FOOTNOTES:

[B] The writer of these letters, Joseph Diss Debar, served with the corps of Marshal Davonst. Before the French Revolution his father had filled the office of intendant of domains of the prince-cardinal de Rohan-Guéménée, of royal necklace memory, then residing on his estates at Saverne, Alsace, in the diocese of Strassburg, of which he was the beneficiary. Soon after the capture of the Bastille the revolutionary movement spread to this locality, and destroyed, imprisoned or drove into exile all the avowed adherents of the royal cause, including the cardinal and his friends. The greater part of the Saverne refugees gathered at Ettenheim in Baden, only one league from the Rhine, where a large stipend, allowed to the cardinal by the British government, enabled him to keep his friends and followers above want until they could find other means of support. Thirteen years later Ettenheim also attracted the unfortunate duc d'Enghien, who in March, 1804, was kidnapped by orders of Bonaparte and shot in the ditch at Vincennes. The terror inspired by this high-handed coup d'état, which destroyed the émigrés' safety upon neutral soil, caused many of the younger generation of exiles to return to their native country and to enter the army, the military career being the only one open to them. Among these were the writer and his two brothers, the oldest being then twenty-four and the youngest seventeen years of age.


A PORTRAIT.

Every day I passed there in going between the room where I lodge and my business. It was an old shop, full of trash, ambitious of being a bric-à-brac establishment, but its contents had neither beauty nor pedigree to recommend them, only age and cheapness. Its doorsill lay even with the pavement, inviting custom by an easy access, while repelling it by its squalor. The light entered hesitatingly through a cobwebbed window, as if loath to touch the unsightly objects within. Of these, some few had strayed through the door and stood in blinking confusion on the sidewalk—chairs with three legs, desks with no shelves, sofas without seats, clocks eternally silent, and ornaments maimed, cracked, and seamed with glue.

It was in this company I first saw him. He had dark eyes with heavy lids, that gave a pathetic look to his face, and one eyebrow was slightly pointed near its termination on the temple, while the other was straight—an irregularity often found in persons of erratic temperament. His nose, sensitive and refined, was in beautiful proportion to the face: his full lips and square chin were partly concealed by a curling brown beard and moustache, and the hair, which met a forehead rather broad than high, was of the same color. Perhaps I should have mentioned that he was a portrait.

How had he arrived among his present surroundings, standing on the dirty street, smeared with mud that passing feet cast in his face, splashed by rain, and torn from contact with the edges of chairs or the careless canes of pedestrians—even showing the print of a boot-heel impressed on one cheek? At times he disappeared for days together, as if lost in the maze within: then again I would see his tragic eyes gazing at me through a pelting storm or his skin blistering under a blinding sun. Was it any wonder that I sought to save him from his capricious fate—that I pitied him, that I bought him?

I took the opportunity of doing so when the owner of the shop, whom I respectfully christened Sticks, was absent, and was thereby enabled to purchase the portrait from a shock-headed boy in charge for the modest sum of two francs.

My acquisition gave me much pleasure, but, unfortunately, it immediately became the subject of an altercation between my two selves. I must here say that my inner and outer self seldom agree, the latter being a practical man and a clerk in a retail lace business, while the former is an idealist who despises the other's employment and ridicules his opinions, frequently bewailing the lot that links him to a clod without aspirations.

It was to settle this dispute that I resolved, if possible, to discover some facts about the portrait's history, and for this purpose I stopped at the shop next morning, fortunately finding the shock-headed boy alone. Old Sticks would not have given even an answer, his business being buying and selling.

"Where did you get that picture I bought of you yesterday?" I began.

"Think it's an old master?" he asked with a wink.

"Will you answer my question, you blockhead?" I said, threatening him with my stick.

"I brought it from No. 42 Rue Notre Dame de Lorette," he whimpered, avoiding the cane as if it recalled disagreeable memories.

"To whom did it belong?"

"I don't know."

"Speak out, my man, and you shall have this for your reward." The proffered half-franc made him voluble.

"I was sent for it to No. 42. The concierge gave it to me. He had it carefully wrapped up: that made me laugh when I saw it opened."

"How long ago did this happen?"

"About six months. Where do you live?"

"What is that to you, my young friend?"

"You had better not pass here often: the old man is furious that I sold the picture—asked me all about how you looked, and if you ever passed the shop. I told him I never saw you before, and that you had black hair and squinted."

"Why did you say that?"

"I owe him one. He beat me last night, and went off this morning without giving me a bite to eat. Last thing he said was, 'You are sure he squints?' I said, 'Yes, sure.'"

Then, as I gave him the silver, the boy said, "Just mind the shop a moment, while I run and get something to eat;" and off he went, leaving me in charge.

"What are you going to do about it?" asked my inner self ironically.

"I am going to No. 42;" and without awaiting the boy's return I set out.

A few minutes brought me to the street. I passed No. 42 in review from the opposite side of the way, thinking I might get some idea of its occupants from the exterior. The house, wedged in by similar houses, possessed no particular physiognomy. I gazed at each window in turn, and finally crossing the street asked the concierge, "What is the name of the artist living in this house?"

"Only respectable people live here," he answered in a surly tone.

"When did he leave?" I went on, determined not to notice his rudeness.

"There has never been one here since I came."

"How long have you been here?"

"I can't remember."

"But you can remember a picture that you sold to a furniture-dealer in the Rue St. Lazare about six months ago."

"No I can't. I never sold one."

"His boy told me he got it from you."

"He is mistaken: I never sold one."

"Perhaps it merely passed through your hands. No harm will come to you if you tell me what you know about it."

"I know nothing," he exclaimed angrily, and began to pick up some scraps on the floor, so that I could not see his face.

Evidently suspecting there was something wrong, and that he might be held accountable, the man was prepared to deny everything, and my time being limited I left. As I did so I saw a plainly-dressed individual approach him, and on once looking back I thought from their gestures they were speaking of me. Of course my inner self exclaimed, "Absurd!"

For two days after I was confined to my room by a slight illness, but on the third, as I neared the furniture-shop, I noticed Sticks disconsolately seated in what might be called his best chair, seeing that the cover, though faded, was whole, and it lacked but one arm. This total disregard for the sanctity of his wares struck me as ominous, but confident, from the boy's description of me, that I should not be recognized, I went boldly forward. What was my astonishment to see him as I passed start from his seat and exclaim, "Is it you?"

"The boy has betrayed us," said I to my inner self.

"Perhaps he was bribed by another half-franc," replied he, as if sneering at my liberality.

"Let us see what old Sticks will do," I remarked in order to change the subject.

Thereupon we stopped before the excited man, who was trying vainly to calm himself while he asked nervously, "Can I show monsieur something? Something cheap, cheap—a bargain, artistic, grand, beautiful."

"Not this morning, thanks."

"Ah, this is not kind. Enter a moment: the opportunity is there; do not disappoint it."

He stood before me, and laying one knotty hand on my sleeve gently pushed me over the threshold, while he murmured, "A bargain, beautiful, cheap." Mephistopheles could not have looked more persuasive as, pointing his other hand—which matched his wares by the loss of a finger—to a worm-eaten cabinet, he leered at me with the only eye he had left.

"I could not carry it," I said with a shrug.

"I will send the article," he answered, eagerly pulling a soiled bit of paper and the end of a pencil from his pocket. "What is monsieur's address?"

"He is anxious to know where I live: that is evident," said I to my usual confidant as I moved on and stopped before a table which had once been inlaid, but which now presented the appearance of a painted beauty whose rouge has dropped off.

"Monsieur's choice is wise," said the merchant, following me. "Real Louis Quatorze: and besides its beauty it has a secret drawer to recommend it. That, however, I can only show you in the privacy of your own apartment."

"I think he wants to steal the portrait," I remarked to the invisible presence accompanying me. Then I asked the dealer, watching him closely the while, "Have you any pictures to sell?"

Sticks coughed nervously, looked about him, and walked the whole length of his shop, dusting the things with his red cap, before he spoke. He must have been much preoccupied thus rashly to destroy the venerable appearance of his stock. Then he said, "Perhaps you might have one you would sell?"

