| There was a sound of revelry by night, |
| And Belgium's capital had gathered then |
| Her beauty and her chivalry, and bright |
| The lamps shone o'er fair women and brave men. |
| A thousand hearts beat happily; and when |
| Music arose with its voluptuous swell, |
| Soft eyes looked love to eyes which spake again, |
| And all went merry as a marriage bell; |
| But hush! hark! a deep sound strikes like a rising knell. |
| |
| Did ye not hear it?—No; 'twas but the wind, |
| Or the car rattling o'er the stony street: |
| On with the dance! let joy be unconfined; |
| No sleep till morn, when youth and pleasure meet |
| To chase the glowing hours with flying feet— |
| But, hark!—that heavy sound breaks in once more, |
| As if the clouds its echo would repeat |
| And nearer, clearer, deadlier than before! |
| Arm! arm! it is—it is the cannon's opening roar. |
| |
| Ah! then and there was hurrying to and fro, |
| And gathering tears, and tremblings of distress, |
| And cheeks all pale, which but an hour ago |
| Blush'd at the praise of their own loveliness; |
| And there were sudden partings, such as press |
| The life from out young hearts, and choking sighs |
| Which ne'er might be repeated: who could guess |
| If ever more should meet those mutual eyes, |
| Since upon night so sweet such awful morn could rise! |
| |
| And there was mounting in hot haste: the steed, |
| The mustering squadron, and the clattering car |
| Went pouring forward with impetuous speed, |
| And swiftly forming in the ranks of war; |
| And the deep thunder, peal on peal afar; |
| And near, the beat of the alarming drum |
| Roused up the soldier ere the morning star; |
| While thronged the citizens with terror dumb, |
| Or whispering with white lips, "The foe! they come! they come!" |
| |
| Last noon beheld them full of lusty life, |
| Last eve in Beauty's circle proudly gay, |
| The midnight brought the signal sound of strife, |
| The morn the marshaling in arms,—the day |
| Battle's magnificently stern array! |
| The thunder clouds close o'er it, which when rent |
| The earth is covered thick with other clay, |
| Which her own clay shall cover, heaped and pent, |
| Rider and horse—friend, foe—in one red burial blent. |
| |
| Lord Byron. |
| 'Twas a stylish congregation, that of Theophrastus Brown, |
| And its organ was the finest and the biggest in the town, |
| And the chorus—all the papers favorably commented on it, |
| For 'twas said each female member had a forty-dollar bonnet. |
| |
| Now in the "amen corner" of the church sat Brother Eyer, |
| Who persisted every Sabbath-day in singing with the choir; |
| He was poor but genteel-looking, and his heart as snow was white, |
| And his old face beamed with sweetness when he sang with all his might. |
| |
| His voice was cracked and broken, age had touched his vocal chords, |
| And nearly every Sunday he would mispronounce the words |
| Of the hymns, and 'twas no wonder, he was old and nearly blind, |
| And the choir rattling onward always left him far behind. |
| |
| The chorus stormed and blustered, Brother Eyer sang too slow, |
| And then he used the tunes in vogue a hundred years ago; |
| At last the storm-cloud burst, and the church was told, in fine, |
| That the brother must stop singing, or the choir would resign. |
| |
| Then the pastor called together in the vestry-room one day |
| Seven influential members who subscribe more than they pay, |
| And having asked God's guidance in a printed pray'r or two, |
| They put their heads together to determine what to do. |
| |
| They debated, thought, suggested, till at last "dear Brother York," |
| Who last winter made a million on a sudden rise in pork, |
| Rose and moved that a committee wait at once on Brother Eyer, |
| And proceed to rake him lively "for disturbin' of the choir." |
| |
| Said he: "In that 'ere organ I've invested quite a pile, |
| And we'll sell it if we cannot worship in the latest style; |
| Our Philadelphy tenor tells me 'tis the hardest thing |
| Fer to make God understand him when the brother tries to sing. |
| |
| "We've got the biggest organ, the best-dressed choir in town, |
| We pay the steepest sal'ry to our pastor, Brother Brown; |
| But if we must humor ignorance because it's blind and old— |
| If the choir's to be pestered, I will seek another fold." |
| |
| Of course the motion carried, and one day a coach and four, |
| With the latest style of driver, rattled up to Eyer's door; |
| And the sleek, well-dress'd committee, Brothers Sharkey, York and Lamb, |
| As they crossed the humble portal took good care to miss the jamb. |
| |
| They found the choir's great trouble sitting in his old arm chair, |
| And the Summer's golden sunbeams lay upon his thin white hair; |
| He was singing "Rock of Ages" in a cracked voice and low |
| But the angels understood him, 'twas all he cared to know. |
| |
| Said York: "We're here, dear brother, with the vestry's approbation |
| To discuss a little matter that affects the congregation"; |
| "And the choir, too," said Sharkey, giving Brother York a nudge, |
| "And the choir, too!" he echoed with the graveness of a judge. |
