THE DREAM OF EUGENE ARAM.
BY T. HOOD, ESQ.
[The late Admiral Burney went to school at an establishment where the unhappy Eugene Aram was usher subsequent to his crime. The admiral stated, that Aram was generally liked by the boys; and that he used to discourse to them about murder in somewhat of the spirit which is attributed to him in this poem.]
'Twas in the prime of summer time,
An evening calm and cool,
And four-and-twenty happy boys
Came bounding out of school:
There were some that ran and some that leapt,
Like troutlets in a pool.
Away they sped with gamesome minds,
And souls untouch'd by sin:
To a level mead they came, and there
They drave the wickets in:
Pleasantly shone the setting sun
Over the town of Lynn.
Like sportive deer they coursed about,
And shouted as they ran,—
Turning to mirth all things of earth,
As only boyhood can;
But the Usher sat remote from all—
A melancholy man!
His hat was off, his vest apart,
To catch heaven's blessed breeze—
For a burning thought was in his brow,
And his bosom ill at ease:
So he lean'd his head on his hands, and read
The book between his knees!
Leaf after leaf he turn'd it o'er,
Nor ever glanc'd aside—
For the peace of his soul he read that book
In the golden eventide:
Much study had made him very lean,
And pale, and leaden-eyed.
At last, he shut the ponderous tome;
With a fast and fervent grasp
He strain'd the dusky covers close,
And fixed the brazen hasp;
"O God, could I so close my mind,
And clasp it with a clasp!"
Then leaping on his feet upright,
Some moody turns he took,—
Now up the mead, then down the mead,
And past a shady nook,—
And, lo! he saw a little boy
That pored upon a book!
"My gentle lad, what is't you read—
Romance or fairy fable?
Or is it some historic page,
Of kings and crowns unstable?"
The young boy gave an upward glance,—
"It is The Death of Abel."
The Usher took six hasty strides,
As smit with sudden pain,—
Six hasty strides beyond the place,
Then slowly back again;
And down he sat beside the lad,
And talk'd with him of Cain;
And, long since then, of bloody men,
Whose deeds tradition saves;
Of lonely folk cut off unseen,
And hid in sudden graves;
Of horrid stabs, in groves forlorn,
And murders done in caves.
And how the sprites of injured men
Shriek upward from the sod,—
Ay, how the ghostly hand will point
To show the burial clod;
And unknown facts of guilty acts
Are seen in dreams from God!
He told how murderers walk the earth
Beneath the curse of Cain,—
With crimson clouds before their eyes,
And flames about their brain:
For blood has left upon their souls
Its everlasting stain!
"And well," quoth he, "I know, for truth,
Their pangs must be extreme,—
Wo, wo, unutterable wo,—
Who spill life's sacred stream!
For why? Methought, last night, I wrought
A murder in a dream!
"One that had never done me wrong—
A feeble man, and old:
I led him to a lonely field,
The moon shone clear and cold:
Now here, said I, this man shall die,
And I will have his gold!
"Two sudden blows with a ragged stick,
And one with a heavy stone,
One hurried gash with a hasty knife—
And then the deed was done:
There was nothing lying at my foot,
But lifeless flesh and bone!
"Nothing but lifeless flesh and bone,
That could not do me ill;
And yet I fear'd him all the more,
For lying there so still:
There was a manhood in his look,
That murder could not kill!
"And, lo! the universal air
Seem'd lit with ghastly flame,—
Ten thousand thousand dreadful eyes
Were looking down in blame:
I took the dead man by the hand,
And call'd upon his name!
"Oh, God, it made me quake to see
Such sense within the slain!
But when I touch'd the lifeless clay,
The blood gush'd out amain!
For every clot, a burning spot,
Was scorching in my brain!
"My head was like an ardent coal,
My heart as solid ice;
My wretched, wretched soul I knew
Was at the Devil's price:
A dozen times I groaned—the dead
Had never groan'd but twice!
"And now from forth the frowning sky,
From the heaven's topmost height,
I heard a voice—the awful voice
Of the blood-avenging sprite:—
'Thou guilty man! take up thy dead,
And hide it from my sight!'
"I took the dreary body up,
And cast it in a stream,—
A sluggish water, black as ink.
The depth was so extreme
My gentle boy, remember this
Is nothing but a dream!
"Down went the corse with a hollow plunge,
And vanish'd in the pool—
Anon I cleansed my bloody hands
And wash'd my forehead cool,
And sat among the urchins young
That evening in the school!
