GERMANY, Etc.
From the remaining portion of Europe there is little of special interest. The Frankfort Diet has resumed its regular sittings, but nothing of importance has been proposed. At Hamburg, an affray occurred between the populace and a party of Austrian troops, in which lives were lost.
In Portugal, the Ministry of the Marquis of Saldanha seems likely to maintain its place.
In Italy there is the same hostility to the Austrian rulers, manifesting itself as it best may. In Milan, not only is tobacco proscribed by the people, as a government monopoly, but the purchase of tickets in the state lotteries is looked upon as an act of treason to the popular cause. At Pavia, the Count Gyulay, the Military Governor of Lombardy, appearing in the theatre, almost all the audience rose and left the house; and the few who remained were received with hisses by the crowd when they finally came out. At Florence, the Count Guicciardini, and five others have been sentenced to six months' banishment for being found, to quote the words of the procès verbal, "sitting round a small table," upon which "occasion Count Piero Guicciardini read and commented upon a chapter in the Gospel of St. John," in the Italian translation of Diodati, under circumstances that "offer valid and sufficient proof that this reading and comment had no other purpose than mutually to insinuate into the parties religious sentiments and principles contrary to those prescribed by the Roman Catholic Apostolic Religion."
Literary Notices.
The Parthenon is the title of a serial work on a new plan, published by Loomis, Griswold, and Co., the first number of which has just been issued in a style of uncommon typographical elegance, and containing original articles from several distinguished American writers. It is intended to present, in this publication, a collection of specimens of the literary talent and cultivation of the United States, as exhibited in the productions of our most eminent living authors. Among the contributors, whose pens are enlisted in the proposed enterprise, we find the most celebrated names in the field of American letters, together with a host of lesser lights, who have yet distinction to achieve. The contents of this number are of a high order, and give a rich promise of the future excellence of the work. It opens with an Indian Legend, by Cooper, called "The Lake Gun," which is followed by poetical contributions from Mrs. Sigourney, Miss Gould, Duganne, and Ross Wallace.
Narrative of Travels in America, by Lady Emmeline Stuart Wortley (published by Harper and Brothers), is a perpetual effusion of astonishment and admiration at the natural resources and the social developments of the Western Continent. Lady Wortley is not a traveler of the regular English stamp, judging every thing American by the standard of the Old World, and giving vent to the disappointment of absurd anticipations by ridiculous comparisons. She has no doubt gone to the contrary extreme, and presented a too rose-colored picture of her impressions of America. With the quickness of observation, and gayety of temperament with which she mingled in all classes of American society, she could not fail to catch its most important features; but we think she often mistakes the courtesy and deference which her own frankness and intelligence called forth for a more decidedly national characteristic than is warranted by facts. On questions at issue between her own country and the United States, she uniformly takes sides with the latter. She shows a warm American heart every where, without the slightest disposition to flatter English prejudices. Evidently her nature is strongly magnetic; she wears her foreign habits like a glove, and throws them off at pleasure; adapting herself with cordial facility to the domestic life of New England, or the brilliant far niente of Mexico. This disposition gives her book a highly personal and often gossiping character. She talks of the acquaintances she forms with the delight of a joyous child, who has found a new amusement, and generally with as little reserve. No one can complain of her fastidiousness, or of her unwillingness to be pleased. Indeed, the whole volume gives you the idea of a frank, impulsive, high-hearted Englishwoman, rejoicing to escape for a while from the restraints of conventional etiquette, and expressing herself with the careless ease of a perfectly natural character, among scenes of constant novelty and excitement. So completely does she throw herself into the mood of the passing moment, that she adopts all sorts of American colloquialisms, with as much readiness as if she had been to "the manner born," embroidering her pages with a profusion of familiar expressions, caught from the rebellious volubility of Brother Jonathan, and which most shock the "ears polite" in every drawing-room in England. It will be seen that her work belongs to the amusing order of travels, and makes no pretensions to intense gravity or profound wisdom. You read it as you would listen to the rattling talk of the author, pleased
with its vivacity and unstarched grace, with its off-hand descriptions of comical adventures, and its glowing pictures of natural scenes, while you forgive a good deal of superfluous loquacity to her irrepressible good-humor and evident kindness of heart.
James Munroe and Co. have issued the first volume of a new edition of The Works of Shakspeare, edited by Rev. H. N. Hudson. In its external appearance, this edition is intended, as nearly as possible, to be a fac-simile of the celebrated Chiswick edition, while the numerous errors and corruptions, with which that edition abounds, have been removed by the diligence and sagacity of the present editor. Every line, every word, every letter, and every point has been thoroughly revised, with the determination to present nothing but the genuine text of Shakspeare. This volume contains The Tempest, The Merry Wives of Windsor, Two Gentlemen of Verona, and The Twelfth Night, with introductions by the Editor, written with his usual acuteness, and more than his usual modesty. His Shakspearian learning, and enthusiastic reverence of the author, admirably qualify him to superintend an edition of his works, and we shall look with confidence to these successive volumes as an important aid to the enlightened appreciation of the immortal Poet.
The History of Josephine, by John S. C. Abbott (published by Harper and Brothers), is a lively and beautiful portraiture of the romantic career of the fascinating and unfortunate Empress. Without presenting any new incidents in her extraordinary life, Mr. Abbott has related her well-known history with such dramatic effect, that his work has all the charm of novelty. It will be read with great interest, even by those who are familiar with the subject.