| |
| "It was the understanding when we bargained for the chorus |
| That it was to relieve us, that is, do the singing for us; |
| If we rupture the agreement, it is very plain, dear brother, |
| It will leave our congregation and be gobbled by another. |
| |
| "We don't want any singing except that what we've bought! |
| The latest tunes are all the rage; the old ones stand for naught; |
| And so we have decided—are you list'ning, Brother Eyer?— |
| That you'll have to stop your singin' for it flurrytates the choir." |
| |
| The old man slowly raised his head, a sign that he did hear, |
| And on his cheek the trio caught the glitter of a tear; |
| His feeble hands pushed back the locks white as the silky snow, |
| As he answered the committee in a voice both sweet and low: |
| |
|
| "I've sung the psalms of David nearly eighty years," said he; |
| "They've been my staff and comfort all along life's dreary way; |
| I'm sorry I disturb the choir, perhaps I'm doing wrong; |
| But when my heart is filled with praise, I can't keep back a song. |
| |
| "I wonder if beyond the tide that's breaking at my feet, |
| In the far-off heav'nly temple, where the Master I shall greet— |
| Yes, I wonder when I try to sing the songs of God up high'r, |
| If the angel band will church me for disturbing heaven's choir." |
| |
| A silence filled the little room; the old man bowed his head; |
| The carriage rattled on again, but Brother Eyer was dead! |
| Yes, dead! his hand had raised the veil the future hangs before us, |
| And the Master dear had called him to the everlasting chorus. |
| |
| The choir missed him for a while, but he was soon forgot, |
| A few church-goers watched the door; the old man entered not. |
| Far away, his voice no longer cracked, he sang his heart's desires, |
| Where there are no church committees and no fashionable choirs! |
| |
| T.C. Harbaugh. |
| I saw him once before, |
| As he passed by the door, |
| And again |
| The pavement stones resound, |
| As he totters o'er the ground |
| With his cane. |
| |
| They say that in his prime, |
| Ere the pruning-knife of Time |
| Cut him down, |
| Not a better man was found |
| By the Crier on his round |
| Through the town. |
| |
| But now he walks the streets, |
| And he looks at all he meets |
| Sad and wan, |
| And he shakes his feeble head, |
| That it seems as if he said |
| "They are gone." |
| |
| The mossy marbles rest |
| On the lips that he has prest |
| In their bloom, |
| And the names he loved to hear |
| Have been carved for many a year |
| On the tomb. |
|
| |
| My grandmamma has said,— |
| Poor old lady, she is dead |
| Long ago,— |
| That he had a Roman nose, |
| And his cheek was like a rose |
| In the snow. |
| |
| But now his nose is thin, |
| And it rests upon his chin. |
| Like a staff, |
| And a crook is in his back, |
| And a melancholy crack |
| In his laugh. |
| |
| I know it is a sin |
| For me to sit and grin |
| At him here; |
| But the old three-cornered hat, |
| And the breeches, and all that, |
| Are so queer! |
| |
| And if I should live to be |
| The last leaf upon the tree |
| In the spring, |
| Let them smile, as I do now, |
| At the old forsaken bough |
| Where I cling. |
| |
| Oliver Wendell Holmes. |
| The melancholy days are come, the saddest of the year, |
| Of wailing winds, and naked woods, and meadows brown and sear. |
| Heaped in the hollows of the grove, the withered leaves lie dead; |
| They rustle to the eddying gust, and to the rabbit's tread. |
| The robin and the wren are flown, and from the shrub the jay, |
| And from the wood-top calls the crow, through all the gloomy day. |
| |
| Where are the flowers, the fair young flowers, that lately sprang and stood |
| In brighter light and softer airs, a beauteous sisterhood? |
| Alas! they all are in their graves; the gentle race of flowers |
| Are lying in their lowly beds, with the fair and good of ours. |
| The rain is falling where they lie; but the cold November rain |
| Calls not from out the gloomy earth the lovely ones again. |
| |
| The wind-flower and the violet, they perished long ago, |
| And the brier-rose and the orchis died amid the summer glow; |
| But on the hill the golden-rod, and the aster in the wood, |
| And the yellow sun-flower by the brook, in autumn beauty stood, |
| Till fell the frost from the clear cold heaven, as falls the plague on men, |
| And the brightness of their smile was gone from upland, glade and glen. |
| |
| And now, when comes the calm, mild day, as still such days will come, |
| To call the squirrel and the bee from out their winter home, |
| When the sound of dropping nuts is heard, though all the trees are still, |
| And twinkle in the smoky light the waters of the rill, |
| The south wind searches for the flowers, whose fragrance late he bore, |
| And sighs to find them in the wood and by the stream no more. |
| |
| And then I think of one who in her youthful beauty died, |
| The fair, meek blossom that grew up and faded by my side, |
| In the cold, moist earth we laid her when the forest cast the leaf, |
| And we wept that one so lovely should have a life so brief; |
