LAVENHAM CHURCH.
Lavenham, or Lanham, a small town north of Sudbury, was once eminent for its manufactures, when there were eight or nine cloth-halls in the place, inhabited by rich clothiers. The De Veres, Earls of Oxford, whose names are blazoned in our history, held the manor from the reign of Henry I. till that of Elizabeth, and one of the noble family obtained a charter from Edward III. authorizing his tenants at this place to pass toll-free throughout all England, which grant was confirmed by Elizabeth. But the manufacturing celebrity of Lavenham has dwindled to spinning woollen yarn, and making calimancoes and hempen cloth; the opulent clothiers have shuffled off their mortal coil, and proved that “the web of our life is of a mingled yarn, good and ill together.”
The church of Lavenham is, however, a venerable wreck of antiquity, and is accounted the most beautiful fabric of the kind in Suffolk. It is chiefly built of freestone, the rest being of curious flintwork; its total length is 150 feet, and its breadth 68. From concurrent antiquarian authorities we learn that the church was built by the De Veres, in conjunction with the Springs, wealthy clothiers at Lavenham. This is attested by the different quarterings of their respective arms on the building. The porch is an elegant piece of architecture, very highly enriched with the shields, garters, &c. of many of the most noble families in the kingdom, among which are the letters I.O., probably intended for the initials of John, the 14th Earl of Oxford, who married the daughter of Thomas Howard, Duke of Norfolk. He is conjectured to have erected this porch.
In the interior, the roof is admirably carved, and the pews belonging to the Earls of Oxford and the Springs, though now much decayed, were highly-finished pieces of Gothic work in wood. Some of the windows are still embellished with painted glass, representing the arms of the De Veres and others. Here also is a costly monument of alabaster and gold, erected to the memory of the Rev. Henry Copinger,[1] rector of Lavenham, with alto-relievo figures of the reverend divine and his wife.
In the north aisle is a small mural monument, upon which are represented a man and woman, engraved on brass, kneeling before a table, and three sons and daughters behind them. From the mouth of the man proceeds a label, on which are these words:—In manus tuas dne commendo spiritum meum. Underneath is this inscription, which, like that of the label, is in the old English character:—
Contynuall prayse these lynes in brasse,
Of Allaine Dister here,
A clothier, vertuous while he was
In Lavenham many a yeare.
For as in lyefe he loved best
The poore to clothe and feede,
So with the rich and all the rest
He neighbourlie agreed;
And did appoynte before he dyed,
A special yearlie rent,
Which should be every Whitsontide
Among the poorest spent.
Et obiit Anno Dni 1534.
Although this benefaction is written in brass, the good man’s successors have found enough of the same metal to pervert it; for it is now lost, and no person can give any account of it. It needs not brass to outlive honesty; a mere breath will often destroy her. There are, however, several substantial charities belonging to Lavenham, the disposal of which has fallen into better hands.
In the churchyard is a very old gravestone, which formerly had a Saxon inscription. Kirby, in his account of the monasteries of Suffolk, says that here, on the tomb of one John Wiles, a bachelor, who died in 1694, is this odd jingling epitaph:—
Quod fuit esse quod est, quod non fuit esse quod esse
Esse quod est non esse, quod est non erit esse.
But as the point and oddity may not be directly evident to all, perhaps some of our readers will furnish us with a pithy translation for our next.
F.R. of Lavenham, to whom we are indebted for the drawing of Lavenham Church, informs us that this fine building will shortly undergo a thorough repair.