140. PARTED

Farewell to one now silenced quite,
Sent out of hearing, out of sight,—
My friend of friends, whom I shall miss.
He is not banished, though, for this,—
Nor he, nor sadness, nor delight.

Though I shall talk with him no more,
A low voice sounds upon the shore.
He must not watch my resting-place,
But who shall drive a mournful face
From the sad winds about my door?

I shall not hear his voice complain,
But who shall stop the patient rain?
His tears must not disturb my heart,
But who shall change the years, and part
The world from every thought of pain?

Although my life is left so dim,
The morning crowns the mountain-rim;
Joy is not gone from summer skies,
Nor innocence from children's eyes,
And all these things are part of him.

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He is not banished, for the showers
Yet wake this green warm earth of ours.
How can the summer but be sweet?
I shall not have him at my feet,
And yet my feet are on the flowers.

Alice Meynell.

141. ELEGY ON A LADY, WHOM GRIEF FOR THE DEATH OF HER BETROTHED KILLED

Assemble, all ye maidens, at the door,
And all ye loves, assemble; far and wide
Proclaim the bridal, that proclaimed before
Has been deferred to this late eventide:
For on this night the bride,
The days of her betrothal over,
Leaves the parental hearth for evermore;
To-night the bride goes forth to meet her lover.

Reach down the wedding vesture, that has lain
Yet all unvisited, the silken gown:
Bring out the bracelets, and the golden chain
Her dearer friends provided: sere and brown
Bring out the festal crown,
And set it on her forehead lightly:
Though it be withered, twine no wreath again;
This only is the crown she can wear rightly.

Cloak her in ermine, for the night is cold,
And wrap her warmly, for the night is long;
In pious hands the flaming torches hold,
While her attendants, chosen from among

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Her faithful virgin throng,
May lay her in her cedar litter,
Decking her coverlet with sprigs of gold,
Roses, and lilies white that best befit her.

Sound flute and tabor, that the bridal be
Not without music, nor with these alone;
But let the viol lead the melody,
With lesser intervals, and plaintive moan
Of sinking semitone;
And, all in choir, the virgin voices
Rest not from singing in skilled harmony
The song that aye the bridegroom's ear rejoices.

Let the priests go before, arrayed in white,
And let the dark-stoled minstrels follow slow,
Next they that bear her, honoured on this night,
And then the maidens, in a double row,
Each singing soft and low,
And each on high a torch upstaying:
Unto her lover lead her forth with light,
With music, and with singing, and with praying.

'Twas at this sheltering hour he nightly came,
And found her trusty window open wide,
And knew the signal of the timorous flame,
That long the restless curtain would not hide
Her form that stood beside;
As scarce she dared to be delighted,
Listening to that sweet tale, that is no shame
To faithful lovers, that their hearts have plighted.

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But now for many days the dewy grass
Has shown no markings of his feet at morn:
And watching she has seen no shadow pass
The moonlit walk, and heard no music borne
Upon her ear forlorn.
In vain she has looked out to greet him;
He has not come, he will not come, alas!
So let us bear her out where she must meet him.

Now to the river bank the priests are come:
The bark is ready to receive its freight:
Let some prepare her place therein, and some
Embark the litter with its slender weight:
The rest stand by in state,
And sing her a safe passage over;
While she is oared across to her new home,
Into the arms of her expectant lover.

And thou, O lover, that art on the watch,
Where, on the banks of the forgetful streams,
The pale indifferent ghosts wander, and snatch
The sweeter moments of their broken dreams,—
Thou, when the torchlight gleams,
When thou shalt see the slow procession,
And when thine ears the fitful music catch,
Rejoice, for thou art near to thy possession.

Robert Bridges.

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142. AN EPITAPH

Here lies a most beautiful lady,
Light of step and heart was she;
I think she was the most beautiful lady
That ever was in the West Country.
But beauty vanishes; beauty passes;
However rare—rare it be;
And when I crumble, who will remember
This lady of the West Country?

Walter de la Mare.