CHAPTER III.

“Nae treasures nor pleasures

Could mak us happy long;

The heart’s aye the part aye

That makes us right or wrong.”

Burns.

The birth of a daughter at length opened new feelings and hopes to the parents; and the thought “that Mr. Gilmer could no longer treat her as a child, and require her to study and read,” added not a little to the happiness that flashed in Charlotte’s eyes as she kissed her baby with rapture; and the quiet but deep satisfaction with which Mr. Gilmer contemplated his child, was partly founded in the expectation, “that Charlotte, in assuming the duties and feelings of a mother, would sink the giddiness of the girl in the steadiness of the woman.” But little did he know in supposing that youth and nature were thus to be cheated of their privileges by the assumption of the responsibilities of maturer age. That Charlotte loved her infant with the liveliest affection, is true; but it was rather the playful fondness of a child for its play-thing than the passionate love of a mother for her first born; and although she would delightedly fondle the infant for a few minutes, yet easily terrified by the cries of the little creature, drawn forth by the awkward handling of its inexperienced parent, she would quickly resign it to the soothing cares of its nurse, who, in fact, dreaded the sight of the young mother in the nursery. Once, indeed, after having been admonished and lectured by her husband on her new duties and responsibilities, she took it in her head, at the imminent risk of life and limb of her child, to wash and dress it herself, and which was most terrified and exhausted under the operation, mother or child, it would be difficult to say; and very soon she resumed her usual routine of life, only varied by occasional visits to her nursery. Mr. Gilmer, disappointed in the change he had hoped to see in her character and tastes, became more impatient and less yielding than before. Had he, in the indulgent spirit that should have accompanied his age and knowledge of the world, given way to the joyous spirits and excitable feelings natural to her youth, he would have won to himself a heart naturally warm and affectionate, at the same time that he quenched her ardent love of pleasure in satiety. But, too selfish to put that constraint on himself, he expected at once that calm indifference to society, in a girl of scarce eighteen, that was in himself the result of twenty-five years devotion to its frivolities, and his wife’s thirst for gaiety seemed to increase in proportion to the difficulties and objections he threw in the path of her enjoyment—and it was but natural that she should escape with delight, looks of grave displeasure, quick words of impatience, and selfish forgetfulness of her tastes at home, for the gaiety of brilliant throngs where she was followed, admired and flattered, and which she enjoyed the more, that the opportunities were rare and doubtful.

And thus time wore on, adding rather than diminishing the discontents of all parties. We have said before that the feelings subsisting between Mrs. Vivian and her son-in-law were any thing but kind and friendly; and they now rarely met without quick and biting sarcasms on her side, retorted by a cold and haughty disrespect on his. Age, too, was now adding its usual exactions to his natural selfishness of character, and that he might enjoy that luxurious indolence and tranquillity so necessary to his happiness, and withdraw his wife from the pleasure so opposite to his tastes, and, above all, that he might free himself from the interference and investigation of Mrs. Vivian, and separate Charlotte from her mother as much as possible, he resolved to purchase a place in the country. Regardless of the wishes of his wife, heedless of her remonstrance, the idea was no sooner conceived than executed, and however much Mrs. Gilmer disliked the removal, there was no resource but to submit. That she submitted with a good grace we cannot say, for Charlotte had now learned to think, (as what woman does not that makes an ill-assorted marriage?) although her mind had not expanded in the direction that her husband desired. She had become acquainted with her own claims, and in penetrating the heartlessness and hollowness of her husband’s character, had learned to mourn over the sacrifice of her youth and beauty with indignation and anguish. Resenting the steady pursuance of his own plans, to the utter exclusion of all consideration for her wishes, she in her turn became careless of his comforts and negligent of her duties. Who that passed that beautiful place, with its rich lawns, noble trees and magnificent views, would have suspected the discontented tempers and unsatisfied hearts that dwelt in that embowered paradise. Her child was a source of unmingled happiness to her as it grew in beauty and intelligence. But will the love of a child alone compensate for that want of companionship and sympathy that the heart asks for in vain where there is no equality of mind or years?

The society of her mother had been her greatest source of comfort during the last few years of her existence, as she turned to her for that indulgence and love of which she felt the want more and more; and which was poured forth upon her more fully in her hour of disappointment than even in her petted childhood by her doting parent. And now how gladly did she hail every little excuse the calls of life afforded her, the procuring a servant, the necessary purchases, &c., to drive to the city and spend as many hours as possible with that dear friend. And oh, how doubly happy was she on such occasions, if she were caught in a storm, or losing the boat, was compelled to remain a few days in that small house, which with its mean furniture she had once been so anxious to escape, but which was now to her the centre of all happiness, for there she found liberty, sympathy, love; and her mother acknowledged to herself that when she had so anxiously essayed to guard her child from every sorrow and trial of life, she had attempted a task not to be achieved upon earth. Cares and sorrows are the lot of earth’s children; but they fall comparatively lightly on those whose hearts are strengthened and sustained by an all-supporting and enduring love for those to whom fortune has connected their destiny.

And was Mr. Gilmer happier for the new mode of life he had adopted? No. Accustomed to the habits of a city, he was wanting in that personal activity necessary for the enjoyment of country pleasures, or keen interest in the agricultural improvement of his place. His literary pursuits, wanting the stimulus of congenial spirits, was degenerating into careless reading and sedentary habits, only diversified by light dozing; and, after spending the afternoon and evening hours in his library alone, there was a dreamy abstraction in his eye, that the keen vigilance of Mrs. Vivian having once detected, she knew immediately came neither from literary excitement nor intellectual meditation. Thus will the selfish pursuance of one’s own gratification, alone, fall back upon the head of him who essays to secure all for himself in yielding nothing to others.

A wasted youth and useless manhood must end in a neglected and unhonored age.

Should a few years bring forth a young and beauteous widow, society may look for the natural results of an unnatural youth, in that saddest of anomalies, a gay widow. And should she essay a second “Experiment of Living,” we fear that having been worldly when she should have been romantic, she will now be romantic when it would be more graceful, or at least more respectable, to be worldly, and the result will scarcely be less unfortunate and infinitely more ridiculous than the first.

F. E. F.


Fanny Corbaux H. S. Sadd, N. Y.


THE PET RABBIT.

True were your words, heart-reader, Jacques Rousseau⁠—

’Tis woman’s nature to be loving ever;

Though like the winds, the amorous winds that blow,

She to one object may be constant never.

The gentle Julia, fickle as she’s fair,

Still cannot triumph o’er the pleasing habit.

Live without love? As well without the air!

She scorns her husband, but—adores her rabbit.


Painted by Destouches. Engd by J.N. Gimbrede.


THE REPRIMAND.

———

BY EPES SARGENT.

———

In this utilitarian, leveling, democratic age, when candidates for the Presidency are expected to attend “mass clam-bakes,” at Seekonk, Squam, or some equally central and populous locality, it is quite delightful to meet with a good, old-fashioned, uncompromising aristocrat like Aunt Adeline. Possessing no discoverable attraction, personal, intellectual, or moral—masculine in her features, voice and manners—penurious in her habits—and violent in her prejudices—all these little foibles and defects are redeemed and dignified by her magnificent family pride. Her grandmother was niece to a lady, whose husband had a cousin, whose husband’s brother’s wife’s sister had been lady-in-waiting to Queen Anne. What a blessed privilege! What a cause for felicitation and delicious retrospection to the remotest posterity!

