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The illustration which we give on another page, of a gala night of the "P. D." club will appeal to the many friends of the P. D.'s who are distributed from end to end of the country. The descriptive article by one of the members which is begun in this number will also give an indication to those who are not already familiar with this organization, of its character and purpose. That a combination of serious work and relaxation can be reconciled without sacrificing the former, has been demonstrated in this case, for the P. D.'s are the mainstay of the Boston Architectural Club and have accomplished considerable in other directions, having done very notable work in several of the Beaux-Arts Society's competitions. Their motto and seal shown in the other illustration is a remarkable example of impromptu decoration.
The August 22 issue of the Journal of the Royal Institute of British Architects contains a description of the School of Architecture and Applied Arts of University College, Liverpool, and an address by Mr. T. G. Jackson, the well-known English architect and author, delivered at the inauguration of the school on May 10 last. Special provisions are made for courses in Architecture, Sculpture and Modelling, Decorative Painting, Wrought Iron Work, and Wood Carving, accompanying theoretical instruction with actual work in the studios and shops.
Mr. Jackson's remarks are worthy careful attention and will be found as valuable to American students as to those to whom they were addressed. His opinions upon the study of architectural history are interesting in connection with the views of the American writers to which we referred last month. He says: "The reverence with which we have been taught to regard old work has misled us into a slavish worship of precedent, and an abject craving for authority by which to shape our own work. Close imitation of old work has been regarded as the only safe course, deceptive imitation of it the highest measure of success."...
"Above all it should be the student's object to discover the principles of design by which the successive styles were governed, and in tracing their history he should trace the influence of circumstance and accident, which modify the current art of the day.... The history of architecture, and the development of style out of style, should never be taught without incessant reference to the constructional methods which were employed, and which played the principal part in the changes resulting from their employment."
Apropos of the perennial discussion of the question of professional ethics which from time to time comes into prominence in the meetings of the American Institute of Architects the following may be of interest. It is appended to the card of a certain architect which is published as an advertisement in a local paper and reads: "Any kind of architectural work promptly attended to and satisfaction guaranteed."
In the resolutions recently adopted by the Boston Society of Architects concerning professional ethics it was maintained that architects should not advertise. The advertisement above may savor somewhat of its surroundings (above it a hair renewer is advertised and below it penny-royal pills) and suggest too much the "shoes tapped while you wait" order of advertising, but we fail to see why architects should be restrained from advertising if there are any benefits to be derived from it. And for our part we think that there are few architects whose business or practice might not be improved by judicious advertising. It is easy to lay down an arbitrary dictum and say that no professional man shall advertise, but what argument can apply to architects in this respect that does not equally apply to civil engineers and to landscape architects? And no one objects to the advertisements of the latter. The publication of architects' designs in the professional journals is in many cases advertising, pure and simple, but is not on this account to be condemned. The truth of the matter is that the exact point where advertising begins and ends is impossible to determine. One kind of advertising is considered allowable and dignified, another is not. In consequence there is opportunity for many differences of opinion.
The "P. D.'s."
If Chimmie Fadden were asked to translate the letters P. D., he would undoubtedly answer, "What 'ell?" and it must be acknowledged that this answer does credit to Chames's insight; but at the same time we feel sure that Chames would not be offended if he were informed that his favorite expression is not nearly such an appropriate definition of P. D. as it is of the play of Madame Sans Gêne, all rumors to the contrary notwithstanding And if Chames could be induced to give up for the while his everlasting search for a bull pup, we might proceed to inform him to the best of our ability what it really does mean.
"The Lord gives good meat but the devil sends cooks," but Chames apparently lending a willing ear, we take his life in our hands, and firstly:—
And that is, that P. D. is not an abbreviation for Poor Debtors, as some would have it, but for Poor Draughtsmen; which is after all, perhaps, a distinction without a difference.
Poor in this case has no reference to the quality of the draughtsmen's work, for, as our song truly says,—
"The P. D. is a man
Who does the best he can,
No matter what the problem it may be.
He can draw a quarter scale,
He can draw a full detail,
And draw his pay upon a Saturdee."
The club, for such it is, was at first overburdened with the name of The Poor Draughtsmen's Saturday Night Club, but the member who wrote the specification of the club, started in by writing the name and then proceeded as follows: "The name of the club shall be the above (it is too long to write again)." The hint was taken and it has since been known as the P. D.'s.
