INDEX.
A.
Alpine Photography, [9]
" Outfit for, [9]
" Lens for, [10]
" Carrying camera in, [12]
" Plates for, [14]
" Carrying Baggage for, [15]
" Outfit for Developing, [16]
" Exposures, [17]
" Development, [18]
" " Formulæ, [20]
" Light (tables), [21], [22]
Accelerator, [24]
Alum Bath, Formula, [41]
Aberration, Spherical, [60]
" Chromatic, [61]
Astigmatism, [62]
Aplanat Lens, [64]
Astigmat Lens, [64]
Aperture of Lens, [68]
Angle of Image, [70]
Accessories in Portraiture, [79]
Architectural Photography, [117]
" Camera for, [118]
" Lenses for, [119]
" Plates for, [122]
Actinometer for Platinotype, [208]
" for Carbon Process, [271]
B.
Backing Mixtures, [49]
Background in Portraiture, [78]
Breadth in Pictorial Work, [93]
Blisters on P.O.P, [194]
Bromide Printing, [225]
" Safe light for, [226]
" Negative for, [227]
Bromide Paper, sensitive side of, [227]
" Printing, [232], [233], [227]
" " Lamp for, [228]
Bromide Printing, masks and discs, [230]
" Vignetting, [231]
" Cloud Printing, [231]
Bromide Paper, development of., [233]
" Iron developer for, [234]
" Metol, [235]
" Hydrokinone for, [236]
" Eikonogen for, [236]
" Clearing Bath, [235]
" Fixing Bath, [235]
Bromide Prints, toning with gold, [237]
" Toning with Uranium, [238]
" Intensifying, [238]
" Reducing, [239]
" Cheap Trays for, [240]
C.
Camera, Carrying in Alps, [12]
Caramel for Backing, [49]
Curvature of Field of Lens, [62]
Cooke Lens, [65]
Composition in Pictorial Work, [95]
Clearing Bath for Platinotype, [203], [218]
Cloud Printing on Bromide Paper, [231]
Clearing Bath for Bromides, [235]
Clearing Bath for Gum-Print, [251]
Carbon Process, outline of, [253]
" Safe Edge for, [269], [255]
" Negative for, [255]
" Transfer Paper for, [266], [256]
" Temporary Support, [258]
" in Detail, [261]
" Squeegee for, [263]
" Stock Jelly, [263]
" Coating Paper for, [264]
" Transfer Papers for, [266]
" Flexible Support, [267]
" Sensitizing Tissue for, [267]
" Drying Tissue, [267]
" Negative for, [268]
" Reasons for Transfer, [269]
" Transfer to Opal, [271]
" Actinometer, [271]
" Exposure, [272]
" Transfer from Opal, [272]
" T'sfer. from Flex. Spt., [274]
" Glazed Surface Prints, [275]
" Transfer to Ivory, [276]
" Transfer to Canvas, [276]
" Preparation of Canvas, [277]
" " Linen, [278]
" " Wood, [279]
" Single Transfer, [239]
" Transparencies by, [280]
" Reproduced Negs. by, [281]
" Failures and Defects, [282]
" Frilling of Print, [283]
" Spots, etc, [283]
" Pressure Marks, [284]
Canvas, Carbon Prints on., [276]
D.
Development, [23]
" Dishes for, [25]
" Effect of Temperature on, [28]
" Light for Developing Room, [28]
" with Pyro-Ammonia, [29]
" " Formulæ, [30]
" with Pyro-Soda, [33]
" " Formulæ, [34]
" with Ortol, Formulæ, [35]
" with Hydroquinone (Quinol), [36]
" " Formulæ, [36]
" with Ferrous Oxalate, [36]
" " Formulæ, [37]
Drying Plates, [41]
Dark Room Light, Testing, [44]
Defects of Negative, [43]
Dallmeyer's Portrait Lens, [64]
" Stigmatic Lens, [65]
Depth of Definition (Focus), [71]
Distortion of Lens, [72]
Development of Portrait Negative, [81]
" Formulæ, [83]
Detail in Pictorial Work, [110], [93]
Development in Hand Cam. Exps., [137]
" Formulæ, [138]
" of Lantern slides, [149], [147]
" of Enlargements, [168]
" of P.O.P, [188]
" Platinotype Paper, [221], [204]
" of Bromide Paper, [234]-[6], [233]
" of Gum Print, [250]
E
Exposure, Over, [27], [32]
" Under, [27], [32]
" Table with Pinhole, [76]
" of Lantern Slides, [146]
Enlargements, [155]
" Light for, [156], [162]
" Daylight, [156]
" Apparatus for, [157]
" Lens, [164]
" Direct, [167]
" Development of, [168]
Enlarged Negatives, [171]
" Transparency for, [172]
Exposure in Carbon Printing, [272]
F.
