SCOTTISH POETRY.
The passion of the Scots, from whatever race derived, for poetry and music, developed itself in the earliest stages of their history. They possessed a wild imagination, a dark and gloomy mythology; they peopled the caves, the woods, the rivers, and the mountains, with spirits, elves, giants, and dragons; and are we to wonder that the Scots, a nation in whose veins the blood of all those remote races is unquestionably mingled, should, at a very remote period, have evinced an enthusiastic admiration for song and poetry; that the harper was to be found amongst the officers who composed the personal state of the sovereign, and that the country maintained a privileged race of wandering minstrels, who eagerly seized on the prevailing superstitions and romantic legends, and wove them in rude, but sometimes very expressive versification, into their stories and ballads; who were welcome guests at the gate of every feudal castle, and fondly beloved by the great body of the people.—Tytler's History of Scotland.