Amy Ammidon and her brother Harry had the never-to-be-sufficiently-appreciated good fortune to be the children of Aunt Adeline’s brother, and to partake consequently in the lustre of her ancestral glories. At the time of the incident, the particulars of which have been communicated to me, Mr. Ammidon, who had been a prosperous merchant, had met with reverses in business, which compelled him to circumscribe his expenditures. Harry was supposed to be traveling in Europe; and Aunt Adeline, much to the chagrin of all concerned, had undertaken to supply the void in the family, occasioned about a year before by the death of an affectionate mother and wife, by taking up her residence amongst them. Such were the circumstances of the little group early in the spring of 1842.

What a dear, artless, sunny-tempered creature was Amy! Vainly, vainly has the limner tried accurately to trace her face and figure. He deserves credit for what he has done. I can see a resemblance—a strong one, in the picture which the graver of Gimbrede has transferred to steel. But where is the ever-varying expression, the sparkling animation of lip and eye, too evanescent and too mutable to be daguerreotyped even by memory with fidelity? Art can do much, but it cannot do justice to such a Protean beauty as Amy.

Although born in the city—although the din of Broadway was the first noise that broke upon her infant slumbers—Amy was as much out of place in New York, with its reeking gutters, its eternal omnibuses and its “indignation processions,” as a pond lily would be in a tanner’s pit. The country, with its wealth of foliage, its fields and its wild flowers, was her delight. The anticipation of visiting it seemed to be alone sufficient to fill her heart with cheerfulness during the winter months. A little cottage, in Westchester county, to which the name of Glenwood had been given, and which had not been sacrificed in the general wreck of her father’s property, was her beau ideal of Paradise. And a delicious spot it was—cool, sequestered, rich in its smooth lawns and ancient forests, and commanding a fine view of Long Island Sound, from which a fresh breeze was wafted in the hottest days of summer. I cannot imagine a more suitable place at which to introduce Amy to the friendly regards of my readers.

But before I proceed, let me express my regret that a rigid adherence to truth and candor will not permit me to conceal the fact that there was one trait of character in which Amy was lamentably and unaccountably deficient. Notwithstanding the lessons and the example of her respectable aunt—notwithstanding the hereditary blood in her veins—notwithstanding the family tree and the family pictures, Amy had not one particle of that praiseworthy and truly disinterested pride which springs from the contemplation of the superiority of some remote ancestor over ourselves. She had not sense enough to see (poor thing!) why the circumstance of her great grandfather’s having been a bishop was a sufficient proof of her own orthodoxy and worth, or what her grandmother’s merit had to do with hers. Had she been in the habit of quoting poetry, she might have adopted the base-spirited sentiment expressed by Pope:

What can ennoble fools, or knaves, or cowards?

A great fallacy, and one which never failed to excite the vehement and proper indignation of Aunt Adeline! I am sorry that at the very outset I am compelled to tell these things of Amy, but, as they illustrate her conduct on an important occasion, they could not well be omitted.

It was a bright and beautiful afternoon in June. The air from the water was fresh and elastic. The bees about Glenwood were plying a brisk business among the clover, and the birds were singing as if their life depended on the amount of noise they could make. Amy stole in from the piazza that encircled the cottage, and, with her apron full of newly plucked flowers, sat down in the big leathern armchair in the library to arrange a nosegay. To one who could not sympathize with her admiration of their fragrance and beauty, her delight would have seemed almost childish, for she kissed them and laughed, and laughed and kissed them again, then put her forefinger to her mischievous lips, and whispered “hush!” as if warning herself against intrusion, then shrugged her ivory shoulders and laughed once more, as if congratulating herself upon the undisturbed enjoyment of some interdicted pleasure.

But Amy was mistaken in supposing that she was alone and unobserved, for at that moment Aunt Adeline, who had been watching her antics from behind a door, burst in upon her with an exclamation which made her start from her seat and drop the half-formed nosegay, and scatter the flowers upon the floor, while she stood trembling like a culprit, with one hand grasping her apron, and her left elbow instinctively resting on a couple of large volumes which concealed a whole wilderness of pressed flowers.

And what was Amy’s crime? Listen, and perhaps you may find out.

“So, Miss—so!” screamed Aunt Adeline, at the top of her voice, which, in its melody, resembled a Scotch bag-pipe more than a Dorian flute. And having uttered these monosyllables, she tossed herself into the vacated chair, as if preparing for a reprimand of some length. Then, pointing to the abandoned flowers, she sternly asked—“How came you by those flowers? Speak, minx!”

Amy continued silent; and Aunt Adeline renewed her interrogation with more severity. A little indignation began now to mingle with Amy’s grief, and she was on the point of astonishing her aunt with a spirited reply, when the latter exclaimed:

“You needn’t tell me where you got them, Miss. I know all about it. They were given to you by that plebeian clodhopper, Tom Greenleaf, the milk-man’s son. Yes, you mean-spirited thing, you. The milk-man’s son!”

It was even so. Mortifying to my feelings as it is to make any such admission in regard to a heroine of mine, I must confess that Aunt Adeline was right, and that the flowers were the gift (pah!) of an individual of thoroughly rustic extraction. Some twenty years since, old Greenleaf was the owner of a snug farm on the island of Manhattan; where he obtained a frugal subsistence by selling milk to the denizens of the city. It was even true, that occasionally, when the old man was confined at home by the rheumatism, Tom, who was then a mere lad, would mount the cart and go the rounds in his father’s stead. While engaged in this employment, it was his lot to meet Amy Ammidon, whose family he supplied with the snowy beverage enclosed in his large tin tubs. Amy was then as rosy-cheeked, black-eyed a little maiden as ever perpetrated unconscious damage in the hearts of venturous youths. Tom instinctively discovered her fondness for flowers, and the nosegays he used to bring her in consequence surpassed all computation. Years rolled on; and one fine summer day the old milk-man was overwhelmed with astonishment at discovering that his little thirty-acre farm was worth a hundred thousand dollars. He sold out, purchased a beautiful estate in Westchester, removed to it, and just as he was beginning to feel the ennui of inert prosperity, he died, leaving Tom the sole heir of his safely invested property.

Tom showed himself a man, every inch of him, in the course he pursued. He had always had a taste for reading, and he now devoted himself with assiduity to the attainment of a fitting education. At the age of twenty-one he graduated at a respectable college, and then wisely chose the profession of a farmer. He had not been home many days, when in one of his walks he encountered his old friend Amy. Both were equally delighted at renewing the acquaintance; and one step led to another, until Tom had the audacity to send her the nosegay which had called down Aunt Adeline’s appropriate indignation.

“Hear me, Amy Ammidon,” continued she; “if you dare to disgrace your family by receiving the addresses of that son of a cauliflower—that low-born, low-bred cultivator of turnip-tops and radishes—that superintendent of hay-mows and pig-pens—that vulgar cow-boy—if you dare to sully the blood of an Ammidon by such a union, I will utterly disown you, and you shall never have the advantage of my society again.”

Strange to say, Amy’s eyes brightened at this menace, and I am afraid she was just on the point of exclaiming, “O, then, I will marry him, by all means;” but she checked herself, and said: “Can’t one receive a few flowers from a gentleman without risking the imputation of being engaged to him?”

“Gentleman, indeed! Tom Greenleaf a gentleman!”

“Yes, Miss Adeline Ammidon,” exclaimed Amy in a tone which transfixed her aunt with amazement, “as true a gentleman as any ancestor of yours or mine ever was! A gentleman not only in mind and manners, but what is better far, in heart—and therefore a perfect gentleman!”

“Oh dear! What a deal of spirit Miss Innocence can show when a word is said against the clodhopper! Why doesn’t she show as much indignation when Frank Phaeton and Harry Hawker, from both of whom she has had offers, are abused?”

“I shall be eighteen next January—heigho!”

“So, you mean by that to taunt me with your approaching freedom; but we will have you married before that time in a manner becoming your rank. Have you forgotten what I told you about Col. Mornington, a son of the Earl of Bellingham, being in the city from Canada? My friend, Mrs. Ogleby, has promised to give him a letter to me, and I am daily expecting a call. When he comes, I mean to invite him to pass a week at Glenwood, and if you are not a fool you can bring him to your feet.”

