PAINTING IN FRESCO.
The revival of this beautiful art is strongly recommended by a writer in the Edinburgh Review, for the internal decoration of private residences. "As we have begun to build houses upon a handsome scale in London, the lovers of art may venture to hope, that instead of spending enormous sums solely on the upholsterer for his fading ornaments, something may now be spared to the artist, for conferring on the walls unfading decorations of a far more delightful and intellectual kind. If the work be well executed, it will not suffer injury from being washed with clean and cold water." The reviewer then goes on to suggest "small foundations, like the fellowships at our universities. The fellow, a young artist of promise, might spend two or three years in painting the interior of a church, or other public building, maintaining himself meanwhile on his fellowship, or two or three hundred pounds a year." "If, however, the objections to painting our churches be deemed insuperable, we have buildings designed for civil purposes in abundance, which are well adapted for this species of decoration." He then instances Westminster Hall, the walls of which might be covered with fresco; and the outsides of houses in many German cities and towns in the German cantons of Switzerland, the outsides of which are painted with scriptural and historical subjects. "Painting," observes he, "were the use of it universal, would be a powerful means of instruction to children and the lower orders; and were all the fine surfaces, which are now plain and absolutely wasted, enriched with the labours of the art, if they once began to appear, they would accumulate rapidly; and were the ornamented edifices open to all, as freely as they ought to be, a wide field of new and agreeable study would offer itself."