| Yet not unmeet it was that one, like that young friend of ours, |
| So gentle and so beautiful, should perish with the flowers. |
| |
| W.C. Bryant. |
| The rich man's son inherits lands, |
| And piles of brick, and stone, and gold, |
| And he inherits soft white hands, |
| And tender flesh that fears the cold, |
| Nor dares to wear a garment old; |
| A heritage, it seems to me, |
| One scarce would wish to hold in fee. |
| |
| The rich man's son inherits cares; |
| The bank may break, the factory burn, |
| A breath may burst his bubble shares, |
| And soft white hands could hardly earn |
| A living that would serve his turn; |
| A heritage, it seems to me, |
| One scarce would wish to hold in fee. |
| |
| The rich man's son inherits wants, |
| His stomach craves for dainty fare; |
| With sated heart, he hears the pants |
| Of toiling hinds with brown arms bare, |
| And wearies in his easy-chair; |
| A heritage, it seems to me, |
| One scarce would wish to hold in fee. |
| |
| What doth the poor man's son inherit? |
| Stout muscles and a sinewy heart, |
| A hardy frame, a hardier spirit; |
| King of two hands, he does his part |
| In every useful toil and art; |
| A heritage, it seems to me, |
| A king might wish to hold in fee. |
| |
| What doth the poor man's son inherit? |
| Wishes o'erjoyed with humble things, |
| A rank, adjudged by toil-won merit, |
| Content that from employment springs, |
| A heart that in his labor sings; |
| A heritage, it seems to me, |
| A king might wish to hold in fee. |
| |
| What doth the poor man's son inherit? |
| A patience learned of being poor, |
| Courage, if sorrow come, to bear it, |
| A fellow-feeling that is sure |
| To make the outcast bless his door; |
| A heritage, it seems to me, |
| A king might wish to hold in fee. |
| |
| O rich man's son! there is a toil |
| That with all others level stands; |
| Large charity doth never soil, |
| But only whiten, soft white hands,— |
| This is the best crop from thy lands; |
| A heritage it seems to me, |
| Worth being rich to hold in fee. |
|
| |
| O poor man's son! scorn not thy state; |
| There is worse weariness than thine, |
| In merely being rich and great; |
| Toil only gives the soul to shine |
| And makes rest fragrant and benign; |
| A heritage, it seems to me, |
| Worth being poor to hold in fee. |
| |
| Both heirs to some six feet of sod, |
| Are equal in the earth at last; |
| Both, children of the same dear God, |
| Prove title to your heirship vast |
| By record of a well-filled past; |
| A heritage, it seems to me, |
| Well worth a life to hold in fee. |
| |
| James Russell Lowell. |
| Oh, East is East, and West is West, and never the twain shall meet, |
| Till Earth and Sky stand presently at God's great Judgment Seat; |
| But there is neither East nor West, Border, nor Breed, nor Birth, |
| When two strong men stand face to face, tho' they come from the ends of the earth! |
| |
| Kamal is out with twenty men to raise the Border side, |
| And he has lifted the Colonel's mare that is the Colonel's pride: |
| He has lifted her out of the stable-door between the dawn and the day, |
| And turned the calkins upon her feet, and ridden her far away. |
| Then up and spoke the Colonel's son that led a troop of the Guides: |
| "Is there never a man of all my men can say where Kamal hides?" |
| Then up and spoke Mahommed Khan, the son of the Ressaldar, |
| "If ye know the track of the morning-mist, ye know where his pickets are. |
| At dust he harries the Abazai—at dawn he is into Bonair, |
| But he must go by Fort Bukloh to his own place to fare, |
| So if ye gallop to Fort Bukloh as fast as a bird can fly, |
| By the favor of God ye may cut him off ere he win to the Tongue of Jagai, |
| But if he be passed the Tongue of Jagai, right swiftly turn ye then, |
| For the length and the breadth of that grisly plain is sown with Kamal's men. |
| There is rock to the left, and rock to the right, and low lean thorn between, |
| And ye may hear a breech-bolt snick where never a man is seen." |
| The Colonel's son has taken a horse, and a raw rough dun was he, |
| With the mouth of a bell and the heart of Hell, and the head of the gallows-tree. |
| The Colonel's son to the Fort has won, they bid him stay to eat— |
| Who rides at the tail of a Border thief, he sits not long at his meat. |
| He's up and away from Fort Bukloh as fast as he can fly, |
| Till he was aware of his father's mare in the gut of the Tongue of Jagai, |
| Till he was aware of his father's mare with Kamal upon her back, |
| And when he could spy the white of her eye, he made the pistol crack. |
| He has fired once, he has fired twice, but the whistling ball went wide. |
| "Ye shoot like a soldier," Kamal said. "Show now if ye can ride." |
| It's up and over the Tongue of Jagai, as blown dust-devils go, |
| The dun he fled like a stag of ten, but the mare like a barren doe. |
| The dun he leaned against the bit and slugged his head above, |
| But the red mare played with the snaffle-bars, as a maiden plays with a glove. |
| There was rock to the left and rock to the right, and low lean thorn between, |