“Isn’t he very dissipated?”

“That is not of the slightest consequence, my dear, when you think of his splendid connections.”

“I am told he is utterly destitute of principle.”

“He will be a lord when his eldest brother dies. It is ridiculous to bring up such frivolous objections.”

While this conversation was going on, Greenleaf, who had been lying in wait for Amy near the porch, was attracted to the window by the loud, objurgatory tones of aunt Adeline’s voice, and, to his dismay, found that Amy was the victim of her anger. He was on the point of jumping into the room, and gagging the old woman, when his eye fell on a suspicious-looking flask near the window-sill, and he charitably concluded that the cordial it contained was at the bottom of the disturbance. How far this conjecture was correct I have never been able to ascertain. Tom was soon joined by Amy, who, with tears in her eyes, told him of her aunt’s violent behavior. The lovers sauntered away, arm in arm, and, as they reached the termination of a shady lane that opened upon the highway, they saw a carriage, containing a young man of foreign appearance, with long hair and moustaches, drive toward the cottage.

“That must be the Colonel Mornington, of whom Aunt Adeline spoke,” said Amy, stifling a sob.

“Shall I knock him down?” asked Tom, clenching his fists.

Before Amy could reply, the carriage was suddenly stopped, and the stranger, throwing open the door, jumped from it without waiting for the steps to be let down. Then, rushing toward Amy, he threw his arms about her neck, hugged and kissed her. So abrupt and rapid was the act, that Greenleaf was thoroughly confounded at the fellow’s impudence, and had no opportunity of interposing. He was making preparations to seize the coxcomb, however, and throw him over the hedge, when he was relieved by Amy’s exclaiming, “Brother Harry! Is it possible? I should never have dreamed it was you, with those frightful whiskers.”

“Yes, Amy, it is Harry himself. And you—how you have grown! When I last saw you, you were a chubby little girl, But, Amy, Amy, is that a tear on your cheek? What is the meaning of it?”

“Oh, nothing serious, I assure you. I am so glad—so very glad to see you, Harry! You intend to remain with us, do you not?”

“Nay, I must know the meaning of that tear. Father is well, is he not?”

“When I last heard from him, at Charleston, he was never better. We are all well—quite well.”

“Introduce me to your companion, Amy.”

Amy did as her brother requested; and the introduction was soon succeeded by a frank explanation of the position of the parties, and of Aunt Adeline’s ferocious opposition to the existence of their present relation.

“I will punish the old shrew,” exclaimed Harry. “I owe her an ancient grudge, for making me go in petticoats, when a boy, a year longer than was necessary. Let me see—she is daily expecting this Colonel Mornington, you say?”

“Yes; and she is studying, with more zest than ever, the family records, to enlighten him fully in regard to her pedigree.”

“Well, you must concur in a little plot, by which you can be relieved from her present system of annoyance, and I can gratify the long-deferred vengeance implanted by her opposition to my appearance in jacket and trowsers. It is nearly ten years since she saw me. Of course she will not recognize me with these hirsute appendages. I will appear as Col. Mornington. I will make love to you. You must prove fickle, and receive my attentions—and then leave the dénouement to me.”

“Delightful! Do you approve of it, Thomas?”

“By all means. It will be a very harmless mode of revenging ourselves.”

An hour afterwards, as Aunt Adeline was peeping through the parlor blinds, she saw, as she supposed, the long expected carriage of Col. Mornington dash up before the door, and the colonel himself—the “dear, delightful colonel,” with a remarkably languid air, alight. Preceded by a servant, she hastened to receive him, and, as the door was thrown open, welcomed him to Glenwood with an antiquarian courtesy. The colonel’s manner of receiving her salutation was rather peculiar. Before replying to her greeting, or saying a word, he slowly drew from his pocket a leather case, from which he took an enormous opera glass. Then hunting, first in one pocket and then in another, for a handkerchief, he finally succeeded in finding one; and, in a manner which was not at all significant of haste, proceeded to wipe the glasses. Then leisurely returning the handkerchief to its place of deposit, he balanced himself in a sort of easy straddle, coolly put the opera-glass to his eyes, and took a long survey of Aunt Adeline’s physiognomy. As soon as he had finished his inspection he returned the glass to its case, and asked, in a drawling tone—“Are you Miss Am-Am-Amworth, or Amburgh, or Am⁠—”

“Miss Ammidon, you probably mean,” said Aunt Adeline. “I am that person, and you, sir, I presume, are Colonel Mornington. You needn’t hunt for your letter of introduction. I have been expecting the honor of a visit, sir, for some days, and now bid you heartily welcome to Glenwood. Have the goodness to walk into the parlor. Your baggage shall be taken care of. I must insist on your making our cottage your home while you are in the village.”

“Thawideawquoitewavishesme,” said the colonel, but whether he was speaking in the Choctaw or Hindostanee tongue, Aunt Adeline could not guess.

Entering the parlor he encountered Amy, to whom he was at once introduced by Aunt Adeline. He again went through the process of inspection with the aid of an opera-glass, and Amy, in spite of her aunt’s frowns, burst into a fit of laughter and left the room.

“Extwardinarygwirl!” exclaimed the colonel, in the same unknown tongue. Then turning to Aunt Adeline, he abruptly asked for “bwandy and water.”

As soon as she could comprehend his wants, she recollected, much to her chagrin, that there was no brandy in the house; and informed the colonel of the fact, promising at the same time to send to the nearest grocery, which was a mile off, and obtain the desired article.

“No bwandy! No bwandy in the house!” exclaimed the noble visiter, staring at his dismayed hostess with an expression of utter consternation and despair depicted in his countenance.

Assuring him that the brandy should be procured with all possible expedition, Aunt Adeline hurried out of the room, and despatched all the servants in different directions, promising a reward to that one who would be the first to bring home a pint of brandy. No sooner had she disappeared than Amy re-entered the parlor; and when Aunt Adeline returned, which she did not venture to do until, after great exertions, the brandy had been obtained, she saw to her surprise her niece and the colonel sitting familiarly on the sofa, engaged, apparently, in affectionate dalliance.

“Now, colonel, if you will try some of this brandy,” said Aunt Adeline.

“Throw it away!” exclaimed the colonel, “here is something better than eau de vie!” and saying thus, he kissed Amy, first on either cheek, then on her lips, to all which she submitted with perfect resignation. Aunt Adeline flung up both arms in astonishment. “This is the quickest wooing,” thought she, “that I ever heard of!”

The colonel had not been two days in the family before it was regarded as settled that he and Amy were affianced. Aunt Adeline eagerly gave her consent, notwithstanding some little eccentricities in the young man’s conduct, of which she did not wholly approve. For instance, when she undertook to bore him with an explanation of her family tree, he laughed in her face, and told her that his mare Betsey could boast a better pedigree. This was touching the old woman on a tender point, but she suppressed the exhibition of her chagrin through a secret admiration of that superiority in blood, which could afford to sneer at her genealogy. Another circumstance was rather annoying, and some illiberal people might have considered the trait it displayed objectionable in a lover. The colonel, who had apparently been indulging too freely in strong potations, on meeting Aunt Adeline alone on the stairs, was rude to the ancient vestal, and even attempted to throw his arms about her neck. To tell the truth, Aunt Adeline was a very little shocked at this ebullition, but when she recollected that the aggressor was the son of an earl, she forgave him with all her heart, and determined not to mention the occurrence to her niece.