"I suppose you mean the one I bought of you. Why do you want it? In what does its value lie? What is the secret connected with it?"

The old man could not repress an involuntary "Hush!" Then recovering himself, he asked, "Will you sell it? I offer double what you gave."

I shook my head negatively.

"Name your price," he begged eagerly.

I obstinately continued to shake my head. There must be some reason for his wanting it back, and I resolved to find this out before I parted with it. Thereupon my inner self ejaculated "Nonsense!" but the dealer's anxiety was too evident, and his liberality too unusual, not to be suspicious.

"I must bid you good-morning," I said, in order to bring the matter to a crisis.

"Stay a moment: I will explain, I will tell you all. A poor widow sold me the picture: it was a portrait of the husband of her youth. Yesterday she came to buy it back: she had saved the money for this purpose sou by sou. Monsieur will not be cruel, and I promise to divide the profits equally with him."

"I can name my price?" I asked, stopping at the door.

"Certainly, monsieur."

"Tell the poor widow she had better spend her savings in buying a new husband instead of an old portrait. You can mention me as a pretender." With that I walked off, believing that I could come sooner to the truth by feigning indifference.

Several times during the day I imagined some one was watching me, and returning home at night I was sure I was followed; which proved to be true, as on reaching my door the shock-headed boy from the shop passed and whispered, "Be careful! They are on your track;" then disappeared before I could ask an explanation.

"I wonder if Sticks meditates a night-attack, and has sent the boy to reconnoitre?" said I to my confidential friend.

"You had better bribe him to tell you," replied this ironical adviser.

But nothing happened until morning, when a woman, the concierge of the house I live in, knocked at the door and asked if it would be convenient for me to pay my rent that day: it would oblige the proprietor. This was an unusual request, the rent not being due for a week to come; but I counted out the necessary sum, and handing it to her went on with my preparations to go out. Still she remained, and when I turned to see what detained her, I saw her eyes fixed on the portrait.

"It is so like my son," she said, observing my regard. "Monsieur has not had it long?"

"No, a few days only."

"My poor son was killed," she continued, wiping her eyes: "he was a mason and fell from a scaffolding. If he had only been contented to be a street-paver, as I begged him, he would never have fallen."

"Blessed are the lowly-minded, for being already down they cannot fall!" This voiceless remark I made to my other self as a warning.

"It is such a broken-up portrait that monsieur cannot want it. I would like to buy it for a little sum if monsieur would sell it. My poor son! That hole in the forehead especially looks like Jean when I saw him last." Here she covered her eyes.

"How much did that one-eyed man give you to come and buy that portrait?" asked I, guessing that this was an envoy of Sticks.

"He?" she said, confused: "it was no he." Then recovering herself: "Monsieur is mistaken if he thinks I would take a bribe;" after which the lady withdrew.

"Was not my question well thought of?" asked I of my other self in triumph.

"I think you are becoming a monomaniac," was his complimentary reply.

The day passed uneventfully, although I still had a suspicion that I was watched, but I had no means of making it a certainty. When I returned home my first look was toward the portrait. It was still safe.

At that moment there was a knock at the door. I opened it, and found there my washerwoman, or I should say my washerwoman's substitute, one whom I had never before seen. She was a bright, talkative little thing, a pearl of soapsuds, and said glibly that my usual attendant was ill, and she had come instead. I told her I was glad she had.

While putting down her basket her brown eyes took in the whole of my room, and she remarked with a shiver, "What a sad home you live in!—gloomy, ugly little chamber."

"Does your young man have a better one, my dear?"

"You are not my confessor," she answered saucily.

"I wish I were."

"Let me be yours."

"No objections."

"Who is the joli garçon you condemn to share with you this gloomy apartment?" She pointed to the portrait.

"A dear friend of mine."

"He looks as if he drank absinthe, and had broken his head on the pavement; nevertheless, I like him. Bring him to see me."

"Willingly: when shall we call?"

"As soon as possible: meanwhile I will carry this with me." She lightly jumped on a chair, took my portrait and retreated with it to the door, saying, "Rue Notre Dame de Lorette, No. 42, to-morrow."

"Not so fast, please," said I, taking the canvas from her hand.

"Stingy fellow! you might let me have it. He would be so much surprised when you brought him chez moi to see it hanging on the wall. Give it to me;" and she held out her hand with a charming gesture.

"No, no, my dear: you may come and see it here whenever you like, but here it must remain."

I turned and hung it on its accustomed nail: when I looked again she was gone. Not even the sound of her foot on the stairs nor a moving shadow on the steps when I looked over the balustrade.

"Either the world is going mad, or I am," I exclaimed.

"You need not be in doubt which."

"Any one would think it odd. Could she be the forlorn widow in search of the portrait of the husband of her youth?"

"No."

"Does old Sticks look as if he could play a practical joke?"

"No."

"Or my concierge?"

"No."

"Or my washerwoman?"

"No."

"And this radiant little bubble of soapsuds who was just here, what do you think of her?"

But my other self, having nothing more to say, was sensible enough to keep silent, and we slept.

In dreams the pretty washerwoman and the portrait became mixed inextricably. I believed she looked like the portrait—that she was the portrait; and when I awoke in the morning and saw the melancholy eyes hanging opposite my bed, I could not help exclaiming, "Pardi! she does look like him! It is true her eyes are brighter and her dimpled chin rounder; otherwise the faces are the same. And did she not invite me to the house from which the portrait had been brought? I must see her again—the sooner the better." With this I arose and hurriedly dressed, my other self protesting against my resolution the while; but as the physical power is all on my side, he was obliged to accompany me.

We went to No. 42 Notre Dame de Lorette, and were met by the same disagreeable concierge that we had seen before. To my questions he answered that no washerwoman lived in the house, and when I insisted he exclaimed pathetically, "For Heaven's sake go away! I have a wife and six children."

I was so impressed by this startling information that I ejaculated, "What a philanthropist!" whilst my inner self, who luckily has not the gift of speech, said, "What a fool!" Then I remembered that asking after a washerwoman in Paris without knowing her name was rather quixotic, and I went my way.

During the day I still had the disagreeable sensation of being watched. Men appeared to be noticing me from alleys, street-corners and windows, and once I made a sale to an individual who I was sure observed me more than the lace he was purchasing. When I passed the shop in the evening, Sticks neither looked at me nor returned my salutation, and when I half stopped to examine a new piece of dilapidation on the sidewalk he whispered abruptly, "Move on, I beg of you: your custom is not wanted here."

Was it strange that a series of the wildest conjectures should fill my mind? It was just before the Franco-German war, when the whole of Paris was in a fever of excitement and every event seemed to predict a political crisis. But in what manner could I, a simple lace-selling clerk, be connected with it? This last reflection of course emanated from my plain-talking self, who would rather believe the whole world mad than that anything important should happen to me. I was "not made of the stuff that distinction loves," he said, and begged me not to think that the eyes of the Empire were upon me.

As I entered the house I tried to question my concierge about the pretty girl who had brought home my clothes, but found my efforts useless. The woman said she knew nothing of my washerwoman, not even her name. I tried by describing the girl to get a more definite answer. She intimated that she would have little to do if she looked at every one going up or down the stairs; then burst into tears, and begged me to leave her—that she was dependent on her place for support; that her reputation was all she had; and more to the same effect, which I avoided by making a precipitate retreat.

I rushed to my room and to my glass, eagerly scanning the reflection therein to see if any change in my appearance within the last few days could cause people thus to avoid me, suspect me, and treat me as if contaminated. It was the same insignificant face I had known from childhood, with what my other self called a "stupidly innocent expression." I next thought of examining the portrait, taking it from the wall for this purpose. It was certainly modern: the slightest acquaintance with art settled this beyond doubt. (I must here acknowledge that my second self is rather a cultivated man; his discrimination has often been praised by the members of our firm; and it is owing to his delicate taste that I have been sent several times to Belgium to make large purchases of lace for our house; therefore I could rely on his judgment in this matter.) But might it not conceal another? I held it between me and the light, and could see through it, not only where there were holes, but everywhere between the interstices of the thinly-painted, badly-made canvas. I turned the back: there was nothing but the name of the seller stamped upon it: it was not likely he would remember who had bought this particular article. There was no frame, and I detached the cloth from the stretcher, that nothing might escape me. Not the slightest clew—no bit of paper, message or token. I put back the tacks, and was hanging my unsolved puzzle on the wall when I heard a knock at the door.