Fixing, [37]
" Formula, [38]
Frilling, [41]
Flat Image, [44]
Fog on Negative, [44]
Fog-Green, [45]
Focal Length of Lens, [66]
" Comparison of, [67]
Focussing Interiors, [127]
Finders for Hand Cameras, [134]
Focussing Scale for Hand Camera, [135]
Fixing Bath for Bromide, [235]
Frilling of Carbon Print, [283]
Failures in Carbon Printing, [282]
Flexible Suppt. Carbon Process, [267], [274]
FORMULÆ:—
Development, Pyro-amm. (Abney), [20]
" " (Bothamly), [30]
" Pyro-soda, [34]
" Ortol, [35]
" Hydrokinone, [36]
" Ferrous Oxalate, [37]
Fixing, Hypo, [38]
Clearing, Alum, [41]
Reduction, Ferricyanide, [50]
Belitzski Reducer, [51]
Intensification, Mercury, [52]
" Uranium, [54]
Development, Metol (Baker), [83]
" Pyro-Soda, [83]
" Quinol and Rodinal, [83]
" Amidol (Thomas), [138]
" Hydrokinone, [138]
" Eikonogen, [138]
" Metol (Pringle), [150]
" Ortol, [151]
" Hydrokinone, [151]
" Amidol (Hodges), [169]
Fixing, Hypo, [171]
P.O.P. Toning, Gold (Lambert), [180], [181], [182]
" Alum Bath, [184]
" Combined Bath (gold), [184]
" " (lead), [184]
" " (gold), [185]
P.O.P. Glazing, [186]
" Mounting, [187]
" Development, Quinol, [188]
" Toning, Platinum, [190]
" Fixing, [191]
" Toning (gold), [191]
" Reducing, [192]
" Tinting, [194]
Platinotype Clearing (Hinton), [203]
" Developing, [202], [214]
" Toning, [223]
Bromide Devlping., Iron, (Henry), [234]
" Clearing, [235]
" Fixing (Henry), [235]
" Developing, Metol, [235]
" Quinol & Eikonogen, [236]
" Toning (gold), [237]
" Reducing, [238], [239]
Carbon Process Waxing, (Skelton), [259]
" Tissue Jelly, [263]
" Waxing, [274]
" Collodion, [276]
" Substratum, [276], [278], [279], [280]
G.
Green Fog, [45]
" " Cure for, [46]
Glazing P.O.P., [185], [186]
Gum Bichromate Process, [241]
" Paper for, [243]
" Outline of Process, [245]
" Gum Solution, [246]
" Colours, [246]
" Brushes for, [247]
" Development, [250]
" Clearing Bath, [251]
H.
Hypo.—Test for, [40]
Hard Image, [44]
Halation, [48]
Head-rest in Portraiture, [78]
Hand Camera, Photography with, [131]
" Lens for, [133]
" Finders for, [134]
" Shutter for, [134]
" Focussing Scale for, [135]
" Development of Exposures, [137]
Hardening P.O.P., [195]
I.
Intensification of Negatives, [51]
" with Mercury formulæ, [51]
" with Uranium formulæ, [53]
Image Formation, [58]
Image Angle, [70]
Isochromatic Plates for Pict. Work, [115]
Interior—Focussing, [127]
" Exposure for, [127]
Intensification of Lantern Slides, [153]
" of P.O.P., [191]
Intensifying Bromide Prints, [238]
Ivory, Carbon Prints on, [276]
J.
Jena Glass for Lenses, [64]
L.
Latent Image, [23]
Local Development, [20], [32]
Lens, [57]
" Function of a, [59]
" Aberrations of a, [60]
Lenses, Comparison of, [73]
" Testing, [73]
Lens for Pictorial Work, [113]
" for Architectural Work, [120]
Levels " " " , [121]
Lens for Hand Camera, [133]
Lantern Slides, [141]
" Various Processes, [143]
" Camera for Making, [144]
" Exposure of, [146]
" Development, [147], [149]
" Warm Tones on, [148], [152]
" Reducer for, [153]
" Intensifier for, [153]
Linen, Prints on by Carbon Process, [278]
M.
Mountain Photography see Alpine do.
Monocles, [75]
Moving Objects & Architectl. Work, [129]
Mounting P.O.P., [187]
N.
