A PERSIAN'S DESCRIPTION OF AN ENGLISH THEATRE.
In Europe the manner in which plays are acted, and balls and musical parties conducted, is (entirely) different from that of Hindoostan. The people of this country (India) send for the singers to their own houses, where they view the entertainments, and squander away a large sum of money for one night's (amusement.) In Europe it is usual for a few individuals to enter into partnership, (or) as it is called in English, a company. They fit up a house in which dancing girls, skilful musicians, singers, and actors, are engaged to perform. The audience consists of from three to four thousand people. The lower orders, who sit above all, give one shilling, equal in value to half a rupee; the middle classes, who sit lowest off all, a rupee and a half; and the great folks and noblemen, who sit (round) the middle of the house, give two rupees and a half. Separate rooms (boxes) are allotted for them. The place where the king sits is in front of the dancers. His majesty sits there along with one or two of the princes, and these give each an ashrufee. Now it is to be understood, that a poor man for eight anas, and a rich individual for two rupees and a half, see a spectacle which is fit for royalty itself, and which the people of this country have not even seen in their dreams. In one night the dancers and musicians collect five or six thousand rupees, which cover the expenses, and the audience is sufficiently amused.
It is the aim of this caste to accomplish great undertakings at little expense. In Hindoostan, luxurious young men, for seeing a nautch [dance,] squander away, in one night, one or two hundred rupees; and lakhs of rupees of patrimony, which they may succeed to, in a short time take wing.
How can I describe the dances, the melodious sound of violins and guitars, and the interesting stories which I heard, and (all the things) which I saw? My pen lacks ability to write even a short panegyric.
From amongst all the spectacles, that of the curtains of seven colours (the scenes) is exceedingly wonderful, for every instant a new painting is exhibited. Then people, disguised like angels and fairies, the one moment come upon the stage and dance, and the next vanish from the sight. There is also a man with a black face, who is a kind of devil, and called harlequin; at one time he appears, and at another time hides himself, and sometimes attaches himself to the others, and taking the hands of the dancing girls, he dances with them; he then scampers off, and taking a leap, he jumps through a window. At seeing this sport I laughed very heartily. In a word, the (whole) entertainment is excellent and wonderful.
Talking is not permitted in the theatre, although the crowd is great, yet there is neither noise nor clamour. When a pleasing storey or adventure is heard or witnessed, and they wish to express their approbation, instead of saying shabash! [excellent] or wah! wah! [bravo! bravo!] they beat the floor with their feet, or they clap their hands, by which they signify their approval.—Travels of Mirza Itesa Modeen in Great Britain and France.