PALM SUNDAY.

This morning I know not what ceremony in the Portico of SS. Apostoli: a little procession, some monks, a priest in purple, and a few draggle-tailed people before the closed door, chanting at intervals, till the door opened and they entered, their silver cross in its purple bag ahead, and their little branches of olive. The fine carved Roman eagle in its magnificent garland of oak-leaves, presiding, very fierce and contemptuous, over this little scene. When one effaces the notion of habit, how very odd to see a company of nineteenth-century people, battered and galled by life like old cab-horses, stationing in a portico singing verses and holding branches of olive! There is something refreshing, something of the fields and hills, of leisure and childishness, in the proceeding, if only the poor creatures realised it. But to most of them, I take it, the bearing of a silver cross, of an olive branch, is in reality as utilitarian (though utilitarian in regard to another world) as holding the tail of a saucepan or rattling a money-box. For how many, one wonders, is that door, opening to the cross and the olive branches, the door of an inner temple, of a place swept and garnished in the pious fancy? alas! alas!

I went on, on foot, past the Capitol, through the Montanara region, with a growing sense, which I have had ever since return here, of the squalor, the lousiness, the dust-heap, the unblushing immondezzaio quality of Rome and its inhabitants. Everything ragged, filthy, listless; the very cauliflowers they were selling looking all stalk, fit for that refuse midden which symbolises the city. By the Temple of Vesta a lot of carts were drawn up, with galled horses and ragged crouching peasants—that sort of impression which Piranesi gives.

A school of little girls, conducted by a nun, was filing out of S. Maria in Cosmedin, and I helped up the leathern curtain for them to pass. Tatters, squalor, with that abundant animal strength and beauty of these people; one feels they have been eating and drinking, and befouling the earth and the streets with the excrements of themselves and their lives, love-making and begetting, and suffering stolidly all through the centuries, and one wonders why? as one wonders before a ditch full of tadpoles. Low mass was going on at a side altar, and the canon's mass in the beautiful marble choir, behind the ambones, behind those delicate marble railings and seats, which, with their inclusion, makes the fine aristocratic, swept and garnished quality of that Byzantine architecture more delicate and dainty still. The church was finished restoring two years ago, but the population of that low part of Rome, the Piazza Montanara St. Giles, has already given it the squalor of ages. I cannot say how deeply, though vaguely, I felt the meaningless tragic triviality of these successive generations of reality, in the face of that solemn, meaningful abstraction which we call history, which we call humanity, the centuries, Rome.

The great holes through which, as through earthquake rents, the innermost life of Rome has become visible in the last thirty years, are beginning to close up. In that sort of rag-fair, witch-burning ground limited only by the island and the belfries of Trastevere which I used to look down upon from Palazzo Orsini, the Jews are building a colossal synagogue. One does not grudge it them, after their Holy Cross Days! But that strange simultaneous vision of the centuries (like that of their life which drowning folk are said to have) is ending with the death agony of old Rome.

April 4.