Choices
They offer you many things,
I a few.
Moonlight on the play of fountains at night
With water sparkling a drowsy monotone,
Bare-shouldered, smiling women and talk
And a cross-play of loves and adulteries
And a fear of death
and a remembering of regrets:
All this they offer you.
I come with:
salt and bread
a terrible job of work
and tireless war;
Come and have now:
hunger
danger
and hate.
Carl Sandburg
From a silhouette photograph by Elizabeth Buehrmann
Child of the Romans
The dago shovelman sits by the railroad track
Eating a noon meal of bread and bologna.
A train whirls by and men and women at tables
Alive with red roses and yellow jonquils,
Eat steaks running with brown gravy,
Strawberries and cream, eclairs and coffee.
The dago shovelman finishes the dry bread and bologna,
Washes it down with a dipper from the water-boy
And goes back to the second half of a ten-hour day’s work,
Keeping the road-bed so the roses and jonquils
Shake hardly at all in the cut glass vases
Standing slender on the tables in the dining cars.
Dreiser
SHERWOOD ANDERSON
Heavy, heavy, hangs over thy head.
Theodore Dreiser is old—he is very, very old. I do not know how many years he has lived, perhaps thirty, perhaps fifty, but he is very old. Something gray and bleak and hurtful that has been in the world almost forever is personified in him.
When Dreiser is gone we shall write books, many of them. In the books we write there will be all of the qualities Dreiser lacks. We shall have a sense of humor, and everyone knows Dreiser has no sense of humor. More than that we shall have grace, lightness of touch, dreams of beauty bursting through the husks of life.
Oh, we who follow him shall have many things that Dreiser does not have. That is a part of the wonder and the beauty of Dreiser, the things that others will have because of Dreiser.
When he was editor of The Delineator, Dreiser went one day, with a woman friend, to visit an orphans’ asylum. The woman told me the story of that afternoon in the big, gray building with Dreiser, heavy and lumpy and old, sitting on a platform and watching the children—the terrible children—all in their little uniforms, trooping in.
“The tears ran down his cheeks and he shook his head,” the woman said. That is a good picture of Dreiser. He is old and he does not know what to do with life, so he just tells about it as he sees it, simply and honestly. The tears run down his cheeks and he shakes his head.
Heavy, heavy, the feet of Theodore. How easy to pick his books to pieces, to laugh at him. Thump, thump, thump, here he comes, Dreiser, heavy and old.
The feet of Dreiser are making a path for us, the brutal heavy feet. They are tramping through the wilderness, making a path. Presently the path will be a street, with great arches overhead and delicately carved spires piercing the sky. Along the street will run children, shouting “Look at me”—forgetting the heavy feet of Dreiser.
The men who follow Dreiser will have much to do. Their road is long. But because of Dreiser, we, in America, will never have to face the road through the wilderness, the road that Dreiser faced.
Heavy, heavy, hangs over thy head.
Fine, or superfine.
To John Cowper Powys, on His “Confessions”
ARTHUR DAVISON FICKE