| And thrice he heard a breech-bolt snick tho' never a man was seen. |
| They have ridden the low moon out of the sky, their hoofs drum up the dawn, |
| The dun he went like a wounded bull, but the mare like a new-roused fawn. |
| The dun he fell at a water-course—in a woful heap fell he, |
| And Kamal has turned the red mare back, and pulled the rider free. |
| He has knocked the pistol out of his hand—small room was there to strive, |
| "'Twas only by favor of mine," quoth he, "ye rode so long alive: |
| There was not a rock of twenty mile, there was not a clump of tree, |
| But covered a man of my own men with his rifle cocked on his knee. |
| If I had raised my bridle-hand, as I have held it low, |
| The little jackals that flee so fast, were feasting all in a row: |
| If I had bowed my head on my breast, as I have held it high, |
| The kite that whistles above us now were gorged till she could not fly." |
| Lightly answered the Colonel's son: "Do good to bird and beast, |
| But count who come for the broken meats before thou makest a feast. |
| If there should follow a thousand swords to carry my bones away, |
| Belike the price of a jackal's meal were more than a thief could pay. |
| They will feed their horse on the standing crop, their men on the garnered grain, |
| The thatch of the byres will serve their fires when all the cattle are slain. |
| But if thou thinkest the price be fair,—thy brethren wait to sup. |
| The hound is kin to the jackal-spawn, howl, dog, and call them up! |
| And if thou thinkest the price be high, in steer and gear and stack, |
| Give me my father's mare again, and I'll fight my own way back!" |
| Kamal has gripped him by the hand and set him upon his feet. |
| "No talk shall be of dogs," said he, "when wolf and gray wolf meet. |
| May I eat dirt if thou hast hurt of me in deed or breath; |
| What dam of lances brought thee forth to jest at the dawn with Death?" |
| Lightly answered the Colonel's son: "I hold by the blood of my clan: |
| Take up the mare of my father's gift—by God, she has carried a man!" |
| The red mare ran to the Colonel's son, and nuzzled against his breast, |
| "We be two strong men," said Kamal then, "but she loveth the younger best. |
| So she shall go with a lifter's dower, my turquoise-studded rein, |
| My broidered saddle and saddle-cloth, and silver stirrups twain." |
| The Colonel's son a pistol drew and held it muzzle-end, |
| "Ye have taken the one from a foe," said he; "will ye take the mate from a friend?" |
| "A gift for a gift," said Kamal straight; "a limb for the risk of a limb. |
| Thy father has sent his son to me, I'll send my son to him!" |
| With that he whistled his only son, that dropped from a mountain-crest— |
| He trod the ling like a buck in spring, and he looked like a lance in rest. |
| "Now here is thy master," Kamal said, "who leads a troop of the Guides, |
| And thou must ride at his left side as shield on shoulder rides. |
| Till Death or I cut loose the tie, at camp and board and bed, |
| Thy life is his—thy fate is to guard him with thy head. |
| So thou must eat the White Queen's meat, and all her foes are thine, |
| And thou must harry thy father's hold for the peace of the Border-line, |
| And thou must make a trooper tough and hack thy way to power— |
| Belike they will raise thee to Ressaldar when I am hanged in Peshawur." |
| They have looked each other between the eyes, and there they found no fault, |
| They have taken the Oath of the Brother-in-Blood on leavened bread and salt: |
| They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod, |
| On the hilt and the haft of the Khyber knife, and the wondrous Names of God. |
| The Colonel's son he rides the mare and Kamal's boy the dun, |
| And two have come back to Fort Bukloh where there went forth but one. |
| And when they drew to the Quarter-Guard, full twenty swords flew clear— |
| There was not a man but carried his feud with the blood of the mountaineer. |
| "Ha' done! ha' done!" said the Colonel's son. "Put up the steel at your sides! |
| Last night ye had struck at a Border thief—to-night 'tis a man of the Guides!" |
| |
| Oh, East is East, and West is West, and never the two shall meet, |
| Till Earth and Sky stand presently at God's great Judgment Seat; |
| But there is neither East nor West, Border, nor Breed, nor Birth, |
| When two strong men stand face to face, tho' they come from the ends of the earth. |
| |
| Rudyard Kipling. |
| It was many and many a year ago, |
| In a kingdom by the sea, |
| That a maiden there lived whom you may know |
| By the name of Annabel Lee; |
| And this maiden she lived with no other thought |
| Than to love and be loved by me. |
| |
| I was a child, and she was a child, |
| In this kingdom by the sea, |
| But we loved with a love that was more than love, |
| I and my Annabel Lee; |
| With a love that the winged seraphs of heaven |
| Coveted her and me. |
| |
| And this was the reason that, long ago, |
| In this kingdom by the sea, |
| A wind blew out of a cloud, chilling |
| My beautiful Annabel Lee; |
| So that her highborn kinsmen came |
