Transcriber’s Notes
This e-text is based on ‘The Century Illustrated Monthly Magazine,’ from May 1913. Even though this edition includes an Index for the complete volume (May–October 1913), page links have been created for the May issue only.
Inconsistent spelling and hyphenation have been retained, but punctuation and typographical errors have been corrected. Passages in English dialect and in languages other than English have not been altered.
The cover image was created by the transcriber and is placed in the public domain.
THE CENTURY
ILLUSTRATED MONTHLY
MAGAZINE
VOL. LXXXVI
NEW SERIES: VOL. LXIV
MAY TO OCTOBER, 1913
THE CENTURY CO., NEW YORK
HODDER & STOUGHTON, LONDON
Copyright, 1913, by THE CENTURY CO.
THE DE VINNE PRESS
INDEX
TO
THE CENTURY MAGAZINE
VOL. LXXXVI NEW SERIES: VOL. LXIV
| PAGE | ||
| ADAMS, JOHN QUINCY, IN RUSSIA. (Unpublished letters.) | ||
| Introduction and notes by Charles Francis Adams. Portraits of John Quincy Adams and Madame de Staël | 250 | |
| AFTER-DINNER STORIES. | ||
| An Anecdote of McKinley. | Silas Harrison | 319 |
| AFTER-THE-WAR SERIES, THE CENTURY’S. | ||
| The Hayes-Tilden Contest for the Presidency. | Henry Watterson | [3] |
| Pictures from photographs and cartoons. | ||
| Another View of “The Hayes-Tilden Contest”. | George F. Edmunds | 192 |
| Portrait of Ex-Senator Edmunds. | ||
| AMERICANS, NEW-MADE. Drawings by | W. T. Benda | |
| Facing page 894 | ||
| ARTISTS SERIES, AMERICAN, THE CENTURY’S. | ||
| John S. Sargent: Nonchalance. | [44] | |
| Carl Marr: The Landscape-Painter. | [110] | |
| Frank W. Benson: My Daughter. | 264 | |
| AUTO-COMRADE, THE. | Robert Haven Schauffler | 850 |
| AVOCATS, LES DEUX. From the painting by | Honoré Daumier | |
| Facing page 654 | ||
| BALKAN PENINSULA, SKIRTING THE | Robert Hichens | |
| III. The Environs of Athens. | [84] | |
| Pictures by Jules Guérin and from photographs. | ||
| IV. Delphi and Olympia. | 224 | |
| Pictures by Jules Guérin and from photographs. | ||
| V. In Constantinople. | 374 | |
| Pictures by Jules Guérin and from photographs. | ||
| VI. Stamboul, the City of Mosques. | 519 | |
| Pictures by Jules Guérin, two printed in color. | ||
| BEELZEBUB CAME TO THE CONVENT, HOW | Ethel Watts Mumford | 323 |
| Picture by N. C. Wyeth. | ||
| “BLACK BLOOD.” | Edward Lyell Fox | 213 |
| Pictures by William H. Foster. | ||
| BOOK OF HIS HEART, THE | Allan Updegraff | 701 |
| Picture by Herman Pfeifer. | ||
| BORROWED LOVER, THE | L. Frank Tooker | 348 |
| BRITISH UNCOMMUNICATIVENESS. | A. C. Benson | 567 |
| BROTHER LEO. | Phyllis Bottome | 181 |
| Pictures by W. T. Benda. | ||
| BUSINESS IN THE ORIENT. | Harry A. Franck | 475 |
| CAMILLA’S FIRST AFFAIR. | Gertrude Hall | 400 |
| Pictures by Emil Pollak-Ottendorff. | ||
| CARTOONS. | ||
| Noise Extracted without Pain. | Oliver Herford | [155] |
| Foreign Labor. | Oliver Herford | 477 |
| Ninety Degrees in the Shade. | J. R. Shaver | 477 |
| A Boy’s Best Friend. | May Wilson Preston | 634 |
| “The Fifth Avenue Girl” and “A Bit of Gossip.” Sculpture by | Ethel Myers | 635 |
