A guide, descriptive and historical, through the Town of Shrewsbury

by W. A. Leighton

THE AUSTIN FRIARS,

of which the only remnant is the lower part of a square red stone building, probably the refectory, with two pointed doorways, and the bases of a range of handsome windows. We find these friars here as early as the year 1235, when they obtained from Henry III. a grant of a spot of ground outside the walls, which had been used as a burial-place when the kingdom was under an interdict, in the reign of King John. Upon this small space they erected their chapel and buildings, which they were enabled to enlarge and extend in the year 1295, by the piety of Geoffrey Randolf, a burgess of the town, who granted them a contiguous plot of ground for that purpose. At subsequent periods various portions of the lands in the immediate neighbourhood of the convent were successively added to their precinct. The corporation also were not wanting in frequent and liberal contributions to these, as well as to the other friars of the town. Still they never appear to have been either rich or numerous, and at the Dissolution their buildings were in a most deplorable state of ruin, inhabited only by a dissolute Prior, and two Friars not of the foundation, who had greatly and disgracefully wasted the conventual property. In 1403, several persons of note, who fell at Battlefield, are said to have found interment in the cemetery of this convent.

At the top of the Quarry stands the Church of St. Chad, a structure, which, notwithstanding its many and glaring defects, must still be pronounced handsome and commodious. The body is circular, and consists of a rustic basement with square windows, on which reposes a superstructure, containing a series of large arched windows; between each of which are coupled Ionic pilasters, resting on the basement, and supporting a bold cornice, crowned with an open balustrade. Attached to the body is a smaller circle, similarly decorated; at the extremity of which is the steeple, which consists of three stories: a square rustic basement, from which rises an octagonal belfry, enriched with Ionic pilasters, and above, a small cupola, supported on a heavy cylinder, surrounded by eight slender Corinthian pillars. A heavy cross and vane crowns the summit. On each side of the tower is a plain square wing, which contains a vestry-room. Beneath a handsome portico of four Doric pillars supporting a pediment, is the chief entrance, which opens into a circular vestibule beneath the tower; beyond which is a kind of ante-church, comprising the staircases leading to the galleries and communicating with the body of the church. The interior is not a complete circle, a segment having been taken off for two smaller staircases, and for the shallow oblong recess forming the chancel. A bold arch, resting on four rich composite pillars, marks the division of the body and chancel. Above the altar, (which contrary to ancient usage, is placed on the north side,) in a broad Venetian window is a representation, in stained glass, of the “Descent from the Cross,” after Rubens, the Salutation, and the Presentation in the Temple, executed by Mr. David Evans of this town, whose skill and taste have also been exercised in four other windows of this church, of which the subjects are, the Raising of Lazarus, Christ receiving little children, the Healing of the Sick, and the Tribute Money, all presented by the late Rev. R. Scott, B.D. One of the other windows of the Church contains a memorial in stained glass to E. Muckleston, Esq. A deep and capacious gallery, decorated in front with a handsome balustrade, surrounds the whole church, except the chancel, and reposes on a double range of short pillars, with Ionic capitals. From these a corresponding tier of slender fluted shafts, resembling the Corinthian order, rises to the ceiling, which is adorned with a glory in the centre, and a rich cornice, consisting of angels with wings interlaced. Over the chief entrance is a large and fine organ built by Gray of London, in 1794, and enlarged and improved by Gray and Davidson, in 1848. It has 30 stops, and comprises 1325 pipes.

This edifice, though possessing too much of the theatrical air, is handsomely and conveniently furnished, and by the ingenuity of the circular arrangement, all the congregation can distinctly hear and most see the officiating clergyman during the whole of the services. It will accommodate, in the pews below, 1000 persons, and in the gallery 750, besides 400 free sittings provided for the poor.

The principal monuments are:—an oblong Grecian tablet, with an elegant Latin inscription to the Rev. Francis Leighton, his lady, and two grandchildren; a handsome pannelled marble tablet, supporting a fine bust of the deceased, by Chantrey, inscribed to Mr. John Simpson, the eminent architect and builder; and a similar tablet and bust, by Chantrey, to William Hazledine, Esq., the builder of the Menai Bridge; and in the Vestibule a marble mural monument to the Officers and Privates of the 53rd or Shropshire Regiment, who were killed on 10th February 1846, in the battles of Subraon, Aliwal, and the relief of Loodhiana on the Sutluj.

This church also contains a monument to the Rev. R. Scott, with the following inscription:—

SACRED
TO THE MEMORY OF
THE REV. RICHARD SCOTT, B.D.
WHO DEPARTED THIS LIFE
ON THE 6TH OCTOBER, 1848,
IN THE 68TH YEAR OF HIS AGE.
THIS TABLET IS ERECTED BY HIS NEPHEW WILLIAM SCOTT,
AS A TOKEN OF REGARD AND AFFECTION TO
HIS LATE RELATIVE.

In the vestry is a carved figure of St. Chad in his episcopal robes, preserved from the old church.

Turning on the left, we proceed down St. John’s Hill, and pass