The club resulted from the more or less accidental coming together of men of congenial spirit, and the desire to cultivate each other's acquaintance more intimately than was possible in the larger Architectural Club of which they are all members, and over which are their club rooms.
SEAL OF THE P. D.'S.
The work of fitting up these rooms was done by the members themselves, and an added interest is given them by the constantly changing exhibitions on their walls. The bulletin board is also a never-ending source of delight.
The club at present consists of thirteen members, all of whom on entering it, as a sort of architectural baptism, receive new names, and, ye gods, what names!
What more is to be desired when one may, when he dines or designs, touch elbows with such choice spirits as Ictinus, Michael Angelo, Vitruvius, Vignola, Piranesi, San Gallo, Bramante, Christopher Wren, Inigo Jones, Charles Bulfinch, Viollet le Duc, Gamier Frères (N.B.—There is only one of him), and Brian Boru.
A GALA NIGHT IN THE ROOMS OF THE "P. D.'S."
The one requirement for admission is good fellowship with the saving clause, that this good fellowship, like Faith, must be accompanied by good works.
Its organization is of the simplest character, there being no constitution or rules of any kind, except the joke known as the specification be regarded as such. Much of the charm of the club is due to this absolute freedom from restraint.
The officers are the president, treasurer, and secretary, who manage the affairs of the club during their term of office. Each member presides in turn, the term of office being one month, the succession being arranged by lot.
A well-known writer deplores the lack of humor in the fiction of the day, and the tendency of those who should know better, to constantly preach us sermons upon our least admirable failings.
Alas! it is not fiction alone that has taken to the pulpit, for Architecture has also its preachers, and our journals are loaded with their sermons, which fortunately for architecture, very few ever read.
While acknowledging the fact that a little seriousness now and then may be relished by even a P. D., a good hearty laugh is the one thing in this dreary old world of ours that they most appreciate. No one realizes more thoroughly than they that,—
"Care to our coffin adds a nail, no doubt,
And every grin so jolly draws one out."
The principal object of the members, then, is to amuse themselves. The club is not intended as a workroom, but as our P. D. poet expresses it, a place where,—
"Freed from the fret of routine's slavish toil,
They meet once more in freedom's jollity.
No thought of care comes to them now to spoil
The merry jest, the gay frivolity."
Nevertheless they have found time for much serious work, but inasmuch as work is said to speak for itself, we will confine our attention to some of the things by means of which the members have passed many happy hours.
Upon entering the club the member not only receives a new name, but his biography containing more or less of the truth about him is written and placed in the records. A song is also composed in his honor, and on festal occasions he is greeted with it upon his entrance.
Perhaps the greatest event of the year is the annual dinner, or the "Centurial Dinner" as it is called, from the very general conviction that "Better one year with the P. D.'s than a cycle of Cathay." Every one is supposed to do something for this occasion, but he is given perfect liberty as to what he shall do, and he may answer, for instance, the toast of The Architecture of the Greeks with an essay on The Use and Abuse of the Cocktail, with the assurance that his consistency will not be doubted.
The menu card is usually of sufficient interest to furnish amusement until the actual hostilities begin. Upon each guest at this dinner is conferred the honorary title of "Draughtsman."
The installation of a new president, which occurs monthly, is also the occasion of much mirth, as are also the departures for or the arrivals from Europe of members.
But no matter how closely these events follow each other, one can depend upon each of them being distinctly different; and after one has attended a score or so of them he begins to wonder when this versatility will end and they will begin to repeat themselves.
Notwithstanding the unvaried success of these affairs, none of them have been attended with more than a slight expenditure of time or money.
In decorating the rooms the same old articles have been made to do service any number of times, but always in such a manner as to obtain an entirely different effect.
Many of the best things in this line have been done on the spur of the moment. The club seal, for instance, was thrown together in a few minutes, some one in the meantime looking up an appropriate motto, the occasion being an impromptu festival of Gambrinus, which occurred one Christmas eve.
At another time a wonderful chandelier was constructed of a stretcher, a Chinese lantern, and twenty beer bottles, which were utilized to hold candles, and a placard on each told that they were manufactured by the P. D. Electric Co. and were each of one candle power; the whole being draped with some brilliantly dyed stuffs that had served as costumes at the Art Students' Festival.
(To be continued.)