| The Child de Luxe. | Boardman Robinson | 636 |
| The “Elite” Bathing-Dress. | Reginald Birch | 797 |
| From Grave to Gay. | C. F. Peters | 798 |
| Died: Rondeau Rymbel. | Oliver Herford | 955 |
| A Triumph for the Fresh Air Fund. | F. R. Gruger | 957 |
| Newport Note. | Reginald Birch | 960 |
| CASUS BELLI. | 955 | |
| CENTURY, THE, THE SPIRIT OF | Editorial | 789 |
| CHOATE, JOSEPH H. From a charcoal portrait by | John S. Sargent | |
| Facing page 711 | ||
| CHRISTMAS, ON ALLOWING THE EDITOR TO SHOP EARLY FOR | Leonard Hatch | 473 |
| CLOWN’S RUE. | Hugh Johnson | 730 |
| Picture, printed in tint, by H. C. Dunn. | ||
| COLE’S (TIMOTHY) ENGRAVINGS OF MASTERPIECES IN AMERICAN GALLERIES. | ||
| Une Dame Espagnole. From the painting by | Fortuny | [2] |
| COMING SNEEZE, THE | Harry Stillwell Edwards | 368 |
| Picture by F. R. Gruger. | ||
| COMMON SENSE IN THE WHITE HOUSE. | Editorial | [149] |
| COUNTRY ROADS OF NEW ENGLAND. Drawings by | Walter King Stone | 668 |
| DEVIL, THE, HIS DUE | Philip Curtiss | 895 |
| DINNER OF HERBS,” “BETTER IS A. Picture by | Edmund Dulac | |
| Facing page 801 | ||
| DORMER-WINDOW, THE, THE COUNTRY OF | Henry Dwight Sedgwick | 720 |
| Pictures by W. T. Benda. | ||
| DOROTHY MCK——, PORTRAIT OF | Wilhelm Funk | 211 |
| DOWN-TOWN IN NEW YORK Drawings by | Herman Webster | 697 |
| ELEPHANT ROUND-UP, AN | D. P. B. Conkling | 236 |
| Pictures from photographs. | ||
| ELEPHANTS, WILD, NOOSING | Charles Moser | 240 |
| Pictures from photographs. | ||
| ELIXIR OF YOUTH, THE | Albert Bigelow Paine | [21] |
| Picture by O. F. Schmidt. | ||
| FLOODS, THE GREAT, IN THE MIDDLE WEST | Editorial | [148] |
| FRENCH ART, EXAMPLES OF CONTEMPORARY. | ||
| A Corner of the Table. From the painting by | Charles Chabas | [83] |
| GARAGE IN THE SUNSHINE, A | Joseph Ernest | 921 |
| Picture by Harry Raleigh. | ||
| GET SOMETHING BY GIVING SOMETHING UP, ON HOW TO | Simeon Strunsky | [153] |
| GHOSTS,” “DEY AIN’T NO | Ellis Parker Butler | 837 |
| Pictures by Charles Sarka. | ||
| GOING UP. | Frederick Lewis Allen | 632 |
| Picture by Reginald Birch. | ||
| GOLF, MIND VERSUS MUSCLE IN | Marshall Whitlatch | 606 |
| GOVERNMENT, THE CHANGING VIEW OF | Editorial | 311 |
| GRAND CAÑON OF THE COLORADO, THE | Joseph Pennell | 202 |
| Six lithographs drawn from nature for “The Century.” | ||
| GUTTER-NICKEL, THE | Estelle Loomis | 570 |
| Picture by J. Montgomery Flagg. | ||
| HARD MONEY, THE RETURN TO | Charles A. Conant | 439 |
| Portraits, and cartoons by Thomas Nast. | ||
| HER OWN LIFE. | Allan Updegraff | [79] |
| HOME. I. AN ANONYMOUS NOVEL. | 801 | |
| Illustrations by Reginald Birch. | ||
| HOMER AND HUMBUG. | Stephen Leacock | 952 |
| HYPERBOLE IN ADVERTISING, ON THE USE OF | Agnes Repplier | 316 |
| ILLUSION OF PROGRESS, THE | Kenyon Cox | [39] |
| IMPRACTICAL MAN, THE | Elliott Flower | 549 |
| Pictures by F. R. Gruger. | ||
| INTERNATIONAL CLUB, THE, ON THE COLLAPSE OF | G. K. Chesterton | [151] |
| JAPANESE CHILD, A, THE TRAINING OF | Frances Little | 170 |
| Pictures from photographs. | ||
