HARP.

  1. Air de Ballet, as a BRILLIANT RONDO, the subject from MEYERBEER’s Robert le Diable, arranged by THEODORE LABARRE. (Chappell.)
  2. FOUR AIRS from ROSSINI’s Aureliano in Palmira, arranged by N. C. BOCHSA. (Chappell.)
  3. ANDANTE à la Suisse, and Grande Valse in form of, &c., Rondo, from HUMMEL’s op. 72 and 103, arranged and published as the preceding.
  4. THE ALPINE MARCH, arranged by G. HOLST. (Chappell.)

No. 1 is the Bacchanale from the 3rd act of Robert, arranged in an easy manner.

No. 2 is said to comprise the ‘favourite’ airs from Aureliano. We never before knew that this opera could boast of a single air that any person ever admired. We have here also a publication of the easy kind, and comparatively short. Had any of the four airs been long, they would have been intolerable.

No. 3 is an imitation of Swiss melody, followed by a rondo composed for the Harmonicon, and still our property, having paid, and liberally too, for it years ago! We, however, have applied for no injunction, nor do we intend; it has answered our purpose as a piano-forte piece, and we hope it will satisfy harp players as much as it did our own subscribers.

No. 4 is an easy arrangement of the Alpine March, or Alpensänger-Marsch, which is just now going the round of the different instruments.