A new edition of Fresh Gleanings, by Ik. Marvel, has been issued by Charles Scribner. It will be read with a new zest of delight by those whose hearts have vibrated to the rich touches of feeling in the Reveries of a Bachelor, or who have rejoiced in the refined, delicious humor of the Lorgnette, now acknowledged as the production of the same versatile pen. The author, Donald Mitchell, under all his amusing disguises, can not quite conceal the exquisite refinement of his imagination, nor his manly sympathy with the many-colored phases of life, which will make his name a "household word" among the lovers of a chaste and elevated literature. This edition is introduced with a dainty preface.
Lossing's Pictorial Field-Book of the Revolution, now publishing by Harper and Brothers, has reached the fifteenth number, and fully sustains the character which has won for it such a welcome reception in all parts of the Union. The historical narrative is agreeably diversified by a copious and well-authenticated collection of anecdotes, and the illustrations taken from drawings on the spot, give a vivid impression of many of the most important localities which have now become classical by their association with the Revolution.
The Daughter of Night, by S. W. Fullom (published by Harper and Brothers), is a recent English novel, which in spite of a good deal of exaggeration, leaves a deep impression on the mind of the reader. The scene is laid in the present day, and the principal materials are drawn from the state of the population in the mining districts of England. Among other incidents, the ravages of the cholera among the laboring classes are described with frightful effect, showing a rare power of tragic representation.
Editor's Drawer.
We have forgotten (or never knew) who it is that speaks of the "small sweet courtesies of life," but the term is as true as it is felicitous. There are such courtesies, and the habitual employment of them is the surest evidence of a good heart as well as refined manners. "I never look," said a benevolent lady to a friend walking down Broadway one morning, "at a deformed person in the street, except directly in the face. How many a pang has been caused to the physically unfortunate by a lingering glance at a deformed limb, a "marked" face, or other physical defect, to a scrutiny of which the afflicted are so painfully sensitive!" There was a tenderness, a humanity in this remark, and therefore it was recorded at the time, as being worthy, not only of remembrance, but of heedful regard and emulation. Yes; and that woman would leave the arm of her husband in the street, and push from off the side-walk with her little foot a piece of orange-peel, a peach-skin, or other the like slippery obstruction, lest somebody should step upon it, slide, fall, and break or dislocate a limb. "These are little things to speak of," the reader may say, and they are; but still, they are "close devotements, working from the heart" that with such an one, a too common selfishness, or indifference to the good of others, "does not rule."
One of our "bold peasantry, a nations pride," disdaining California and its temptations, thus signifies his contentment with his little mountain-farm in "dear old New England:"
"Let others, dazzled by the shining ore,
Delve in the soil to gather golden store;
Let, others, patient of the menial toil,
And daily suffering, seek the precious spoil;
I'll work instead, exempt from fear or harm,
The fruitful "placers" of my mountain farm;
Where the bright plow-share opens richest veins,
From whence shall issue countless golden grains,
Which in the fullness of the year shall come,
In bounteous sheaves to bless my harvest-home."
It was well said by an eminent man, that, during the prevalence, or expected prevalence, of any unusual epidemic, "cheerful-minded persons and cheerful looks, are more to be valued than all the drugs of the city." His further remarks are worthy of heed just now, in an anticipated or predicted "cholera-time:" "A great portion of mankind have a wonderful proclivity to groan, repine, whine, snarl, and find fault with every body and every thing, making other people miserable, and rendering themselves intolerable nuisances. At a time when all excitement, alarm, and panic are to be studiously avoided, as promotive or incitive of diseases, these groaners, these incessant predicters of more trouble, more sickness, and more deaths; these persons with rueful countenances, should be shut up, kept out of sight. They fret, annoy, and disgust all healthy, sensible people, and are 'sure death' to persons of diseased body and mind; while on the other hand, the cheerful-minded man or woman, with pleasant aspect, rejuvenates and fortifies the minds of all; filling the soul of the sick and desponding with hope, confidence, and courage. A cheerful-minded physician, who can inspire his patients with a firm faith and hope of recovery, is to be preferred, in nine cases out of ten, to the physician of gloomy misgivings and lugubrious countenance." This is good advice. We know an old weather-croaker who
at all times "never expects any more really pleasant weather." If it happens to be pleasant, he says: "Ah! my young friend, we shall pay for this—a mere weather-breeder—a weather-breeder, sir." If it is not pleasant, he reverses his grumbling. "Ah, sir, just as I told you—just as I expected!"
When the development of what are termed "Spiritual Rappings" was first made in this city, we were of a party who visited the exhibitors of the phenomena, or whatever else it may be called. Surprised, amazed, yet not satisfied, we returned home. In the evening, at a friend's house, the conversation turned upon the scene we had witnessed. Some importing deception, collusion, &c.; while others avowed, almost with "fear and trembling" their full belief in the operation of a spiritual agency in producing the sounds. "I know nothing whatever," said a gentleman who chanced to be present, and who had remained entirely silent during the discussion, which however he seemed to be regarding very attentively, "I know nothing whatever about these 'Spiritual Rappings,' for I have not heard them, nor had an opportunity of testing the various ways in which it is alleged they may be produced; but if you will permit me, and I shall not be considered as inflicting a story upon your company, I will tell you what I have seen, and which I think partook somewhat of the nature of those mysterious spiritual communications of which you have been speaking.
