THE BRETONS AT HOME.

By Charles W. Wood, F.R.G.S., Author of "Through Holland," "Letters from Majorca," etc. etc.

The long grey walls, the fortifications, the church towers and steeples, the clustering roofs of St. Malo came into view.

It is a charming sight after the long and often unpleasant night journey which separates St. Malo from Southampton. The boats leave much to be desired, and the sea very often, like Shakespeare's heroine, needs taming, but, unlike that heroine, will not be tamed, charm we never so wisely. As a rule, however, one is not in a mood to charm.

A Breton Maiden.

The Company are not accommodating. There are private cabins on board holding four, badly placed, uncomfortable, possessing the single advantage of privacy; but these managers would have them empty rather than allow two passengers to occupy one of them under the full fare of four. This is unamiable and exacting. In crowded times it may be all very right, but on ordinary occasions they would do well to follow the example of the more generous Norwegians, who place their state cabins holding four at the disposal of anyone paying the fare of three passengers.

After the long night-passage it is delightful to steam into the harbour of St. Malo. If the sea has been rough and unkindly, you at once pass from Purgatory to Paradise, with a relief those will understand who have experienced it. The scene is very charming. The coast, broken and undulating, is rich and fertile; very often hazy and dreamy; the landscape is veiled by a purple mist which reminds one very much of the Irish lakes and mountains.

Across the water lies Dinard, with its lovely views, its hilly thoroughfares, its English colony and its French patois. But the boat, turning the point, steams up the harbour and Dinard falls away. St. Malo lies ahead on the left, enclosed in its ancient grey walls, which encircle it like a belt; and on the right, farther away, rise the towers and steeples of St. Servan, also of ancient celebrity.

On the particular morning of which I write, as we steamed up the harbour towards our moorings, the quays looked gay and lively, the town very picturesque. It is so in truth, though some of its picturesqueness is the result of antiquity, dirt and dilapidation. But the fresh green trees lining the quay looked bright and youthful; a contrast with the ancient grey walls that formed their background. Vessels were loading and unloading, people hurried to and fro; many had evidently come down to see the boat in, and not a few were unmistakably English.

Here and there in the grey walls were the grand imposing gateways of the town. Above the walls rose the quaint houses, roof above roof, gable beside gable, tier beyond tier.

At the end of the quay the old Castle brought the scene to a fine conclusion. It was built by Anne of Brittany, and dates from the sixteenth century. One of its towers bears the singular motto or inscription: Qui qu'en grogne, ainsi sera, c'est mon plaisir: which seems to suggest that the illustrious lady owned a determined will and purpose. It is now turned into barracks; a lordly residence for the simple paysans who swelled the ranks of the Breton regiment occupying it at the time of which I write. They are said to be the best fighting soldiers in France, these Bretons. Of a low order of development, physically and mentally, they yet have a stubborn will which carries them through impossible hardships. They may be conquered, but they never yield.

The walk round the town upon the walls is extremely interesting. Gradually making way, the scene changes like the shifting slides of a panorama. Now the harbour lies before you, with its busy quays, its docks, its small crowd of shipping; very crowded we have never seen it. The old Castle rises majestically, looking all its three centuries of age and royal dignity; its four towers unspoilt by restoration.

Onward still and the walls rise sheer out of the rocks and the water. At certain tides, the sea dashes against them and breaks back upon itself in froth and foam and angry boom. Sight and sound are a wonderful nerve tonic. Countless rocks rise like small islands in every direction, stretching far out to sea. On a calm day it is all lovely beyond the power of words. The sky is blue and brilliant with sunshine. The sea receives the dazzling rays and returns them in a myriad flashes. The water seems to have as many tints as the rainbow, and they are as changing and beautiful and intangible. A distant vessel, passing slowly with all her sails set, almost becalmed, suggests a dreamy and delicious existence that has not its rival. The coast of Normandy stretches far out of sight. In the distance are the Channel Islands, visible possibly on a clear day and with a strong glass. I know not how that may be.

Turn your gaze, and you have St. Malo lying within its grey walls. The sea on the right is all freedom and broad expanse; the town on the left is cabin'd, cribb'd, confin'd. Extremes meet here, as they often do elsewhere.

It is a succession of slanting roofs, roof above roof, street beyond street. Many of the houses are very old and form wonderful groups, full of quaint gables and dormer windows, whilst the high roofs slant upwards and fall away in picturesque outlines. An artist might work here for years and still find fresh material to his hand. The streets are narrow, steep and tortuous; the houses, crowding one upon another, are many stories high; not a few seem ready to fall with age and decay. Only have patience, and all yields to time.

