JAPANESE ART.
Some of our young ladies have a pretty art of constructing miniature landscapes out of pebbles and mosses, strips of glistening paper for brooks, little fuzzy pine sticks painted green for trees, and animals and Swiss cottages from the toy-shop. Could these amateur artists once see how the Japanese do this thing, they would abandon their mosses and pebbles in despair. A late traveler in Japan says of one of these: "It was a fairy-like landscape seen through a spy-glass reversed." Some of the details were real trees dwarfed to pigmies by the art of the Oriental florist. There were limpid lakes peopled with gold-fish; grottos and summer-houses of exquisite finish draped with growing verdure and large enough to shelter a small company of rabbits: lovely walks winding through groves, lawns and by miniature parterres of flowers, and finally, liliputian canals, spanned by elegant bridges wide enough for the passage of a large rat.
Among the "Notes" in the New York Nation of May 6th is the following:
"In the new edition of Prescott's complete works (Lippincott) we have remarked that the introduction to Charles V., so admirable for the time when it was written, is left untouched by the editor, not even the notes giving any intimation of the great progress made in the knowledge of the Middle Ages within the last hundred years. The editor may have chosen to regard the work as a literary monument to be preserved as it stands, and certainly it would require very extensive if not entire recasting."
There would seem to be some misapprehension at the bottom of these statements. No one, we believe, has ever undertaken to edit Robertson's History of Charles the Fifth. Prescott appended to it a long "Account of the Emperor's Life after his Abdication," and for that reason it has been included in all subsequent editions of his works. But no intimation has ever been given that the editor of Prescott's histories had assumed the same office for Robertson. If any one be engaged in editing Charles the Fifth, we can only wish him joy of the task. We trust, however, he will not proceed on the plan suggested by the Nation, of "recasting" the work in whole or in part. Such a process could hardly be considered as proper treatment of any literary production, which, whatever its demerits, should at least be subjected to no worse perversions than those of dishonest or incompetent criticism.