"I presume that many of you remember the case of Rachel Baker, the Somnambulist-preacher, who, some twenty-eight or thirty years ago, in one of the interior counties of this State, attracted so much the wonder and curiosity of the public. She was an ignorant, unlettered girl, of some nineteen or twenty years of age. Her parents were poor, and were unable to give her any education. She could read the Bible only with great difficulty, and even that little with apparently but small understanding of the force and extent of its moral and religious teachings. Although indigent and ignorant, her character, however humble and undeveloped, was unblemished. She was of a religious turn of mind, and was a regular attendant of the Methodist meetings, which were only occasionally held in the sparsely-populated neighborhood where she resided.
"Such was the young girl who subsequently became the theme of almost every journal in the United States, and whose fame, or perhaps more properly notoriety, extended to England and France; awakening in each country elaborate psychological and physiological discussions concerning the nature of the peculiar case of 'Rachel Baker, the American Somnambulist.' But I am getting a little before my story.
"One hot evening, about midsummer, somewhat earlier than was usual with her, Rachel took a candle and ascended the ladder which served as stairs to lead to the open chamber or garret which contained her humble bed. A short time after midnight, her mother, being accidentally awake, and talking with her father, heard her, as she expressed, 'gabbling to herself in a dream.' She called aloud to her daughter, but received no answer; but her talk, in a low tone of voice, continued as before. The mother now awoke her husband, and lighting a candle, they ascended together to Rachel's apartment.
"She lay upon her bed on her back, her face turned to the rafters and shingled roof of the rude dwelling.
Her eyes were wide open; her hands clasped convulsively over her bosom; and she was pronouncing a prayer. After finishing her prayer, she lay silent for a few moments, and then awakening with a start, and gazing wildly around her, she demanded to know of her wonder-stricken and agitated parents, why they were there, and 'what that light was for?'
"'You waked your father and me, by talking in your sleep, Rachel; when we called to you, you did not answer, and we came up to see what was the matter. You've been dreaming, haven't you, Rachel?'
"'No, mother, I've had no dream; you have wakened me from a sound and sweet sleep.'
"The parents retired, went down the ladder to their own apartment, and Rachel fell into a sound sleep, and slept until morning. All the following day, however, she was indisposed; her eyes were heavy, her step faltering, and her whole manner indolent and ennuyée. The same somnambulism occurred every night for a week; until at length the rumor of the phenomena was noised about the country, and excited a wide and general curiosity. And when inquiry was made of the mother as to the character of Rachel's 'talk in her sleep,' she said, 'It was first-rate preaching—as good as any minister's; and her prayers,' she added, 'was beautiful to hear.'
"About this time Mr. W—— G——, a man of rare self-attainments in practical science and philosophy, and of the highest reputation for general intelligence—(an ornament, moreover, to the agriculturists of New York, toward whose interests no man in the State subsequently more efficiently contributed)—invited Rachel to pass a short time at the house of his father, an opulent farmer in the little town of O——, in the county of Onondaga.
"She came after some considerable persuasion; and here it was, being at that time on a tour in the western part of the State, that I first saw the remarkable spiritual development of which I spoke a while ago. Rachel had already spoken three nights, utterly unconscious to herself, although surrounded by gradually-increasing numbers, who had been attracted by a natural curiosity to hear her. Up to this time she had not herself been made aware of the continuance of her 'sleep-talking.' During the day she would assist the family in various domestic matters; and she was given to understand by Mr. G——, that it was intended to assist her to attain such proficiency in a common education as would enable her to read the Bible freely, to understand its plainest precepts, to write and to speak with grammatical correctness. She seemed anxious to avail herself of such an opportunity, and was thus entirely deceived as to the real purpose of the visit which she was induced to make.
"The house of Mr. G—— contained upon the ground-floor four apartments; an 'east' and 'west room,' the first of which contained the library of the younger Mr. G——, an organ, &c.; and the second was the 'spare room,' par excellence, in other words, the best parlor: these were connected by an 'entry' or passage-way; and opening into this parlor was another large room, where the family took their meals, held family worship, &c. Adjoining this room was a large kitchen. But let me describe the scene on the first night in which I saw Rachel Baker.
"It was on the evening of a hot day in summer. I had been permitted to come into the dining-room with the family, and was seated accidentally near the unconscious somnambulist. Conversation turned upon various matters, as it was intended purposely to prevent the least suspicion of there being any curiosity
concerning her. The 'men-folks' talked of harvesting and other agricultural matters, and the 'women-kind' of their domestic affairs. Meanwhile twilight was deepening; the 'east room' was filling with the neighbors, who approached in a direction whence they could not be seen by any of us who were in the sitting-room. I was saying something to Rachel of an indifferent nature, when I thought I saw a slight twitching about the eyelids, and an unwonted heaviness in the expression of her eyes. The conversation was now vigorously renewed, but she seemed to be gradually losing all interest in it; and presently she observed, 'I am tired and sleepy, and I guess I'll go to bed.' 'Certainly, Rachel, if you wish,' said Mrs. G——; 'take a candle with you.'
"She left the chair in which she had been sitting by my side, took up a candle, bade us 'good-night,' left the room, and closed the door behind her.