| And bore her away from me, |
| To shut her up in a sepulchre |
| In this kingdom by the sea. |
| |
| The angels, not half so happy in heaven, |
| Went envying her and me; |
| Yes! that was the reason (as all men know, |
| In this kingdom by the sea) |
| That the wind came out of the cloud by night, |
| Chilling and killing my Annabel Lee. |
|
| |
| But our love it was stronger by far than the love |
| Of those who were older than we, |
| Of many far wiser than we; |
| And neither the angels in heaven above, |
| Nor the demons down under the sea, |
| Can ever dissever my soul from the soul |
| Of the beautiful Annabel Lee: |
| |
| For the moon never beams, without bringing me dreams |
| Of the beautiful Annabel Lee; |
| And the stars never rise, but I feel the bright eyes |
| Of the beautiful Annabel Lee: |
| And so all the night-tide, I lie down by the side |
| Of my darling—my darling—my life and my bride, |
| In her sepulchre there by the sea, |
| In her tomb by the sounding sea. |
| |
| Edgar Allan Poe. |
| I come, I come! ye have called me long; |
| I come o'er the mountains, with light and song; |
| Ye may trace my step o'er the waking earth |
| By the winds which tell of the violet's birth, |
| By the primrose stars in the shadowy grass, |
| By the green leaves opening as I pass. |
| |
| I have breathed on the South, and the chestnut flowers |
| By thousands have burst from the forest bowers, |
| And the ancient graves and the fallen fanes |
| Are veiled with wreaths as Italian plains; |
| But it is not for me, in my hour of bloom, |
| To speak of the ruin or the tomb! |
| |
| I have looked o'er the hills of the stormy North, |
| And the larch has hung all his tassels forth; |
| The fisher is out on the sunny sea, |
| And the reindeer bounds o'er the pastures free, |
| And the pine has a fringe of softer green, |
| And the moss looks bright, where my step has been. |
| |
| I have sent through the wood-paths a glowing sigh, |
| And called out each voice of the deep blue sky, |
| From the night-bird's lay through the starry time, |
| In the groves of the soft Hesperian clime, |
| To the swan's wild note by the Iceland lakes, |
| When the dark fir-branch into verdure breaks. |
| |
| From the streams and founts I have loosed the chain; |
| They are sweeping on to the silvery main, |
| They are flashing down from the mountain brows, |
| They are flinging spray o'er the forest boughs, |
| They are bursting fresh from their sparry caves, |
| And the earth resounds with the joy of waves. |
| |
| Felicia D. Hemans. |
| Has there any old fellow got mixed with the boys? |
| If there has take him out, without making a noise. |
| Hang the Almanac's cheat and the Catalogue's spite! |
| Old Time is a liar! We're twenty tonight! |
| |
| We're twenty! We're twenty! Who says we are more? |
| He's tipsy—young jackanapes!—show him the door! |
| "Gray temples at twenty?"—Yes! white if we please; |
| Where the snowflakes fall thickest there's nothing can freeze! |
| |
| Was it snowing I spoke of? Excuse the mistake! |
| Look close—you will see not a sign of a flake! |
| We want some new garlands for those we have shed, |
| And these are white roses in place of the red. |
| |
| We've a trick, we young fellows, you may have been told. |
| Of talking (in public) as if we were old; |
| That boy we call "Doctor," and this we call "Judge"; |
| It's a neat little fiction—of course it's all fudge. |
| |
| That fellow's the "Speaker"—the one on the right; |
| "Mr. Mayor," my young one, how are you to-night? |
| That's our "Member of Congress," we say when we chaff; |
| There's the "Reverend" What's-his-name?—don't make me laugh. |
| |
| That boy with the grave mathematical look |
| Made believe he had written a wonderful book, |
| And the ROYAL SOCIETY thought it was true! |
| So they chose him right in; a good joke it was, too! |
| |
| There's a boy, we pretend, with a three-decker brain, |
| That could harness a team with a logical chain; |
| When he spoke for our manhood in syllabled fire, |
| We called him "The Justice," but now he's "The Squire." |
| |
| And there's a nice youngster of excellent pith: |
| Fate tried to conceal him by naming him Smith; |
| But he shouted a song for the brave and the free— |
| Just read on his medal, "My country," "of thee!" |
| |
| You hear that boy laughing? You think he's all fun; |
| But the angels laugh, too, at the good he has done. |
| The children laugh loud as they troop to his call, |
| And the poor man that knows him laughs loudest of all! |
| |
| Yes, we're boys—always playing with tongue or with pen; |
| And I sometimes have asked, Shall we ever be men? |
| Shall we always be youthful and laughing and gay, |
| Till the last dear companion drops smiling away? |
| |
| Then here's to our boyhood, its gold and its gray! |
| The stars of its winter, the dews of its May! |
| And when we have done with our life-lasting toys, |
| Dear Father, take care of Thy children, THE BOYS! |
| |
| Oliver Wendell Holmes. |
| 'Tis only a half truth the poet has sung |
| Of the "house by the side of the way"; |
| Our Master had neither a house nor a home, |
