ALEHOUSE SIGNS.
(To the Editor of the Mirror.)
Two of your correspondents have puzzled themselves in seeking the origin of the old Cat and Fiddle sign. The one has been led away by a love of etymology—the other would string the fiddle at the expense of poor puss's viscera. Now laying aside conjecture and the subtleties of language, suppose we consult plain matter of fact? It is then generally allowed that the tones of a flute resemble the human voice: those of a clarionet, the notes of a goose: and, all the world knows that a well-played violin (especially in the practice of gliding) yields sounds so inseparable from the strains of a cat, as not to be distinguished by the mere amateur of musical science.
In conformity, therefore, with this last truth, the small fiddles which Dancing-masters carry in their pockets, are at this day called kits. But our etymologist will readily perceive this to be a mere abbreviation, and that they must originally have been known as kittens.