"All was now expectation. We heard the subdued rustling of the crowd in the 'east room,' while we in the sitting-room were awaiting the involuntary signal which would render it proper to enter the parlor where the bed of the somnambulist was placed. Presently a subdued groan was heard. We seized the candles which had been lighted after she had retired, and entered her apartment, into which also was pouring a crowd of persons from the 'east room.'
"I shall never forget the scene that was now presented. The face of the somnambulist, which, without being handsome, was extremely interesting, was turned toward the ceiling; her large blue eyes were wide open, and their pupils seemed to fill the entire eye-balls, giving her what the Germans call an "interior" or soul-look. Her hands were crossed upon her bosom over the bed-clothes; nor did she once move them, or her eyes, so much even as to wink, during the whole evening. And so tightly did she press them, that the blood settled for the time under her nails, and at length grew black like the fingers of a corpse. She lay for the space of a few minutes motionless and silent. She then began a short prayer in a voice calm and solemn, which, although, not at all loud, could be heard plainly in all the apartments, while the hushed attention of the hearers kept the house as still as the grave. I remember that the prayer was fervent, brief, and beautiful, and in language simple and pure.
"After the prayer, she lay for some time silent and motionless; affording space, as some supposed, for the singing of a hymn, as in the regular exercises of the sanctuary. Then she began her discourse, which usually continued about half an hour. It was not a discourse from any particular text, although it was connected, regular, and nobly illustrated by the most apposite quotations from the Bible. If interrupted by any questions, she would pause, make answer, and immediately resume the broken chain of her remarks. The evening I was present, a distinguished clergyman of this city, who had come expressly to visit her, interrupted her with:
"'Rachel, why do you consider yourself called upon to address your fellow-sinners, and by what authority do you speak.'
"'I even I,' she answered, 'a woman of the dust, am moved by the Spirit which liveth and moveth all things. Necessity is laid upon me; for I speak through Him who hath said, "Upon my young men and maidens will I pour out my Spirit, and the young men shall see visions and the young maidens dream dreams."' The passage quoted was to this purport. Although the somnambulist was utterly ignorant of correct language, never speaking, when awake,
without the grossest blunders in grammar, yet in all passages and discourses which she delivered in her somnambulent state, in all the answers to questions which were propounded to her she never committed the slightest error. I wish I could remember a passage of her discourse the second night I heard her. It was replete with the most admirable imagery, and its pathos was infinitely touching. She was visited at the house of Mr. G—— by some of the most eminent clergymen and savans of New York, and other cities; among others, if I remember rightly, by the celebrated Dr. Samuel L. Mitchell. After her discourse was finished, she would be silent and motionless, as before she began it, then pronounce a prayer; and at last relapse into a disturbed slumber, from which she would gradually arouse, groaning as if in pain, her hands relaxing and falling by her side, and her frame trembling as if 'rent with mortal agony.'
"Her somnambulism continued for some two or three months afterward; all physical remedies were tried, but without avail. She died in about a year afterward, her case baffling to the last all attempts at explanation of the mysterious agency by which it was produced."
Dr. Oliver Wendell Holmes tells us how the members of the medical profession feel when the "poison-chalice" of their prescriptions is commended to their own lips; in other words, when the visitor becomes the visitee:
"Just change the time, the person, and the place
And be yourself the 'interesting case;'
You'll gain some knowledge which it's well to learn;
In future practice it may serve your turn.
Leeches, for instance—pleasing creatures quite;
Try them, and, bless you! don't you think they bite?
You raise a blister for the smallest cause,
And be yourself the great sublime it draws;
And, trust my statement, you will not deny
The worst of draughtsmen is your Spanish Fly.
It's mighty easy ordering when you please,
'Infusi Sennæ, capiat uncias tres';
It's mighty different when you quackle down
Your own three ounces of the liquid brown.
'Pilula Pulvis'—pleasant words enough,
When other jaws receive the shocking stuff;
But oh! what flattery can disguise the groan,
That meets the gulp which sends it through your own!"
"Ah! they are very busy and bustling here now, but they will all be still enough by-and-by," said a clergyman from the country, as he passed with his friend, for the first time, through Cortlandt-street into crowded Broadway, at its most peopled hour. "And," said our informant (the friend alluded to, who had lived in the Great Metropolis all his life), "I never before felt so forcibly, so sudden was the observation, and so fervent the expression of the speaker, the truth of his remark. To me, the scene before us was an every-day one; to him, spending his days in the calm retirement of the country, the crowd, the roaring of the wheels, the sumptuous vehicles of Wealth, and the bedizened trappings of Pride, presented a contrast so strong, that the exclamation which he made was forced from him by the overpowering thought: "Ye busy, hurrying throng, ye rich men, ye vain and proud men, where will all these things be, where will you be seventy years from now?" "After all," says Sydney Smith, "take some thoughtful moment of life, and add together two ideas of pride and of man: behold him, creature of a span high, stalking through infinite space, in all the grandeur of littleness. Perched on a speck of the universe, every wind of heaven
strikes into his blood the coldness of death; his soul floats from his body like melody from the string. Day and night, as dust on the wheel, he is rolled along the heavens, through a labyrinth of worlds, and all the creations of God are flaming above and beneath. Is this a creature to make himself a crown of glory? to mock at his fellows, sprung from the dust to which they must alike return? Does the proud man not err? does he not suffer? does he not die? When he reasons, is he never stopped by difficulties? When he acts, is he never tempted by pleasures? When he lives, is he free from pain? when he dies can he escape the common grave? Pride is not the heritage of man. Humility should dwell with Frailty, and atone for ignorance, error, and imperfection."
