I presume on his account; so I’ll tell her that he has taken boarding at Mrs. W⁠——’s. I have no notion of being cheated out of my only lady visiter by the ungrateful scamp.” And the old gentleman carried his resolve into execution.

Julius had really told the truth in saying that he intended to remain at home that evening, but he would not for any thing in the world,—except, indeed, the heart under the blue velvet mantilla,—have acknowledged his reason for so doing. The fact was, he had concluded that no time was to be lost in pursuing his advantage, and that, as he had been the poet of his class at college, he might be inspired, if in solitude, to produce a metrical accompaniment for some pretty gage d’amour, to be sent the next morning. His muse not unpropitious, but cabin’d, confined, in his fireless dormitory, his ardour would, no doubt, have abated, had he not, by an occasional glance out of the window, been reminded, by the blue sky and its golden embroidery of stars, of the azure mantilla. Thus refreshed, whenever he found himself flagging, he completed his performance to his full satisfaction, and after copying it on paper perfumed and gilt,—with his washstand for a writing table,—he retired to dream the night into day.

In the morning, as soon as breakfast was over, he set off in quest of his intended gift, and seeing the gorgeous display of exotics, in the window of a celebrated florist, he stopped and selected flowers for a bouquet, the richest and rarest, without regard to cost, and ordering them to be sent immediately to his lodgings, he hastened to meet them there. He was stopped, however, in his course by his friend Elkinton.

“I am glad at the accident of meeting you,” said the latter; “I called last evening and this morning at Mr. Holcroft’s in expectation of your coming in,—the servants having told me yesterday that you had changed your residence. Where do you lodge?—your uncle was not at home, and, consequently, I did not ascertain.”

Julius evaded an answer, afraid of exposing to any acquaintance how comfortless a place he had deposited himself in, and though they had now nearly reached it, he walked off in a contrary direction to avoid suspicion, talking all the while with much more animation than he would have been likely to do in his present state of feeling, if there had not been a strong motive to prompt him.

“Have you any engagement for this evening?” asked Elkinton; “if not, I will take you to see my fiancée, as I promised you the other day. I really wish to have your congratulations on my selection. All the fellows of my acquaintance regard me with envy;—you need not smile,—I say it without vanity or boasting.”

Julius declined without offering an excuse.

“When will you go then?” persisted the intruder.

“I don’t know,—in truth I go very little into ladies’ society at present,” replied Rockwell, with an air of nonchalance.

That his friend should be totally indifferent towards his mistress, is little less unpardonable to a lover, than that he should attempt to rival him in her affections; accordingly Elkinton, after replying coolly, “very well, I hold you to no appointment,” bowed stiffly, and walked away.

Not giving his friend’s change of deportment a thought, Julius hastened to his room, where the flowers had arrived before him, and folded his poetical billet-doux to send with them. How to direct it was the next question, and determining that it would be disrespectful, without his having an introduction, to address it to “Miss Lawrenson,” he substituted, in place of her name, to “The Blue Velvet Mantilla.” He then rang the bell, and giving the waiter who appeared, a liberal douceur to carry it across the street, and leave it for Miss Lawrenson, with the bouquet, he watched at the window until he saw it delivered to a servant at the door.

The other boarders having left the parlors, he took possession of one of the front windows with a newspaper in his hand, and watched every movement across the way. In a short time the tall brunette emerged from the doorway, but her companion of the sunny ringlets did not appear. After dinner she really did present herself,—he was on the watch again;—and he noticed that, before she reached the steps, she glanced across with apparent curiosity, from which he conjectured that she had discovered, by means of the servant, whence the offering had come. And then, when she turned to look again, after she had pulled the bell, he was confident that she recognised his figure at the window. Towards evening he tore himself from his loadstone long enough to saunter out with the object of paying his respects to his uncle, but the old gentleman not being in the house, he did not enter, and returning to his room, he busied himself, as the evening before, in writing verses for a future occasion.

Thus ended one day of folly, and the next was spent in a similar manner, except that he sent a costly English annual, as his second tribute, and, to his surprise and ecstasy, received, in return, by his messenger, a geranium leaf, enclosed in a sheet of rose-colored note-paper, in which was inscribed, in a dainty female hand, the single line,—“From the Blue Velvet Mantilla.”