This time it was my bonâ-fide washerwoman, who came for the soiled clothes the other in her hasty retreat had forgotten, and as she gathered them together I carelessly asked after the fair unknown.

"She is my niece," was the reply.

"Does she live with you?"

"No: she lives in the country."

"Where?"

"I don't know."

"What is her name?"

"I don't know."

By this time the dame ended her task by tying the clothes in a bundle, and seemed in haste to be off.

"Is it not rather strange that you should know neither your niece's name nor where she lives?"

"I don't care," she said, defiantly resting a hand on either hip: "I will have nothing more to do with it." Here the bundle at her feet received a kick which sent it spinning over the floor, and she would have left the room had I not stood in her way.

"Why did you begin it?" I asked quickly, seeing here a chance of solving the mystery.

"She would take no refusal; and besides, she gave me twenty francs."

"What for?"

"Merely to allow her to carry home your wash. I hope you found nothing missing?"

"Nothing. But listen: I will give you another twenty francs if you tell me all you know about her."

"Make it thirty," she said eagerly.

"It shall be thirty."

"The young girl—"

"The brown-eyed one who brought my wash?"

"Yes. She came to my house on Friday last. Madame Trois, your concierge, had given her my address. The girl said she must see you in your room, and must have an excuse for going there—all for a bit of fun. But Madame Trois told me to-day that it was a picture she wanted, for she gave her fifty francs the day before for trying to get it, and promised her as much more as it might cost if you should consent to sell it. When Madame Trois failed, the girl asked what other woman went to your room, and she sent her to me."

"Then she is no niece of yours?"

"If I had a niece she would not be running about alone in that way; but the girl said if you should question me I must tell you she is my niece, and give her any name I pleased. As if I did not have enough trouble naming my own children without puzzling over one for her! especially when she gave me but twenty francs, and Madame Trois throwing it in my teeth that she got fifty! I am even with her now;" and she held out her hand for the money with the pose of a malignant Victory.

"Is that all?"

"All about her, but Madame Trois says there is something wrong, for the house is watched by the police."

"Police!"

"Yes. Madame Trois is up to their tricks. Her husband that is dead was a policeman, and she says those that don't dress in uniform are the worst."

"Madame Trois says a great deal; for instance, she told me she knew nothing about the girl, nor of you either, not even your name," I remarked.

"She was paid enough not to tell; besides, she is dreadfully afraid of the police; and no wonder. Such a dance as her husband led her! though I must say she deserved it. We have been friends for years."

I saw there was nothing more to gain, so I paid the woman and dismissed her, while my two selves both talked at once, making a distracting duet that nearly set me wild.

Here was confirmation of my worst fears. I was under suspicion, for what cause I knew not, but the picture must be in some way connected with it. Had the portrait been stolen, and did its possession implicate me in the theft? Yet who would care to recover so worthless a thing? Should I destroy it and thus end the ravel? No, if innocent why should I fear? and was not this the only connecting link between me and the brown-eyed girl who strangely resembled it?

"Come what will, the picture shall be preserved," I exclaimed finally.

Nevertheless, my night was restless, and the day following it more so. I went about my business distraught, mixing the distinctions between Alençon and Chantilly, and not having even the poor satisfaction of quarrelling with my confidant, who now kept up a moody silence. I was glad when evening came that I might be free to think, but evening brought a new complication.

On entering the Rue St. Lazare, I saw a person who in the shadow of a porte-cochère appeared to await me. As I passed him he leaned forward and placed in my hand a packet wrapped and rewrapped with twine, whispering, "For the cause." Then I recognized the shock-headed boy from the furniture-shop. I was too much surprised at this to notice, as I should otherwise have done, two men who at this moment seemed to start from the darkness and keep near me until I reached my door. There they seized me by the arms, and before I could think of resistance had placed me in a cab standing in readiness.

We drove very quietly along the street until we stopped at what I found to be the police head-quarters. I omitted to say that one of my captors had grasped my hand holding the packet when he first seized me. This man never relaxed his grasp during our ride, nor while descending from the cab, nor while we threaded a long corridor leading to an antechamber; and when we finally stood before a person who appeared to be high in authority he still retained my hand. Thus I had no chance of getting rid of what I feared might be my ruin.

"Confront the prisoner," ordered the high personage briefly.

"I am here," replied one of my captors, whom I now recognized as the same individual to whom I had sold lace two days before.

"What is your charge?"

"This man is suspected of being connected with a secret society the principles of which are inimical to the Empire."

"Have you any proofs?"

"I saw him receive a secret communication to-night: it is here." With this he raised my hand.

"Stand forward."

I moved toward the light, while the officer unclosed my fingers, to which I offered no resistance. There lay the packet enclosed with its many cords.

"What does it contain?" asked the great man.

"I have not ventured to touch it," answered he at my right obsequiously.

"Cut the cords."

This was done amid profound silence: my anxiety may be imagined as I awaited the result. There was as much wrapping-paper as string, and when the last fold had been carefully undone it revealed—two large sous. I breathed more freely.

There was a pause of blank amazement on the part of the officials, a whispered conference, and the paper was held to the light, heated by the fire, and examined with a glass, without result. The sous were handled in the same manner, and finally their date and description were written in a book; after which came an order in the same quiet tone that had been used before: "Search the prisoner."

In five minutes more all the clothing upon me had been cut into shreds and minutely examined: even my hat did not escape, and my watch was opened. Of course nothing was found, but that did not alter the fact that my best suit of clothes was a heap of ruins. My pocket-book was turned inside out, and my passport, that I always carry with me, it being often necessary to start on my employers' business at a moment's notice, received a great deal of attention. At last other clothes nearly identical with those I had lost were handed me, and when I donned them I was given a hat; my pocket-book, passport and watch were returned; and the conductor of ceremonies begged my pardon for the slight (he called it slight) trouble he had occasioned me, said he found the suspicions of my accuser unfounded, and ordered him to "conduct the gentleman to his residence;" which was accordingly done.

When there, I could neither read nor sleep, and to escape the tormenting round of questions and answers that brought no solution to the mystery surrounding me, I resolved to spend the evening at the theatre. I went to the Français. It was useless: the dialogue unremittingly kept up between my two selves prevented my hearing that on the stage.

My eyes were wandering in dreamy abstraction over the mass of faces partly turned toward me during the entr'acte, when I was suddenly roused to full consciousness by recognizing in one of them the features of my portrait. The man was regarding me as if waiting to catch my eye: when he saw by my start of surprise that he had succeeded, he made a movement with his lips and turned away. In a moment he was lost in the crowd.

My inner self, who always doubts the evidence of the senses, suggested that it was a mistake. "Would this person, even were he the original of the portrait, know you or make you a sign?" said he, adding thereto other arguments, which, though I emphatically disbelieved, I was too agitated to contradict.

I tried to remain during the second act, hoping to verify my first impression, but after twisting my neck in order to look behind, and straining my eyes in front, receiving angry glances and "'Sh! 'sh!" from my neighbors, annoyed by these movements, I concluded to leave.

Close to the Fountain Molière I thought I heard footsteps following me: there was one pair besides my own in the street. I listened to them for some time, and finally they seemed to regulate themselves with mine.

"'Tis the police!" I confided to my other self.

"Always fearful," was his reply.

"You can be very cool: you have no neck in danger."

"I am happy to say my ideas need not be influenced by such paltry considerations. In fact, you are a coward!"

"You are a fool!" I returned.

At this desperate juncture the quarrel fortunately ended by its object coming nearer and in a deep musical voice saying, "Good-evening, friend."

"Good-evening," I answered gruffly.

"You don't appear to know me."

He took a shabby cap from his head and turned his face: a chill ran through me when in the dim street-light I recognized my portrait, moving, speaking, living. A black patch above the brow made me wonder if the wound it concealed passed through the head, as did that in the picture, and his eyes were more brilliant and eager than the painted ones, with their pathetic look changed to one of defiance, as if a devil had taken possession of those beautiful features. For a moment superstition kept me silent, then I said briefly, "I don't know you."

