HARRISBURG.
BY JOSEPH R. CHANDLER.
The incidents of life around us—of common life—of everyday events, and the common scenes which Nature has prepared on every side, are full of interest, full of means of gratifying a taste formed or cultivated to rational enjoyment. The Hymmalayen mountains may overtop the Andes, and the Amazon bear more water to the sea than the Susquehanna, but it follows not thence that the combination of scenery—points of beauty to be associated with the eye—are less attractive in the latter than in the former; and though thousands may tread, may ride, or may murder on the unfrequented path of the elder world, and give tragic effect to narrative, yet on all sides of us, in our home experience, and our limited wandering, events are every day occurring of as much interest to the participators as are those which constitute the theme of the foreign tourist; and scenes are presenting themselves almost daily within our own observation, that need only the pen of a Radcliffe to describe, or the pencil of a Claude to depict, to fix them on the imperishable canvas of the artist or the immortal page of the gifted poet.
How often have we been struck with the clustering beauties of a seashore by Birch, or some landscape by Russell Smith, and while we gazed in admiration at the production so rich in artistic skill, and felt astonishment at the fidelity of the representation, have shrunk away from the picture, ashamed that objects so constantly before our eyes should have remained unadmired till the pencil of the artist had transferred them to canvas—had selected the moment when sunshine had brought out the clustering beauties of some gentle promontory, or shade had deepened the darkness of the dell, and all which to our eyes had been daily spread out in constantly changing hues, had been fixed in beauty to challenge our admiration and create new love for the original.
Events which strike us with astonishment in their record, whether they are real or imaginary, acquire much of their importance from our knowledge of the antecedent circumstances and present condition of the actors. We connect the present with the past, and our sympathies becoming enlisted with the joys or sorrows of others, all that relates to them acquires the exaggerated importance to us which it has with those who are really connected with the occurrences. Every group of immigrants we meet, every wedding party we attend, every funeral train we join, contains in itself a story of deep and thrilling interest; the power of genius only is necessary to collect and combine the incidents, to bring in the feelings and hopes of the parties, and to present to the reader what the unobtrusive actor does, feels, hopes, fears and suffers.
Ungifted to catch the beauties of the landscape and transfer them to canvas, unpracticed in the simplest movement of the artist's duties, I can only stand and admire what Providence has spread around with a profusion of bounty, and as colors deepen or fade, and beauties augment or diminish, I bow with admiration at the object, and increased love to Him whose hand garnished the heavens, and whose goodness is as manifest "in these his lower works" as in the constellated glories of the firmament, whose systems combine to enrich with heatless light worlds of space—and the infinite seems exhausted to gem with starry lustre earth's evening canopy.
Equally unsupplied am I with that genius which seizes on passing incidents, and moulds them to important events, building the interesting and the sublime on the simple and the ordinary. I have not these gifts, but I have the love for the gifts, the sense of their existence in others, and a sort of conception of the time and the place in which they should be employed; and often, as I pass along, I select groups and note incidents that with the child of genius would be seed for a golden harvest. And scenes, too, that escape the general eye, or only excite the exclamation "how beautiful," press upon me till I wish that I had the genius and skill to fix the picture which Nature has drawn, and show that our own land and own vicinity are full of those beauties which true taste admires, which, transferred to canvas, become in turn the stimulant to taste. Yet the scenes which I see, and the occurrences which I note, may be of use to those who know better how to combine and present the materials; and what I saw and heard, others may present in an attractive form.
During the close of August and the first of September last I was, in obedience to an imperative call, engaged in some business in Harrisburg, Pennsylvania. The little borough was crowded with delegates to two conventions then being held, for the purpose of nominating candidates by the opposing parties for the office of Governor of the Commonwealth; a part of the machinery to which our institutions give rise, and those who affect to sneer at these preliminary movements, do not understand the true theory and practice of republicanism, where action, to be effective, must begin in the will of the people, and to be beneficially operative it must continue in concurrence with that will. Notwithstanding the presence of two antagonistic parties there were peace and much social intercourse between the delegates of opposite creeds; nor was this marvelous, the contest had not yet been delivered to the parties; the rivalry and antagonism were between the members of the same party, who should be the candidate—that settled on each side, then the divided fronts of the main divisions would unite, and the hostility be transferred from sections of the same party to the parties themselves. The general field of contest was of course not taken there, so that the elements of political warfare were held in abeyance, and the thronged streets wore a holyday appearance of pleasure and hope.