The third day, he sent a present equally elegant, and employed some of the most skilful members of a famous band to discourse their most elegant music under her window in the night, and he felt not a little flattered, secretly, to hear some of the boarders pronounce it the most delightful serenade ever heard, even in the neighborhood of Miss Lawrenson. But it would be tedious to follow him in his extravagances. He dispensed his flowers, and books, and music, and tasteful bijoux as prodigally as if he had possessed the purse of a Fortunio, until better than a week had passed. During this time he forced himself to call daily on his uncle, and daily declined a visit to his cousin, until the old gentleman, deeply offended, ceased to invite him to his house, and he for the same reason, ceased to go. Elkinton, too, met him once or twice, and, in remembrance of his want of courtesy, passed him with merely a nod, but what was all that, in comparison with the compensation he received from the lady of the mantilla?—sundry glances and blushes, when he chanced to meet her on the street; a wave of her scarf across the window, which could not have been accidental; and above all, two several notes, containing, each, familiar quotations, in her own delicate hand, as answers to some of his impassioned rhapsodies. A new incident, however, brought him somewhat to his senses.

One morning his messenger, on returning, presented him with a note, markedly different, from its bold penmanship, to the others, and on opening it, he read to the following effect.⁠—

“The person, who, for a week past, has been so liberal of his favors to Miss C⁠—— L⁠——, is requested to call this afternoon, three o’clock, at No. 26, —— Hotel, and explain his conduct to one possessed of a right to demand it. Should he not comply, it will be presumed that he is unworthy of being treated as a gentleman, and he shall be dealt with accordingly.”

“From whom did you receive this?” asked he of the servant.

“From Mr. Lawrenson’s footman, sir, who always receives my messages; he said it was given to him by a gentleman who ordered him not to tell his name.”

“Very well; that is sufficient,” said Julius, with considerably more self-possession than if it had contained another quotation or geranium leaf.

What explanation should he make?—was he to meet a father, or a brother? whom? or, what? was he to be called upon to apologize, or to fight? or what was to be done? He could settle none of these questions to his satisfaction, and so he concluded to remain as unconcerned as possible, and be guided by the relative position and deportment of his challenger.

The appointed hour came, and found our hero at the house designated. He asked to be shown to No. 26, and, on rapping at the door, to his surprise, it was opened by Elkinton. The latter, also, looked surprised, but presuming that he had called to atone for his former unfriendliness, he invited him in, and seated him, with much cordiality. Julius looked around, and perceiving no other person in the room, took the letter from his pocket, and remarked—“There must be some mistake here. To confess the truth, Elkinton, I did not expect to find myself in your apartment. This note directed me to number 26, but it must be a mistake of the pew. However, as I am here, I would be very glad of your advice as a friend. Read this.”

Elkinton glanced at the note, and, with a heightened color, returned, “There must, indeed, be some mistake. I am the writer of this, but you, certainly, cannot be the person for whom it was intended.”

Julius started, but commanded himself to reply coolly,—“Judging from its import, it undoubtedly was destined for my hands.”

Elkinton paced the room once or twice, and then, seating himself beside his visiter, remarked, “This is a delicate affair, Julius, but, as old friends, let us talk it over quietly. That there may be no misunderstanding, let us be certain that we both interpret these initials alike.”

“I presumed them to be those of Miss Lawrenson,—Charlotte Lawrenson,” answered Julius.

“She, indeed, is the person meant, and to prove to you my right to interfere in this matter, she is the lady to whom I am engaged, of which I informed you,—who is affianced to be my wife in a few months.”

Julius sprang to his feet, and turned pale as marble. To be thus flirted and betrayed!

“Now,” pursued Elkinton, earnestly, “you will understand why I should have felt indignant at any one presuming to make such advances, as you have done, towards the lady in question, and you will not be surprised if I ask by what you were encouraged to persist in them, so assiduously.”

“By the lady’s own conduct,” said Julius, with his usual impetuosity; “by her accepting my presents, which were invariably accompanied by expressions of admiration,—nay, of passion; by her noticing those expressions with answers, which, if not explicitly favorable, could not have been construed otherwise, as they were not reprobatory; by tokens of personal recognition from her house, and by conscious, and not discouraging looks, whenever we met in the street.”

“Stay, Julius! these are serious charges, and such as no man could patiently listen to of his affianced wife. Your presents I know she received, for from her jestingly showing them to me, and pointing out the house from which they came, I was led to write the note in your hand, of which she is aware; but that a girl of Charlotte Lawrenson’s dignity of character would answer love-letters from an entire stranger, and exchange coquettish glances with him in the streets, is more than I can credit.”

“That is language, Elkinton, that I cannot and will not submit to,” retorted Julius angrily; “if you must have proofs farther than the word of a man of honor, take these!” and he drew the notes from his bosom, where, in the most approved fashion of lovers, he had kept them secured day and night.

Elkinton snatched them, and after a scrutinizing examination replied, “I can say, almost positively, that not a word here is in her handwriting.”

“No doubt, you find it very satisfactory to feel thus assured,” said Julius, with a sarcastic smile.

