OPERATIC NOTES.
Monday, May 4.—ZÉLIE DE LUSSAN's Carmen is about the best when all the other dear charmers are away, and in the character she will probably remain in possession of the field, or, rather, "the Garden," till the end of the season. The remainder as before, with DEVOYOD as Escamillo. But what has become of the "go" in the Toréador's great song? Where are the double encores? Where, indeed, the hearty applause? Surely it has gone the way of the March in Faust, once so enthusiastically received and cheered to the echo; and now—"March off!" It is true that, once let a "tuney tune" become vulgarised by street-musicians, and organic disease would be sufficient to kill it were it not tortured and ground to death by remorseless hands. But the Toréador's song and the March have not been the victims of an organised opposition. Perhaps, though, they may have been, only 'tis so long ago as not to be within the ken of the present deponent. Anyhow, the Toréador's song goes for nothing nowadays, and yet 'tis as good as ever.
Thursday.—We welcomed The Don. Not the Academic Don once so popularly represented by Mr. J.L. TOOLE, but MOZART's Italianised Spanish Don. À propos of Mr. TOOLE, it has always been the wonder of his friends, to whom the quality of his vocal powers is so well known, that he has never been tempted to renounce the simple histrionic for the lyric Drama. It is said, and "greatly to his credit," that, had it not been for his unwillingness to rob his friend SIMS REEVES of the laurel-crown he wears as first English Tenor of his age, he would long ago have set up a most dangerous opposition to that sweet singer, and have ridden off victoriously with "My Pretty Jane" seated up behind him, pillion-wise, on the noble steed known as "The Bay of Biscay O!"
But the above is an entr'acte, shorter than those at Covent Garden, by the way. M. MAUREL first-rate as the Don, both in acting and singing, even better in former than latter; but the dear old serenade, which never can be vulgarised, in spite of its popularity, was encored, and the encore was gracefully accepted, Signor BEVIGNANI being in the chair, and willing to tap the desk and announce, "Gentlemen! Monsieur MAUREL will oblige again!" Applause.
If all the village maidens could dress in a costume such as Miss ZÉLIE-ZERLINA wears, then, to take the best and nicest view of it, that village must be uncommonly prosperous. Probably tourists' visits are not few and far between: but anyhow, even the most unsuspicious bumpkin of a lover, would be inclined to ask a few questions about this finery. However, her performance was as fine as the dress, and she looked quite the ZÉLIE-ZERLINA, so fascinating to the Lord and the Lout.
Saturday.—Roméo et Juliette, that is, M. JEAN DE RESZKÉ and Mlle. EAMES. A nearly perfect performance. JEAN a trifle too stout for an ideal Romeo, but of course he couldn't go into training for the part at short notice. The spirit with which he played the part far outweighed the error of the flesh. Miss EAMES a charming Juliet in every way, though her singing of the waltz was not of dazzling firework brilliancy. Brother NED was the Frère Laurent. Excellent. The name Anglo-Frenchified, suggests a reverend gentleman who would meddle with legal marriages and perform private ceremonies without leave or licence from his Ordinary, and might be known as Brother Law-wrong, an Extra-Ordinary Friar. The House crammed full with an audience as brilliant as the performance.