That sort of curiosity which invests murderers and their secret motives with so much interest, instances of which may be seen any week almost in our very midst, was finely satirized many years ago by a writer in one of the English or Scottish periodicals. The criminal was arrested for the murder of an old woman, who had no money to tempt his avarice, and he resisted all inquiries touching the motives which induced him to commit the horrid deed. He "couldn't tell," he said; "it was a sudden impulse—a sort of a whisper; Satan put it into his head." He had no reason for doing it; didn't know why he did it. Ladies brought tracts and cakes to his prison, and begged him to "make a clean breast of it." Why did he do it? "Lord knows," said he, "I don't." At his trial the jury brought him in guilty, but recommended him to mercy, provided he gave his reasons. He said he "hadn't any; he killed the old 'oman off-hand; it was a sudden start—the same as a frisk: he couldn't account for it; it was done in a dream, like." Finally the day appointed for his execution arrived; and the sheriff, under-sheriffs, clergy, reporters, etc., all implored him to make a full confession, now that his time had come. A phrenologist, knowing that although "Murder had no tongue, it could speak with most miraculous organ," felt the devoted head, but was none the wiser. The interest in the murderer was now increased tenfold; and such was the demand for locks of the culprit's hair, that when he was led forth to the scaffold, there remained upon his head but a few carroty clippings; "and all this while," says the writer in parenthesis, "there was poor old Honesty toiling for a shilling a day, wet or shine, and not one Christian man or woman to ask him for so much as one white hair of his head!" Well, the murderer, unyielding to the end, stands at last upon the scaffold, the focus of the gaze of ten thousand sons and daughters of curiosity, in the street, at the windows, on the house-tops. The hangman is adjusting the rope; the clergyman is reading the death-service; the fatal bolt is about to be withdrawn; when a desperate individual, in a straw-hat, a light blue jacket, striped trowsers, and Hessian boots, with an umbrella under his arm, dashes in before the clergyman, and in hurried accents puts the old question, "Why did you do it?" "Why, then," said the convict, with an impatient motion of his cropped head, "I did it—to get my hair cut!" And he had not miscalculated the sympathy with crime which was to denude his guilty head for "keep sakes!"
Those who have risen early on a Sabbath morning in the country, and experienced the solemn stillness and holy calm of the hour, will read the following
lines with something of the religious fervor with which they came warm from the heart of the author:
"How calm comes on this holy day!
Morning unfolds the eastern sky,
And upward takes his lofty way
Triumphant to her throne on high.
Earth glorious wakes as o'er her breast
The morning flings her rosy ray,
And blushing from her dreamless rest
Unvails her to the gaze of day:
So still the scene each wakeful sound
Seems hallowed music breathing round.
"The night-winds to their mountain caves,
The morning mist to heaven's blue steep
And to their ocean depths the waves
Are gone, their holy rest to keep,
'Tis tranquil all, around, above,
The forests far which bound the scene
Are peaceful as their Maker's love,
Like hills of everlasting green.
And clouds like earthly barriers stand,
Or bulwarks of some viewless land."
Now those lines came to our recollection on one occasion many months since, simply by way of direct contrast, which is one of the curious, if not unexplainable operations of the human mind. We had been reading a long description, in a letter from a traveler, of life in the English coal-mines and of the "Sabbath privileges" of the thirty-five thousand men and boys who labor in the vast coal-fields of Durham and Northumberland, in England. There they are, and there they spend their long nights of labor, for day is not for them, hundreds of fathoms down in subterranean depths; never breathing pure air, but often stagnant and exhausted, when the stream of ventilation does not permeate the ever-lengthening gallery, and are almost always inhaling noxious gases. Not only is the atmospheric medium rarefied by a perpetual summer heat, without one glimpse of summer day, but every now and then occur terrific explosions of the "fire-damp," instantaneously thundering through a Vulcanian region, with more certain death to all within its range than there was ever dealt by artillery on the surface of the earth: or a gush of poisonous vapor in one moment extinguishes the candles and the lives of the workmen, and changes the scene of unceasing toil into a catacomb inconceivably more awful than any of the great receptacles of death that bear that name: or the ill-propped vault gives way, and bodies, never to be seen until the resurrection, are buried under the ruins of a pestilential cavern: often, too, life is sacrificed to carelessness or parsimony, and a few "indulgences" are perhaps given to the widow and orphans, to hush up the "casualty" within the neighborhood of the pit. Seldom does a visitor venture to plunge into the Hades-like profound. No attraction in the scenery of the miserable villages above ground brings a stranger to meddle with a population that never come to the surface except to eat or sleep. Yes, there is one exception. On that thrice happy day of rest, when even the burden of the beast is unloosed, the sober, humbly-clad colliers, as clean as they can make themselves, emerge from darkness into light, and hear from the lips of some brother "pitman," in their own familiar patois, the "glad tidings of salvation."