“To save further dispute, by which neither of us can be convinced,” returned Elkinton, endeavoring to be more composed, “I will go directly to Miss Lawrenson, and ask an explanation from her, without which, I at least, cannot feel satisfied. If you shall be at leisure, I will call on you, or, if you prefer it, shall expect you here at eight this evening.”

For particular reasons, unnecessary to specify, Julius chose the latter, and Elkinton, escorting him out with cold politeness, proceeded, in much perturbation, to the mansion of Mr. Lawrenson.

Our hero was punctual to his appointment in the evening, and found Elkinton impatiently awaiting him. “I have laid your representations before Miss Lawrenson, and, for your sake, am sorry that she disclaims their veracity. Though she again acknowledges having your presents in her possession, she denies having answered your notes, or even having opened them; denies ever having given you a mark of recognition, and denies that, to her knowledge, she ever saw you in the street.”

Julius stood aghast. To have the truth so pointedly disowned, to have his word so plainly doubted, it was not to be borne. “Her retaining my love-tokens, I think, might be sufficient evidence to you that all is not exactly as you would desire,” he replied indignantly, “a woman who encourages the advances of a total stranger, in everything but words, while betrothed to another, and then, to preserve his favor, denies the whole course of her conduct, is unworthy the notice of any man who calls himself a gentleman.”

“One thing can yet be done,” said Elkinton, repressing a furious answer; “let me have those notes, and, through them, Miss Lawrenson may probably be enabled to discover by whom they were produced. If that cannot be done, I shall hold you responsible for gross misrepresentations of her character;” and he strode out, leaving his rival in possession of his room.

Matters now wore a serious aspect. Should the lady make no confession, a challenge would be the consequence, and even should she vouchsafe to explain, it would be to make him a laughing stock by proving him quizzed, coquetted and jilted. If the first were to occur, it behoved him to prepare to leave the world; if the latter, at least to leave the city. And on his way homeward, he decided to put his affairs in order. He remembered that his landlady had sent in her bill that morning, requiring money for a pressing engagement, and that, having pretty well exhausted his funds in his expensive outlays for his fair enchantress, he had concluded to apply to his uncle for means to discharge it. Accordingly he stopped to inquire for him, but not finding him at home, he left on his secretaire a note, requesting the loan of the sum he required, and saying he would call for it in the morning. He then retired to his lodgings in such a state of excitement as it had not been his lot before to experience.

In the morning, when completing his toilet, for breakfast, he heard the sound of a stick and an unusually heavy step on the stairs, and after a loud rap on the door, Mr. Holcroft, to his great surprise, presented himself.

“So,” said the old bachelor, seating himself on the side of the bed, the only chair being occupied by Julius’ collar and cravat, and looking around in astonishment, “a pretty exchange you have made, young gentleman, for the pleasant apartments to which I welcomed you on your arrival!”

Julius saw that his ire was aroused, but unable to conjecture why, and somewhat abashed at the shabbiness of his surroundings, he could only stammer something about having found it impossible to obtain the accommodation of a better room.

“And what are your reasons, young man, for submitting to such discomforts and inconveniences?—You need not take the trouble to fabricate an answer. Your last night’s demand for money has given me a full insight into your character and pursuits, and I have come to assert my tacit right as your mother’s brother, and your nearest living relation, to use the power of a guardian, and remove you from scenes in which you are in a fair way to prove a disgrace to me and to the memory of your parents. On your arrival in the city, I laid before you my plans for your future benefit,—that you should make your home with me as my son, and my prospective heir, an offer which almost any young man would have considered extraordinary good fortune,—and suggested to you an alliance which, I felt confident, would secure your happiness. I was not such an old block-head to expect you to marry your cousin without your own conviction that she would suit you, but merely named her to you as a woman who, to any reasonable man, would be a treasure, such as, I fear, you will never deserve to possess. Then, instead of calling on your cousin, as I requested, if only through civility to me,—you displayed a churlish indifference to female society, which young men of good principles and education seldom feel, and to escape from the watch and control which you supposed I would keep on your movements,—you clandestinely left my house. To be sure, you did make a show of respect, by coming occasionally to see me, but your abstracted manner, and entire silence as to your engagements and mode of spending the time, confirmed my suspicions that your amusements were such as you were ashamed to confess them to be. On one occasion, however, you committed yourself,—in naming the amount of funds you had brought with you,—quite sufficient for any young man of good habits for a month, situated as you are; and now, though I am perfectly willing to give you the sum you require, and as much in addition, as will take you away from temptation as far as you may choose to go, I demand in return, to know how your own has been spent.”

Hurt, mortified and vexed at suspicions so unjust and injurious, Julius did not attempt to interrupt him, and against he concluded, had made up his mind to confess the whole truth, which he did, circumstantially and minutely.

