BLANCHE'S LETTERS.
SOCIETY "WAR-WORKERS."
DEAREST DAPHNE,—The scarcity of paper isn't altogether an unmixed misfortune, as far as one's correspondence is concerned. Letters that don't matter, letters from the insignificant and the boresome, simply aren't answered. For small spur-of-the-moment notes to one's intimes who're not too far off, there's quite a little feeling for using slates. One writes what one's to say on one's slate (which may be just as dilly a little affair as you please, with plain or chased silver frame, enamelled monogram or coronet, and pencil hanging by a little silver chain), and sends it by a servant. When the note's been read, it's wiped off, the answer written, and the slate brought back. Isn't that fragrant? I may claim to have set this fashion. Of course a very voyant slate is not just-so. The Bullyon-Boundermere woman set up one with a deep, heavily-chased gold frame, and "B.-B." at the top set with big diamonds. C'est bien elle! She'd used it only half-a-dozen times when it was snatched from her footwoman, who was taking it to somebody's house, and hasn't been heard of since!
People Who Matter gave a double-page to illustrating "War-Time Correspondence Slates of Social Leaders." My slate's there, and Stella Clackmannan's, and Beryl's and several more. À propos, have you seen the series of "Well-known War-Workers" they've been having lately in People Who Matter? They're really quite worth while. There's dear Lala Middleshire in one of those charming "Olga" trench coats (khaki face-cloth lined self-coloured satin and with big, lovely, gilt-and-enamelled buttons), high brown boots, and one of those saucy little Belgian caps with a distracting little tassel wagging in front. The pickie is called "The Duchess of Middleshire Takes a War-Worker's Lunch," and dear Lala is shown standing by a table, looking so bravely at two cutlets, a potato, a piece of war bread, a piece of war cheese and a small pudding.
Then there's Hermione Shropshire, in a perfectly haunting lace and taffetas morning robe, with a clock near her (marked with a cross) pointing to eight o'clock! (She lets her maid dress her at that hour now, so that the girl may go and make munitions.) And Edelfleda Saxonbury is shown in an evening gown, wearing her famous pearls. She's leaning her chin on her hand and gazing with a sweet wistful look at an inset view of the hostel where she's washed plates and cups quite several times.
And last but not least there's a pickie that the journalist people have dubbed, "Distinguished Society Women distinguish themselves as Carpenters," et voilà Beryl, Babs and your Blanche, in delicious cream serge overall things, with hammers, planes, and saws embroidered in crewels on the big square collars and turn-up cuffs, and enormously becoming carpenter's caps, looking at a rest-hut we've just finished. Oh, my dearest and best, you don't know what it is to live till you've learned to carpent! It's positively enthralling! When we're skilful enough we're to go abroad—mais il faut se taire! I don't see why we shouldn't go now. We're as skilful as we shall ever be. And even if one or two of our huts had no doors what's that matter? Besides, a hut with no door has a tremendous pull—there wouldn't be any draughts!
Everyone's furious at the way the powers that be have treated Sybil Easthampton. You know what a wonderful thing her Ollyoola Love Dance is. Of course she's lived among the Ollyoolas and knows them in all their moods. (They're natives somewhere ever and ever so far off, where there are palms and coral reefs, and the people don't believe in wrapping themselves up much.) And so she's given the dance at a great many War Fund matinees. That little Mrs. Jimmy Sharpe, daring to criticise it, said there was too much Ollyoola and not enough dance; but everybody who counts simply raves about it. And then, when some manager person offered Sybil big terms to do it at the "Incandescent," he was "officially informed" that, if the Ollyoola Love Dance went into the bill the "Incandescent" would be "placed out of bounds"! What do you, do you think of that, m'amie? A piece of sheer artistry like the Ollyoola Love Dance to be treated so! And it's wonderful not only artistically but scientifically. Each of dear Sybil's amazing wriggles and squirms and crouches and springs is absolutely true—exactly what an Ollyoola does when it's in love.
We're all glad to think we can still see the Ollyoola Love Dance at War Fund matinées.
Ever thine,
BLANCHE.