| | PAGE |
| DISCOVERIES: |
| PROPHET, PRIEST AND KING | [3] |
| PERSONALITY AND THE INTELLECTUAL ESSENCES | [8] |
| THE MUSICIAN AND THE ORATOR | [12] |
| A GUITAR PLAYER | [13] |
| THE LOOKING-GLASS | [14] |
| THE TREE OF LIFE | [15] |
| THE PRAISE OF OLD WIVES’ TALES | [18] |
| THE PLAY OF MODERN MANNERS | [20] |
| HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN? | [22] |
| WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET | [24] |
| CONCERNING SAINTS AND ARTISTS | [29] |
| THE SUBJECT MATTER OF DRAMA | [32] |
| THE TWO KINDS OF ASCETICISM | [36] |
| IN THE SERPENT’S MOUTH | [38] |
| THE BLACK AND THE WHITE ARROWS | [39] |
| HIS MISTRESS’S EYEBROWS | [39] |
| THE TRESSES OF THE HAIR | [41] |
| A TOWER ON THE APENNINE | [42] |
| THE THINKING OF THE BODY | [43] |
| RELIGIOUS BELIEF NECESSARY TO SYMBOLIC ART | [45] |
| THE HOLY PLACES | [48] |
| EDMUND SPENSER | [51] |
| POETRY AND TRADITION | [91] |
| MODERN IRISH POETRY | [113] |
| LADY GREGORY’S CUCHULAIN OF MUIRTHEMNE | [131] |
| LADY GREGORY’S GODS AND FIGHTING MEN | [147] |
| MR. SYNGE AND HIS PLAYS | [171] |
| LIONEL JOHNSON | [183] |
| THE PATHWAY | [189] |
| |
| BIBLIOGRAPHY | [197] |