“Can it be possible that my sister’s son should have made such a fool of himself?” exclaimed the old gentleman, raising his hands in amazement, “that you should have given up the comforts of my house, and the pleasures of the agreeable society you would have met there, for this inconvenient dungeon in a boarding-house; squandered your money like a tragedy hero, and put yourself into a situation to shoot, or to be shot by, one of your best friends, all for the sake of a girl who was silly and impudent enough to cast a few coquettish glances at you in the street! truly! truly!—however, it is not quite so bad as I apprehended, certainly less unpardonable that you should play the idiot than to have turned out a gambler or roué, as I suspected. But just see how easily all this might have been avoided!—merely by your going with me to see your cousin, and falling in love with her, and thus putting yourself out of danger of becoming entangled in the snares of another. It is a lucky thing for you, my gentle Romeo, that we came to an understanding so soon, for I had made up my mind, partly, to marry Mrs. Attwood, the widow, right off, and as Etty would have been a sort of niece, to make her my heiress. What d’ye think of that? But there’s your breakfast bell, and my carriage is waiting for me. Go down, and in half an hour I will call and take you home with me. In the meantime I will see Elkinton, and try if the matter can’t be settled without pistols.”

At the end of the half-hour Mr. Holcroft returned, and apprising Julius that he had made an appointment with Elkinton to meet him at eleven, he took him away, talking all the time with much spirit, evidently to engage and amuse the thoughts of the chagrined and disappointed lover. This seemed to have little effect, when, thinking of another expedient, he ordered his coachman to stop at the rooms of an eminent painter, where, he stated to Julius, he was getting some pictures executed, which he would like him to examine. He would take no refusal, and the young gentleman was obliged to alight and accompany him into the gallery. When they had reached it, he found no difficulty in recognizing the first piece pointed out to him as the portrait of his uncle himself, and after giving it the appropriate measure of approbation, he strolled away, on seeing the artist approach. With occasionally a cursory glance at them, he walked in front of a row of ladies and gentlemen, who smiled upon him from the canvass in a manner that, to his moodiness, appeared quite tantalizing, and, at length, an exclamation from him drew Mr. Holcroft to his side, who found him gazing pale and breathless upon a picture, the very counterpart, even to the blue velvet mantilla, of the one in his heart.

“Why, what’s the matter?—whom do you recognize there?” asked the old bachelor.

“She,—herself,—the fair cause of my late—insanity;” answered he, with an unsuccessful effort to return the smile.

“Who?—that?—the original of that! Whew! ha! ha!” exclaimed the old gentleman with a stare and then a boisterous laugh; “and is it she, that you have allowed to put you on the road to Bedlam!—a dumpy little thing like that! ha! ha! But I see that I have frustrated my own intention, in bringing you here to compose you. Don’t stand there in such an attitude, and looking so wo-begone, or Mr. —— will make a caricature of you; he has his keen eye fixed on you now, come along!” and Julius followed unwillingly down stairs, his uncle laughing all the way in a manner that was excessively provoking.

In a few minutes they had reached home. “I’ll not get out,” said the old bachelor, “just go in and amuse yourself, until I return, which will be shortly. Be sure that you wait for me, as I wish to be present at your interview with Elkinton.”

Julius did as he was requested, and in due time his uncle returned. “Come now,” said he, “I have no doubt that the young lady will make a confession, and that you will escape with your character untarnished except by folly. Then after we have got over our business with Elkinton, if it should be settled amicably, we will go to see your cousin Henrietta.”

“My dear uncle! I beseech you do not propose my going to visit a lady, in my present frame of mind! I really should disgrace both myself and you. Make my excuses to Etty, and when I have returned to the city, after I shall have banished the remembrance of my disappointment by a few months in the country, I will endeavour to do everything that is proper.”

“I forgot to tell you,” said Mr. Holcroft, “that we are not to meet Elkinton at his lodgings, but in a private house; an arrangement made, I suspect, that Miss Lawrenson might be present, to make an explanation of her conduct. Here is the place, now.”

Julius started, but the carriage stopped, and he followed his uncle in silence. They were ushered into an elegant drawing-room, and on an ottoman, in full view of the door, sat the blue velvet mantilla.—She bowed to Mr. Holcroft, and looked at Julius, as if quite prepared to confront him. The sight of her convinced him that he was not yet cured of his passion, but before he had had any time to betray it, his uncle took him by the arm, and said as he drew him forward, “Allow me, Julius, to present you to your cousin Henrietta Attwood.”

“The most unnecessary thing in the world, Mr. Holcroft,” returned the lady rising, “as I would have known my cousin Julius anywhere. He, however, I presume, would not have found it so easy to recognize me!” and looking into his face with a merry, ringing laugh, she approached him, and held out her hand.