On one of the islets is the tomb of Chateaubriand, who was born in St. Malo and lived here many years. It was one of his last wishes to be buried where the sea, for ever playing and plashing around him, would chant him an everlasting requiem. Many will sympathise with the feeling. No scene could be more in accordance with the solemnity of death, the long waiting for the "eternal term;" more in unison with the pure spirit that could write such a prose-poem as Atala.

Nothing could have been lovelier than the day of our arrival at St. Malo; the special day of which I write; for St. Malo has seen our coming and going many times and in all weathers.

The crossing had been calm as a lake. Even H.C., who would sooner brave the tortures of a Spanish Inquisition than the ocean in its angry moods, and who has occasionally landed after a rough passage in an expiring condition: even H.C. was impatient to land and break his fast at the liberal table of the Hôtel de France—very liberal in comparison with the Hôtel Franklin. We had once dined at the table d'hôte of the Franklin, and found it a veritable Barmecide's feast, from which we got up far more hungry than we had sat down; a display so mean that we soon ceased to wonder that only two others graced the board with ourselves, and they, though Frenchmen, strangers to the place. The Hôtel de France was very different from this; if it left something to be desired in the way of refinement, it erred on the side of abundance.

Therefore, on landing this morning, we gave our lighter baggage in charge of the porter of the hotel, who knew us well, and according to his wont, gave us a friendly greeting. "Monsieur visite encore St. Malo," said he, "et nous apporte le beau temps. Soyez le bienvenu!" This was not in the least familiar—from a Frenchman.

We went on to the custom-house, and as we had nothing to declare the inspection was soon over. H.C. had left all his tea and cigars behind him at the Waterloo Station, in a small hand-bag which he had put down for a moment to record a sudden fine phrenzy of poetical inspiration. Besides tea and cigars, the bag contained a copy of his beloved "Love Lyrics," without which he never travels, and a bunch of lilies of the valley, given him at the moment of leaving home by Lady Maria; an amiable but æsthetical aunt, who lives on crystallised violets, and spends her time in endeavouring to convert all the young men of her acquaintance who go in for muscular Christianity to her æsthetical way of thinking.

Leaving the custom-house, we crossed the quay, the old castle in front of us, and passing through the great gateway, immediately found ourselves at the Place Chateaubriand and the Hôtel de France. For the hotel forms part of the building in which Chateaubriand lived.

We had a very short time to devote to St. Malo. A long journey still lay before us, for we wished to reach Morlaix that night. There was the choice of taking the train direct, or of crossing by boat to Dinard, and so joining the train from St. Malo, which reached Dinan after a long round. The latter seemed preferable, since it promised more variety, though shortening our stay at the old town. But, as Madame wisely remarked, it would give us sufficient time for luncheon, and an extra hour or so in St. Malo could not be very profitably spent.

So before long we were once more going down the quay, in company with the porter—whose lamentations at our abrupt departure were no doubt sincere as well as politic—and a truck carrying our goods and chattels. As yet, they were modest in number and respectable in appearance. H.C. had not commenced his raid upon the old curiosity shops; had not yet encumbered himself with endless packages, from deal boxes containing old silver, to worm-eaten, fourteenth century carved-wood monks and madonnas, carefully wrapped in brown paper, and bound head, hand and foot (where these essentials were not missing) with cord. All this came in due time, but to-day we were still dignified.

We passed without the walls and went down the quay. All our surroundings were gay and brilliant. Everything was life and movement, the life and movement of a Continental town. The "gentle gales" wooed the trees, and the trees made music in the air. The sun shone as it can only shine out of England. The sky, wearing its purest blue, was flecked with white clouds pure as angels' wings. The boat we had recently left was discharging cargo, and her steam was quietly dying down.

Four old women—each must have been eighty, at least—were seated on a bench, knitting and smiling and looking as placid and contented as if the world and the sunshine had been made for them alone, and it was their duty to enjoy it to the utmost. It was impossible to sketch them: Time and Tide wait for no man, and even now the whistle of the Dinard boat might be heard shrieking its impatient warning round the corner: but we took the old women with an instantaneous camera, and with wonderful result. It was all over before they had time to pose and put on expressions; and when they found they had been photographed, they thought it the great event of their lives. The mere fact is sufficient with these good folk; possession of the likeness is a very secondary consideration. We left them crooning and laughing and casting admiring glances after H.C.—even at eighty years of age: possibly with a sigh to their lost youth.

Then we turned where the walls bend round and came in sight of the boat, steaming alongside the small stone landing-place and preparing for departure.

