A LEGEND OF DIEPPE.
A gloomy three days’ storm has prevailed all along the French coast. Dull gray clouds hide the blue vault of heaven and frown upon the tossing waters beneath. The fresh, invigorating air, remembered with delight by all who have ever been in Normandy, has given place to a damp, chilly heaviness, broken occasionally by fierce gusts of wind and rain. The fisher-boats are all in port, the small ones drawn up high on the beach, the larger securely anchored. But this is not due only to the storm. Even if it were the fairest of weather, no Dieppe fisherman would set sail to-day. It is All-Souls’ day—the feast of the dead, the commemoration of the loved and lost; and who is there that has not loved and lost? But among these simple Catholic souls one feels that the loved are never lost. The dead live still in the tender remembrance of those left behind. Tears shed in prayer for the departed have no bitterness.
But the heartless and ungrateful man who fishes to-day will be everywhere followed by his double—a phantom fisher in a phantom boat. All signs fail him, all fish escape his net. Again and again he draws it in empty. If he persist, at length he thinks himself rewarded. His net is so heavy he nearly swamps his boat in the endeavor to draw it in; and horrible to say, his catch is only grinning skulls and disjointed human bones.
At night, tossing on his sleepless pillow, he hears the ghostly “white car” rolling through the silent street. He hears his name called in the voice of the latest dead of his acquaintance, and dies himself before the next All-Souls’ day.
Spite of the bleak and rainy weather, all the good people of Dieppe, or rather of its fisher suburb, Le Pollet, are gathered together in church. Rude as it is, weather-beaten, discolored, gray-green, like the unquiet ocean it overlooks, Notre Dame du Pollet is still grand and picturesque. It has suffered both from time and desecration, as is seen by its broken carvings, empty niches, and ruined tombs. The altars are plain, the ornaments few and simple. On the wall of the Lady chapel hang two rusty chains—the votive offering, it is said, of a sailor of Le Pollet, once a slave to pirates. Miraculously rescued by Our Lady, he returned to his native place only to sing a Te Deum in her chapel and hang up his broken fetters therein; then, retiring to a neighboring monastery, he took upon himself a voluntary bondage which love made sweet and light.
It is the solemn Mass of requiem, and almost noon, though the sombre day, subdued yet more by stained-glass windows, seems like a winter twilight. The church is all in deep shadow, except the sanctuary with its softly-burning lamp, and its altar decked with starry wax-lights. Black draperies hang about the altar, black robes are upon the officiating priests. The slow, mournful chant of the Dies Iræ, sung by a choir invisible in the darkness, resounds through the dim, lofty aisles.
Motionless upon the uneven stone pavement kneel the people, a dark and silent mass, only relieved here and there by the gleam of a snowy cap or bright-colored kerchief; for the fisher-folk, and, indeed, all the peasantry of thrifty Normandy, dress in serviceable garb, of sober colors. There is one little group apart from the rest of the congregation; not all one family, for they are too unlike. They seem to be drawn together by some common calamity or dread. First is an old woman perhaps seventy years of age, and looking, as these Norman peasants usually do, even older than her years. The full glow of light from the altar falls upon her white cap, with the bright blue kerchief tied over it. A string of large beads hangs from her bony fingers. Her eyes, singularly bright for one so aged, are raised to the black-veiled crucifix, and tears glisten upon her brown and withered cheeks. Her arm is drawn through that of a slender young woman, and near them is a little girl, round and rosy. All three are dressed nearly alike, and all say their beads, though not with the same tearful devotion. Anxiety and weariness are in the young girl’s pale but pretty face; and the child looks subdued, almost frightened, by the gloom around her.
Behind them kneels a comely matron, a little child clinging to her gown; near her two fishermen, one old and gray-haired. The other, who is young, has an arm in a sling; he kneels upon one knee, his elbow on the other, and his face hidden in his hand.
They are two households over whom hangs the shadow of a calamity, perhaps all the greater because of its uncertainty. Two months ago Jacques Payen and his son sailed for the fishery. Jacques Suchet and his cousin, Charles Rivaud, completed the crew; for Jean Suchet, disabled by a broken arm, remained at home with his grandmother and sister. The season proved unusually stormy. Two fishing-boats of Le Pollet narrowly escaped the terrible rocks of the Norman coast; and one of these reported seeing a vessel, resembling that of the Payens, drifting past them in a fog, with broken mast and cordage dragging over the side. They hailed the wreck, but heard no reply, and concluded that the crew had been swept overboard, or possibly had escaped in their boat.