Confounded by the many emotions that crowded upon him, Julius stood speechless, and almost afraid to touch it, when her laugh was echoed from the adjoining room and Elkinton appeared, accompanied by the dark-eyed damsel, whom our hero had seen as the companion of his cousin, and introduced her as Miss Lawrenson.

“My dear Rockwell,” said he, heartily grasping Julius’ hand, “I am delighted to meet you again as one of the most valued of my friends. We have good reason to congratulate each other that we did not fall victims to a stratagem, planned by these cruel nymphs, as cunning as ever was devised by Circe of old.”

“Stop, stop, Elkinton!” interrupted the old bachelor, “as the merit of the dénouement is mine, I think I am entitled to make a speech to Julius.”

“Not now, not here, before us! dear Mr. Holcroft!” exclaimed both the girls laughing and blushing, but as he showed signs of proceeding, they ran away, and left the gentlemen by themselves.

According to Mr. Holcroft’s explanation, Henrietta had recognized her cousin on the day of his arrival, which fully accounted for her pleasant glances; and from his following her in the street, approaching her at the theatre, and tracing her to Mr. Lawrenson’s, which that gentleman had observed, she presumed that she was equally known to him, and, of course, wondered that he did not avail himself of the easier method of renewing their acquaintance by means of his uncle. But on discovering, from Mr. Holcroft’s representations, that she was mistaken, learning his change of residence, and receiving through Miss Lawrenson, his verses, in which she recognized his hand, she was struck with a clearer perception of the case, and she determined to engage in the flirtation, and pursue it until he should make her a visit, as a relation, and then have a laugh at his expense. Miss Lawrenson, in return for assisting her, by receiving his communications, claimed the privilege of having some amusement of her own out of the adventure, and to effect this, she made use of his beautiful gifts to excite the jealousy of Elkinton; they both, however, discovered that they had carried the game too far, and alarmed at the turn it had taken, had sent for Elkinton, an hour or two before, from Mrs. Attwood’s, and made a full confession. There Mr. Holcroft had found him, when he called to inform Etty of his discovery in the picture-room, and of his nephew’s difficulties, and there the grand finale was projected.

“It must have been my indistinct and unconscious recollection of my old play-fellow, after all,” said Julius, “which so attracted me, and it was her getting out of the carriage at Mr. Lawrenson’s and being there so often, which brought you into the drama, Elkinton.”

“Yes, she is to be our bridesmaid, and, no doubt, she and Charlotte have a good many little matters to talk over;—that accounts for their being so much together. She stayed over night the time in question.”

“Well, well, it is a mercy that in their confabulations they did not set you two blowing each other’s brains out; and it would have been no wonder, Julius, if such a catastrophe had happened, to punish you for your disobedience,” said the old bachelor, “now, if you had obliged me, like a dutiful nephew, by calling on your cousin, and acted a friend’s part towards Elkinton, by going to see his sweetheart, everything would have ended properly without any of this trouble. But it is too often the case that people run after all sorts of shadows, and get themselves into all sorts of scrapes, in their search after happiness, when they could find it at once by quietly attending to their duties at home.”

The young ladies returned, and, through delicacy towards them, no allusion was made to the subject just canvassed, but Julius, on returning with his uncle to dinner, declared his intention of offering himself to Etty that very evening, if he should find an opportunity. This the old gentleman expressly forbade, giving him a fortnight as a term of probation; but whether he was obeyed more closely in this than in his former requisitions, was, from certain indications, a matter of doubt.

At the end of the two weeks, there was a friendly contest between Rockwell and Elkinton, as to which must wait to be the groomsman of the other. It was left to the decision of Mr. Holcroft, who declared in favor of the latter, he having determined to serve in that capacity, towards his nephew himself.

He did so, in the course of a few months, and though Julius has not had time to rise, as his substitute, to the height of the profession, he has carried out the original plan so far as to have furnished the Holcroft mansion with a boy, athletic enough already to ride on his grand uncle’s cane, and a girl, so ingenious as to have, occasionally, made a doll’s cradle of his rocking chair.


AGATHÈ.—A NECROMAUNT.

IN THREE CHIMERAS.

———

BY LOUIS FITZGERALD TASISTRO.

———

Chimera II.

A curse! a curse!—the beautiful pale wing

Of a sea-bird was worn with wandering,

And, on a sunny rock beside the shore

It stood, the golden waters gazing o’er,

And they were heaving a brown amber flow

Of weeds, that glittered gloriously below.

It was the sunset, and the gorgeous hall

Of heaven rose up on pillars magical

Of living silver, shafting the fair sky

Between dark time and great eternity.