Negative Making, [23]
" Washing, [39]
" Drying, [40]
" Defects of the, [43]
" too Thin, [43]
" too Dense, [43]
" Image too Flat, [44]
" Image too Dense, [44]
" Fog on, [44]
" Green Fog on, [45]
" Black Spots, Marks, Bands on, [46]
" Transpnt. Bands, Spots on, [47]
" Stains on, [47]
" to Intensify, [51]
" to Reduce, [49]
" to Varnish, [54]
" for Platinotype, [222]
" for Bromide Printing, [227]
" Reprodn. by Carbon Process, [281]
" for Carbon Printing, [268], [255]
O.
Optics—see Lenses, [57]
Opal for Carbon Print, [272], [271]
P.
Preservative, [25]
Pinhole Image, [75], [58]
Portrait Lens, [64], [63]
Planar Lens of Zeiss, [65]
Pinhole Table of Exposures, [75]
Portraiture, [77]
" Shutter for, [77]
" in Ordinary Rooms, [79]
Portraits Out-of-Doors, [80]
Portraiture, Lenses for, [80]
" Development in, [81]
" " Formulæ,[83]
Pictorial Photography, [87]
Plates for Architectural Work, [122]
P.O.P., Print-out Paper, [177]
" Care of the Paper, [178]
" Printing, [178]
" Washing, [179]
" Toning, [180]
" Fixing, [183]
" Combined Bath for, [184]
" Alum Bath for, [184]
" Drying, [185]
" Glazing, [186], [185]
" Matt Surface, [185]
" Mounting, [187]
" Development of, [188]
" Platinum Toning, [189]
" Toning with Gold & Platnm., [191]
" Intensifying, [191]
" Reducing, [192]
" Defects of, [193]
" Stains on, [195], [193]
" Blisters, [194]
" Tinting, [194]
" Hardening, [195]
" Spots on, [195]
Printing P.O.P., [178]
Platinotype Printing, [197]
" Paper to Preserve, [199]
" Outline of Process, [201]
" Development, [220], [204]
" Exposure of, [206], [202]
" with Act'meter, [207]
" Temperature of Develmt., [212]
" Developing Salts, [213]
" Papers, various kinds, [214]
" Sepia Paper, [215]
" Clearing Bath, [203], [218]
" Devpmt. by Glyc. method, [221]
" Negative for, [222]
" Prints Toning, [223]
Printing Bromide Paper, [232], [233], [227]
Papers for Gum-Bichro. Process, [243]
Pressure Marks in Carbon Prints, [284]
R.
Restrainer or Retarder, [24]
Reducer, [24]
Reduction of negative, [49]
" Formulæ, [50], [51]
Reduction, local, [50]
Refraction of Light, [60]
Rapid Rectilinear, Symmetrical, Lens, [64]
Rapidity of Lens, [68]
Rembrandt Effects in Portraiture, [79]
Retouching Portrait Negative, [83]
Reducer for Lantern Slides, [153]
Reducing P.O.P., [192]
Reducing Bromide Prints, [239]
Reticulation of Carbon Prints, [283]
Reproduction of Neg. by Car. Pro., [281]
S.
Satz-Anastigmat Lens, [65]
Stigmatic Lens of Dallmeyer, [69]
Stops, Value of, [69]
Stops, Comparative Value, Table, [70]
Spectacle Lens, [75]
Selection in Pictorial Work, [95]
Shutter for Hand Camera, [134]
Stains on P.O.P., [193], [195]
Sepia Platinotype, [215]
Spots on Carbon Prints, [283]
Single Transfer Carbon Process, [239]
Safe Edge for Carbon Printing, [255], [269]
Sensitizing Carbon Tissue, [267]
T.
Tripod on Ice, a caution, [14]
Test for Hypo, [40]
Testing Dark-room Light, [44]
Tele-photo Lens, [70]
Truth in Pictorial Photograph, [91]
Tone Value, [107]
Toning P.O.P., [180], [189], [191]
Tinting P.O.P., [194]
Toning Platinotypes, [223], [224]
Toning Bromide Prints (gold), [237]
" (uranium) [238]
Trays for Bromide Printing, [240]
Transparency by Carbon Process, [280]
T'sfer. Paper for Carbon P'cess., [256], [266]
Temporary Support, Carbon Process, [258]
TABLES:—
Light, [21], [22]
Stops,[70]
Pinholes, [75]
V.
View Finder, [13]
Varnishing Negatives, [54]
Vignetting Bromide Prints, [231]
W.
Washing Plates after Development, [38]
Wood, Carbon Prints on, [279]
Z.
Zeiss-Planar Lens, [65]
" Lens for Architecture, [120]
END OF WORK
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| Platino-Matt Bromide Paper | ||
| Ordinary Bromide Paper | ||
| Snow Enamel Paper | ||
| P.O.P. | ||
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