"Oh, heaven, to think of their white souls,
And mine so black and grim!
I could not share in childish prayer.
Nor join in evening hymn:
Like a devil of the pit I seem'd,
'Mid holy cherubim!
"And peace went with them one and all,
And each calm pillow spread—
But Guilt was my grim chamberlain
That lighted me to bed,
And drew my midnight curtains round,
With fingers bloody red!
"All night I lay in agony,
In anguish dark and deep—
My fever'd eyes I dared not close,
But stared aghast at Sleep;
For Sin had render'd unto her
The keys of hell to keep!
"All night I lay in agony,
From weary chime to chime,
With one besetting horrid hint,
That rack'd me all the time,—
A mighty yearning, like the first
Fierce impulse unto crime!
"One stern, tyrannic thought, that made
All other thoughts its slave;
Stronger and stronger every pulse
Did that temptation crave,—
Still urging me to go and see
The dead man in his grave!
"Heavily I rose up,—as soon
As light was in the sky.—
And sought the black, accursed pool
With a wild, misgiving eye;
And I saw the dead in the river bed,
For the faithless stream was dry!
"Merrily rose the lark, and shook
The dewdrop from its wing;
But I never mark'd its morning flight,
I never heard it sing;
For I was stooping once again
Under the horrid thing.
"With breathless speed, like a soul in chase,
I took him up and ran,—
There was no time to dig a grave
Before the day began:
In a lonesome wood, with heaps of leaves,
I hid the murdered man.
"And all that day I read in school,
But my thought was other where:
As soon as the mid-day task was done,
In secret I was there;
And a mighty wind had swept the leaves,
And still the corse was bare!
"Then down I cast me on my face,
And first began to weep,
For I knew my secret then was one
That earth refused to keep;
Or land or sea, though he should be
Ten thousand fathoms deep!
"So wills the fierce avenging sprite,
Till blood for blood atones!
Ay, though he's buried in a cave,
And trodden down with stones,
And years have rotted off his flesh—
The world shall see his bones!
"Oh God, that horrid, horrid dream
Besets me now awake!
Again—again, with a dizzy brain,
The human life I take;
And my red right hand grows raging hot,
Like Cranmer's at the stake.
"And still no peace for the restless clay
Will wave or mould allow;
The horrid thing pursues my soul,—
It stands before me now!"
The fearful boy looked up, and saw
Huge drops upon his brow!
That very night, while gentle sleep
The urchin eyelids kiss'd,
Two stern-fac'd men set out from Lynn,
Through the cold and heavy mist;
And Eugene Aram walked between,
With gyves upon his wrist.
Mr. Planché's versification of the homely proverb—Poverty parts good company—will create many good-natured smiles, and run counter with Mr. Kenney's To-morrow. Some of the minor pieces are very pleasing, especially two by Hartley Coleridge, Esq.
We confess we do not admire the taste which dictated Mr. C. Lamb's Widow; it is in every respect unworthy of the plate, and the feelings created by the two are very discordant. We love a joke, but to call a widow's sables a perpetual "black joke," disgusts rather than pleases us. The Funeral of General Crawford, by the author of The Subaltern is an affecting incident; and Nina St. Morin, by the author of May You Like It, is of the same character. Catching a Tartar, by Mansie Wauch, and the Station, an Irish Story, are full of humour; and May Day, by the editor, abounds with oddities. Thus, "the golden age is not to be regilt; pastoral is gone out, and Pan extinct—pans will not last for ever;" "horticultural hose, pruned so often at top to graft at bottom, that from long stockings they had dwindled into short socks;" "the contrast of a large marquee in canvass with the long lawn;" "Pan's sister, Patty, the wags called Patty Pan," &c. One of the finest stories in the Gem is the Rival Dreamers, by Mr. Banim; and curious enough, this is the third Annual in which we have met with the same legend. The present version is, however, the best narrative, which such of our readers as know the O'Hara Family will readily believe. We could abridge it for our present space; but it would be injustice to the author to pare down his beautiful descriptions; and we will endeavour to give place to the tale in a future Number. The Last Embarkation of the Doge of Venice is interesting; almost every incident connected with that huge pleasure-house is attractive, but one of the present, the Marriage of the Sea, is well told. The Shearmen's Miracle Play smacks pleasantly of "the good old times" of merry England. Miss Mitford has contributed two of her inimitable sketches—Harry Lewington and his Dog, and Tom Hopkins—the latter an excellent portrait of "the loudest, if not the greatest man" in the little town of Cranley. We must give the village lion, in little:—