They rose upon their pedestal of sun,

A line of snowy columns! and anon,

Were lost in the rich tracery of cloud

That hung along magnificently proud,

Predicting the pure star-light, that beyond

The East was armoring in diamond

About the camp of twilight, and was soon

To marshal under the fair champion moon,

That called her chariot of unearthly mist,

Toward her citadel of amethyst.

A curse! a curse!—a lonely man is there

By the deep waters, with a burden fair

Clasped in his wearied arras.—’Tis he; ’tis he

The brain-struck Julio and Agathè!

His cowl is back—flung back upon the breeze,⁠—

His lofty brow is haggard with disease,

As if a wild libation had been pour’d

Of lightning on those temples, and they shower’d

A dismal perspiration, like a rain,

Shook by the thunder and the hurricane!

He dropt upon a rock, and by him placed,

Over a bed of sea-pinks growing waste,

The silent ladye, and he mutter’d wild,

Strange words, about a mother, and no child.

“And I shall wed thee, Agathè! although

Ours be no God—blest bride—even so!”

And from the sand he took a silver shell,

That had been wasted by the fall and swell

Of many a moon-borne tide into a ring⁠—

A rude, rude ring; it was a snow-white thing,

Where a lone hermit limpet slept and died,

In ages far away.—“Thou art a bride,

Sweet Agathè! wake up; we must not linger.”

He press’d the ring upon her chilly finger,

And to the sea-bird, on its sunny stone,

Shouted,—“Pale priest! that liest all alone

Upon thy ocean-altar, rise away

To our glad bridal!” and its wings of gray

All lazily it spread, and hover’d by

With a wild shriek—a melancholy cry!

Then swooping slowly o’er the heaving breast

Of the blue ocean, vanish’d in the west.

And Julio is chanting to his bride,

A merry song of his wild heart, that died

On the soft breeze through pinks beside the sea,

All rustling in their beauty gladsomely.

SONG.

A rosary of stars, love! we’ll count them as we go

Upon the laughing waters, that are wandering below,

And we’ll o’er the pearly moon-beam, as it lieth in the sea

In beauty and in glory, like a shadowing of thee!

A rosary of stars, love! a prayer as we glide

And a whisper in the wind, and a murmur on the tide!

And we’ll say a fair adieu to the flowers that are seen,

With shells of silver sown in radiancy between.

A rosary of stars, love! the purest they shall be,

Like spirits of pale pearl, in the bosom of the sea;

Now help thee, virgin mother! with a blessing as we go,

Upon the laughing waters, that are wandering below.

He lifted the dead girl, and is away

To where a light boat in its moorings lay,

Like a sea-cradle, rocking to the hush

Of the nurse waters; with a frantic rush

O’er the wild field of tangles he hath sped,

And through the shoaling waves that fell and fled

Upon the furrow’d beach.

The snowy sail

Is hoisted to the gladly gushing gale,

That bosom’d its fair canvass with a breast

Of silver, looking lovely to the west;

And at the helm there sits the wither’d one,

Gazing and gazing on the sister nun,

With her fair tresses floating on his knee⁠—

The beautiful death-stricken Agathè!

Fast, fast, and far away, the bark hath stood

Out toward the great heaving solitude,

That gurgled in its deeps, as if the breath

Went through its lungs of agony and death!

The sun is lost within the labyrinth

Of clouds of purple and pale hyacinth,

That are the frontlet of the sister sky

Kissing her brother ocean; and they lie

Bathing in blushes, till the rival queen,

Night, with her starry tiar, floateth in⁠—

A dark and dazzling beauty! that doth draw

Over the light of love a shade of awe

Most strange, that parts our wonder not the less

Between her mystery and loveliness!

And she is there, that is a Pyramid

Whereon the stars, the statues of the dead,

Are imaged over the eternal hall,

A group of radiances majestical!

And Julio looks up, and there they be,

And Agathè, and all the waste of sea,

That slept in wizard slumber, with a shroud

Of night flung o’er his bosom, throbbing proud

Amid its azure pulses, and again

He dropt his blighted eye-orbs, with a strain

Of mirth upon the ladye:—Agathè!

Sweet bride! be thou a queen and I will lay

A crown of sea-weed on thy royal brow!

And I will twine these tresses, that are now

Floating beside me, to a diadem:

And the sea foam will sprinkle gem on gem,

And so will the soft dews. Be thou the queen

Of the unpeopled waters, sadly seen

By star-light, till the yet unrisen moon

Issue, unveiled, from her anteroom,

To bathe in the sea fountains: let me say,

“Hail—hail to thee! thrice hail, my Agathè!”

The warrior world was lifting to the bent

Of his eternal brow magnificent,

The fiery moon, that in her blazonry

Shone eastward, like a shield. The throbbing sea

Felt fever on his azure arteries,

That shadow’d them with crimson, while the breeze

Fell faster on the solitary sail.