| JAPAN, THE NEW, AMERICAN MAKERS OF | William Elliot Griffis | 597 |
| Pictures from photographs. | ||
| JEFFERSON, THOMAS. From the statue for the Jefferson Memorial in St. Louis by | Karl Bitter | [27] |
| JURYMAN, THE, THE MIND OF | Hugo Münsterberg | 711 |
| LADY AND HER BOOK, THE, ON | Helen Minturn Seymour | 315 |
| LAWLESSNESS IN ART. | Editorial | [150] |
| LIFE AFTER DEATH. | Maurice Maeterlinck | 655 |
| LITERATURE FACTORY. | E. P. Butler | 638 |
| LOUISE. Color-Tone, from the marble bust by | Evelyn Beatrice Longman | |
| Facing page 766 | ||
| LOVE BY LIGHTNING. | Maria Thompson Daviess | 641 |
| Pictures, printed in tint, by F. R. Gruger. | ||
| MANNERING’S MEN. | Marjorie L. C. Pickthall | 427 |
| MAN WHO DID NOT GO TO HEAVEN ON TUESDAY, THE | Ellis Parker Butler | 340 |
| MILLET’S RETURN TO HIS OLD HOME. | Truman H. Bartlett | 332 |
| Pictures from pastels by Millet. | ||
| MONEY BEHIND THE GUN, THE | Editorial | 470 |
| MORGAN’S, MR., PERSONALITY | Joseph B. Gilder | 459 |
| Picture from photograph. | ||
| MOVING-PICTURE, THE, THE WIDENING FIELD OF | Charles B. Brewer | [66] |
| Pictures from photographs. | ||
| MRS. LONGBOW’S BIOGRAPHY. | Gordon Hall Gerould | [56] |
| NEMOURS: A TYPICAL FRENCH PROVINCIAL TOWN. | Roger Boutet de Monvel | 844 |
| Pictures by Bernard Boutet de Monvel. | ||
| NEWSPAPER INVASION OF PRIVACY. | Editorial | 310 |
| NIAGARA AGAIN IN DANGER. | Editorial | [150] |
| NOTEWORTHY STORIES OF THE LAST GENERATION. | ||
| The Tachypomp. | Edward P. Mitchell | [99] |
| Portrait of the author, and drawings by Reginald Birch. | ||
| Belles Demoiselles Plantation. | George W. Cable | 273 |
| With portrait of the author, and new pictures by W. M. Berger. | ||
| The New Minister’s Great Opportunity. | C. H. White | 390 |
| With portrait of the author, and new picture by Harry Townsend. | ||
| ONE WAY TO MAKE THINGS BETTER. | Editorial | 471 |
| OREGON MUDDLE,” “THE | Victor Rosewater | 764 |
| PADEREWSKI AT HOME. | Abbie H. C. Finck | 900 |
| Picture from a portrait by Emil Fuchs. | ||
| PARIS. | Theodore Dreiser | 904 |
| Pictures by W. J. Glackens. | ||
| “PEGGY.” From the marble bust by | Evelyn Beatrice Longman | 362 |
| POLO TEAM, UNDEFEATED AMERICAN, BRONZE GROUP OF THE | Herbert Hazeltine | |
| Facing page 641 | ||
| PROGRESSIVE PARTY, THE | Theodore Roosevelt | 826 |
| Portrait of the author. | ||
| PUNS, A PAPER OF | Brander Matthews | 290 |
| Head-piece by Reginald Birch. | ||
| REMINGTON, FREDERIC, RECOLLECTIONS OF | Augustus Thomas | 354 |
| Pictures by Frederic Remington, and portrait. | ||
| ROMAIN ROLLAND. | Alvan F. Sanborn | 512 |
| Picture from portrait of Rolland from a drawing by Granié. | ||
| ST. BERNARD, THE GREAT | Ernst von Hesse-Wartegg | 161 |
| Pictures by André Castaigne. | ||
| ST. ELIZABETH OF HUNGARY. By Francisco Zubarán. Engraved on wood by | Timothy Cole | 437 |
| SCARLET TANAGER, THE. Printed in color from the painting by | Alfred Brennan | [29] |
| “SCHEDULE K”. | N. I. Stone | [111] |
| “SCHEDULE K,” COMMENTS ON | Editorial | 472 |
| SCULPTURE. | Charles Keck | 917 |