| But He walked with the crowd day by day. |
| And I think, when I read of the poet's desire, |
| That a house by the road would be good; |
| But service is found in its tenderest form |
| When we walk with the crowd in the road. |
| |
| So I say, let me walk with the men in the road, |
| Let me seek out the burdens that crush, |
| Let me speak a kind word of good cheer to the weak |
| Who are falling behind in the rush. |
| There are wounds to be healed, there are breaks we must mend, |
| There's a cup of cold water to give; |
| And the man in the road by the side of his friend |
| Is the man who has learned to live. |
| |
| Then tell me no more of the house by the road. |
| There is only one place I can live— |
| It's there with the men who are toiling along, |
| Who are needing the cheer I can give. |
| It is pleasant to live in the house by the way |
| And be a friend, as the poet has said; |
| But the Master is bidding us, "Bear ye their load, |
| For your rest waiteth yonder ahead." |
|
| |
| I could not remain in the house by the road |
| And watch as the toilers go on, |
| Their faces beclouded with pain and with sin, |
| So burdened, their strength nearly gone. |
| I'll go to their side, I'll speak in good cheer, |
| I'll help them to carry their load; |
| And I'll smile at the man in the house by the way, |
| As I walk with the crowd in the road. |
| |
| Out there in the road that goes by the house, |
| Where the poet is singing his song, |
| I'll walk and I'll work midst the heat of the day, |
| And I'll help falling brothers along— |
| Too busy to live in the house by the way, |
| Too happy for such an abode. |
| And my heart sings its praise to the Master of all, |
| Who is helping me serve in the road. |
| |
| Walter J. Gresham. |
| Could we but draw back the curtains |
| That surround each other's lives, |
| See the naked heart and spirit, |
| Know what spur the action gives, |
| Often we should find it better, |
| Purer than we judged we should, |
| We should love each other better, |
| If we only understood. |
| |
| Could we judge all deeds by motives, |
| See the good and bad within, |
| Often we should love the sinner |
| All the while we loathe the sin; |
| Could we know the powers working |
| To o'erthrow integrity, |
| We should judge each other's errors |
| With more patient charity. |
| |
| If we knew the cares and trials, |
| Knew the effort all in vain, |
| And the bitter disappointment, |
| Understood the loss and gain— |
| Would the grim, eternal roughness |
| Seem—I wonder—just the same? |
| Should we help where now we hinder, |
| Should we pity where we blame? |
| |
| Ah! we judge each other harshly, |
| Knowing not life's hidden force; |
| Knowing not the fount of action |
| Is less turbid at its source; |
| Seeing not amid the evil |
| All the golden grains of good; |
| Oh! we'd love each other better, |
| If we only understood. |
| She sat on the sliding cushion, |
| The dear, wee woman of four; |
| Her feet, in their shiny slippers, |
| Hung dangling over the floor. |
| She meant to be good; she had promised, |
| And so, with her big, brown eyes, |
| She stared at the meeting-house windows |
| And counted the crawling flies. |
| |
| She looked far up at the preacher, |
| But she thought of the honey bees |
| Droning away at the blossoms |
| That whitened the cherry trees. |
| She thought of a broken basket, |
| Where, curled in a dusky heap, |
| Three sleek, round puppies, with fringy ears |
| Lay snuggled and fast asleep. |
| |
| Such soft warm bodies to cuddle, |
| Such queer little hearts to beat, |
| Such swift, round tongues to kiss, |
| Such sprawling, cushiony feet; |
| She could feel in her clasping fingers |
| The touch of a satiny skin |
| And a cold wet nose exploring |
| The dimples under her chin. |
| |
| Then a sudden ripple of laughter |
| Ran over the parted lips |
| So quick that she could not catch it |
| With her rosy finger-tips. |
| The people whispered, "Bless the child," |
| As each one waked from a nap, |
| But the dear, wee woman hid her face |
| For shame in her mother's lap. |
| It was an old, old, old, old lady, |
| And a boy that was half past three; |
| And the way that they played together |
| Was beautiful to see. |
| |
| She couldn't go running and jumping, |
| And the boy, no more could he; |
| For he was a thin little fellow, |
| With a thin little twisted knee, |
| |
| They sat in the yellow sunlight, |
| Out under the maple-tree; |
| And the game that they played I'll tell you, |
| Just as it was told to me. |
| |
| It was Hide-and-Go-Seek they were playing, |
| Though you'd never have known it to be— |
| With an old, old, old, old lady, |
| And a boy with a twisted knee. |
| |
| The boy would bend his face down |
| On his one little sound right knee, |
| And he'd guess where she was hiding, |
| In guesses One, Two, Three! |
| |
| "You are in the china-closet!" |
| He would cry, and laugh with glee— |
| It wasn't the china-closet; |
| But he still had Two and Three. |
| |
| "You are up in Papa's big bedroom, |
| In the chest with the queer old key!" |
