ON A PASSAGE IN MACBETH.

‘Go, bid thy mistress, when my drink is ready,

She strike upon the bell. Get thee to bed.’

Macbeth.

Let us put on one side for a few moments the horrid midnight murder of the gracious Duncan. Let us suppose of the buried majesty of Scotland,

——‘Upward to Heaven he took his flight,

If ever soul ascended!’

Let us for the moment imagine Mrs. Siddons to have been the veritable Lady Macbeth, and acknowledge that never was man more powerfully tempted into evil, nor more deeply punished with his fall from Virtue, than this, the Thane of Glamis and of Cawdor. My concernment in this Essay is neither with his virtue, nor his fall. I neither come to praise, nor bury Cæsar:

‘Go, bid thy mistress, when my drink is ready,

She strike upon the bell. Get thee to bed.’

In the reading I desire should be here given to the language of the immortal bard, it will be perceived that the last pronoun is made emphatic. ‘Get thee to bed.’

The household of the castle of Macbeth, excited and disturbed as its members had been throughout the day by the unexpected arrival of the King of Scotland at Inverness, are now subsiding into rest. The King has retired. His suite are provided for in various parts of the quadrangle; and all the tumultuary sounds of preparation and of festive enjoyment have followed the departed day; and Banquo charged with a princely gift to the Lady Macbeth under the title of most kind hostess, from her confiding and now slumbering monarch, has paid his compliments and gone.

Now comes the deeper stillness, and the witching hour of that eventful night; and the noble Thane, having gone the rounds of his hushed castle to place all entrances under both watch and ward, turns to his torch-bearer, the last remaining household servant of the train, and dismisses him with the message I have read. The words excite no surprise in the mind of the attendant. He receives the command and departs upon his errand; to deliver it as had doubtless been his office before, and then retire for the night:

‘Go, bid thy mistress, when my drink is ready,

She strike upon the bell.’

Admired Editor, I have now that to say in thine ear that may possibly startle thy preceptions, shock thy wishes, and for the moment interfere with thy store of tragick recollection. I would have thee imagine with me, that Macbeth, stifling all murderous intent, and all disloyal thought, had honestly gone down at the sound of the bell, and, as must have been his wont as is shewn from the manner in which his attendant receives the charge, had soberly partaken of the warm and grateful drink his noble partner had prepared for his refreshing and composing use.

Imagine the illustrious and majestick pair, their household having entirely withdrawn, seated in the deep silence of the night, on either side of a small table as was their happy wont, and gently, calmly, dispassionately, and elegantly sipping that prepared beverage; that ‘drink made ready’ by hands then yet innocent and spotless. Imagine the ingredients of which that dilution must have been composed! Not wine for wine is always ‘ready.’ O call it not by any other W! Let it not be named Glenlivet; think not upon Ferintosh. It was PURE REALITY IN THE LUSTRE OF A MILD GLORIFICATION, mingled with droppings of the dew of morning.

They say that the mind of man is a mere bundle of associations, and that our success in moving it to our purpose depends on our awakening the most powerful, or most agreeable of them. I know not of what associations that of the reader may be composed; but for my own part I think a little warm drink before going to bed upon a night when owls hoot and chimnies are to be blown down, prepared by the small hands that one loves, and that all admire; where a dimple takes place of what in a plebeian hand is a knuckle, and the round fingers taper gently off toward points that are touched with damask and bordered with little rims of ivory; where bright eyes beam with kindness as well as wit; and words fall in silvery tones from a beautifully-formed mouth, like the renewal of life upon the soul of man! I think where one could enjoy all this, it was a monstrous act of folly on the part of Macbeth to fret about the principality of Cumberland, or covet even the whole kingdom of Scotland. For my own part I must say, give me the warm drink and the sweet companionship of that night, and let old Duncan with a hearty welcome sleep up to his heart’s content the whole ‘ravelled sleeve of care!’

Oh Woman! dear, good, kind, blessed, beautiful Woman! chosen of Heaven (and O how well!) for the meet companion of our otherwise forlorn race! is there a moment throughout that whole circle of the Sun which we call Day more sweet to us, than that which follows the well-performed duties of our lot and that gives thee altogether to us at its close, gentle, refined, affectionate, soothing, bland, and unreserved? The hour that precedes retirement for the night, when the early luxury of languor begins to take possession of the senses? When the eyes are not heavy, but threaten to become so, and long silken lashes first make love to each other? When it is time to confine part of that rich hair en papilotte and fold the whole into that pretty cap; to place the feet in small graceful slippers, and let ease put fashion tastefully on one side in the arrangement of the dress?

Doubtless there is a period during the delirium of youthful fancy when the calmer pleasures are unappreciated at their value, but the Andante of existence follows the Allegro of boyhood; its precious strains fall deeper and more touchingly upon the Sense; and the full Soul longs to yield itself to them, and to share its emotions with the beloved one in tones heard only in her ivory ear——how beautiful! Oh pure of heart, how beautiful!——and, when the belle, still delighting to please, has become the friend; and the mistress, still fascinating, the wife; and one interest, one faith, one hope, one joy, one passion, one life, animate both hearts——oh then,

‘Go, bid thy mistress, when my drink is ready,

She strike upon the bell. Get thee to bed.’

John Waters.