The passengers were not numerous. A few men and women; the latter with white caps and large baskets, who had evidently been over to St. Malo for household purposes, and were returning with the resigned air—it is very pathetic—that country women are so fond of wearing when they have been spending money and lessening the weight of the stocking which contains their treasured hoard.

We mounted the bridge, which, being first-class and an extra two or three sous, was deserted. These thrifty people would as soon think of burning down their cottages, as of wasting two sous in a useless luxury—all honour to them for the principle. But we, surveying human nature from an elevation, felt privileged to philosophise.

And if this human nature was interesting, what about the natural world around us? The boat loosed its moorings when time was up, and the grey walls of St. Malo receded; the innumerable roofs, towers and steeples grew dreamy and indistinct, dissolved and disappeared. The water was still blue and calm and flashing with sunlight. To the right lay the sleeping ocean; ahead of us, Dinard. Land rose on all sides; bays and creeks ran upwards, out of sight; headlands, rich in verdure, magnificently wooded; houses standing out, here lonely and solitary, there clustering almost into towns and villages; the mouth of the Rance, leading up to Dol and Dinan, which some have called the Rhine of France, and everyone must think a stream lovely and romantic.

Most beautiful of all seemed Dinard, which we rapidly approached. In twenty minutes we had passed into the little harbour beyond the pier. It was quite a bustling quay, with carriages for hire, and men with barrows touting noisily for custom, treading upon each other's heels in the race for existence; cafés and small hotels in the background.

Having plenty of time, we preferred to walk to the station, and consigned our baggage to the care of a deaf and dumb man, who disappeared with everything like magic, left us high and dry upon the quay to follow more leisurely, and to hope that we were not the victims of misplaced confidence. It looked very much like it.

A steep climb brought us to the heights of Dinard. Nothing could be more romantic. Here were no traces of antiquity; everything was aggressively modern; all beauty lay in scenery and situation. Humble cottages embowered in roses and wisteria; stately châteaux standing in large luxuriant gardens flaming with flowers, proudly secluded behind great iron gates. At every opening the sea, far down, lay stretched before us. Precipitous cliffs, rugged rocks where flowers and verdure grew in wild profusion, led sheer to the water's edge. Land everywhere rose in a dreamy atmosphere; St. Malo and St. Servan across the bay in the distance. It was a wealth of vegetation; trees in full foliage, masses of gorgeous flowers, that you had only to stretch out your hand and gather; the blue sky over all. A scene we sometimes realise in our dreams, rarely in our waking hours—as we saw it that day. On the far-off water below small white-winged boats looked as shadowy and dreamy as the far-off fleecy clouds above.

But we could not linger. We passed away from the town and the sea and found ourselves in the country—the station seemed to escape us like a will-o'-the-wisp. Presently we came to where two roads met—which of them led to the station? No sign-post, no cottage. We should probably have taken the wrong one—who does not on these occasions?—when happily a priest came in sight, with stately step and slow reading his breviary. Of him we asked the way, and he very politely set us right, in French that was refreshing after the patois around us—he was evidently a cultivated man; and offered to escort us.

As this was unnecessary, we thanked him and departed; and, arriving soon after at the station, found our deaf and dumb porter had not played us false. He was cunning enough to ask us three times his proper fare, and when we gave him half his demand seemed surprised at so much liberality. Conversation had to be carried on with paper and pencil, and by signs and tokens.

The train started after a great flourish of trumpets. We had a journey of many hours before us through North Brittany; for Brittany is a hundred years behind the rest of France, and however slow the trains may be in Fair Normandy they are still slower in the Breton Provinces. In due time we reached Dinan, when we joined the train that had come round from St. Malo.

Nothing in Brittany is more lovely and striking than the situation of Dinan. It overlooks the Rance, and from the train we looked down into an immense valley.

Everywhere the eye rested upon a profusion of wild uncultivated verdure. The granite cliffs were steep and wooded. Far in the depths "the sacred river ran." A few boats and barges sailing up and down, passed under the lovely viaduct; Brittany peasant girls were putting off from the shallow bank with small cargoes of provisions, evidently coming from some market. Under the rugged cliffs ran a long row of small, unpretending houses, level with the river; a paradise sheltered, one would think, from all the winds of heaven: yet even here, no doubt, the east wind finds a passage for its sharp tooth to warp the waters.

Further on one caught sight of an old church, evidently in the hands of the Philistines, under process of restoration, and an ancient monastery. The town crowned the cliffs, but very little could be seen beyond churches and steeples. We left it to a future time.

The train went through beautiful and undulating country until it reached Lamballe, picturesquely placed on the slope of a hill watered by a small stream, and crowned by the ancient and romantic ruins of the Castle which belonged to the Counts of Penthièvre, and was dismantled by Cardinal Richelieu. A fine Gothic building, of which we easily traced the outlines. The present church of Notre Dame was formerly the chapel of the Castle.