But the red moon grew loftier and pale,

And the great ocean, like the holy hall,

Where slept a seraph host maritimal,

Was gorgeous, with wings of diamond

Fann’d over it, and millions beyond

Of tiny waves were playing to and fro,

All musical, with an incessant flow

Of cadences, innumerably heard

Between the shrill notes of a hermit bird,

That held a solemn pæan to the moon.

A few devotional fair clouds were soon

Breath’d o’er the living countenance of Heaven,

And under the great galaxies were driven

Of stars that group’d together, and they went

Like voyagers along the firmament,

And grew to silver in the blessed light

Of the moon alchymist. It was not night,

Not the dark deathly shadow, that falls o’er

The eye-lid like a curse, but far before

In splendor, struggling through a fall of gloom,

In many a myriad gushes, that do come

Direct from the eternal stars beyond,

Like holy fountains pouring diamond!

A sail! awake thee, Julio! a sail!

And be not bending to thy trances pale.

But he is gazing on the moonlit brow

Of his dead Agathè, and fondly now,

The light is silvering her bloodless face

And the cold grave-clothes. There is loveliness

As in a marble image, very bright!

But stricken with a phantasy of light

That is not given to the mortal hue,

To life and breathing beauty: and she too

Is more of the expressless lineament,

Than of the golden thoughts that came and went

Over her features, like a living tide

No while before.

A sail is on the wide

And moving waters, and it draweth nigh

Like a sea-cloud. The elfin billows fly

Before it, in their armories enthrall’d

Of radiant and moon-breasted emerald:

And many is the mariner that sees

That lone boat in the melancholy breeze,

Waving her snowy canvass, and anon

Their stately vessel with a gallant run

Crowds by in all her glory; but the cheer

Of men is pass’d into a sudden fear,

And whisperings, and shaking of the head.⁠—

The moon was streaming on a virgin dead,

And Julio sat over her insane,

Like a sea demon! o’er and o’er again,

Each cross’d him, as the stately vessel stood

Far out into the murmuring solitude!

But Julio saw not; he only heard

A rushing, like the passing of a bird,

And felt him heaving on the foam, that flew

Along the startled billows: and he knew

Of a strange sail, by broken oaths that fell

Beside him, on the coming of the swell.

“They knew thou wert a queen, my royal bride!

And made obeisance at thy holy side.

They saw thee, Agathè! and go to bring

Fair worshippers, and many a poet-king,

To utter music at thy pearly feet.⁠—

Now, wake thee! for the moonlight cometh sweet,

To visit in thy temple of the sea;

Thy sister moon is watching over thee!

And she is spreading a fair mantle of

Pure silver, in thy lonely palace, love!⁠—

Now, wake thee! for the sea-bird is aloof,

In solitude, below the starry roof:

And on its dewy plume there is a light

Of palest splendor, o’er the blessed night.

Thy spirit, Agathè!—and yet thou art

Beside me, and my solitary heart

Is throbbing near to thee: I must not feel

The sweet notes of thy holy music steal

Into my feverous and burning brain,⁠—

So wake not! and I’ll hush thee with a strain

Of my wild fancy, till thou dream of me,

And I be loved as I have lovéd thee:—”

SONG.

’Tis light to love thee living, girl, when hope is full and fair

In the springtide of thy beauty, when there is no sorrow there⁠—

No sorrow on thy brow, and no shadow on thy heart!

When, like a floating sea-bird, bright and beautiful thou art!

’Tis light to love thee living, girl—to see thee ever so,

With health, that, like a crimson flower, lies blushing in the snow;

And thy tresses falling over, like the amber on the pearl⁠—

Oh! true, it is a lightsome thing, to love thee living, girl:

But when the brow is blighted, like a star at morning tide,

And faded is the crimson blush upon the cheek beside:

It is to love as seldom love, the brightest and the best,

When our love lies like a dew upon the one that is at rest,

Because of hopes that fallen are changing to despair,

And the heart is always dreaming on the ruin that is there.

Oh, true! ’tis weary, weary, to be gazing over thee,

And the light of thy pure vision breaketh never upon me!

He lifts her in his arms, and o’er and o’er,

Upon the brow of chilliness and hoar,

Repeats a silent kiss:—along the side

Of the lone bark, he leans that pallid bride,

Until the waves do image her within

Their bosom, like a spectre—’tis a sin

Too deadly to be shadow’d or forgiven

To do such mockery in the sight of Heaven!

And bid her gaze into the startled sea,

And say, “Thy image, from eternity,

Hath come to meet thee, ladye!” and anon

He bade the cold corse kiss the shadowy one,

That shook amid the waters, like the light

Of borealis in a winter night!