There are numerous pictures of Napoleon: Napoleon in scenes of triumph in peace, and of sublime grandeur in war. He has been depicted crossing the Alps; at Marengo, at Austerlitz, at the bridge of Lodi, at Jena, at Moscow, by the Nile; gazing at the everlasting pyramids; entering sacked cities, bivouacked
at night, and the like. But of all the pictures that we have ever seen of the Great Captain, one which has pleased us most, and which seems to represent him in the most gratifying light, is a picture which depicts him sitting upon a sofa in his library, a book in his hand, which he is perusing attentively; while his little son, reclining on one end of the sofa, lies asleep with his head resting on his father's lap—pillowed on those adipose limbs, that look as if they had been melted and run into the close-fitting breeches which they inhabit. This is a picture which, unlike the others, represents the great original as "one of us"—a man and a father, and not as a successful warrior or a triumphant victor.
Speaking nearly a century ago, an old English worthy laments the "good old times" when a book was bequeathed as an invaluable legacy, and if given to a religious house, was offered on the altar, and deemed a gift worthy of salvation; and when a prelate borrowed a Bible, his cathedral gave a bond for its return. Libraries then consisted of a few tracts, chained or kept in chests. The famous Library of Oxford, celebrated by Humphrey, Duke of Gloucester, contained only six hundred volumes! What would then have been thought of the "making of many books," of which "there is no end" in these our days?
There is a striking example of the style of "Sir Pertinax Mac Sycophant," in a character of Marston's "What you Will." Here is a slight specimen of his "booing and booing:"
"Sir, I protest I not only take distinct notice of your dear rarities of exterior presence, but also I protest I am most vehemently enamored, and very passionately dote on your inward adornments and habilities of spirit. I protest I shall be proud to do you most obsequious vassalage."
We find upon a scrap in the "drawer" these two stanzas taken from a German hymn, entitled, "Kindliches Gemüthe," or Childlike Temper:
"His mother's arms his chief enjoyment;
To be there is his loved employment;
Early and late to see her face,
And tenderly her neck embrace.
"O Innocence! sweet child's existence!
This have I learnt, through God's assistance,
He who possesses thee is wise,
And valued in the Almighty's eyes."
"Valued" is doubtless a stronger word in the original German, but it may have been difficult to render into our vernacular.
It would be a curious question whether, supposing the sun could be inhabited, its citizens would be as large, in proportion to the size of that luminary as we mundanes are in proportion to the earth. This, it strikes us, is one of those questions which it would be difficult to answer to general satisfaction. We remember some old philosopher who once complained that a flea had a good deal more proportional force than, from his size, he was entitled to. Although weighing only a single grain, it is endowed with the ability to jump an inch and a half at a spring. Now a man weighing an hundred and fifty pounds, ought, "by the same rule," to be able to make a spring over a space of twelve thousand eight hundred miles, which would be equivalent to jumping from Gotham to Cochin China, or round the world in two jumps. A man capable of doing that, might be set down "pretty spry."
WOMAN'S EMANCIPATION.
(BEING A LETTER ADDRESSED TO MR. PUNCH, WITH A DRAWING, BY A STRONG-MINDED AMERICAN WOMAN.)
It is quite easy to realize the considerable difficulty that the natives of this old country are like to have in estimating the rapid progress of ideas on all subjects among us, the Anglo-Saxons of the Western World. Mind travels with us on a rail-car, or a high-pressure river-boat. The snags and sawyers of prejudice, which render so dangerous the navigation of Time's almighty river, whose water-power has toppled over these giant-growths of the world, without being able to detach them from the congenial mud from which they draw their nutriment, are dashed aside or run down in the headlong career of the United States mind.
We laugh to scorn the dangers of popular effervescence. Our almighty-browed and cavernous-eyed statesmen sit, heroically, on the safety-valve, and the mighty ark of our vast Empire of the West moves on at a pressure on the square inch which would rend into shivers the rotten boiler-plates of your outworn states of the Old World.
To use a phrase which the refined manners of our ladies have banished from the drawing-room, and the saloon of the boarding-house, we go ahead. And our progress is the progress of all—not of high and low, for we have abolished the odious distinction—but of man, woman, and child, each in his or her several sphere.
Our babies are preternaturally sharp, and highly independent from the cradle. The high-souled American boy will not submit to be whipped at school. That punishment is confined to the lower animals.
But it is among our sex—among women (for I am a woman, and my name is Theodosia Eudoxia Bang, of Boston, U.S., Principal of the Homeopathic and Collegiate Thomsonian Institute for developing the female mind in that intellectual city) that the stranger may realize, in the most convincing manner, the progressional influences of the democratic institutions it is our privilege to live under.
An American female—for I do not like the term Lady, which suggests the outworn distinctions of feudalism—can travel alone from one end of the States to the other; from the majestic waters of Niagara to the mystic banks of the Yellowstone, or the rolling prairies of Texas. The American female delivers lectures, edits newspapers, and similar organs of opinion, which exert so mighty a leverage on the national mind of our great people, is privileged to become a martyr to her principles, and to utter her soul from the platform, by the side of the gifted Poe or the immortal Peabody. All this in these old countries is the peculiar privilege of man, as opposed to woman. The female is consigned to the slavish duties of the house. In America the degrading cares of the household are comparatively unknown to our sex. The American wife resides in a boarding-house, and, consigning the petty cares of daily life to the helps of the establishment, enjoys leisure for higher pursuits, and can follow her vast aspirations upward, or in any other direction.