These, however, were but trivial symptoms of depravity, compared with those which were soon developed. The colonel had not been engaged two days when he petrified the “old woman,” as he called her to her face, by applying to her for money. She could have endured any thing but this without faltering in her alliance. He might have been as tipsy and profligate as he pleased, and still she would have thought him an excellent match for Amy; but in money matters, Aunt Adeline was rigid and inexorable as death itself. Although in the receipt of a competent annuity, she had always contrived, from parsimonious motives, to live upon her friends and relatives; and it was rare indeed that a dollar found its way from her store. And now Colonel Mornington called upon her, peremptorily, for a hundred dollars, and would not listen to a refusal! It was like draining her of her life-blood, but there was no remedy. With a heavy heart, and with many a longing, lingering look at the money, she placed it in his hands. She had hoped that he would of his own accord offer to give her his acceptance for the sum; but the idea evidently did not occur to him, and she timidly hinted something about a receipt.

“A what!” exclaimed the colonel in a tone, and with a stare, which effectually prevented her from renewing the suggestion.

The very next day the colonel applied for another hundred dollars, ingenuously informing her that he had experienced heavy losses at the village nine-pin alley. Aunt Adeline at first peremptorily refused to give him the amount, but she was finally so worked upon by his taunts and menaces that she acceded to his exorbitant demands. The same scene was repeated the next day, and the next, and the next, until the colonel was her debtor to the amount of five hundred dollars, when she unequivocally declared that she would advance him no more money. The colonel left her presence, muttering mysterious threats.

Late that night, as Aunt Adeline, with a mind torn by unavailing regrets and painful conjectures as to the probabilities of her ever getting back her loan, was vainly trying to compose herself to sleep, she heard a slight noise at the handle of her chamber door, and, turning her eyes in the direction, saw to her horror the colonel enter with a dark lanthorn in his hand and two enormous pistols under his arms. Gently closing the door, he locked it, and stealthily advanced toward the toilet table, where he deposited one of the murderous weapons, and then cocking the other, approached the bed-side. Although Aunt Adeline was shaking with fright, she had sense enough to feign slumber, and the colonel, after examining her features and muttering, “it is lucky for the old girl she is asleep,” proceeded to search the various drawers and trunks in the room for plunder, having first abstracted a formidable bunch of keys from under the venerable spinster’s pillow. The most valuable articles he found were a bag filled with golden half eagles and a little casket of jewels. Thrusting these into the pockets of his dressing-gown, he replaced the keys where he had found them, took another look at Aunt Adeline, to assure himself that she was asleep, and glided quietly out of the room.

At the breakfast-table the next morning, when Aunt Adeline made her appearance, both her niece and the colonel professed to be very much shocked at her pale and altered features; and the latter pressed upon her some patent pills, in regard to the efficacy of which he told some wonderful stories. Had not Aunt Adeline been thoroughly convinced of his wish to poison her, she might have taken some. The poor woman’s troubles were by no means lessened on the reception of the following letter from her brother, which was handed to her while her coffee was cooling:

“Dear Adeline,—Far from having my indignation awakened by your account of Amy’s attachment to young Greenleaf, I was heartily glad to hear that she had fixed it on so worthy an object. I have the most satisfactory assurances as to his worth, his unexceptionable habits, and his ability to make my daughter happy. What more shall we look for? You say he is a milk-man’s son, and ask if I am willing to see my child wedded to a clodhopper. Let me tell you, it is no small distinction in these days, when whole states have set the example of repudiating their debts (or, in plain, downright English, of swindling their creditors,) to be descended from an honest man, let his vocation have been what it might. At any rate, I am delighted at Amy’s choice, and I most earnestly forbid your throwing any obstacle in the way of its fulfillment. I remain your affectionate brother, etc., etc.”

As Aunt Adeline lifted her eyes from the letter, she beheld Amy seated in the colonel’s lap, and playfully feeding him with a spoon, while at intervals she smoothed back his hair and kissed his forehead. The girl was evidently wildly enamored of a character who had shown himself a most eligible candidate for Sing Sing; and Aunt Adeline had the soothing reflection, that she herself had originated and encouraged the attachment. Requesting Amy to follow her to the library, she at once made known to her the fact of the colonel’s unworthiness, and related the occurrence of the night before. Amy professed her utter disbelief of the charges against her “own Arthur,” as she called him, and on her aunt’s offering to prove them, by calling in a magistrate, and having the colonel’s trunk searched, the infatuated girl exclaimed:

“Well, what if he is guilty? His father is an earl, and his aunt is the daughter-in-law of a duke, and happen what may I won’t give up my own Arthur.”

Aunt Adeline groaned in spirit as she replied—“Have you so soon forgotten that nice, respectable, amiable young man, Greenleaf, to whom you gave so much encouragement? I never believed you could be so fickle, Amy!”

“Greenleaf! Foh! Turnip-tops and cabbage-heads! Radishes and carrots! How can you condescend to mention his vulgar, vegetable name after what yourself have said about him to me, my dear aunt? Besides, how do you know that the milk-man’s son has not changed his mind by this time, seeing your hostility to his pretensions?”

Aunt Adeline had penetration enough to put a favorable construction upon this last interrogation, and, leaving her niece, she started off to pay a visit to Greenleaf. After an abundance of circumlocution, she ventured to sound him upon the subject of her niece. To her disappointment, she found him cold and impenetrable, and when she put him the question point-blank, whether he wished to marry Amy, the upstart replied that he had some young ladies in his eye, who, if they did not possess the personal charms of her niece, could boast of more illustrious ancestors, which, of course, rendered them far more eligible. Aunt Adeline could only groan. The weapons with which she was foiled were of her own forging.

Poor Aunt Adeline! After being tormented a couple of days longer, the joke was explained to her, the money and jewels were restored, and Colonel Mornington and Harry Ammidon were shown to be one and the same personage. In the first blush of her mortification and rage, she packed up her trunks, and removed to the city, where she bivouacked upon a niece, who was blessed with a houseful of small children. Soon after her departure, Greenleaf and Amy were married, and established in the new and tasteful structure built by the father and embellished by the son. Since that event, there has been but one ripple in the smooth stream of their felicity, and that was occasioned by the reception of a letter from Aunt Adeline, in which was the following passage:

“You know, Amy dear, that you were always my favorite niece, and I am sure you will be pleased to hear that I intend paying you a long visit next month. I am quite willing to forego the gayeties of New York, for the pleasure of passing a year or two with you and your charming husband. I hear you see a good deal of company, and are visited by many highly genteel people from the city. I always said that my darling Amy would make a creditable match. You may expect me early in October.”

Immediately on the arrival of this letter, there were a number of anxious consultations in regard to its contents. A proposition was brought forward by Harry Ammidon for blowing up the old woman with gunpowder, after a plan that had been communicated to him in Paris by one of the conspirators against Louis Philippe. This project being objected to, he suggested whether she couldn’t be put into a haunted room, and a ghost hired, for a small compensation, to torment her nightly. But the house being one of modern construction, and no well authenticated murder having been yet committed in it, this contrivance did not appear altogether feasible.

When I took leave of the family, which was on a pleasant afternoon last September, they were still plotting the means of averting the menaced visitation. Should any thing interesting transpire in this connection, perhaps I will give an account of it in a supplement to my present narrative.


THE LIFE VOYAGE—A BALLAD.

———

BY FRANCES S. OSGOOD.

———

Once in the olden time there dwelt,

Beside the sounding sea,

A little maid—her garb was coarse,

Her spirit pure and free.

Her parents were an humble twain,

And poor, as poor could be;

Yet gaily sang the guileless child,

Beside the sounding sea.

The hut was bare, and scant the fare,

And hard her little bed;

But she was rich! A single gem

Its beauty round her shed.

She walked in light!—’twas all her wealth⁠—

That pearl whose lustrous glow

Made her white forehead dazzling fair,

And pure as sunlit snow.