"Allow me to introduce myself—Favart the International. You are delighted to make my acquaintance, no doubt. Calm your transports: time does not admit of them. We start for Belgium to-night."

"Who start?" I asked, now thinking the man a maniac.

"I, you, all of us."

"I am none of you."

"But you are suspected of being, which is worse, much worse. Hold! I will sketch your position accurately. Let us enter this cabaret: it is kept by one of us." I followed him mechanically, and when we were seated in a dark corner, with some wine he called for before us, he continued: "I divide the sketch into three heads, historical, personal and political. There is a theory called Socialism—a people called Socialists, or Chartists, or Communists: they have different names in different countries. You may have heard of them in the past: you shall hear more of them in the future. They have a good organization and magnificent sympathies."

"But you called yourself an International."

"Just so. Socialism is the idea, Internationalism is its result. And now the historic is mingled with the personal. This society was lately meditating a coup: it was necessary to have meetings, and we had to devise a signal for rallying. I submitted one to the committee, which was unanimously adopted as simple yet efficient. My portrait—I was not then sufficiently known to make it suspicious—was to stand outside the door of the shop where you found it on the days when a meeting would be held. The old furniture-dealer is one of us: so is the concierge of No. 42 Notre Dame de Lorette. About a week ago the former came to me in distress, saying the portrait had been sold in his absence: he did not even know to whom. I told him it must be recovered at all hazards, as it would cause great inconvenience and loss of time to fix on another signal. The next day you were supposed to have it through the inquiries you made at No. 42, where you frightened the concierge nearly out of his wits, he taking you for a spy. He immediately informed his friend the furniture-dealer that the police were on our track, and when told of the sale of the picture said you must have it. However, they did not dare bring mere conjectures to me: they watched and waited. On the third day after you passed the shop: the dealer knew you through the concierge's description, inveigled you in, and easily obtained the information he wanted about the picture, but failed to gain possession of it. Then Sidonia took the matter in hand—Sidonia always helps us out of a difficulty—but her attempts also failed, though she discovered not only that you were no spy, but that you were yourself under suspicion. The police were following us closely: they had found out the use we made of the portrait, which rendered its recovery profitless to us. I resolved to drop both you and it. Shortly after I perceived that it would be necessary for us to leave the city, and you being implicated, Sidonia insisted on my warning you before we went, though, as you do not belong to us, I could see no use in it."

"So, then, it was not the dealer's boy who informed on me?"

"No: he gave a description calculated to mislead. I believe he has by listening gained some half truths, and thinks you are an International: it was for that cause he gave you the packet which brought you into trouble this evening. Ha! ha! ha!"

"How do you know I have been in trouble?"

"Through one of our spies in the police service: he was present at your examination, and was detailed to watch you to-night. He told me of your being at the theatre; hence my opportunity of speaking to you. I can say no more: the political part of my sketch you have had a specimen of at the police-station to-night; if you stay you are likely to see more. Believe me, they only liberated you so politely in order, by watching you, to find your companions. To-morrow, after we are gone, there will be discoveries made through this same agent of ours in their employ. As they are already on our track, we take this method to gain their confidence for our man. If you fancy another examination by the police, remain."

"But I am innocent!"

"Unfortunately, you are. You know absolutely nothing with which to buy your liberty. What I have told you will be of no service: it will be already theirs. If you wish to go to Belgium ask at No. 33 Rue Lafitte for a travelling suit: you will receive one like mine."

He looked down at his heavy shoes, soiled overalls and tattered blouse, then touching the latter with his fingers, continued: "I use it now for a disguise, but the day will come when this blouse will be our standard—the laborer shall possess the earth. He who works shall live, and idleness, with the riches that foster it, will end. Necessities shall be plenty and luxuries unattainable. Palaces shall fall to give material for poor men's dwellings; monuments that glorify one man at the expense of his brothers must disappear; and churches, promises of another world, can no longer trick us out of our share, our birthright, in this. Paris will arise a new and better Sparta. Sparta, great mother of communes! I salute you! Leonidas! Favart aspires to eclipse your glory! Not for one nation does he labor, but for humanity—for the workers of the world, whose rightful dues are filched from them by the drones. Nature resents this wrong: the drones must die."

He had risen as he pronounced these words, low but rapidly: a moment he stood before me, his face glowing, his hand clenched, then his expression rapidly changed, and he said briefly, "It is a time for action, not for words. Good-night!"

A conflagration, an electric spark, was this shabby man, and I could easily believe what I afterward heard of his influence with the people.

He left me with my mind more perplexed than ever. What had been the coup these people were meditating, in which I, in the eyes of the police, was implicated? Murder? Treason? Arson? Nothing was beyond them with their magnificent sympathies. Perhaps this might be my only chance of escape; yet in doing so did I not cast my lot with theirs? should I not make myself doubly suspected? Embarrassing questions, to which neither self was ready with an answer. There was the prospect, too, of losing my situation if I remained long away, but in opposition to this practical consideration was the remembrance of my air-bath and the doubt about my future if I remained. In this chaos of thought can you guess what decided me? It was Favart's words: "We are all going." Did not we include her whom he called Sidonia, who had visited my room and had insisted I should be warned? Yes.

Not in disguise: I was in no humor to complicate the situation. Having my passport in my pocket, and knowing the policeman who was watching me would not prevent my flight, I simply walked to the station and took a first-class ticket to Brussels. First class, for I knew the man in the blouse must travel third, and I was anxious to be as far from him as possible.

I reached the frontier in safety. My examination ended, the officer turned to my only travelling companion, a lady who up to this time appeared to have been sleeping. As he threw the light of his lantern into her face I also looked at her. Good Heavens! could I be mistaken? The hair, it is true, was blond, and the dress a robe of deep mourning, but the eyes were the eyes of my portrait, the eyes of Favart, the eyes of my pretty washerwoman—Sidonia! The ordeal passed, the door shut, the train moved on.

"Have I your permission to speak, mademoiselle?" I asked in an agitated voice.

"If you wish, monsieur." She turned toward me a sad, tear-stained face that well suited her mourning.

"You are suffering: you have been weeping. Has anything occurred? Why this dress?"

"Nothing has occurred yet," she answered, trying to smile. "The danger for my brother is over once more. This dress is simply a disguise. God grant I may not soon be wearing it in token of sorrow!"

"Is Favart your brother?" I asked eagerly.

"Yes, my only one. I cannot bear to lose him. And you too have become implicated: it seemed as if Fate led you on."

I did not dare tell her how I felt that any fate was blessed that brought me to know her, to see her again. The thrill I experienced at this unexpected meeting revealed to me the strength of my feelings.

"In a few days I think matters will be arranged so that you can return to Paris," she went on, "but I thought it best for you to be absent at first. I hope it will not put you to inconvenience. What do you do?"

I told her my employment, not without wishing it was higher, but she said sweetly, "I am glad you are a working-man: your hands are so white I feared you were an idler."

"You endorse your brother's principles, mademoiselle? You too are a Socialist?"

"I honor labor—any and all kinds of labor. They say they admire it, but do they work? Ah no! Once my Charles was different. We come of laboring people. Our father owned a few fields, which we cultivated ourselves. I kept the dairy and assisted in harvest and at the vintage. Those were happy days. The good curé taught us to read and write, and lent my brother books, but Charles has forgotten his kindness. He was discontented even then, and would throw stones at the park-wall that surrounded the château near our property, and scowl at the little marquises as they passed us on horseback when we were afoot."

"How did you come to Paris?" I asked, seeing that in her present state of excitement speaking relieved her.

"Our parents died: my brother had a taste for painting, and wished to go to Paris and study. Monsieur le curé had given him some lessons and was proud of his talent: he counselled me to accompany Charles, and came with us to get me a place in a shop and recommend Charles to an artist of his acquaintance; and yet Charles says the curés are not our friends! The rent of our fields, with what I received, supported us. We had two little rooms and lived together, Charles and I. He made such rapid progress! The portrait you bought he painted at my request in the evening, while I sewed beside him. We were so happy. O mon Dieu! why could it not have lasted?"