| And she said: "You are warm and warmer; |
| But you're not quite right," said she. |
| |
| "It can't be the little cupboard |
| Where Mamma's things used to be— |
| So it must be the clothes-press, Gran'ma!" |
| And he found her with his Three. |
| |
| Then she covered her face with her fingers, |
| That were wrinkled and white and wee, |
| And she guessed where the boy was hiding, |
| With a One and a Two and a Three. |
| |
| And they never had stirred from their places, |
| Right under the maple-tree— |
| This old, old, old, old lady, |
| And the boy with the lame little knee— |
| This dear, dear, dear old lady, |
| And the boy who was half past three. |
| |
| Henry Cuyler Bunner. |
| They said, "The Master is coming |
| To honor the town to-day, |
| And none can tell at what house or home |
| The Master will choose to stay." |
| And I thought while my heart beat wildly, |
| What if He should come to mine, |
| How would I strive to entertain |
| And honor the Guest Divine! |
| |
| And straight I turned to toiling |
| To make my house more neat; |
| I swept, and polished, and garnished. |
| And decked it with blossoms sweet. |
| I was troubled for fear the Master |
| Might come ere my work was done, |
| And I hasted and worked the faster, |
| And watched the hurrying sun. |
| |
| But right in the midst of my duties |
| A woman came to my door; |
| She had come to tell me her sorrows |
| And my comfort and aid to implore, |
| And I said, "I cannot listen |
| Nor help you any, to-day; |
| I have greater things to attend to." |
| And the pleader turned away. |
| |
| But soon there came another— |
| A cripple, thin, pale and gray— |
| And said, "Oh, let me stop and rest |
| A while in your house, I pray! |
| I have traveled far since morning, |
| I am hungry, and faint, and weak; |
| My heart is full of misery, |
| And comfort and help I seek." |
| |
| And I cried, "I am grieved and sorry, |
| But I cannot help you to-day. |
| I look for a great and noble Guest," |
| And the cripple went away; |
| And the day wore onward swiftly— |
| And my task was nearly done, |
| And a prayer was ever in my heart |
| That the Master to me might come. |
| |
| And I thought I would spring to meet Him, |
| And serve him with utmost care, |
| When a little child stood by me |
| With a face so sweet and fair— |
| Sweet, but with marks of teardrops— |
| And his clothes were tattered and old; |
| A finger was bruised and bleeding, |
| And his little bare feet were cold. |
| |
| And I said, "I'm sorry for you— |
| You are sorely in need of care; |
| But I cannot stop to give it, |
| You must hasten otherwhere." |
| And at the words, a shadow |
| Swept o'er his blue-veined brow,— |
| "Someone will feed and clothe you, dear, |
| But I am too busy now." |
| |
| At last the day was ended, |
| And my toil was over and done; |
| My house was swept and garnished— |
| And I watched in the dark—alone. |
| Watched—but no footfall sounded, |
| No one paused at my gate; |
| No one entered my cottage door; |
| I could only pray—and wait. |
| |
| I waited till night had deepened, |
| And the Master had not come. |
| "He has entered some other door," I said, |
| "And gladdened some other home!" |
| My labor had been for nothing, |
| And I bowed my head and I wept, |
| My heart was sore with longing— |
| Yet—in spite of it all—I slept. |
| |
| Then the Master stood before me, |
| And his face was grave and fair; |
| "Three times to-day I came to your door, |
| And craved your pity and care; |
| Three times you sent me onward, |
| Unhelped and uncomforted; |
| And the blessing you might have had was lost, |
| And your chance to serve has fled." |
| |
| "O Lord, dear Lord, forgive me! |
| How could I know it was Thee?" |
| My very soul was shamed and bowed |
| In the depths of humility. |
| And He said, "The sin is pardoned, |
| But the blessing is lost to thee; |
| For comforting not the least of Mine |
| You have failed to comfort Me." |
| |
| Emma A. Lent. |
| I wish there were some wonderful place |
| Called the Land of Beginning Again, |
| Where all our mistakes and all our heartaches, |
| And all our poor, selfish griefs |
| Could be dropped, like a shabby old coat, at the door, |
| And never put on again. |
| |
| I wish we could come on it all unaware, |
| Like the hunter who finds a lost trail; |
| And I wish that the one whom our blindness had done |
| The greatest injustice of all |
| Could be at the gate like the old friend that waits |
| For the comrade he's gladdest to hail. |
| |
| We would find the things we intended to do, |
| But forgot and remembered too late— |
| Little praises unspoken, little promises broken, |
| And all of the thousand and one |
| Little duties neglected that might have perfected |
| The days of one less fortunate. |
| |
| It wouldn't be possible not to be kind. |
| In the Land of Beginning Again; |
| And the ones we misjudged and the ones whom we grudged |
| Their moments of victory here, |
| Would find the grasp of our loving handclasp |
| More than penitent lips could explain. |
| |
| For what had been hardest we'd know had been best, |
| And what had seemed loss would be gain, |