Here we longed to explore, but it did not enter into our plans. So, also, the interesting town of Guingamp had to be passed over for the present.

For we were impatient to see Morlaix. Having heard much of its picturesqueness and antiquity, we hoped for great things. Yet our experiences began in an adventurous and not very agreeable manner.

Darkness had fallen when we reached the old town, after a long and tedious journey. Nothing is so tiring as a slow train, which crawls upon the road and lingers at every station. Of Morlaix we could see nothing. We felt ourselves rumbling over a viaduct which seemed to reach the clouds, and far down we saw the lights of the town shining like stars; so that, with the stars above, we seemed to be placed between two firmaments; but that was all. Everything was wrapped in gloom and mystery. The train steamed into the station and its few lights only rendered darkness yet more visible. The passengers stumbled across the line in a small flock to the point of exit.

We had been strongly recommended to the Hôtel d'Europe, as strongly cautioned against any other; but we found that the omnibus was not at the station; nor any flys; nothing but the omnibus of a small hotel we had never heard of, in charge of a conductor, rough, uncivil, and less than half sober.

This conductor—who was also the driver—declined to take us to any other hotel than his own; would listen to no argument or reason. Had he been civil, we might have accepted the situation, but it seemed evident that an inn employing such a man was to be avoided. Unwilling to be beaten, we sought the station-master and his advice.

"Why is the omnibus of the Hôtel d'Europe not here?" we asked.

"No doubt the hotel is full. It is the moment of the great fair, you know."

But we did not know. We knew of Leipzig Fair by sad experience, of Bartholomew Fair by tradition, of the Fair of Novgorod by hearsay; but of Morlaix Fair we had never heard.

"What is the fair?" we asked, with a sinking heart.

"The great Horse Fair," replied the station-master. "Surely you have heard of it? No one ever visits Morlaix at the time of the fair unless he comes to buy or sell horses."

Having come neither to buy nor sell horses, we felt crushed, and hoped for the deluge. I proposed to re-enter the train and let it take us whither it would—it mattered not. H.C. calmly suggested suicide.

"What is to be done?" he groaned. "The man refuses to take us to the Hôtel d'Europe. He is not sober; it is useless to argue with him."

"The fair again," laughed the official. "It is responsible for everything just now, and Bretons are not the most sober people at the best of times. Still, if you wish to go to the Hôtel d'Europe, the man must take you. There is no other conveyance and he is bound to do so. But I warn you that it will be full, or the omnibus would have been here."

Turning to the man, he threatened to report him, gave him his orders, and said he should inquire on the morrow how they had been carried out. We struggled into the omnibus, which was already fairly packed with men who looked very much like horsedealers, the surly driver slammed the door, and the station-master politely bowed us away.

The curtain dropped upon Act I.; Comedy or Tragedy as the event might prove.

It soon threatened to be Tragedy. The omnibus tore down a steep hill as if the horses as well as the driver had been indulging, swayed from side to side and seemed every moment about to overturn. Now the passengers were all thrown to the right of the vehicle, now to the left, and now they all collided in the centre. The enraged driver was having his revenge upon us, and we repented our boldness in trusting our lives in his hands. But the sturdy Bretons accepted the situation so calmly that we felt there must still be a chance of escape.

So it proved. In due time it drew up at the Hôtel d'Europe with the noise of an artillery waggon, and out came M. Hellard, the landlord. His appearance, with his white hair and benevolent face, was sufficient to recommend him, to begin with. We felt we had done wisely, and made known our wants.

"I am very sorry," he replied, "but, gentlemen, I am quite full. There is not a vacant room in the hotel from roof to basement."

"Put us anywhere," we persisted, for it would never do to be beaten at last: "the coal-cellar; a couple of cupboards; anything; but don't send us away."

The landlord looked puzzled. He had a tall, fine presence and a handsome face; not in the least like a Frenchman. "I assure you that I have neither hole nor corner nor cupboard at your disposal," he declared. "I have sent away a dozen people in the last hour who arrived by the last train. Why did you not send me word you were coming?"

"We are only two, not a dozen," we urged. "And we knew nothing of this terrible Fair, or we should not have come at all. But as we are here, here we must remain."

With that we left the omnibus and went into the hall, enjoying the landlord's perplexed attitude. But when did a case of this sort ever fail to yield to persuasion? The last resource has very seldom been reached, however much we may think it; and an emergency begets its own remedy. The remedy in this instance was the landlady. Out she came at the moment from her bureau, all gestures and possibilities; we felt saved.