Her parents died! With tears, she cried,

“God will my father be!”

Then launched alone her shallop light,

And bravely put to sea.

The sail she set was virgin-white

As inmost lily leaf,

And angels whispered her from Heaven,

To loose it or to reef.

And ever on the dancing prow

One glorious brilliant burned,

By whose clear ray she read her way,

And every danger learned:

For she had hung her treasure there,

Her heaven-illumined pearl!

And so she steered her lonely bark,

That fair and guileless girl!

The wind was fresh, the sails were free,

High dashed the diamond spray,

And merrily leaping o’er the sea

The light skiff left the bay!

But soon false, evil spirits came,

And strove, with costly lure,

To bribe her maiden heart to shame,

And win her jewel pure:

They swarmed around the fragile boat,

They brought her diamonds rare,

To glisten on her graceful throat,

And bind her flowing hair!

They brought her gold from Afric-land;

And from the sea-king’s throne,

They pilfered gems to grace her hand

And clasp her virgin zone.

But still she shook the silken curl

Back from her beaming eyes,

And cried—“I bear my spotless pearl

Home, home to yonder skies!

“Now shame ye not your ocean gems

And Eastern gold to show?

Behold! how mine but burns them all!

God’s smile is in its glow!”

Fair blows the wind, the sail swells free,

High shoots the diamond spray,

And merrily o’er the murmuring sea

The light boat leaps away!

They swarmed around the fragile bark,

They strove, with costlier lure,

To bribe her maiden heart to shame,

And win her jewel pure.

“We bring thee rank—we bring thee power⁠—

We bring thee pleasures free⁠—

No empress, in her silk-hung bower,

May queen her realm like thee!

“Now yield us up the one, white pearl!

’Tis but a star, whose ray

Will fail thee, rash, devoted girl,

When tempests cloud thy way.”

But still she smiled a loftier smile,

And raised her frank, bright eyes,

And cried—“I bear my vestal star,

Home, home to yonder skies!”

The wind is fresh—the sail swells free⁠—

High shoots the diamond spray!

And merrily o’er the moaning sea

The light boat leaps away!

Suddenly, stillness broods around,

A stillness as of death,

Above, below—no motion, sound!

Hardly a struggling breath!

Then wild and fierce the tempest came,

The dark wind-demons clashed,

Their weapons swift—the air was flame!

The waves in madness dashed!

They swarmed around the tossing boat⁠—

“Wilt yield thy jewel now?

Look! look! already drenched in spray,

It trembles at the prow.

“Be ours the gem! and safely launched

Upon a summer sea,

Where never cloud may frown in heaven,

Thy pinnance light shall be!”

But still she smiled a fearless smile,

And raised her trusting eyes,

And cried—“I bear my talisman,

Home, home to yonder skies!”

And safe through all that blinding storm

The true bark floated on,

And soft its pearl-illumined prow

Through all the tumult shone!

An angel, guided through the clouds,

By that most precious light,

Flew down the fairy helm to seize

And steer the boat aright.

Then died the storm upon the sea!

High dashed the diamond spray,

And merrily leaping, light and free,

The shallop sailed away!

And meekly, when, at eve, her bark

Its destined port had found,

She moored it by the mellow spark

Her jewel shed around!

Would’st know the name the maiden wore?

’Twas Innocence—like thine!

Would’st know the pearl she nobly bore?

’Twas Truth—a gem divine!

Thou hast the jewel—keep it bright,

Undimmed by mortal fear,

And bathe each stain upon its light

With Grief’s repentant tear!

Still shrink from Falsehood’s fairest guise,

By Flattery unbeguiled!

Still let thy heart speak from thine eyes,

My pure and simple child!


HESTER ORMESBY.

———

BY MRS. EMMA C. EMBURY.

———

Aye, it is ever thus: in every heart

Some thirst unslaked has been a life-long pang,

Some deep desire in every soul has part,

Some want has pierced us all with serpent fang;

Oh, who from such a brimming cup has quaffed

That not one drop was wanting to life’s draught?

“So Miss Ormesby is dead. Well, no one will miss her; these queer people are never of any use in the world.” Such was the cold and sneering comment made by a certain commonplace, precise, pattern woman, upon the sudden death of one whose exaggerated sensibility had been her only fault, and who had expiated her folly by a life of sorrow and seclusion. Such is the judgment of the world: a crime may be forgiven, while a weakness receives no pardon.

Hester Ormesby had been one of those supernumeraries usually found in all large families. She was neither the eldest child, the pride of the household—nor the youngest, usually the pet: she was distinguished neither for great beauty nor precocious talent, and as she had been not only preceded in the world by four promising sisters, but also succeeded by several sturdy brothers, she certainly occupied a very insignificant position. The mother, who had early determined that the beauty of her girls should purchase for them a more elevated station in society, already saw in imagination her blooming roses transplanted to the hotbed of fashionable life, but for this new claimant on her maternal care, this humble little “cinque-foil,” a lowlier destiny must be anticipated. She could devise no better plan, in aid of the child’s future fortunes, than to bestow upon her the name of an eccentric old relative, whose moderate estate was entirely at her own disposal. This was accordingly done, and, notwithstanding the indisputable authority of Shakspeare on the subject of names, it was Hester Ormesby’s name which decided the fate of her future life, since it was the means of placing her under such influences as could not fail to direct the flexile mind of childhood.

Miss Hester Templeton was a maiden lady who had long passed her grand climacteric, and who lived in that close retirement which is so peculiarly favorable to the growth of whims and oddities. At the age of twenty she had been betrothed, but her lover died on the very day fixed for their marriage; and the widowed bride, yielding to the violence of her overwhelming sorrow, determined to abjure the world forever. For years she never quitted the limits of her own apartment, and was generally looked upon as the victim of melancholy madness; until the death of her parents made it necessary for her to take some interest in the affairs of every-day life, when it was discovered that whatever might be her eccentricity, her intellect was perfectly unclouded. Acute and sensible in all worldly matters, quite competent to manage her pecuniary affairs, and gifted with a degree of shrewdness which enabled her to see through the fine-spun webs of cunning and deceit, there was yet one weak point in her character which showed how immedicable had been the early wound of her heart. Her memory of the dead was still religiously cherished, her vow of seclusion still bound her, and thirty years had passed since her foot had crossed the threshold of her own door. Living in a remote country village, which offered no temptation to either the speculator or the manufacturer, time had wrought few changes around her. The old homestead, in which she was born, was the spot in which she meant to die, and she would have thought it sacrilege to change the position of the cumbrous furniture, or even to displace a superannuated article by a more modern invention. Her own apartment was filled with memorials of her lost lover. His picture looked down upon her from the wall, his books lay on her table, and in an antique cabinet were preserved letters, love gifts, withered nosegays and all the melancholy remnants of by-gone affection, which, to the bereaved heart, are but as the dust and ashes of the dead.

To this lonely and isolated being, in whose character romance and morbid sensibility were so singularly combined with worldly prudence and sagacity, the acquisition of a new object of interest, in the person of her little namesake, formed an epoch in life. She was flattered by the compliment, and pleased with the importance which it gave her in her own opinion. She determined to adopt the child, and, as she found no difficulty in obtaining the consent of the parents, she scarcely waited for the lapse of actual infancy ere she look the little girl to her heart and home.