Standing early one morning at the door of the hotel, before the customary hour of rising, I was struck with a little procession from the canal toward the centre of the place. A stern woman led the company, in which were four men, two of whom, and the youngest, each carried a child; and in the rear was a very tall man, bearing also a younger child, wrapped about with parts of a ragged female dress. The man by his height and measured tread drew attention particularly to himself. The appearance of the whole was that of poor immigrants; Germans probably; though the stateliness of the march of its principal man was that of some one who had a spirit of independence, and felt that whatever might be his appearance, he was, for a time at least, above the influence of outward circumstances. The company passed me, and for some time I lost sight of them, and indeed nothing but the peculiar look of the woman and the remarkable tread of the man would have kept them in my memory. It was not long, however, before I saw a gathering in front of a public building, and loving to hear the remarks of those who speak out unrestrainedly, I joined the little company. Its centre was the band of immigrants. It was evident that some movements toward effective sympathy had been suggested. What they were or by what suggested I could not tell. The strangers could speak little or no English, and for a time their appearance only appealed to the kindly feelings of the multitude. I had pressed in close to the strong man, who was still bearing the little child in the same position in which it rested when he passed me at the door of the hotel. The same fixed look of independence was in his face and his position. There was much of sternness on the face of the woman, but it was marked by pain, referable perhaps to her situation, and to the marks of recent grief. Something was to be done, but what I could not yet determine. As I pressed nearer to the man the company crowded closer.
"You need help," said I to the strange man.
He intimated plainly that he could not understand me.
"You want bread," said I.
"Das brod," exclaimed he, shaking his head. "Nein—das grab!"
And he threw the clothes from the face of the child on his arm, and the pale, quiet features of the little one were cold in death.
One low, agonizing cry went up from the depth of the woman's heart. One proud look around was given by the father, but that look was exchanged for one of anguish as he turned his eye downward toward the burthen which his arm sustained.
The company had come up, not to solicit charity, that they might eat and drink before they should die—but that they might obtain a burying-place for the little one of their flock, whom death had released from its parents' troubles.
It was a pretty child; the blue eyes were visible beneath the half divided lids, and the long lashes hung over them like gentle palls, defending them from the rudeness of earth's winds. The fine light hair lay smoothly over the marble forehead, and a few white teeth shone out from between the lips that were shrinking away from each other in the coldness of death.
It was a grave the parents needed.
The contributions were liberal, and a grave was provided. It would seem that in the wilderness of unreclaimed lands which lie along the public works of Pennsylvania, there might be found a resting-place for an infant stranger, without the eleemosynary aid which had been sought—but, alas! who does not desire when they "bury their dead out of their sight," that it may be in a place which memory may cherish.
We cannot comprehend the unconsciousness of the grave. We hedge it about, we make the last house as if comforts were to be enjoyed therein, and we love to place our dead side by side with others, as if there were fellowship with the mouldering clay. It is of no use to argue against this—it is better perhaps to encourage the feelings, and assist in their gratification. They refine the mind, they elevate views, they meliorate passions and keep alive affections. Let the resting-place of the dead be sanctified to all, it is the home of the temple of God. It is the Moriah of the Christian dispensation.
I cannot leave Harrisburg at any season of the year, but especially in the early part of Autumn, without seeking the shore of the Susquehanna at sunset. All day long the river is beautiful, the quiet stream as it goes shining down to the ocean is full of loveliness, and all upon it or near it, partakes of its character. But it is exquisitely rich and attractive near the close of the day. I went alone to enjoy the scene. And placing myself upon the bold bank between the town and the river I looked westward for the sight that had so often been enjoyed. It was there; no change comes over such beauties; they are immortal, they are without mutation. In the bosom of the broad river—glowing with the golden beams of the retiring sun—sat the islands that break the unity of the stream and augment its beauties. So rich, so full was the sunlight upon the river, that these islands seemed to be floating in the gorgeous light. Some shot out prominent angles into the water, and presented salient points to break the uniformity, while others sat swan-like down, their rounded edge touching the stream, as if they had been dressed by art to present the perfection of symmetry; the dark green of the shrubbery that sprung up in the moisture of the islands was mingled with the golden hues of the sun, and here and there the gentle current, by passing over some obstructing object, broke into a ripple, that danced like liquid gold in the sunlight.