"Mon cher," she exclaimed—not to H.C., but to her spouse—"don't send the gentlemen away at this time of night, and consign them to you know not what fate. Something can be managed. Tenez!" with uplifted hands and an inspiration, "ma bouchère! Mon cher, ma bouchère!" (Voice, exclamation, gesture, general inspiration, the whole essence would evaporate if translated.) "Ma bouchère has two charming rooms that she will be delighted to give me. It is only a cat's jump from here," she added, turning to us; "you will be perfectly comfortable, and can take your meals in the hotel. To-morrow I shall have rooms for you."

So the luggage was brought down; the landlord went through a passage at arms with the driver, who demanded double fare, and finally went off with nothing but a promise of punishment. We had triumphed, and thought our troubles were over: they had only begun.

Our remaining earthly desire was for strong tea, followed by repose. We had had very little sleep the previous night on board the boat, and the day had been long and tiring.

"The tea immediately; but you will have to wait a little for the rooms," said Madame. "My bouchère is at the theatre to-night; we must all have a little distraction sometimes; it will be over a short quarter of an hour, and then I will send to her."

Madame was evidently a woman of capacity. The short quarter of an hour might be profitably spent in consuming the tea: after that—a delicious prospect of rest, for which we longed as the Peri longed for Paradise.

"Meanwhile, perhaps messieurs will walk into the café of the hotel, awaiting their rooms," said the landlord.

"Where tea shall be served," concluded Madame, giving directions to a waiter who stood by, a perfect Image of Misery, his face tied up after the fashion of the French nation suffering from toothache and a fluxion.

"But the fire is out in the kitchen," objected Misery, in the spirit of Pierrot's friend.

"Then let it be re-lighted," commanded Madame. "At such times as these, the fire has not the right to be out."

Monsieur marshalled us into the café, a large long room forming part of the hotel; by no means the best waiting-place after a long and tiring day. It was hot, blazing with gas, clouded with smoke—the usual French smoke, worse than the worst of English tobacco. The room was crowded, the noise pandemonium. Card playing occupied some tables, dominoes others. The company was very much what might be expected at a Horse Fair: loud, familiar, slightly inclined to be quarrelsome; no nerves. Our host joined a card table, evidently taking up his game where our arrival had interrupted it. He soon became absorbed and forgot our existence; our hope was in Madame.

We waited in patience; the short quarter of an hour developed into a long half-hour, when tea arrived: small cups, small tea pot, usual strainer, straw-coloured infusion; still, it just saved our reason. H.C. felt that he should never write another line of poetry; the tobacco fumes had taken an opium effect upon me, and I began to see visions and imagined ourselves in Dante's Inferno. We looked with mild reproach at the waiter. He quite understood; a guilty conscience needed no words; and explained that the chef had let out the fire. As the chef was at that moment in the café playing cards, as absorbed and excited as anyone, no wonder that he had forgotten his ordinary duties.

"And our rooms?" we asked. "Are they ready?"

"The theatre is not yet over," replied the waiter. "Madame is on the look-out. The play is extra long to-night in honour of the fair."

That miserable fair!

The tea revived us: it always does. "I feel less like expiring," murmured H.C., with a tremulous sigh. "But this place is like a furnace seven times heated, and the noise is pandemonium in revolt. What would Lady Maria think of this? Why need that frivolous butcher-woman have gone to the theatre to-night of all nights in the year? And why need all these people have stayed away from it? Why is everything upside down and cross and contrary? And why are we here at all?"

H.C. was evidently on the verge of brain fever.

We waited; there was nothing else for it. It was torture; but others have been tortured before now; and some have survived, and some have died of it. We felt that we should die of it. Half past eleven had come and gone; midnight was about to strike. Oh that we had gone on with that wretched omnibus, no matter what the end. Yes; it had come to that.

At last human nature could bear it no longer: we appealed to the landlord. He looked up from his game, flushed, startled and repentant.

"What! have they not taken you to the bouchère!" he exclaimed. "Why the theatre was over long ago, and no doubt everything is arranged. You shall be conducted at once."

Misery, looking himself more dead than alive (he informed us presently in an access of confidence that he had had four teeth taken out that day and felt none the better for it), was told off to act as guide, and shouldering such baggage as we needed for the night, stepped forth. We pitied him, he seemed so completely at the end of all things; and feeling, by comparison, that there was a deeper depth of suffering than our own, we revived. His name was not Misery, but André.

Monsieur accompanied us to the door and wished us Good-night. Madame had disappeared and was nowhere to be found; the lights were out in her bureau. It looked very much as if she, too, had gone to bed and forgotten us. "Cette chère dame is tired," said the sympathetic landlord. "We really have no rest day or night at the time of the fair. But you may depend upon it she has made it all right with her bouchère."

