Contents.
| WHAT IS ‘POPULAR POETRY’? | [1] |
| SPEAKING TO THE PSALTERY | [16] |
| MAGIC | [29] |
| THE HAPPIEST OF THE POETS | [70] |
| THE PHILOSOPHY OF SHELLEY’S POETRY | [90] |
| AT STRATFORD-ON-AVON | [142] |
| WILLIAM BLAKE AND THE IMAGINATION | [168] |
| WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | [176] |
| SYMBOLISM IN PAINTING | [226] |
| THE SYMBOLISM OF POETRY | [237] |
| THE THEATRE | [257] |
| THE CELTIC ELEMENT IN LITERATURE | [270] |
| THE AUTUMN OF THE BODY | [296] |
| THE MOODS | [306] |
| THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | [308] |
| THE RETURN OF ULYSSES | [312] |
| IRELAND AND THE ARTS | [320] |
| THE GALWAY PLAINS | [333] |
| EMOTION OF MULTITUDE | [339] |
Note.—The Essay on Symbolism in Painting originally formed part of an Introduction to A Book of Images drawn by W. T. Horton (Unicorn Press), 1898.