BALLET OF KENILWORTH, AT THE KING'S THEATRE.
There is a very curious and ingenious, though not original, exhibition in this ballet. Among the festivities at Kenilworth Castle, in honour of the royal guests, a pantomimic "masque" of the gods and goddesses of Olympus is introduced. The divinities, instead of appearing in genuine Grecian attire, present themselves in the mongrel costume visual on such occasions in the time of Queen Elizabeth. This is droll enough, but more whimsical still is the style of their dancing. This, too, is meant as an imitation of the limited choregraphic savoir faire of the age. It is as if Mons. Deshayes had triumphantly intended to portray the first dawn of an art which he considers to have now reached the summit of perfection. But who knows but the Monsieur Un tel of 1931 may, with equal boldness, parody the pirouettes of Monsieur Deshayes? Even the music to this mythological interlude is borrowed from ancient scores; a happy thought, which deserves commendation.—Ibid.