| | PAGE |
| Thoughts on Lady Gregory’s Translations |
| I. Cuchulain and his Cycle | [1] |
| II. Fion and his Cycle | [12] |
| |
| Preface to the First Edition of the Well of the Saints | [36] |
| |
| Discoveries |
| Prophet, Priest and King | [49] |
| Personality and the Intellectual Essences | [56] |
| The Musician and the Orator | [61] |
| A Guitar Player | [63] |
| The Looking-glass | [65] |
| The Tree of Life | [67] |
| The Praise of Old Wives’ Tales | [71] |
| The Play of Modern Manners | [73] |
| Has the Drama of Contemporary Life a Root of its Own? | [76] |
| Why the Blind Man in Ancient Times was made a Poet | [79] |
| Concerning Saints and Artists | [85] |
| The Subject Matter of Drama | [89] |
| The Two Kinds of Asceticism | [94] |
| In the Serpent’s Mouth | [97] |
| The Black and the White Arrows | [99] |
| His Mistress’s Eyebrows | [100] |
| The Tresses of the Hair | [103] |
| A Tower on the Apennines | [104] |
| The Thinking of the Body | [106] |
| Religious Belief Necessary to Religious Art | [109] |
| The Holy Places | [113] |
| |
| Poetry and Tradition | [116] |
| |
| Preface to the First Edition of John M. Synge’s Poems and Translations | [139] |
| |
| J. M. Synge and the Ireland of his Time | [146] |
| |
| The Tragic Theatre | [196] |
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| John Shawe-Taylor | [208] |
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| Edmund Spenser | [213] |