NEWSPAPER LIBELS.
Writers in some journals, like rope-dancers, to engage the public attention, must venture their necks every step that they take. The pleasure people feel, arises from the risk that they run.
Footnote 1: [(return)]
See Succession Chronologica de los Reyes de Portugal.
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If I may be allowed to offer a conjecture on the cause of this singular white veil, or cloud, I can only attribute it to the vapour of water which escapes from the earth from the heated mass below, and which is condensed on rising into the cold air, and thus rendered visible. Bogota, according to my measurement, which corresponds very nearly with that of Baron Humboldt, is 9,600 feet above the level of the sea, and is distant at least one hundred miles from any known volcano.]
Footnote 3: [(return)]
Vide MIRROR, vol. iv. pp 2, 22, 61, 102.]
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It is singular, but almost true to an axiom, that objects capable of exciting disgust in their reality, confer delight in their pictorial representation; the interior of some wretched hovel, a sty and its inmates, and a boorish revel, will exemplify this. Our pleasure in that case arises perhaps not from the objects represented, but from the truth of the representation. I know not that this paradox has ever been solved, and therefore with diffidence offer, that we are rather pleased with the artist than his subject.
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Extraordinary and beautiful effects, however, are, by superior painters, frequently produced by violating this latter rule. The writer would particularly notice the results of light thrown into the distance, in stormy sea-views.
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Coffee has been recommended for this purpose, but delicate and pleasing washes or glazings may be produced from burnt sienna, yellow ochre, burnt umbre, and lake, in various combinations, and laid on extremely attenuated by water.
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The artist, however, cannot produce his tints from those simple colours entirely, but the advice once given to the writer, by a painter, was:—"Never fancy that many colours will effect your object; a few well chosen will better succeed, and be more easily managed; half-a-dozen would, for me, answer every purpose." The student is warned against gaudy colouring, which, if allowable in caricatures seen elsewhere, reminds one of pedlar's pictures.
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The old masters are well known to have made carefully many sketches of the subjects they designed for pictures, ere they dreamt of painting compositions that were to last for ever.
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Flamen, among the ancient Romans, was a priest or minister of sacrifice.
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"What boots it thee to call thyself a sun."
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