She covered her face with her hands and burst into tears, but only for a moment: before I could think what to say to comfort her she was again speaking: "I do not often weep, but this dress depresses me: it is ill-omened."

"Do not think so: you are tired, over-wrought, to-night. The danger is past, and maybe you can persuade your brother to return to his art, and happier days will come."

"Impossible! When he first joined the society I tried in vain. Now he belongs to it heart and soul. He has set an example of communism by selling our land and giving the proceeds to the cause, and he now lives on contributions, which he is not ashamed to take, because he believes that what the earth produces is common to all, and he only receives his rightful share."

"But you also belong—is it not so?"

"When I found he would not return I followed: we could not be separated."

"And you share all his danger?"

"All," she answered firmly. "Danger shared is lessened, you know. Where he is, I am. But I wished to speak of your affairs. I forgot myself: sorrow is selfish. You must write to your employers and give some explanation of your absence: in a week at furthest I trust you will be able to return without annoyance. I will see that information which will exculpate you is given to the authorities. And, as far as my brother and myself are concerned, I know from your face I can trust you."

I would sooner have had my homely features at that moment than those of Apollo. When I arrived in Brussels I wrote to my employers, as she requested, but after excusing my sudden departure I begged them to recommend me to some firm in that city, for I resolved not to leave until I had offered Sidonia the protection of a husband. The answer to my letter was most favorable. I had the pleasure of showing it to Sidonia and telling her my plans, from which she tried to dissuade me with all the eloquence in her power.

"We are dangerous acquaintance, dangerous friends and dangerous enemies. The sooner we fade from your life the better," she said; but I would not listen.

The happiest month of my life I spent in Brussels. I found employment: I saw Sidonia every day, and if possible admired her hourly more. She had a quick judgment, born of the experience she had gained through the part she took in her brother's affairs. She knew whom to trust, and I am happy to say she trusted me; but, though frank, I never again saw the manner she had adopted when she came to my room: inclining naturally to be gay, she was always dignified. Once I ventured to apologize for the way I had spoken to her during that visit.

"My behavior gave rise to it," she answered. "I was obliged to act a part. But you gentlemen should have more respect for those poor girls whose daily wants often expose them to insult."

"After a man loves one good woman he learns to respect all women for her sake. You have taught me that lesson."

She taught me much more, my wise, my sensible Sidonia. With the example of her busy hands and the advocacy of her sweet lips my second self was brought to recognize the beauty and nobility of honest toil. Favart's life afforded an illustration of how the most exalted opinions can lead a man astray; and he humbly confessed that had my course been modelled according to his views, I should not now be able to offer Sidonia a home, which he heartily approved of my doing. I in turn acknowledged that I owed much in the estimation of my darling to his cultivation. I saw that she respected his acquirements, and that his longest conversations were agreeable to her; while had I been left with only the merits of lace to expatiate upon I should have failed to please.

But with my love my fears for her increased. Favart was seldom at home—now in England, now in Germany, now in Italy. What new scheme was he meditating? what new danger was he recklessly preparing for his sister? Tormented by misgivings, I resolved to make an effort to turn him from his course, and, failing in that, to gain his consent to a speedy marriage between me and Sidonia. Knowing his egotism, I approached him with a compliment: "Sidonia tells me you are the painter of the portrait that brought me into trouble: from its merit I should venture to predict great things of your future."

"Your prediction is likely to be fulfilled, but my fame will rest on something more profitable to humanity than painting."

"Do you never intend to paint again?" I ventured.

"Never: my time is employed in nobler work."

"Do you ever think of the danger you incur? do you ever count the suffering to others you may cause in attaining your object?"

"I think of success!" As he said these words the devil in his eyes flashed a triumphant glance, and I noticed for the first time the change for the worse that a few weeks had made in him. His face was haggard, his movements were restless: a life of constant excitement was telling on mind and body.

"And your sister?"

"She is worthy of me. With a mind fertile in resources she has an undaunted courage: we could not do without her. Twice she has saved my life, and once her address turned away the police from a meeting where there would have been at least twenty of our leading men arrested had they found us."

"And you never think of the danger she is exposed to? You never realize what an improper, what a cruel position it is in which to place a young and beautiful girl—you who are her natural protector? Listen to me, I beseech you: leave this life before it is too late; spare yourself, spare her; return to the ambition that made you happy before this frenzy seized you. I know now of some lace designs you could get to make: it would be a beginning, and—"

"Lace designs!" he interrupted, contemptuously. "He seeks to bind a man's ambition with lace! he would stifle the breath of purpose with lace! he would swaddle a sublime project in lace, until it is as weak as his own courage, as petty as his own soul! The noble idea!"

"I suppose it is nobler to live on contributions," I answered hotly.

"I take but my own. Nature provides enough for all if we behave as children of one parent and divide her bounty."

"Live as you please, run what risks you like, but spare your sister."

"That is, give her to you," he sneered.

"Yes, give her to me. I love her: my ambition will be to protect her. I ask for none better. And surely if you are not utterly selfish, when in peril you will be glad to know of her safety. Give her to me."

"Never! never! never! I waste time in talking to you. Your understanding is less even than I thought, but if Sidonia likes to have a tame cat about to amuse her leisure, I have no objections. As for a marriage with you, neither she nor I would think of it." So saying, with his usual abrupt manner he left me.

I made a passionate appeal to Sidonia. "Be my wife and leave the Internationals," I said. "What is the use of your sacrificing yourself for principles in which you do not believe? It is true, I can only offer you safety and love."

"Safety?" she repeated sadly. "Could it include my brother I would ask Heaven for no other blessing."

I begged, I pleaded, I argued, but to all she answered, "Who will save him if I am absent?"

I was obliged to wait and hope.

Now came the war, when disaster followed disaster until the Germans had completed the investment of Paris: then she begged me to go.

"Your country needs you: join the army of the Loire and do what you can to help it. You have been with us too long: already it would be difficult to make people believe that you do not belong to us. But if you serve suspicion will be averted. For my sake, go!"

"For your sake I stay."

"You are mistaken: if I need your protection you will be in a better position to give it by going than by staying."

"If you need my protection, will you let me give it?"

"I will."

"The protection of my name, the protection of a husband?"

"Yes, the protection of a husband."

It was an invention of her goodness, my darling! Knowing the monstrous plot the Socialists were meditating, she wished me to be absent. And I went, regretting only our present separation and fearing nothing for the future.

I was defeated with Motterouge, and afterward fought with D'Aurelle and Chanzy until hostilities ceased. On the third of March Paris was evacuated by the Germans, and fifteen days after followed the revolt of the Commune. Heaven only knows how I suffered during that time. I would have given my life to know she was safe: I would have risked it by deserting could I have hoped to find and protect her. But had she not said, "Where he is, I am"? and would not Favart be in the thickest of the fight? Oh cruel necessity! My best chance of meeting her was at the point of the bayonet with the troops.

Fort Valérien was taken: we entered Paris, and like a living web encircled the insurgents. Step by step they retreated, step by step we followed: we could not miss the way; ruin and blood marked their path.

On the twenty-sixth of May but one barricade remained standing. I was in the front rank when the order was given to charge on it, and amid smoke and noise and the glare of burning buildings we obeyed. There I saw Favart: almost face to face we met. His eyes the color of blood and starting from his head, his nostrils distended, his face livid, his hair and moustache bristling with rage, his hoarse voice shouting commands, he stood indifferent to danger, fighting like a wild beast, furious as a madman. A moment, and then, a bullet entering his forehead, he fell, and a woman's shriek rang on the air.

Oh for the strength of a thousand men! oh for wings! oh for power! Might my whole life be contained in that moment could I but save her! Suddenly the street, the barricade, the houses on either side, trembled, heaved and leapt into the air. A tremendous explosion, with flame and debris, forced what remained of us to retreat—forced also the poor remnant of our enemy to surrender. A cordon was formed around the quarter, so that none escaped. Wounded, blackened, bleeding, torn, they crawled by, and she was among them, my darling, my angel—among those shameless women, those hardened men!