We are emancipating ourselves, among other badges of the slavery of feudalism, from the inconvenient dress of the European female. With man's functions, we have asserted our right to his garb, and especially to that part of it which invests the lower extremities. With this great symbol, we have adopted others—the hat, the cigar, the paletot or round jacket. And it is generally calculated that the dress of the Emancipated American female is quite pretty—as becoming in all points as it is manly and independent. I inclose a drawing made by my gifted fellow-citizen, Increasen Tarbox, of Boston, U.S., for the Free Woman's Banner, a periodical under my conduct, aided by several gifted women of acknowledged progressive opinions.
I appeal to my sisters of the Old World, with confidence, for their sympathy and their countenance in the struggle in which we are engaged, and which will soon be found among them also. For I feel that I have a mission across the broad Atlantic, and the steamers are now running at reduced fares. I hope to rear the standard of Female Emancipation on the roof of the Crystal Palace, in London Hyde Park. Empty wit may sneer at its form, which is bifurcate. And why not? Mohammed warred under the Petticoat of his wife Kadiga. The American female Emancipist marches on her holy war under the distinguishing garment of her husband. In the compartment devoted to the United States in your Exposition, my sisters of the old country may see this banner by the side of a uniform of female freedom—such as my drawing represents—the garb of martyrdom for a month; the trappings of triumph for all ages of the future!
Theodosia E. Bang, M.A.,
M.C.P., ΦΔΚ, K.L.M., &c., &c. (of Boston, U.S.)
Three Leaves from Punch.
"There, now;—that's a Cigar I can confidently recommend!" "Well; put me up a Dozen to try!"
THE INTERESTING STORY.
First Ticket-Porter.—"And so, you know, that's all I knows about it." Second Ticket-Porter.—"Well! I don't know as ever I knowed a Man as knows as MUCH as you knows!"
ELEGANT AND RATIONAL DINNER COSTUME FOR THIS CLOSE WEATHER.
A WET DAY AT A COUNTRY INN.
Guest—"Is that your notion of Something Amusing?"
Bathing-Woman—"Master Franky wouldn't cry! No! Not he!—He'll come to his Martha, and bathe like a Man!"
AFFECTING—RATHER! Alfred.—"Tell me, my own one. Is there any thing else you have to say, before I go?" Emma.—"Yes, dearest—Do not—oh do not forget to bring the—th—th—Brunswick sausage from F-F-F-Fort—num and Mason's."
REAL ENJOYMENT. Annie.—"Good-by, Dear. You must come again soon, and spend a good long day, and then I can show you all my New Things." Clara.—"Oh! that will be nice! Good-by, Dear." (Kiss and exit.)
"See, Dear, What a Sweet Doll Ma-a has made for me."
SINGULAR OPTICAL DELUSION. Gentleman.—"There, Love; Do you see that Steamer?" Lady.—"Oh, distinctly! There are two!"
A MOST ALARMING SWELLING!
SUNBEAMS FROM CUCUMBERS; OR, GEMS FROM ADVERTISEMENTS SCHOLASTIC!
Mother.—"And—pray, Doctor, what are your terms for heducating little Boys?" The Principal.—"Why, my dear Madam, my usual terms are seventy Guineas PER ANNUM (to use the Language of the ancient Romans), but to effect my Object (?) quickly, I would take a few for what I could get; provided they be GENTLEMEN, like your dear little boy there; but (again to use the Latin Tongue), it is a SINE QUA NON that they should be GENTLEMEN!!!"
First Old Foozle.—"Would you like to see the Paper, Sir? There's Nothing in it." Second Old Foozle.—"Then what the Deuce did you keep it so long for?"
LITTLE LESSONS FOR LITTLE LADIES. Fan-ny Fal-lal, al-though she was not rich, nor a per-son of rank, was a ve-ry fine La-dy. She would pass all her time read-ing nov-els and work-ing cro-chet, but would neg-lect her house-hold du-ties; so her hus-band, who was a ve-ry nice man, and fond of a nice din-ner, be-came a mem-ber of a Club, and used to stop out ve-ry late at night, which led to ma-ny quar-rels. How fool-ish it was of Fan-ny to neg-lect her house-hold du-ties, and not to make her Al-bert hap-py at home!
FASHIONS FOR AUGUST.
Fig. 1.—Promenade and Young Lady's Morning Costume.
We have very little change to note in the forms of dress, since our last; and while "the dog-star rages," materials suitable for the heat of July will be appropriate. For out-of-door costume, silks of light texture, and hues accordant with those of surrounding nature, such as peach, lilac, violet, buff, green, pink, &c., are in vogue. Mantelets are much worn, and are of two different forms—the scarf mantelet, and the little round shawl mantelet. These, particularly the shawl mantelet, are beautifully embroidered and deeply fringed, giving them an exceedingly rich appearance. They have mostly a double collar attached.