So we departed in faith. It was impossible to be angry with Monsieur, though we felt neglected. He was so unlike the ordinary run of landlords that one could only repose confidence in him and overlook small inattentions. He had a way of throwing himself into your interests, and making them his own for the time being. But I fear that his memory was very short.

We departed with thanksgiving, and followed our guide. I cannot say that we trod in his footsteps, for, too far gone to lift his feet bravely, he merely shuffled along the pavement. With one hand he supported the luggage on his shoulder; with the other he carried a candle, ostensibly to light our pathway, in reality only complicating matters and the darkness. As we turned round by the hotel, the clocks struck the witching hour. H.C. shivered and looked about for ghosts. It was really a very ghostly scene and atmosphere. In spite of the occasion of the fair, the town was in repose. The theatre was long over; the extra entertainment on account of the fair had been a mere invention of the imaginative waiter's; people had very properly gone home to bed, and lights were out. No noisy groups were abroad, making night hideous with untimely revelry.

We formed a strange procession. Our little guide slipped and shuffled, hardly able to put one foot before the other. He wore house-slippers of list or wool, and made scarcely any noise as he went along. Every now and then he groaned in the agonies of toothache; and each time H.C. shivered and looked back for the ghost. It was excusable, for the candle threw weird shadows around, which flitted about like phantoms playing at hide-and-seek. The night was so calm that the flame scarcely flickered.

In spite of the darkness, we could see how picturesque was the old town, and we longed for daylight. Against the dark background of sky the yet darker outlines of the houses stood out mysteriously. We turned into a narrow street where opposite neighbours might almost have shaken hands with each other from the upper windows. Wonderful gabled roofs succeeded each other in a long procession. There seemed not a vestige of anything modern in the whole thoroughfare. We were in a scene of the Middle Ages, back in those far-off days.

Here and there a light shining in a room revealed a large latticed window, running the whole width of the house. In spite of André's fatigue and burden, we could only stand and gaze. No human power could mesmerise us, but the window did so.

What could be more startlingly weird and picturesque than the bright reflection of these latticed panes, surrounded by this intense darkness, these mysterious outlines? Almost we expected to see a ghostly vision advance from the interior, and, opening the lattice with a skeleton hand, ask our pleasure at thus invading their solitude at the witching hour—for the vibration of the bells tolling midnight was still upon the air, travelling into space, perhaps announcing to other worlds that to us another day was dead, another day was born.

But no ghost appeared. A very human figure, however, did so. It looked down upon us for a moment, and mistaking our rapt gaze at the antiquities—of which it did not form a part—for mere vulgar curiosity, held up a reproving hand. Then, catching sight of H.C., it darted forward, looked breathlessly into the night, and seemed also mesmerised as by a revelation.

We quietly went our way, leaving the spell to work itself out. Our footsteps echoed in the silent night, with the running accompaniment of a double-shuffle from Misery. No other sound broke the stillness; we were absolutely alone with the ancient houses, the stars and the sky. It might have been a Mediæval City of the Dead, unpeopled since the days of its youth. Our candle burned on in the hand of André; our reflections danced and played about us: one hears of the Dance of Death—this was the Dance of Ghosts—a natural sequence; ghostly shadows flitted out of every doorway, down every turning.

At last we emerged on to an open space, partly filled by a modern building with a hideous roof, evidently the market place. Here we ascended to a higher level. Ancient outlines still surrounded us, but were interrupted by modern ones also. Square roofs and straight lines broke the continuity of the picturesque gabled roofs and latticed windows. Ichabod may be written upon the lintels of all that is ancient and disappearing, all that is modern and hideous. The spirit and beauty of the past are dead and buried.

"We are almost there," said André, with a sigh that would have been profound if he had had strength to make it so. "A few more yards and we arrive."

We too sighed with relief, though the midnight walk amidst these wonders of a bygone age had proved refreshing and awakening. But we sympathised with our guide, who was only kept up by necessity.

We passed out of the market place again into a narrow street, dark, silent and gloomy. At the third or fourth house, André exclaimed "Nous voilà!" and down went the baggage like a dead-weight in front of a closed doorway.

The house was in darkness: no sight or sound could be seen or heard; everyone seemed wrapped in slumber; a strange condition of things if we were expected. The man rang the bell: a loud, long peal. No response; no light, no movement; profound silence.

"C'est drôle!" he murmured. "The theatre" (that everlasting theatre!) "has been long over and Madame must have returned. Where can she be?"

"Probably in bed," replied H.C. "We have little chance of following her excellent example if this is to go on. There must be some mistake, and we are not expected."

