WRITING FOR THE STAGE.
Is it not extraordinary that the manager of a theatre is the only purveyor who does not know the value of his wares? A bookseller will, if he approves of a work, pay a certain sum for the copyright, and risk an additional sum in the publication, at the hazard of losing by the fiat of a very capricious public, the reading public. But the writer of a drama must make up his mind to stake the labour of months on the fortune of a single night.—New Monthly Mag.