Few children would have been happy in such seclusion as that in which Miss Templeton lived; but Hester Ormesby possessed that quiet, gentle, loving nature which finds sources of content and fountains of affection everywhere. With the quick perception of a sensitive nature, the little girl had early discovered that she was not a favorite at home. She could not complain of unkindness, for Mrs. Ormesby considered herself a most exemplary mother, and prided herself upon the strict performance of every duty. She would not, for the world, have given a cake to one child without furnishing all the others with a similar dainty, but she was quite unaware of the fact that in voice, and look, and manner may be displayed as much of the injustice of favoritism as in the unequal distribution of bounties. There are no beings on earth to whom sympathy is so essential as to children. Those “little people,” as Dr. Johnson calls them, well know the difference between simple indulgence and actual interest in their concerns. The most expensive gifts, the most unlimited indulgence, is of less value to them than an earnest and affectionate attention to their petty interests, and the mother whose influence will linger longest in the minds of her world tried sons is she who has most frequently flung aside her work or her book, to share their infantine sports, or listen to their boyish schemes of happiness. This sympathy was denied to Hester. Her mother was proud of the four beautiful girls, who attracted the notice even of strangers, but the little sickly looking child, whose nervous timidity rendered her almost repulsive, was merely one to be well fed, and clad, and kept from bodily harm. The transition between this indifference and the affection with which Miss Templeton treated her, was delightful to the shy and sensitive child. In her father’s house she was perfectly insignificant, in her new home she was an object of the greatest importance; and though Miss Templeton’s quiet, old-fashioned mode of life offered few attractions to a healthy and spirited child, it was exactly the kind of existence best suited to the taste of a delicate one, like Hester, who possessed a precocity of feeling more dangerous, in all cases, than precocity of mind.

Miss Templeton had some excellent notions respecting education. Implicit obedience, deference, perfect truthfulness and active industry were, in her opinion, essential points; and as these requisites have become so obsolete as to have quite gone into disuse in modern systems of instruction, it may be judged how entirely the old lady had fallen behind the march of intellect. Her affection awakened some of the dormant energy of her character, and she applied herself diligently to the task of training and disciplining the mind of her young charge. In this, as in most other cases, usefulness brought its own blessing along with it, and, as the child increased in knowledge, the heart of the recluse seemed to expand to a wider circle of sympathies. It was, indeed, a pleasant thing to see the frost of so many winters melting away before the sunshine of childish happiness, and it may be questioned whether Miss Templeton or Hester derived the most benefit from this close connection between them.

But character in its earliest development is very chameleon-like, and takes its hue from the objects with which it is brought directly in contact. Miss Templeton educated Hester thoroughly and usefully; she imparted to her a stock of knowledge far beyond that acquired at the most of schools, she imbued her with noble principles and an accurate sense of duty, but she also endowed her, unconsciously and involuntarily it may be, with her own high-toned and romantic sentiments. Indeed, it was impossible for a sensitive child to live within the atmosphere of romance and not imbibe its spirit. The circumstances of Miss Templeton’s life, her unselfish devotion to the memory of the dead, her reverential love for him who had lain so many years within the tomb, her scrupulous adherence to a vow made in the first anguish of a wounded spirit, her quiet sufferance of a blighted heart during a long life, all were calculated to make a deep impression on the mind of a girl whose sensibilities were already morbidly acute. The unlimited range of her reading, too, tended to confirm such impressions. With that respect for every thing which bears the semblance of a printed volume, so characteristic of a bookworm, Miss Templeton had carefully preserved an extensive but very miscellaneous library. The poets and essayists of England’s golden age were ranged side by side with the controversial theologists—sermons were elbowed by cookery books—Sir Charles Grandison was a close neighbor to the grave Sherlock—while Clarissa Harlowe and Pamela were in curious juxtaposition with the excellent Jeremy Taylor and Richard Baxter. Novels and romances formed no small part of this heterogeneous collection, and Hester, who was a most inveterate reader, devoured every work of fiction which came in her way. To the present generation, who have become fastidious from literary indulgence, and who, since the days of Edgeworth and Scott, ask for vraisemblance in the fiction over which they hang enraptured, the romances of a preceding age seem dull, prosy and unnatural. But at the time of which I speak, the great object of the novelist was to portray heroines, such as never could exist, and events such as never could have happened, while feelings refined to absolute mawkishness, and sentiments sublimated beyond the limits of human understanding, were expressed in parlance to which the language of common life was tame and trite. With such models placed before her in her favorite volumes, and the example of Miss Templeton to impress their truthfulness upon her ductile mind, it is not surprising that Hester Ormesby should have been thoroughly imbued with romance at an age when most girls are only thinking of their dolls.

Hester was in the habit of paying an annual visit to her parents, but seldom derived much pleasure from her short sojourn with the family. Her mother derided her rustic manners, while her sisters ridiculed what they termed her “highflown notions,” and it was rather in obedience to the dictates of duty than in the hope of pleasure that she ever turned her face toward the home of her infancy. On one occasion, however, her visit produced a more lasting impression. Among the gentlemen who surrounded her elder and lovelier sisters was one whose personal appearance was little calculated to prepossess a stranger. Small in stature, and with a slight deformity which destroyed all grace, his countenance full of intelligence, but “sicklied o’er with the pale cast of thought,” Edward Legard was not one on whom the eye of woman rests with pleasure. Reserved and almost cold in manners, he mingled rarely in the gayeties of society, and, excepting amid a select circle, seldom displayed the treasures of his gifted mind. Yet those who had once seen him in moments of enthusiasm, when the fire of genius lit up his dark eye, and the honey-dew of eloquence hung on his pale lip, could never forget the effect of his words and looks. But he was excessively sensitive, the merest trifle discomposed him, and there were times when, for days together, his manner was moody, sad, and almost severe. Legard was an artist of no mean skill, but he was young and poor, and the poetic images which filled his imagination, and were depicted on the speaking canvass, or portrayed in the graphic language of eloquence, were unable to secure him the gifts of fortune. The hope of his heart was a visit to the birthplace of Art—the glorious land of shadows—the kingdom of noble memories—even Italy; and for this he toiled day after day as if life had no other object worth attainment.

When she first met Legard, Hester Ormesby had just numbered her fourteenth summer, and the genial influence of renovated health had given beauty to her countenance and symmetry to her form. Struck with the bounding freedom of her step, the grace of her unfettered movements, and the rich bloom of her dark but clear complexion, the young artist had already made several sketches of the unconscious girl before she became sensible of his notice. He regarded her as a lovely child, who stood upon the very threshold of womanhood, while the sentiments which were hereafter to become passions, were slowly budding within her heart, their existence only known by their sweet and delicate perfume of maiden modesty. He was charmed with her freshness of feeling, her enthusiasm, her girlish romance, and found in her artless character a new and delightful study. An intimacy, characterized by all the purest and best impulses of human nature, sprung up between them; yet it was only the familiar intercourse which might safely exist between a gifted man and an admiring child. Legard would have denied the possibility of inspiring a passion in so young a heart, but a very little knowledge of woman’s nature might have led him to doubt the prudence of forcing into premature existence those passions whose slow expansion formed so sweet a subject of contemplation.

Hester returned from this visit almost reluctantly, and, for the first time in her life, her home seemed dull and sad. She carried with her a beautifully finished sketch of herself, painted by Legard, for Miss Templeton, while a few stanzas addressed to her, on parting, by the same gifted individual, and a faded rosebud which he laid once twined in her long curls, were her own solitary treasures.

Not long after this, Miss Templeton was seized with a severe nervous affection, which partially deprived her of the use of her limbs, and compelled her to require the constant aid of others. Hester loved her too devotedly to shrink from such attendance, and month after month passed away, while she was confined to the invalid’s apartment, with only her own thoughts to relieve the monotony of her existence. Had she never met Legard, such thoughts would have been but

“The thousand things

That keep young hearts forever glowing⁠—

Vague wishes, fond imaginings,

Love dreams, as yet no object knowing.”