"Impossible," returned André. "La Patrone never forgets anything and must have arranged it all." He, too, had unlimited confidence in Madame, but for once it was misplaced.

Not only the house, but the whole street was in darkness. Not the ghost of a glimmer appeared from any window or doorway; not a gas-light from end to end. Oil lamps ought to have been slung across from house to house to keep up the character of the thoroughfare; but here, apparently, consistency was less thought of than economy. We looked and looked, every moment expecting a cloaked watchman to appear, with lantern casting weird flashes around and a sepulchral voice calling the hour and the weather. But Il Sereno of Majorca had no counterpart in Morlaix; the darkness, silence and solitude remained unbroken.

We were the sole group of humanity visible, and must have appeared singular as the still flaring candle lighted up our faces, pale and anxious from fatigue, threw out in huge proportions the head of our guide, bound up as if prepared for the grave for which he was fast qualifying.

After a time Misery gave another peal at the bell, and, borrowing a stick, drummed a tattoo upon the door that might have waked the departed Mediævals. This at length brought forth fruit.

A latticed window was opened, a white figure appeared, a nightcapped head was put forth without ceremony, a feminine voice, sleepy and indignant, demanded who thus disturbed the sacred silence of the night.

"The gentlemen are here," said André, mildly. "Come down and open the door. A pretty reception this, for tired travellers."

"What gentlemen?" asked the voice, which belonged to no less a person than Madame la bouchère herself.

"Parbleu! why the gentlemen you are expecting. The gentlemen la Patrone sent to you about and that you agreed to lodge for the night."

"André—I know your voice, though I cannot see your form—you have been taking too much, and to-morrow I shall complain to Madame Hellard. How dare you wake quiet people out of their first sleep?"

"First sleep! Has la bouchère not been to the theatre?"

"Theatre, you good-for-nothing! Do I ever join in such frivolities? I have been in bed and asleep ever since ten o'clock—where you ought to be at this hour of the night."

"But la Patrone sent to engage rooms for these gentlemen and you promised to give them. They have come. Open the door. We cannot stay here till daybreak."

"You will stay there till doomsday if it depends on my opening to you. La Patrone never sent and I never promised. I have only one small empty bed in my house, and in the other bed in the same room two of my boys are sleeping. I am very sorry for the gentlemen. My compliments to la Patrone, and before sending gentlemen to me at midnight, she ought to find out if I can accommodate them. Good-night to you, and let us have no more rioting and bell-ringing."

The nightcapped head was withdrawn, the lattice was sharply closed, and we were left to make the best of the situation.

It was serious: nearly one in the morning, the whole town slumbering, and we "homeless, ragged, and tanned."

To remain was useless. Not all the ringing and rowing in the world would bring forth Madame again, though it might possibly produce her avenging spouse. André shouldered his baggage and we began to retrace our steps.

"Back to the hotel," commanded H.C.; "they must put us up somewhere."

"Not a hole or corner unoccupied," groaned André. "You can't sleep in the bread oven. And they will all have gone to bed by the time we get back again."

Suddenly he halted before a house at the corner of the marketplace. It looked little better than a common cabaret, and was also closed and dark. Down went the luggage, as he knocked mysteriously at the shutters.

"What are you doing?" we said. "You don't suppose that we would put up here even for an hour."

"It is clean and respectable," objected André. "Messieurs cannot walk the streets till morning."

A door was as mysteriously opened, leading into a room. A couple of candles were burning at a table, round which some rough-looking men were seated, drinking and playing cards, but keeping silence. It looked suspicious and uninviting.

"In fact we might be murdered here," shuddered H.C.: "most certainly we should be robbed."

André made his request: could they give us lodgment?

"Not so much as a chair or a bench," answered the woman, to our relief; for though we should never have entered, André might have disappeared with the baggage and given us some trouble. He evidently had all the obstinacy of the Breton about him, and was growing desperate. The door was closed again without ceremony, and once more we were left to make the best of it.

This time we took the lead and made for the hotel. Again we passed through the wonderful street with the overhanging eaves and gables. Again we paused and lingered, lost in admiration. But the light had departed from the latticed window, and no doubt in dreams the Fair One was beholding again the vision of H.C.

A few minutes more and we stood before the hotel. They were just closing the doors. Monsieur Hellard was crossing the passage at the moment. Never shall I forget his consternation. He raised his hands, and his hair stood on end.

"What's the matter?" he cried.

"Matter enough," replied André taking up the parable. "Madame never sent to the bouchère, and the bouchère has no room. And I think"—despair giving him courage—"it was too bad to give us a wild goose chase at this time of night."