| SENIOR WRANGLER THE | 958 | |
| Snobbery—America vs. England. Our Tender Literary Celebrities. | ||
| SIGIRIYA, “THE LION’S ROCK” OF CEYLON. | Jennie Coker Gay | 265 |
| Pictures by Duncan Gay. | ||
| SOCIALISM IN THE COLLEGES. | Editorial | 468 |
| SPINSTER, AMERICAN, THE | Agnes Repplier | 363 |
| SUMMER HILLS,” THE, IN “THE CIRCUIT OF | John Burroughs | 878 |
| Portrait of the author by Alvin L. Coburn. | ||
| SUNSET ON THE MARSHES. From the painting by | George Inness | |
| Facing page 824 | ||
| “THEM OLD MOTH-EATEN LOVYERS”. | Charles Egbert Craddock | [120] |
| Pictures by George Wright. | ||
| TRADE OF THE WORLD PAPERS, THE | James Davenport Whelpley | |
| XVII. If Canada were to Annex the United States | 534 | |
| Pictures from photographs. | ||
| XVIII. The Foreign Trade of the United States | 886 | |
| T. TEMBAROM. | Frances Hodgson Burnett | [130] |
| Drawings by Charles S. Chapman. | 296, 413, 610, 767, 929 | |
| TWO-BILLION-DOLLAR CONGRESS, THE | Editorial | 313 |
| UNCOMMERCIAL TRAVELER, AN, IN LONDON | Theodore Dreiser | 736 |
| Pictures by W. J. Glackens. | ||
| UNDER WHICH FLAG, LADIES, ORDER OR ANARCHY? | Editorial | 309 |
| VENEZUELA DISPUTE, THE, THE MONROE DOCTRINE IN | Charles R. Miller | 750 |
| Cartoons from “Punch,” and a map. | ||
| VERITA’S STRATAGEM. | Anne Warner | 430 |
| VOYAGE OVER, THE FIRST | Theodore Dreiser | 586 |
| Pictures by W. J. Glackens. | ||
| WAGNER, RICHARD, IF, CAME BACK | Henry T. Finck | 208 |
| Portrait of Wagner from photograph. | ||
| WALL STREET, THE NEWS IN | James L. Ford | 794 |
| Pictures by Reginald Birch and May Wilson Preston. | ||
| WAR AGAINST WAR. | Editorial | 147 |
| WAR-HORSES OF FAMOUS GENERALS. | James Grant Wilson | [45] |
| Pictures from paintings and photographs. | ||
| WAR WORTH WAGING, A | Richard Barry | [31] |
| Picture by Jay Hambidge. | ||
| WASHINGTON, FRESH LIGHT ON | 635 | |
| WATTERSON’S, COLONEL, REJOINDER TO EX-SENATOR EDMUNDS | Henry Watterson | 285 |
| Comments on “Another View of ‘The Hayes-Tilden Contest.’” | ||
| WHISTLER, A VISIT TO | Maria Torrilhon Buel | 694 |
| WHITE LINEN NURSE, THE | Eleanor Hallowell Abbott | 483 |
| Pictures, printed in tint, by Herman Pfeifer. | 672, 857 | |
| WIDOW, THE. From the painting by | Couture | 457 |
| An example of French portraiture. | ||
| WORLD REFORMERS—AND DUSTERS. | The Senior Wrangler | 792 |
| Picture by Reginald Birch. | ||
| YEAR, THE MOST IMPORTANT | Editorial | 951 |
VERSE
| BALLADE OF PROTEST, A | Carolyn Wells | 476 |
| BEGGAR, THE | James W. Foley | 877 |
| BELLE DAME SANS MERCI, LA | John Keats | 388 |
| Republished with pictures by Stanley M. Arthurs. | ||
| BLANK PAGE, FOR A | Austin Dobson | 458 |
| BROTHER MINGO MILLENYUM’S ORDINATION. | Ruth McEnery Stuart | 475 |
| CONTINUED IN THE ADS. | Sarah Redington | 795 |
| CUBIST ROMANCE, A | Oliver Herford | 318 |
| Picture by Oliver Herford. | ||
| DADDY DO-FUNNY’S, OLD, WISDOM JINGLES | Ruth McEnery Stuart | [154] |
| 319, 478 | ||
| DOUBLE STAR, A | Leroy Titus Weeks | 511 |
| EMERGENCY. | William Rose Benét | 916 |