Like all the fancies of a young and pure-hearted girl, they would have been indefinite and dream-like, fading away ere their outlines were accurately determined, like the frost-work landscapes on a window-pane. But now there was form and coloring to all such visions. The image of that pale intellectual being, full of genius and morbid feeling, aspiring after immortality, yet pining over mere physical defects, was ever present with her. She thought over all their past interviews, and words which seemed meaningless when first uttered, now were of deep import when repeated by the magical voice of memory. She recalled his looks, and the glance which then only spoke a love for the beautiful in nature, now, when reflected from the mirror of fancy, was fraught with earnest tenderness. The consequence of such pernicious day dreaming may be easily imagined. She persuaded herself into the belief that she was beloved, and, at fifteen, Hester Ormesby was already the passionate, the tender, the loving woman. Reader, do you doubt the possibility of such rapid development of the affections? Ask any imaginative, warm-hearted, truth-loving woman, if, amid the arcana of her past emotions, some remnants of such a girlish passion do not yet exist.

During several years Hester was confined to Miss Templeton’s sick room, and, though occasionally receiving visits and letters from her family, she heard nothing of Legard, excepting that he had departed for Italy. Perhaps the knowledge of his absence tended to reconcile her to the close seclusion in which she now lived, and, with a degree of imprudence perfectly natural to such a character, she treasured up every thing which could feed her romantic passion. A book which his pencil had marked—a plant which he had admired—a melody which he had praised—even the color of a ribbon which he had once approved, were objects of remembered interest to her. She delighted to think of him as roaming through the galleries of ancient art, drinking deep draughts of beauty from the antique fountains of classic taste, and winning, leaf by leaf, the laurel bough which had been the object of his vain longing. Of the future—of his return and its probable results to herself, she never thought. Nothing is so purely unselfish as true love; it asks every thing for its object, but nothing for itself; and she who finds matrimonial calculations mingling with the early emotions of her heart, may make a notable managing and useful creature, but cannot lay claim to the character of a true, devoted, self-forgetting woman.

Hester Ormesby was just eighteen when the death of Miss Templeton deprived her of her best friend, and made it necessary for her to return to her childhood’s home. Her mother’s scheme had fully succeeded, and, as a compensation for her homely appellation, she was now the mistress of the old homestead, together with some five or six thousand dollars in personal property. It was but a small fortune, to be sure; but Mrs. Ormesby had managed to marry two of her daughters advantageously by means of their extreme beauty, and concluding that Hester was quite pretty enough for an heiress, she had been careful to quadruple the amount of her bequest when making mention of it to those who were likely to repeat the tale. But the poor woman found that the daughters, for whom she was now to manœuvre, were far more difficult to manage than those whom she had already placed so comfortably in their carriages.

Celestina Ormesby was exceedingly beautiful. Her blond hair, dazzling complexion, clear blue eyes, and rosy mouth, together with the expression of cherub sweetness which characterized her countenance, made her just such a creature as a painter might select as his model of seraphic loveliness; while her manners were perfectly bewitching from their innocent frankness. There was a tenderness in her voice—an almost plaintive tone—as if her heart were longing for sympathy; which, combined with her pleading glance and sweet simplicity of demeanor, was quite irresistible. Yet all this, except the natural gift of beauty, was the effect of consummate art. Celestina had been a coquette from her very childhood—deception seemed an innate idea, and from the time when she first practiced her little arts upon the boys at dancing school, she never looked, or said, or did any thing without calculating its full effect. She cared less for marrying well than for securing a host of lovers. To have refused many was her proudest boast, and she looked forward to matrimony as the termination of a long vista of triumphs. In vain Mrs. Ormesby argued, and scolded and entreated; Celestina trusted in the power of her charms, and suffered several most advantageous matches to escape, while she was enjoying the unprofitable pleasures of admiration.

Hester was as different from her sister in character as in person, and, if she attracted less general attention, she obtained more lasting regard. Men of talent and character—persons of quiet domestic habits, who had been brought up among virtuous sisters, and, therefore, knew how to appreciate the real value of woman—such were the admirers of the less obtrusive sister. But Hester was insensible to all their homage, and, far from imitating Celestina’s example, sought rather to withdraw from all their adulation. Her acquaintance with society had taught her to distrust her long cherished dream of love, and, though the image of Edward Legard still possessed its influence over her imagination, she was not insensible to the fact that, in shutting out all other affections from her heart, she should be guilty of an act of folly. When, therefore, she was addressed by a man whose talents commanded her respect, while his virtues won her esteem, she yielded to her mother’s wishes, and, without actually accepting his proffered hand, contented herself with not rejecting his suit. Many a girl is placed in precisely similar circumstances. Many a woman accepts one who ranks second in her estimation, because he who stands first is unattainable; and, however wrong such conduct may seem in principle, it will still be pursued so long as women are taught that the term “old maid” is one of reproach, and that the chief end and aim of their existence is marriage.

Mr. Vernon was a widower, rather past the prime of life, remarkably handsome in person, a great lover of literature, gifted with fine talents, and possessed of an ample fortune. Even Hester, uncalculating as she was, could not be insensible to the advantages of such an alliance, and, had she never seen Legard, she would doubtless have been quite satisfied with the calm, quiet liking which she felt for her new lover. But in the stillness of her own bosom arose the spectre of that first vague love—the very shadow of a shade—throwing its dark image athwart the stream of memory. Mr. Vernon was one of those persevering men, however, who will not be repulsed. His proposals were rather hesitatingly declined, but he proffered them a second time. Hester explained to him her scruples respecting the feelings with which he had inspired her, and he answered her by disclaiming all pretensions to that passionate and devoted love which his principles taught him to denounce as idolatrous. A calm and tender friendship was all he asked, and that Hester had already given. It was no wonder, therefore, that, pressed as she was, on all sides, by advice and entreaty, while the lapse of every day made her more and more ashamed of the real cause of her reluctance, she at last yielded her consent to become a wife.

Overjoyed at his success, Mr. Vernon urged a speedy fulfillment of her promise. Preparations were immediately commenced, and, as the bridegroom was already installed in a stately mansion, nothing now was necessary but to arrange the bridal paraphernalia. But no sooner was the affair definitively settled, than Hester seemed to become sensible she had done wrong. Early associations returned in their full force—her ideas of first love, enduring through a life of estrangement, and living even beyond the dreary changes of the grave, came back with reproachful power to her mind. She hated herself for the facility with which she had yielded to new impressions. The dream of her youth was so much sweeter to her heart than the realities of the present, that she felt as if it would be sacrilege to wed another. She became half wild with excitement, and, at length, poured out her whole heart in a letter which she determined to place in Mr. Vernon’s hands; hoping that he might be induced to withdraw his suit. But Mrs. Ormesby now exerted her skill and tact. Unwilling to lose such a son-in-law, she assailed Hester with every weapon her ingenuity could devise. Though ignorant of the real cause of Hester’s repugnance, she yet half suspected some secret attachment, and, knowing the sensitive delicacy and maiden pride of the poor girl, she was enabled to influence her in the most effective manner. Hester was persuaded to suppress the letter—she was assured that many women married with no more ardent attachment than actuated her, and instances were adduced of the happy results which were sure to proceed from a union founded on mutual esteem. Weak as a child in all matters of mere feeling, utterly incapable of reasoning on such subjects; and, accustomed to give up her judgment entirely to the control of her imagination, Hester saw the approach of her bridal day with mingled terror and remorse.