"And now you must do your best and put us where you can," I concluded. "We are too tired to stir another step."

"I haven't where to lodge a cat," returned the perplexed landlord. "I cannot do impossibilities. What on earth are we to manufacture?"

"You have a salon?"

"Comme de juste!"

"Is it occupied?"

"No; but there are no beds there. It stands to reason."

"Then put down two mattresses on the floor, and we will make the best of them for to-night. And the sooner you allow us to repose our weary heads, the more grateful we shall be. It is nearly one o'clock."

Monsieur seemed convinced, and gave the word of command which sent two or three waiters flying. Poor André was one of them; but we soon discovered that he was the most willing and obliging man in the world.

Even now everything was mismanaged and had to be done over again; a wordy war ensued between landlord, waiters and chambermaids, each one having an original idea for our comfort and wanting their own way. The small Bedlam that went on would have been diverting at any other time. It was very nearly two o'clock before we closed the door upon the world, and felt that something like peace and repose lay before us.

The room was not uncomfortable. It had all the stiff luxuriance of a French salon, and a gilt clock on the mantelpiece ticked loudly and rang out the hours—too many of which, alas, we heard. On the table were the remains of a dessert, evidently hastily brought in from the table d'hôte room, which communicated with this by folding doors: dishes of biscuits, raisins and luscious grapes.

"At least we can refresh ourselves," sighed H.C., taking up a fine bunch and offering me another, "Nectar in its primitive state; the drink of the gods."

"And of Poets," I added.

"Talk not of poetry," he cried. "I feel that my vein has evaporated, and after to-night will never return."

Very soon, you may be sure, the room was in darkness and repose.

"The inequalities of the earth's surface are nothing to my bed," groaned H.C. as he laid himself down. "It is all hills and valleys. I think they must have put the mattress upon all the brooms and brushes of the hotel, crossed by all the fire-irons. And that wretched clock ticks on my brain like a sledge-hammer. I shall not be alive by morning."

"Have you made your will?"

"Yes," he replied; "and left you my museum, my shooting-box, all my unpublished MSS. and the care of my æsthetic aunt, Lady Maria. You will not find her troublesome; she lives on crystallised violets and barley water."

"Mixed blessings," I thought, but was too polite to say so. It must have been my last thought, for I remembered no more until the clock awoke me, striking four; and woke me again, striking six; after which sleep finally fled.

Soon the town also awoke; doors slammed and echoed; omnibuses and other vehicles rattled over the stones; voices seemed to fill the air; the streets echoed with foot-passengers. The sun was shining gloriously and we threw open the windows to the new day and the fresh breeze, and took our first look at Morlaix by daylight. Already we felt braced and exhilarated as we took in deep draughts of oxygen.

It was a lively scene. The Square close by was surrounded by gabled houses, and houses not gabled: a mixture of Ancient and Modern. That it should be all old was too much to expect, excepting from such sleepy old towns as Vitré or Nuremberg, where you have unbroken outlines, a mediæval picture unspoilt by modern barbarities; may dream and fancy yourself far back in the ages, and find it difficult indeed to realise that you are really not in the fifteenth but in the nineteenth century.

The streets were already beginning to be gay and animated; there was a look of expectancy and mild excitement on many faces, announcing that something unusual was going on. It was fair time and fête time; and even these stolid, sober people were stirred into something like laughter and enjoyment. Fair Normandy has a good deal of the vivacity of the French; but Graver Brittany, like England, loves to take its pleasures somewhat sadly.

It was a lovely morning. Before us, and beyond the square, stretched the heights of Morlaix, green and fertile, fruit and flower-laden. To our left towered the great viaduct, over which the train rolls, depositing its passengers far, far above the tops of the houses, far above the tallest steeple. It was a very striking picture, and H.C. shouted for joy and felt the muse rekindling within him. Upon all shone the glorious sun, above all was the glorious sky, blue, liquid and almost tangible, as only foreign skies can be. The fatigues of yesterday, the terrible adventures of the past night, all were forgotten. Nay, that midnight expedition was remembered with intense pleasure. All that was uncomfortable about it had evaporated; nothing remained but a vision wonderfully unusual, weird, picturesque: grand old-world outlines standing out in the surrounding darkness; a small procession of three; a flickering candle throwing out ghostly lights and shadows; a willing but unhappy waiter dying of exhaustion and pain; a curious figure of Misery in which there certainly was nothing picturesque, but much to arouse one's pity and sympathy—the better, diviner part of one's nature.

"Hurrah for a new day!" cried H.C., turning from the window and hastening to beautify and adorn. "New scenes, new people, new impressions! Oh, this glorious world! the delight of living!"