| For there isn't a sting that will not take wing |
| When we've faced it and laughed it away; |
| And I think that the laughter is most what we're after, |
| In the Land of Beginning Again. |
| |
| So I wish that there were some wonderful place |
| Called the Land of Beginning Again, |
| Where all our mistakes and all our heartaches, |
| And all our poor, selfish griefs |
| Could be dropped, like a ragged old coat, at the door, |
| And never put on again. |
| |
| Louisa Fletcher Tarkington. |
| Prop yer eyes wide open, Joey, |
| Fur I've brought you sumpin' great. |
| Apples? No, a derned sight better! |
| Don't you take no int'rest? Wait! |
| Flowers, Joe—I know'd you'd like 'em— |
| Ain't them scrumptious? Ain't them high? |
| Tears, my boy? Wot's them fur, Joey? |
| There—poor little Joe—don't cry! |
| |
| I was skippin' past a winder |
| W'ere a bang-up lady sot, |
| All amongst a lot of bushes— |
| Each one climbin' from a pot; |
| Every bush had flowers on it— |
| Pretty? Mebbe not! Oh, no! |
| Wish you could 'a seen 'em growin', |
| It was such a stunnin' show. |
| |
| Well, I thought of you, poor feller, |
| Lyin' here so sick and weak, |
| Never knowin' any comfort, |
| And I puts on lots o' cheek. |
| "Missus," says I, "if you please, mum, |
| Could I ax you for a rose? |
| For my little brother, missus— |
| Never seed one, I suppose." |
|
| |
| Then I told her all about you— |
| How I bringed you up—poor Joe! |
| (Lackin' women folks to do it) |
| Sich a imp you was, you know— |
| Till you got that awful tumble, |
| Jist as I had broke yer in |
| (Hard work, too), to earn your livin' |
| Blackin' boots for honest tin. |
| |
| How that tumble crippled of you, |
| So's you couldn't hyper much— |
| Joe, it hurted when I seen you |
| Fur the first time with yer crutch. |
| "But," I says, "he's laid up now, mum, |
| 'Pears to weaken every day"; |
| Joe, she up and went to cuttin'— |
| That's the how of this bokay. |
| |
| Say! it seems to me, ole feller, |
| You is quite yourself to-night— |
| Kind o' chirk—it's been a fortnit |
| Sense yer eyes has been so bright. |
| Better? Well, I'm glad to hear it! |
| Yes, they're mighty pretty, Joe. |
| Smellin' of 'em's made you happy? |
| Well, I thought it would, you know. |
| |
| Never see the country, did you? |
| Flowers growin' everywhere! |
| Some time when you're better, Joey, |
| Mebbe I kin take you there. |
| Flowers in heaven? 'M—I s'pose so; |
| Dunno much about it, though; |
| Ain't as fly as wot I might be |
| On them topics, little Joe. |
| |
| But I've heerd it hinted somewheres |
| That in heaven's golden gates |
| Things is everlastin' cheerful— |
| B'lieve that's what the Bible states. |
| Likewise, there folks don't git hungry: |
| So good people, w'en they dies, |
| Finds themselves well fixed forever— |
| Joe my boy, wot ails yer eyes? |
| |
| Thought they looked a little sing'ler. |
| Oh, no! Don't you have no fear; |
| Heaven was made fur such as you is— |
| Joe, wot makes you look so queer? |
| Here—wake up! Oh, don't look that way! |
| Joe! My boy! Hold up yer head! |
| Here's yer flowers—you dropped em, Joey. |
| Oh, my God, can Joe be dead? |
| |
| David L. Proudfit (Peleg Arkwright). |
| Saint Augustine! well hast thou said, |
| That of our vices we can frame |
| A ladder, if we will but tread |
| Beneath our feet each deed of shame! |
| |
| All common things, each day's events, |
| That with the hour begin and end, |
| Our pleasures and our discontents, |
| Are rounds by which we may ascend. |
| |
| The low desire, the base design, |
| That makes another's virtues less; |
| The revel of the ruddy wine, |
| And all occasions of excess; |
| |
| The longing for ignoble things; |
| The strife for triumph more than truth; |
| The hardening of the heart, that brings |
| Irreverence for the dreams of youth; |
| |
| All thoughts of ill; all evil deeds, |
| That have their root in thoughts of ill; |
| Whatever hinders or impedes |
| The action of the nobler will;— |
| |
| All these must first be trampled down |
| Beneath our feet, if we would gain |
| In the bright fields of fair renown |
| The right of eminent domain. |
| |
| We have not wings, we cannot soar; |
| But we have feet to scale and climb |
| By slow degrees, by more and more, |
| The cloudy summits of our time. |
| |
|
| The mighty pyramids of stone |
| That wedge-like cleave the desert airs, |
| When nearer seen, and better known, |
| Are but gigantic flights of stairs, |
| |
| The distant mountains, that uprear |
| Their solid bastions to the skies, |
| Are crossed by pathways, that appear |
| As we to higher levels rise. |
| |
| The heights by great men reached and kept |
| Were not attained by sudden flight. |
| But they, while their companions slept, |
| Were toiling upward in the night. |
| |
| Standing on what too long we bore |
| With shoulders bent and downcast eyes, |
| We may discern—unseen before— |
| A path to higher destinies. |
| |
| Nor deem the irrevocable Past |
| As wholly wasted, wholly vain, |
| If, rising on its wrecks, at last |
| To something nobler we attain. |
| |
| H.W. Longfellow. |