The appointed time arrived, and Hester, in a tumult of feeling which, but for her mother’s watchfulness, would have led her even then to confess the truth to Mr. Vernon, was attired for the ceremony. Pale and trembling she met her lover, and as she placed a hand, cold as death, in the warm grasp of his, she was in doubt whether her reluctance arose from the memory of past affection, or from a simple consciousness that her heart held treasures which did not accompany the gift of her hand—whether she shrunk because she loved another, or only because she did not love him. So vague, so indistinct had been her early dream, that, even now, she could not define the limits between it and reality. The ceremony was to be performed in church, and, placed before the altar, with her beautiful sister at her side, as bridemaid, Hester heard the commencement of the service. The awful requisition which demands truth, even as it will be exhibited “at the last day, when the secrets of all hearts shall be revealed,” was solemnly uttered, and the officiating clergyman paused one moment, as if to give time for the confession of any impediment which might exist. At that instant Hester raised her eyes and beheld, leaning against a pillar near the altar, with a countenance in which the wildest emotions of grief were depicted, the long absent Edward Legard. The shock was too great—with a faint cry, she sunk to the floor, while her head struck, with some violence, against the rails of the altar. All was now confusion and dismay. The unwedded bride was borne to her home, and her medical attendants enjoined the most perfect quiet, both of mind and body. Her nervous system had received a severe shock; and, while her physicians attributed it to the over excitement of the moment, her family fancied they could trace it to the deep reluctance with which she had contemplated the marriage. For several weeks she was in imminent danger, and, even after her convalescence, she suffered from a deep dejection which seemed to portend the most serious injury to the mind as well as the body. One of her first acts, when permitted to exercise her slowly returning strength, was to write a letter to Mr. Vernon, frankly stating her repugnance to the marriage, and entreating his forgiveness for the wound she had inflicted upon his feelings. But Mr. Vernon was too matter-of-fact a man to understand Hester’s character. His self-love was wounded, and he deigned no reply to her eloquent and passionate appeal. In little more than three months afterwards she received her letter, enclosed in a blank cover, together with a piece of bride-cake, and the “at home” cards of Mr. and Mrs. Vernon.

When Hester was so far recovered as to admit the family to her apartment, she learned that Legard, who had only arrived from Europe the day preceding her ill-omened nuptials, had been a constant visiter during her illness. The first evening that she descended to the drawing-room she met him, and she could but rejoice that the absence of Celestina secured to them an uninterrupted interview. Ever ready to deceive herself, she fancied that the warmth of his congratulations, on her recovery, proceeded from a peculiar interest in her welfare, and, as she gazed on the emaciated form and pallid cheek of the poor artist, she felt all her romantic passion revive. A recurrence to their first meeting led to one of those half-sentimental, half-tender conversations which are always so dangerous to a susceptible heart; and when he spoke of long-hidden sorrow, and hinted at a hopeless attachment, Hester could not doubt that she fully understood his meaning. Maiden modesty restrained the confession which rose to her lips, but she felt that the time was fast approaching when both would be made happy; and, while Legard saw in her only the sympathizing friend, she fancied he beheld the mistress of his heart.

Two days later, when Hester returned from a short ride, she was informed that Legard had called to bid farewell. No one but Celestina had been at home to receive him, and, after a long interview with her, he had left his adieus for the family, previous to his embarking for Charleston. Hester was too much accustomed to Celestina’s vanity to pay much attention to the significant smile with which her sister mentioned Legard. She knew that it was no uncommon thing for the beautiful coquette to claim, by insinuation, lovers who had never thought of offering their homage; and, therefore, while she deeply regretted the fatality which seemed to interpose obstacles between Legard and herself, she felt no doubt as to her own possession of his heart. She believed that his poverty and ill success had restrained the expression of his cherished love, and she determined on his return to afford him such opportunities of avowal as he could not mistake. But alas! for all her anticipations. Legard reached Charleston just as the yellow fever had commenced its frightful ravages; he was one of its first victims, and the ship which had borne him from his native shore brought back the tidings of his untimely death.

To the Ormesby family the poor artist was an object of such utter insignificance that they never dreamed of attributing Hester’s sudden relapse to the news of his melancholy fate. A long fit of illness left her listless and inert, and giving herself up entirely to the guidance of her romantic nature, she withdrew entirely from society. The more she reflected upon the past, the more she was confirmed in the belief of Legard’s attachment to her. His words, his manners, and, above all, the wretched countenance which he wore on the day of her bridal, all convinced her of his love; while an acute sense of his poverty and his personal defects, together with his probable belief in Hester’s attachment to the man to whom she had been betrothed, seemed to her sufficient reasons for his silence and reserve. She became cold, abstracted and indifferent to every thing. Life seemed to her one long dream, and her days were passed in that vague reverie which is as pernicious to the mind as the habitual opium draught to the body.

Fifteen years were passed in this aimless, useless kind of existence. She walked amid shadows, a quiet, harmless being, mechanically performing the common duties of life, even as a hired laborer, who toils rather to finish the day than to complete his work. The dream of her youth became a sort of monomania; the one subject on which her mind was unsound and unsettled; while the epithet of “eccentric,” which is so often used to cover a multitude of errors, was here applied to a single weakness. That dream was destined to be rudely broken; but the strings of her gentle heart—that delicate instrument on which fancy had so long played a mournful melody—were destined to be broken with it.

Celestina Ormesby had married, and, with the usual fortune of a coquette, had made the worst possible choice. Deserted by a worthless husband, after years of ill treatment, she had returned home only to die; and it was during the examination of her letters and papers, after her decease, that Hester was awakened at length to know the truth. With a natural but unpardonable vanity, Celestina had carefully preserved all the epistles of her various lovers, and Hester, wondering at the indiscriminate vanity which had led her sister to encourage the addresses of some who were far beneath her in the scale of society, had thrown by many packages, unread, when her attention was attracted by a parcel lettered “From Edward Legard.” It was not in the nature of woman to resist such a temptation. The letters were opened and read with the most intense eagerness, and Hester at length learned the extent of her own weakness. The secret of Legard’s unhappiness was revealed to her. He was indeed the victim of a hopeless passion, but he pined not for her who had cherished the life-long vision of his love. He had fallen a victim to the arts of Celestina, who, in the gratification of her own inordinate selfishness, had not scrupled to add the envenomed draught of disappointed affection to the bitter chalice from which gifted poverty must ever drink. He had loved her passionately and devotedly, and the look of hopeless sorrow which, even at the foot of the altar, had transformed the half-wedded bride into the lonely and heart-stricken spinster, had been directed not to her, but to the fickle and beautiful bridemaid at her side.

Hester had long suffered from an organic disease of the heart, and her physicians had warned her that any sudden excitement, or severe shock, whether of grief or terror, might prove fatal. The event justified their predictions. She was found sitting at a table, strewed with letters, her head was resting upon her arms, as if, like a wearied child, she had been overcome with slumber, but it was the weight of a colder hand which pressed her brow. She had received the severest of all shocks—the illusion that had brightened her early life, and shed a pure, sweet radiance over the loneliness of her latter days, was suddenly dispelled, and the victim of imaginary sorrows now “slept the sleep that knows no waking.”


HYMN FOR THE FUNERAL OF A CHILD.

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BY JAMES ALDRICH.

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Lift up our suffering hearts, O Lord!

Let grief our souls no longer bow,

Here, in this house of death, afford

Sense of thy grateful presence now.

Thou griev’st us with no ill intent,

Though missed and mourned our child must be;

This deep affliction thou hast sent

Shall closer bind our hearts to thee.

Sweet words of comfort! we have read,

Till hope sublimest faith became,

What Jesus in Judea said,

When children for his blessing came.

Yet, lost and loved! through coming years

How many sighs must uttered be,

How many silent thoughts and tears,

Our hearts will consecrate to thee.

In the cold grave, without a stain,

We place thy little form to-day,

But hope to meet thee once again,

When the long night shall pass away.

Most holy, merciful, and just!

Be our complaining hearts forgiven;

To Thee we yield our darling trust,

Receive his gentle soul in heaven.


MALINA GRAY.

———

BY ANN S. STEPHENS.

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(Continued from page 214.)