| EXPERIMENTERS, THE, TO | Charles Badger Clark, Jr. | [43] |
| FINIS. | William H. Hayne | 295 |
| GENTLE READER, THE | Arthur Davison Ficke | 692 |
| HOUSE-WITHOUT-ROOF. | Edith M. Thomas | 339 |
| HUSBAND SHOP, THE | Oliver Herford | 956 |
| Picture by Oliver Herford. | ||
| INVULNERABLE. | William Rose Benét | 308 |
| JUSTICE, AT THE CLOSED GATES OF | James D. Corrothers | 272 |
| LADY CLARA VERE DE VERE: NEW STYLE. | Anne O’Hagan | 793 |
| Picture by E. L. Blumenschein. | ||
| LAST FAUN, THE | Helen Minturn Seymour | 717 |
| Picture, printed in tint, by Charles A. Winter. | ||
| LAST MESSAGE, A | Grace Denio Litchfield | [26] |
| LIFE’S ASPIRATION. | Louis Untermeyer | [156] |
| Drawing by George Wolfe Plank. | ||
| LIMERICKS: | ||
| Text and pictures by Oliver Herford. | ||
| XXVII. The Somnolent Bivalve. | [157] | |
| XXVIII. The Ounce of Detention. | [158] | |
| XXIX. The Kind Armadillo. | 320 | |
| XXX. The Gnat and the Gnu. | 479 | |
| XXXI. The Sole-Hungering Camel. | 480 | |
| XXXII. The Eternal Feminine. | 639 | |
| XXXIII. Tra-la-Larceny. | 640 | |
| XXXIV. The Conservative Owl. | 799 | |
| XXXV. The Omnivorous Book-worm. | 800 | |
| LITTLE PEOPLE, THE | Amelia Josephine Burr | 387 |
| MAETERLINCK, MAURICE | Stephen Phillips | 467 |
| MARVELOUS MUNCHAUSEN, THE | William Rose Benét | 563 |
| Pictures by Oliver Herford. | ||
| MAY, FROM MY WINDOW. | Frances Rose Benét | [155] |
| Drawing by Oliver Herford. | ||
| MESSAGE FROM ITALY, A | Margaret Widdemer | 547 |
| Drawing printed in tint by W. T. Benda. | ||
| MOTHER, THE | Timothy Cole | 920 |
| Picture by Alpheus Cole. | ||
| MY CONSCIENCE. | James Whitcomb Riley | 331 |
| Decoration by Oliver Herford. | ||
| MYSELF,” “I SING OF | Louis Untermeyer | 960 |
| NEW ART, THE | Corinne Rockwell Swain | [156] |
| NOYES, ALFRED, TO | Edwin Markham | 288 |
| OFF CAPRI. | Sara Teasdale | 223 |
| PARENTS, OUR | Charles Irvin Junkin | 959 |
| Pictures by Harry Raleigh. | ||
| PRAYERS FOR THE LIVING. | Mary W. Plummer | 367 |
| RITUAL. | William Rose Benét | 788 |
| ROYAL MUMMY, TO A | Anna Glen Stoddard | 631 |
| RYMBELS: | ||
| Pictures by Oliver Herford. | ||
| The Girl and the Raspberry Ice. | Oliver Herford | 637 |
| The Yellow Vase. | Charles Hanson Towne | 637 |
| Tragedy. | Theodosia Garrison | 638 |
| “On Revient toujours à Son Premier Amour”. | Oliver Herford | 638 |
| A Rymbel of Rhymers. | Carolyn Wells | 796 |
| The Prudent Lover. | L. Frank Tooker | 797 |
| On a Portrait of Nancy. | Carolyn Wells | 797 |
| SAME OLD LURE, THE | Berton Braley | 478 |
| SCARLET TANAGER, TO A | Grace Hazard Conkling | [28] |
| SIERRA MADRE. | Henry Van Dyke | 347 |
| SOCRATIC ARGUMENT. | John Carver Alden | 960 |
| SUBMARINE MOUNTAINS. | Cale Young Rice | 693 |
| TRIOLET, A | Leroy Titus Weeks | 636 |
| WINE OF NIGHT, THE | Louis Untermeyer | [119] |
| WINGÈD VICTORY. | Victor Whitlock | 596 |
| Photograph and decoration. | ||
| WISE SAINT, THE | Herman Da Costa | 798 |
| Picture by W. T. Benda. | ||
| YOUNG HEART IN AGE, THE | Edith M. Thomas | [78] |