I could not save her, tried, convicted and sentenced at Versailles, my beautiful, innocent Sidonia. I wrote letters; my perseverance gained me admission to the highest authorities; I prayed, I wept, I pleaded, but the name of Favart closed every avenue to pity. The most active, the most cruel, the most merciless in the Commune, foremost in destruction, indefatigable in barbarity, her brother, the shadow of her life, was the cause of her death.

I heard the sentence pronounced, "Transportation for life:" it did not seem to move her. Wan, her once neat dress in disorder, a shadow of her former self, she sat immovable. Once I met her eye, but she did not recognize me: only when the wind accidentally blew back the torn sleeve from her white arm I saw a moment's consciousness, and she blushed as she replaced it. Haply, she was deaf to the cries of "Pétroleuse!" and shouts of imprecation that met her as she was taken through the crowd; but what fearful suffering must that sensitive mind have endured before its faculties were thus benumbed!

I gained one slight concession: I was permitted to write one letter to her before she was sent away. I begged her not to lose hope that after the first excitement was over I might gain for her a commutation of the sentence—to have courage and trust me. I received no answer. I do not even know if her condition permitted her to receive one ray of comfort from my love: I only know she died. She never reached Cayenne. The transport-ship was her deathbed, and the ocean my martyr's grave.

But I cannot die. Memory, the portrait, and I live together—the portrait at once recalling the angel, the devil, the joy, the sorrow of my life. Yet let me not curse him: he was her brother, and she loved him. I would not vex my Sidonia in heaven.

Ita Aniol Prokop.


"GOD'S POOR."

Who are "God's poor"?
Not they alone who stand
With empty, pleading hand
At Dives' door
(Thou mayst be sure
Such only are man's poor);
But they who therein stay,
And every soul deny
That lifts its needy cry.
"God's poor"—ay, poorest they!

E. R. Champlin


DAYS OF MY YOUTH.

The life depicted in the Waverley novels seems to me scarcely more remote than that in Virginia before the war. As is well known, the land, the wealth, the influence, the education were possessed by comparatively few families; and I think there has never been so much happiness enjoyed by any other community or class of people in this country as those families enjoyed for generations. Whatever may be said of their social system—and I am aware that it was not the best—it was perfect of its kind. From their point of view, everything was as it should be, always excepting the acts of one or the other party in politics. Life was made easy, and such exacting cares and responsibilities as could not be honorably evaded were met without friction, without struggle, without question. Beyond the observance of a few perfectly-defined habits and customs we did not feel it necessary to wander in search of social law. What a vast amount of the worry that perplexes too many other people we escaped! What does the world think? what will people say? whom shall we recognize? how do we appear?—such questions, that bring so many of my sex to premature gray hairs, disturbed us not. If one's standing was what it should be, all Virginia knew it; and that was the end of it. If one's standing was not what it should be, all Virginia knew that; and there, again, was the end of it. It is not easy for ladies reared under less settled conditions to realize how much this heritage meant to us. We loved our time-honored pleasures; we loved our friends; we loved the old homes and old ways in which our ancestors, undisturbed by the restlessness of the North and West, had lived and died before us; we loved our State.

To voluntarily put all this behind me after the meridian of life was passed; to take poverty for my companion and go forth into a world I had never seen; to send an only son to fight against the traditions, the kindred, the State that were so dear,—what this cost may Heaven spare the women of the North from ever knowing! They could hope and pray for the preservation of what they cherished and for the destruction of what they condemned. But the Southern woman who was loyal, view it as she would, could but hope and pray for the destruction of what she loved. Looking back now on those dreadful days, sorrowing for the sad necessities of the case, I can but thank God for the fortitude and insight with which He then endowed me, for the result that at length justified my trust, and put away all other recollections of the later time as something too painful to dwell upon even in thought. The Virginia that shall live in my memory is one that is gone for ever.

Living as we did on a spur of the Blue Ridge, in the most salubrious part of the State, one would have thought there was no necessity for going elsewhere during the hot months. But my mother, near half a century ago, thought differently. About the first of July we always started on what I used to call, when a girl, our "pilgrimage." In an old-fashioned coach, round as an apple and lifted high in the air—which in my childish fancy was ever associated with the one the fairy made from Cinderella's pumpkin—with a fat old coachman, and horses as fat and lazy as he, we would make the distance of twenty miles a day. We accomplished about half this in the cool morning, stopping at some country tavern during the heat of the day, and driving another ten miles amid the shades of evening. Behind us, at a respectful distance, trundled our baggage-wagon. We had relations in every county, as all true Virginians were bound to have; and we would tarry for days with them on our journeys, with as little regard to reaching a definite place at a definite time as if a thousand years remained to us.

One of these summer jaunts, when I was a girl, on which I first saw Mr. Madison, is particularly impressed on my memory. We sojourned several days at his lovely seat, Montpelier, Mrs. Madison being an old friend of my mother's. The venerable ex-President was then much emaciated, and I thought was failing rapidly. He lay most of the time on a couch in the middle of the room adjoining the dining-room, wrapped in a black silk dressing-gown elaborately quilted, and did not look larger than a boy of thirteen. At dinner the first day I was attacked by ague, and Mrs. Madison, leading me into the next room, placed me on his couch. I awoke an hour or two after in a high fever, and the look of his face which has outlived all others in my recollection is that of amusement which lighted the wan features on beholding the expression of bewilderment and confusion which overspread mine as I opened my eyes, half delirious, and found him lying beside me.

In her long talks with us on this occasion Mrs. Madison told many incidents of her life in Philadelphia and Washington. The two following are in her own words, as nearly as I can repeat them: "One day in Philadelphia," she said, "I was sitting in my parlor with a very dear friend, Mrs. R. B. Lee, when in walked Payne Todd [her son] dressed in my calico bed-gown. While we were laughing at the figure he cut, the servant threw open the door and announced General and Mrs. Washington. What to do with that dreadful boy I didn't know. He could not face the President in that garb. Neither could he leave the room without meeting them, for the door they were entering was the only one. I made him crawl quickly under a low, broad settee on which I was sitting. I had just time to arrange the drapery when the Washingtons entered. After the courtly greeting and the usual compliments of the season, there came from under the settee a heavy sigh, which evidently attracted the general's notice. However, I only talked and laughed a little louder, hoping to divert his attention, when—oh me!—there came an outcry and a kick that could not be ignored. So I stooped down and dragged Payne out by the leg. General Washington's dignity left him for once. Laugh? why he fairly roared! He nearly went into convulsions. The sight of that boy in that gown, all so unexpected, coming wrong end first from under my seat,—it was too much."

Mr. and Mrs. Madison would in private sometimes romp and tease each other like two children, and engage in antics that would astonish the muse of History. Mrs. Madison was stronger as well as larger than he. She could—and did—seize his hands, draw him upon her back and go round the room with him whenever she particularly wished to impress him with a due sense of man's inferiority. Speaking of their flight from Washington on the 24th of August, 1814, she said: "After Mr. Madison had left the White House for Fairfax, I busied myself in gathering up the little things I prized and packing them in the carriage, which stood ready at the door. I had placed a servant at the gate to warn me of the approach of the English troops. I had just left the sitting-room with a cup and saucer which had belonged to Marie Antoinette when in rushed my sentinel. After securing the portrait of Washington, and getting that into the carriage, I jumped in myself, and away we went for the Chain Bridge. I was dreadfully frightened, and expected to be pursued. We drove as fast as we could without breaking the carriage to pieces. I looked out of the back window, thinking I might see what was going on in Washington; and, sure enough, to my horror there was a British officer galloping after us at full speed, followed by some soldiers. I was so alarmed that I opened the door and sprang into the road. I had no bonnet—only a purple turban—on my head, and my face, I knew, was red as a poppy. In my excitement I thought I could run faster than the carriage. The officer passed me, wheeled suddenly, bowed low, and asked me if he saw Mrs. Madison, the President's lady, at the same time placing his hand in the bosom of his coat. I inclined my head, expecting that he would draw forth nothing less than a pistol. But it was a package instead of a pistol that he offered, saying, 'I was requested to place this in your hands by Lady —— of England, and finding you had just left your residence, I questioned your servants and took the liberty of following you.' He turned with a low bow, and was gone, leaving me overwhelmed with mortification."