It was a rich and lovely sight, one to which frequency of enjoyment can bring no satiety, and he who sits down to such a scene finds the impressions of unfriendly association passing away—the resolutions of revenge, which unprovoked rudeness excited, melting into the better determinations of the heart—and all of bitterness and animosity which unchastened pride encourages, are neutralized and lost in the deep emotions of love which such a view of God's works and such a sense of man's enjoyment necessarily promote.
I sat absorbed in the scene until the sun began to drop below the hills, and the warmth of the coloring upon the water was yielding to the neutral and colder tints of evening, but upward along the sides of the hills the gorgeousness of the sunlight was in its fullness. Casting my eyes away to the right, I noticed a gathering on the upland: and on looking closer I could discover the forms of those who had composed the morning procession. They had made a grave for the little one of their flock, and had gathered around it to do the last offices to the inanimate form. They all bowed together, as if taking a last look, and when they raised their heads, I thought I caught a little of the wild cry of the anguished mother—but I must have been deceived, the distance was too great, but the signs of grief were visible, and I saw the father sustaining with his arm the afflicted wife, and the other members of the group cast their eyes toward their afflicted female companion. The air was full of dust, the consequence of a long drought, and as the floating particles reflected the sunbeams, the funeral gathering seemed for a moment, bathed in the glorious light of the setting sun, transfigured on their mount of sorrow—transfigured from the poor mendicant wanderers they had appeared in the morning, to children of light.
That glorious sunset on the islands and waters of the Susquehanna cannot soon fade from my memory—nor shall I easily forget the blaze of glory shed around the infant's grave. Strange that the richness of sunlight should spring from the impure particles by which it is reflected—but in this world of ours what but errors and impurities of the human kind make visible and beautiful the grace of Him in whose light and heat "we live and move and have our being?"
PEDRO AND INEZ.
BY ELIZABETH J. EAMES.
[It is a well known fact that the hapless Inez de Castro, the young and beautiful bride of Pedro of Portugal, was murdered, while he was absent on a hunting excursion.]
Softly broke the light of morning, through a pictured window's gloom,
Blandly strayed the zephyr's winglet 'mid rich plants of Eastern bloom,
Shedding a strong spicy fragrance round that gorgeous room,
Lightly on her couch of purple slumbered Pedro's new-made bride,
In her young unshadowed beauty, with no other thought beside
That which his deep love had poured o'er her spirit's tide.
Softly had Prince Pedro risen from his nuptial couch that morn,
Lightly donned his hunting vesture, at the call of hound and horn:
Yet he bends enamored o'er that face of Beauty born.
One more love-glance, yet another, on the sleeping face he cast;
Soft he stoops to meet that red lip—one light kiss—the last!
"God and our Lady bless thee, love!"—and so Prince Pedro passed.
Softly faded into twilight gorgeous gleams of gold and red,
Valley, stream, and purple mountain lay in mellow glory spread.
And the lemon's snowy blossom dewy odors shed.
Homeward through eve's tender shadows speeds Prince Pedro with his band,
While with love almost paternal his fond eye drinks in the land,
Over which he soon may govern with a kingly hand.
Now the mellow horn he soundeth through the leafy olive groves,
Far and wide the clear notes echo, but they bring not her he loves—
"Inez? is it thou, sweet Inez, where yon shadow moves?"
Never more shall Inez answer to that fond familiar call—
Of the lovely bride left sleeping, bleeding clay is all—
Of a fiendish hate the victim lies she, wrapt in gory pall.
Never more from that dread hour was Prince Pedro seen to smile!
Never more did chase or revel his still agony beguile—
But he walked in the shadow of dark thoughts the while!
With her martyred form forever graven on his memory,
He became a scourge and terror from whom all men sought to flee,
Tortured were his victims, but he smiled in mockery!
Such the change, and such the monarch whose reft hand made discord ring
Like a clarion through the country that had gladly hailed him king.
Darkly, like the tempest, rode he on the avenger's wing!
And when midnight drew her curtain round the land, that hour
In her blood-stained chamber did he stand with fearful power,
And renew the fatal vow to avenge his martyred flower!