And after, he did strain her sea-wet hair

Between his chilly fingers, with a stare

Of mystery, that marvell’d how that she

Had drench’d it so amid the moonlit sea.

The morning rose, with breast of living gold,

Like eastern phœnix, and his plumage roll’d

In clouds of molted brilliance, very bright!

And on the waste of waters floated light.⁠—

In truth, ’twas strange to see that merry bark

Skimming the silver ocean, like a shark

At play amid the beautiful sea-green,

And all so sadly desolate within.

And hours flew after hours, a weary length,

Until the sunlight, in meridian strength,

Threw burning floods upon the wasted brow

Of that sea-hermit mariner; and now

He felt the fire-light feed upon his brain,

And started with intensity of pain,

And washed him in the sea;—it only brought

Wild reason, like a demon; and he thought

Strange thoughts, like dreaming men,—he thought how those

Were round him he had seen, and many rose

His heart had hated; every billow threw

Features before him, and pale faces grew

Out of the sea by myriads:—the self-same

Was moulded from its image, and they came

In groups together, and all said, like one,

“Be cursed!” and vanish’d in the deep anon.

Then thirst, intolerable as the breath

Of Upas, fanning the wild wings of death,

Crept up his very gorge,—like to a snake,

That stifled him, and bade the pulses ache

Through all the boiling current of his blood.

It was a thirst, that let the fever flood

Fall over him, and gave a ghastly hue

To his cramp’d lips, until their breathing grew

White as a mist and short, and like a sigh,

Heaved with a struggle, till it faltered by.

And ever he did look upon the corse

With idiot visage, like the hag Remorse

That gloateth over on a nameless deed

Of darkness and of dole unhistoried.

And were there that might hear him, they would hear

The murmur of a prayer in deep fear

Through unbarr’d lips, escaping by the half,

And all but smother’d by a maniac laugh,

That follow’d it, so sudden and so shrill,

That swarms of sea-birds, wandering at will

Upon the wave, rose startled, and away

Went flocking, like a silver shower of spray!

And aye he called for water, and the sea

Mock’d him with his brine surges tauntingly,

And lash’d them over on his fev’rous brow,

Volleying roars of curses,—“Stay thee, now,

Avenger! lest I die; for I am worn

Fainter than star-light at the birth of morn;

Stay thee, great angel! for I am not shriven,

But frantic as thyself: Oh! Heaven! Heaven!

But thou hast made me brother of the sea,

That I may tremble at his tyranny:

Or am I slave? a very, very jest

To the sarcastic waters? let me breast

The base insulters, and defy them so,

In this lone little skiff.—I am your foe!

Ye raving, lion-like, and ramping seas,

That open up your nostrils to the breeze,

And fain would swallow me! Do ye not fly,

Pale, sick, and gurgling, as I pass you by?

“Lift up! and let me see, that I may tell

Ye can be mad, and strange, and terrible;

That ye have power, and passion, and a sound,

As of the flying of an angel round

The mighty world: that ye are one with time,

And in the great primordium sublime

Were cursed together, as an infant-twain,⁠—

A glory and a wonder! I would fain

Hold truce, thou elder brother! for we are,

In feature, as the sun is to a star.

So are we like, and we are touch’d in tune

With lunacy as music; and the moon,

That setteth the tides sentinel before

Thy camp of waters, on the pebbled shore,

And measures their great footsteps to and fro,

Hath lifted up into my brain the flow

Of this mad tide of blood—ay? we are like

In foam and frenzy; the same winds do strike,

The same fierce sun-rays, from their battlement

Of fire! so, when I perish impotent

Before the might of death, they’ll say of me,

He died as mad and frantic as the sea!”

A cloud stood for the East, a cloud like night,

Like a huge vulture, and the blessed light

Of the great Sun grew shadow’d awfully;

It seemed to mount up from the mighty sea,

Shaking the showers from its solemn wings,

And grew, and grew, and many a myriad springs

Were on its bosom, teeming full of rain.

There fell a terrible and wizard chain

Of lightning, from its black and heated forge,

And the dark waters took it to their gorge,

And lifted up their shaggy flanks in wonder

With rival chorus to the peal of thunder,

That wheel’d in many a squadron terrible

The stern black clouds, and as they rose and fell

They oozed great showers; and Julio held up

His wasted hands, in likeness of a cup,

And drank the blessed waters, and they roll’d

Upon his cheeks like tears, but sadly cold!⁠—

’Twas very strange to look on Agathè!

How the quick lightnings, in their elfin play,

Stream’d pale upon her features, and they were

Sickly, like tapers in a sepulchre!

(To be continued.)


THE DAUGHTERS OF DR. BYLES.

A SKETCH FROM REALITY.

———

BY MISS LESLIE.

———

(Concluded from page 65.)