The seat that inspired Swallow Barn was the home of my aunt. John P. Kennedy was her nephew and my cousin. In its main features the book is singularly true, as an artist would say, in its effects. The prominent character of Mr. Tracy is almost a literal portrait. To me, so familiar with the real scenes, there seemed an appearance of rather too much restraint, as if the conscientious author felt too constantly the fear that his hand, gentle as it was, might transgress the laws of hospitality and decorum. This feeling on my part arose, no doubt, from the single fact that I did know the reality, and thus knew many episodes that would have made the sketches richer to us giddy young people of that jolly household, but which did not commend themselves to the practised writer. He took pains to place Swallow Barn on the lower James. But it was west of the Blue Ridge, in Jefferson county. The mother of Kennedy was a very beautiful and highly accomplished woman. She was known among her friends as "Kennedy's angel." She excelled particularly in music, always tuning her piano herself, and giving her preference to the works of Mozart. Here at her sister's, Mrs. Dandridge's—at "Swallow Barn," as we may now call it—she and Kennedy's father passed their later years, and here many of Cousin John's happiest days were spent. He always retained his boyish love of fun. He and Washington Irving would come up to the old place together, and then beware! No one escaped their mischief. They spared neither age, sex nor previous condition. Such pranks, such absurdities, such good-natured deviltry, as reigned supreme till they were gone! During harvest they would take their seats under the trees with the hands at the long dinner-tables, and assiduously bottle up quaint sayings and odd doings for future use.

One adventure in particular, which I think is not alluded to in Swallow Barn, should have formed a chapter there. Kennedy himself was the ringleader, and his wife's father the victim. The old gentleman was expected to arrive on a certain day, as a visitor, from Baltimore. It was not long after Nat Turner's insurrection, and he had conceived an exaggerated idea of the affair. He was a little timid, in consequence, about travelling into Virginia alone at that particular time. John knew that his father-in-law was decidedly "nervous" on the subject. So he, with what we used to call "the clan," the endless line or circle of cousins—Dandridges, Kennedys, Pendletons—blacked their faces, clothed themselves like plantation hands, carrying old muskets, spades and forks, with cocks' feathers in the hats of the leaders, and marched to meet their prey. When "attacked" by the gang, the old gentleman gave himself up for lost. They surrounded his carriage, but before dragging him forth to his doom they began delivering to him the most preposterous harangue; which, notwithstanding his fright, led him to detect a son-in-law under the disguise of the principal desperado. Anger was useless with such a party, and by the time he reached the house his prayers for mercy had changed to laughter. Prominent in "the clan" and its diversions in those days was Colonel Strother, subsequently "Porte Crayon:" "Cousin Dave" was his title then.

When Hon. Charles J. Faulkner was married he was keeping bachelor's hall, and it was proposed that he should give his bride a breakfast the next morning. Kennedy was the master spirit in the arrangements. The table was covered with a cloth that was far from immaculate, and set with broken, cracked and odd pieces of china. The viands were bacon, corn-bread, etc., arranged in the most grotesque manner possible. When the bridal-party were ushered in, profoundly ignorant of the joke, they stood horror-stricken. Kennedy, solemn as an owl, clad as a butler and with white apron, advanced and presented to the bride about a peck of great rusty keys strung on a chain that might have drawn a plough, the whole so heavy she could not lift them. And the speech in which he presented them! Any attempt to repeat or describe its drollery would only spoil it. I believe he never wrote anything so witty, so inimitably funny. He wound up by saying that he resigned, with tears in his eyes—which were tears of laughter—all authority and control over the establishment. When the farce was played out there was another announcement, and then a breakfast fit for the gods was served in earnest.

John P. Kennedy had no children, but was passionately fond of the children of his relations, especially those of his brothers, who in turn almost worshipped him. Making all allowances, of course, for the differences in their surroundings, the geographical difference in their homes, it always seemed to me that there was an interesting resemblance between him and Irving in many little things that the world could scarcely know. In what they have written the similarity of their humor and style must be apparent to every one, and Kennedy's literary character was fashioned very much, I think, by the influence of his more famous friend's. When quite a young man Kennedy edited, with some kindred spirits, a kind of Salmagundi paper in Baltimore, ridiculing most effectively a certain class of people whose pretensions so far exceeded their social worth as to make them legitimate game for his shafts. It was called The Red Letter. Many suspected, but none of the victims knew, who were the writers. Some amusing incidents grew out of it, the aforesaid victims being afraid to invite the aforesaid kindred spirits to their parties, but still more afraid not to invite them. Lest some reader should have a doubt about the attitude of this genial, gentle and true man on one important public question, let me add that one of the last things I knew of his doing was to induce Sheridan to send an escort of cavalry through to Martinsburg to bring out a young girl whose parents were Unionists and were then cut off by Southern troops, taking her to his house and educating her as if she had been his daughter. The last time I saw his friend Irving was when Kennedy was retiring from the Secretaryship of the Navy. The new administration had come in, and the members of the old cabinet were very busy in closing up and turning over their portfolios and arranging their personal affairs for departure. The domestic concerns of the retiring Secretary, whose guest Irving had been during the winter, were therefore in the same state of upheaval as were affairs at the department. I called to take leave of the family, but not a soul was in the house except Irving. I inquired lightly how he would dispose of himself in the general break-up, "Well," answered the quizzical old bachelor with mock plaintiveness, "I suppose Mrs. Kennedy will pack me up with the rest of the old crockery."

American country-life can hardly again be so picturesque as it was on some of the plantations of Virginia in my young days. The cavalcades of huntsmen returning with a fox-brush in the cap of the foremost rider, or counting their partridges on the porch before the ladies—partridges being the birds known as quails in the North; the riding in the great carriage to church, surrounded by a retinue on horseback; the coming and going of company to spend the day, which meant from noon till twilight; the gathering of the rose-leaves to be dried and sprinkled over the table- and bed-linen for the odor they imparted;—an atmosphere whose charm cannot be reproduced envelopes these scenes of the far-away past.

The chief agricultural event of the year in the region where I lived was the harvesting of the grain. All the laboring white men who could be of service were employed with the slaves at such times. Their dinners were eaten at long tables under the trees, with a tub of iced toddy or mint-julep in the shade near by. Supper, when the day's work was done, brought hot coffee, rolls and biscuits, and a dance on the grass to the music of fiddle and banjo closed the scene at bedtime. The long lines of "cradlers," following their leader and laying the golden swaths smoothly across hill and valley, were a sight which was lost with keen regret by me. I shall never forget when the first reaping-machine came clattering into the wheat-fields, sounding the knell of all that was most pleasing in the harvest-time. What a commotion that first reaper made! A certain distinguished Senator of the United States—I think he was then Speaker of the House—came from afar to witness its operations and to consider its introduction on his own rather unproductive plantation. After silently taking in its movements, his hands meditatively in his pockets and his chin buried solemnly in his neckcloth, he turned away in disgust, with a comment that was brief and to the point: "Wouldn't have such a d——d fast thing on my place!" Much of the distrust, however, with which improved utensils were regarded had a better reason. Complicated and delicate machines in the hands of plantation negroes were too much like "all the modern improvements" in the terrible hands of Biddy.

I saw personally but little of the darker side of slavery. The worst pictures I could draw from my own personal knowledge would not be sufficiently hideous to be interesting. The fairest I could draw would be of my old black "mammy." From my infancy she was the comforter, counsellor and guide whose sympathy and assistance never failed me. As dignified as a duchess; as neat in her striped, home-made dress, kerchief and turban as it was possible for mortal to be; jealous of the honor of the family; serene, affectionate, proud of her usefulness,—she is among the first from whom I expect a loving welcome in heaven. My father gave her free papers after she had nursed a sick member of the family with especial faithfulness on one occasion. She locked them up in her trunk, and that was the end of them, except when she took them out to show to her friends. I think it gratified her to receive them, however. I recollect the incredulity of a good lady from Boston, who asked her if she would not like to live there, where there were no masters and mistresses. "No indeed, honey!" was the reply.