Weeks had passed since this vague but terrible intelligence had reached the stricken families. Old Mère Suchet had at once received it as conclusive. She wept and prayed for the bold young fishers, the hope and comfort of her old age. Not so Manon Payen. No one dared condole with her, not even her old father, Toutain. Life hitherto had gone so well with her! Her husband loved her; her son was her pride and delight; her rosy Marie and little toddling Pierre filled her cottage with laughter and sunshine. Grief was so new and strange and frightful. What! her husband and son taken from her at one blow? No, it could not be! It was too dreadful! God could not be so cruel! Besides, there were no better sailors than the Payens, father and son; none who knew the coast so well, with all its perils, its hidden rocks, and dangerous currents. Their vessel was new and strong; why should they be lost; they alone? Jean Pinsard was not positive it was their vessel he had seen; how could he tell in a fog? No; she was sure they were safe. They had put in to one of the islands. They would not risk a dangerous journey in stormy weather just to tell her, what she knew already, that they were safe.
To Mère Suchet’s Mathilde, the betrothed of Jacques Payen, how much better and clearer was this reasoning than the submissive grief of her pious old grandmother! Young people cannot easily believe the worst when it concerns themselves. Mathilde could not pray for the repose of the souls of lover, brother, and cousin. With the passionate, impatient yearning of a heart new to affliction, she besought the Blessed Mother for their safe return. Her brother Jean did not try to destroy her hopes, though he would not say he shared them.
As time passed on and brought no news of the absent, the hearts of these two poor women grew faint and sore; but they refused to acknowledge it to one another, or even to themselves. Their days passed in feverish, and often vain, endeavors to be cheerful and busy; their nights in anguish all the more bitter because silent and unconfessed. On All-Souls’ day old Toutain and Mère Suchet had wished to have a Requiem Mass offered for the lost sailors, but Mathilde wept aloud at the suggestion, and Manon forbade it instantly, positively, almost angrily.
Manon had borne up well through the sad funereal services of the church. She smiled upon her little ones, and returned a serene and cheerful greeting to the curious or pitying friends who accosted her. All day she had carried the burden of domestic cares and duties, while her heart ached within her bosom and cried out for solitude. Now, at night, alone with her sleeping babes, the agony of fear and pain, so long repressed, takes full possession of her sinking heart. Mingled with the roar of the treacherous sea she hears the voices of husband and son, now calling loudly for help, now borne away on the fitful wind. She sees their pale faces, with unclosed eyes, floating below the cruel green water, their strong limbs entangled in the twisted cordage. Now great, gleaming fish swim around them. Oh! it is too fearful. From her knees she falls forward upon her face and groans aloud. But on a sudden she hears a stir without—a sound of repressed voices and many hurrying feet. Hope is not dead within her yet; for she springs to the window with the wild thought that it is her absent returned. No, ’tis but a group of fishermen on their way to the pier; but Pinsard stops to tell her, with a strange thrill in his rough voice, that there is a fishing-boat coming into port!
Manon screams to her father to watch the little ones—she must go to the pier—then flies out into the night. It is not raining, and she returns to snatch her wakened and sobbing babe, and wrap him in his father’s woollen blouse. She does not know when Mathilde joins her; she is scarcely conscious of the warm, exultant clasp of her hand. Jean is there, too, agitated but grave.
As they turn the angle of the village street, before them lies the open bay. It is past midnight, but the pier is crowded. There, truly, coming on with outspread canvas, white in the struggling rays of a watery moon, is the missing ship! They know it well. Upon the broken, pebbly shore the two women kneel to thank God; but they can only lift up their voices and weep.
“They are not safe yet,” says Jean shortly. “The wind takes them straight upon the pier. They will need all our help.”
The crowd make way instantly for the breathless women. The light-house keeper stands ready with a coil of rope. The fishermen range themselves in line, tighten their belts, and wait to draw the friendly hawser. Great waves thunder against the long pier, sending showers of spray high above the pale crucifix at the end against which the women lean. Now the moon, emerging from a light cloud, sends a flood of pale radiance upon the vessel’s deck. It is they! Jacques Payen is at the helm; young Jacques stands upon the gunwale.
The light-house keeper throws his rope; the fishermen raise their musical, long-drawn cry. Jacques catches the rope, but in silence; and silently the crew make fast.
“It is their vow!” cries Manon, darting forward among the wondering men. “They will not speak until they sing Te Deum at Notre Dame for their safe return.”
Reassured, the men pull in vigorously, but to no effect. Again, and yet again, but the ship does not move. A moment since it came on swift as the wind; now it seems anchored for ever not fifty yards away. They can see plainly every object upon the deck, where the silent crew stand gazing towards the pier. Even Manon and Mathilde have seized the rope, and draw with the strength of terror. Breathless, unsteady, large drops of sweat standing upon their faces, they pause irresolute. Stretching her arms towards her husband, Manon holds out her babe.
A white mist rises out of the sea and hangs like a veil between them. Sad, reproachful voices rise out of the waves, some near at hand, others far out. An icy wind lifts the mist and carries it slowly away, clinging for a moment like a shroud around the crucifix. The cable falls slack in the strong hands that grasp it. The ship is gone—vanished without a sound; but far away echoes a solemn chorus, “Have pity on me, have pity on me, at least you, my friends, for the hand of the Lord hath touched me.”