Promenade Costume.—The figure on the right, in our first illustration, represents a beautiful style of walking costume. The dress is of light-textured silk. Body high, open in front, and having at the edge, as a lapel, two vandyked and goffered trimmings, with very little fullness. The under one meets the upper about two-thirds down the front. The body has a rounded point in front, and the trimming goes to the bottom. The sleeves are almost tight for about two-thirds of the arm, and end in a frill, on which are set two smaller frills, vandyked and goffered at the edges. The skirt has three flounces; the first, six inches below the waist, is ten inches deep; the second is twelve, and the third fourteen inches. Each of these flounces, already a little
drawn, is trimmed at bottom with two vandyked frills of two inches in width. They are held in, when sewed on, so as to be full on the large ones. The habit shirt is composed of two valenciennes at the collar, and of muslin puffs; the under-sleeve, trimmed with a narrow valenciennes, is formed of muslin bouillonnés, diminishing toward the bottom.
The bonnet is an elegant style. It is drawn, of net, blond, and silk; the edge of the poke has a roll of silk; above and below there is a transparent width of net, about two inches deep, and two blond frills drawn shell-shape. All the inside of the poke and crown is composed of a kind of carapace made of silk, with small folds lapping over each other. On one side there are two large moss-roses with buds and leaves. A blond, about an inch and a half wide, goes over the roses, and is continued in waves all along the piping. On the other side there are no flowers, but instead of them are a net bouillonné and three blond frills. The curtain is of puffed net, with blonds and no frills.
Young Lady's Morning Costume.—The figure on the left represents an elegant morning costume for a young lady. Hair in bandeaux, forming a puff which spreads well at the bottom. The points are carried back to meet under the knot. The back hair is done up in a torsade with black velvet ribbons, the two ends of which float behind. Frock of plaid silk, skirt very full. Canezou, or jacket, of embroidered muslin, trimmed with embroidered and festooned bands. It is open and square in front, with five bands for trimming. The sleeves are demi-length, and trimmed in a similar manner. The under-chemisette is of plaited net, with a narrow lace at the edge.
Fig. 2.—Jackets.
Jackets are now much worn, not only as a part of a morning costume, but as an elegant addition to a visiting dress. Figure 2 represents two of these. The first, held in the hand, is of light blue silk, and intended as an accompaniment to a visiting dress of the same material. It is trimmed round the lower part, as well as the sleeves and lapels or facings, with a narrow frilling of the same, fastened down the front with three large rosettes of silk, the corsage being sufficiently open to show the habit-shirt, decorated with a frilling of white lace. The large white under-sleeves are decorated with a double fall of white lace. On the half-length figure is represented the jacket of a morning costume. It is of white jaconet muslin, trimmed with lace and rows of pink ribbon of different widths. Long sleeves made rather loose, and encircled with lace and ribbon, finished
with a nœud of the latter, on the top of the wrist. Under close sleeve trimmed with rows of lace placed close together. This figure also shows a pretty style of cap, made of white lace, trimmed round the back part with four rows of narrow white lace, finished on each side with a bow and ends of pink ribbon, with loops on each side of the face.
A beautiful style of Evening Dress is a robe of white cachmere, trimmed with very deep flounces, each finished with stripes of silk woven in the material. The body open, square in the front; made very high and open, across the chest, terminating below the waist with basquines, which give it some what the appearance of a little vest, or jacket.
Fig. 3.—Boy's Dress.
Figure 3 represents a pleasing style of dress for a little boy. A Charles-the-Ninth cap of black velvet, with a well-rolled feather on one side, and proceeding from a cabbage-rose of black satin ribbon. Coat of black velvet, without any seam at the waist. It is hollowed out at the side and back seams, like a lady's paletot, tight over the breast, and fastened with little jet buttons. Sleeves half short, also with buttons. Under the coat is a tunic of plaid poplin, black and red. This tunic is full of gathers like a Scotch kilt. Plaid stockings, stripes sloping; small black gaiters with jet buttons. Collar sewed on to a band; the trimmings of the under-sleeves and trowsers are of the older style of English embroidery.
The taste for flowers, those gems which give exquisite beauty to nature's pictures, is becoming more and more prevalent. Nearly every bonnet is decorated with flowers, particularly those of rice straw. Heaths, lilies, violets, roses, &c., with straw, oats, asparagus, butter-cups, and fancy trifles are used in giving grace and beauty to bonnets.
END
Transcriber's note: A table of contents has been added. Blank pages have
been deleted. The publisher's inadvertent omissions of important
punctuation have been corrected. Other detected publisher's errors were
corrected as follows:
p. 385: on which they conduc[conduct] their whaling
p. 289: with an ancient piece of tapesty[tapestry]
p. 291: thousand little conveniencies[conveniences]
p. 299: rancorous recollection of the occurence[occurrence],
p. 301: By the brillance[brilliance] of her conversational
p. 304: when folks spok[spoke] of Andrè and his wife
p. 310: revelations of the sybil[sibyl] concerned
p. 334: how can this [be] part of myself?
p. 335: to literary socities[societies]
p. 337: country disstricts[districts]
p. 352: and gay boddice[bodice]
p. 365: The general fully corrobarated[corroborated]
p. 366: and rolling lazily adown[down] the
p. 368: round, and [in] one fearful lesson teach these same whitecoats
p. 368: drive a brave enemy to depair[despair]
p. 370: two unfurnished rooms; the lagest[largest] contained her
p. 374: they anticipate inuendoes[innuendoes], and meet
p. 384: accordingly went, accompaniod[accompanied] by
p. 399: but my husband is harder nor[than] I, and he said
p. 408: why should be[he] put himself