When a girl I passed a winter in the White House. It was during the last term of General Jackson. That high white head; the perpendicular hair; the clear blue eyes—one moment melting with a woman's tenderness, the next blazing like an angry lion's—peering earnestly from under the great shaggy eyebrows and over the top of the silver spectacles; the furrowed, pained face, worn with suffering and perpetual warfare, but occasionally lighted by a sudden gleam of the old fire, which nothing but death could quench, when his cane would come down with a thump and "By the Eternal!" would break forth—the nearest approach to profanity ever heard from his lips by me, or by anybody, I think, at that period of his life,—how vividly all these come back! I saw him at his best. The storms of life had wellnigh passed. His beloved wife was beckoning him to a world of rest and peace. He was the idol of a majority of his countrymen. He occupied a second time, in obedience to their voices, what he regarded as the most honorable position that any man could hold on earth—the Presidency of the United States. In pursuing what he took to be right he had conquered everybody and everything that opposed him. He had ever been the incarnation of chivalry toward women. It is natural, therefore, that under all these circumstances, in those last days of his and first days of mine, he should have appeared to me a higher type of man than many people would judge him to be from a strictly dispassionate consideration of his whole life. I was never given to hero-worship, but at that time I did come near worshipping this old hero. I am not here questioning the justice of his latest and completest biography—Mr. Parton's—but would simply remark how difficult it is for me, seeing him as I did, and only so, to realize that he was the same being who enlivens some of the earlier scenes of that book. Toward the women he respected—and there hardly seemed to be one whom he did not respect—he had a courtliness of bearing, a considerateness, a gentleness, a nobility—in short, a charm of manner—which made him, as a mere "carpet knight," the most winning old gentleman I ever knew.

In speaking of the superstitions of the Scotch-Irish, Mr. Parton says: "General Jackson himself, to the end of his life, never liked to begin anything of consequence on Friday, and would not if it could be avoided without serious injury to some important interest." So far from abstaining from any undertaking on Friday, the general has told me himself that he made it a point to start on a journey and begin such things on that day; and he laughed at the superstition. Nevertheless, I am inclined to suspect that this very fact should be taken as evidence that the superstition did exist in him; that he was conscious of it; that his judgment told him it was an unworthy weakness; and that he was determined to conquer it. He acknowledged its influence by the care he took to defy it.

In those days visitors to the White House knocked or rang as they would at the mansion-door of any private gentleman. One rainy day a visitor thus announced himself, but for some reason no servant appeared immediately to admit him. The family heard it, and so did the general in his office, where he was writing. It did not occur to me or any one else that interference with the servants' duties was necessary. Suddenly there was a rustle of papers and an apparition. "What!" thundered the President. "A citizen of the United States stands knocking at my door in the rain, and it isn't opened!" The door was opened soon after that remark.

One day the general received a letter of four or five pages of foolscap from Ireland—I do not know whether it came from Carrickfergus or not—in which the writer said that he was a cousin of the President's, and that he recollected perfectly when the general was born, and gave the exact locality and all the attendant circumstances. He closed by saying he would like to come over. Jackson laughed over the letter, and expressed his surprise that he should have been born in Ireland and in Carolina too.

It was his custom, when he had no one dining with him besides the family, to say, as he raised his single glass of wine, "Here's to absent friends!" Then, glancing toward me, he would add in a low tone, "And sweethearts, too,——."

On one occasion, when I was ill, the general called in Dr. Hunt, his family physician. The doctor was a tall, lank, ugly man—"as good as gold," but with none of the graces that are supposed to win young ladies; yet he was married to one of the loveliest young creatures I ever knew. General Jackson accompanied him to my room, and after my pulse had been duly felt and my tongue duly inspected, they drew their chairs to the fire and began to talk.

"Hunt," suddenly exclaimed the President, "how came you to get such a young and pretty wife?"

"Well, I'll tell you," replied the doctor. "I was called to attend a young lady at the convent in Georgetown. Her eyes were bad: she had to keep them bandaged. I cured her without her ever having had a distinct view of me. She left the institution, and a year afterward she appeared here in society, a belle and a beauty. At a ball I introduced myself, without the slightest ulterior design, as the physician who had restored her sight, although I supposed she had never really seen me. She instantly expressed the most heartfelt gratitude. It seemed so deep and genuine that I was touched. That very evening she informed me that she had a severe cold, and that I must again prescribe for her. Well! it don't look reasonable, but I did it. I wrote my name on a bit of paper, folded it and handed it to her, telling her she must take that prescription. She read it and laughed. 'It's a bitter pill,' she said, 'and must be well gilded if ever I take it.' But whether it was bitter or whether it was gilded, we were married."

The hospitality of the White House at that time, like that of the Hermitage, has become proverbial. Very few brought letters of introduction who were not invited to dinner. Consequently, the table was almost always full. It seemed to me that Jackson never heard of a wrong to any human being, or what he conceived to be such, without trying to right it.

When Aaron Burr was at the Hermitage in 1805 he wrote in his diary, for the entertainment of Theodosia: "The general has no children, but two lovely nieces made a visit of some days, contributed greatly to my amusement, and have cured me of all the evils of my wilderness jaunt. If I had time I would describe to you these two girls, for they deserve it." The temptation is strong to give the descriptions omitted by Mr. Burr, but it would lead me too far. They were nieces of Mrs. Jackson rather than the general's. One of them, whom he had adopted as his daughter, married her cousin, A. J. Donelson—her own maiden name being also Donelson—who was secretary to the President when I knew them, afterward minister to Austria, and candidate for Vice-President in 1856 on the ticket with Mr. Fillmore.

One Sunday evening, after dinner, Mrs. Donelson, Mrs. Jackson and I, with several other ladies, were gossiping in the Blue Room. This Mrs. Jackson, who had been a pretty Philadelphia girl, was the wife of another cousin and nephew who was born a Donelson, but who was adopted by the general, took the name of Jackson and inherited the Hermitage. Mr. Van Buren, then Secretary of State, had what is now known as "the inside track" for the succession. He, was the friend and choice of Jackson; and that settled it in the minds of those who knew both men. Mrs. Jackson—the lady mentioned above, of course, for the General's wife did not live to see the White House—disliked Van Buren for some reason. Mrs. Donelson, turning to me with affected gravity, said, "When you are Mrs. President Van Buren, I want you to send my husband to England as minister." I solemnly assured her she should have whatever she wished. Then Mrs. Barker appealed to me in behalf of her husband as collector at Philadelphia. Turning to Mrs. Jackson, I asked what she would like. "Nothing at Mr. Van Buren's hands," was the sudden reply. At that instant I heard a rustle behind me. There stood Mr. Van Buren! He was smiling, and evidently amused. We were so completely caught that there was no resource but the suppressed giggling little scream that never fails a true woman when no other strategy is possible. He gave no intimation of having heard a word. Indeed, I never saw Mr. Van Buren's perfect self-possession fail him but once: that was when he fell off his horse for me on Pennsylvania Avenue. And with this ridiculous performance these rambling reminiscences must end.

One fine spring morning the President insisted that we should invite the Cass girls, the Forsyths and some others, make a riding-party, and return with them all to the White House for lunch. He sent to Mr. Blair for the white horse he had ridden in a grand procession at New York, which Blair had bought. This fiery charger, very appropriate for such a horseman as General Jackson on a state occasion, was so spirited and appeared so unmanageable that I was afraid to touch him. But the general had made up his mind that I should ride that horse on that occasion, and I knew what it meant when his mind was made up. He put me on himself, saying, "Why, child, if you can't ride him, you couldn't ride a sheep." We reached the avenue very well, when the horse seemed to remember New York and General Jackson. He reared, plunged and dashed off. Mr. Van Buren, in trying to seize the reins, was drawn from his own saddle and dragged some distance. His position for a few moments was rather undignified, but he came up smiling and unhurt, and made as creditable an appearance as could be expected. We had a happy day in spite of the mishap, but not even the will of General Jackson ever got me on that horse again.

M. T.


A LAW UNTO HERSELF.