CHAPTER XLV.
NOT THE END.
"Requiem æternam dona eis, Domine, et lux perpetua luceat eis."
—PS. CXIV.
When Chrysler came to this sad close of the story, he woke from his absorption in the manuscript and became conscious of, the surroundings. The late hour, the strange place, even the silent-burning candles, and above all the shock of grief for Chamilly at his great bereavement, oppressed him into deep loneliness. The wind dashed gusts of rain against the casement and shook it savagely. He thought of the storm and blackness without—how the tempest must be hounding the black waves—the wolfish ferocity of their onward rushes—the dread battle any mortal would fight who found himself among them on a night like this.
Is Chamilly safe at home again?
Of course, at this hour.
What an unusual fellow. How strange to enjoy such beating rain, such blinding darkness and fierce contest of strength with nature! How fearless! How few like him in this or any virtue! Did there in fact exist another his equal!
No; Haviland stood alone—the climax of a race.
As Chrysler pondered, dull sounds reached him, breaking in on these meditations. A door opened below, and heavy feet tramped in. Voices, and then cries of alarm, and then lamentations of all the household startled him. Steps sounded coming up the stairs, and a man's sob, and then a gentle knock.
"Open!" Chrysler responded.
Pierre entered, the picture of woe, and broke down: "O monseigneur
Monseigneur Chamilly is dead."
They had found his boat and his body, washed ashore.
The windows of the Parish Church were darkened with thick black curtains, the altar was heavily draped, the strains of the mournful Mass of the Dead swayed to the responses of a sorrowing people. In the midst, raised upon a lofty catafalque whose sable drapery was surrounded with a starry maze of candle-lights, lay the silent remains of Chamilly Haviland, who loved Canada. Pure and earnest in life, he receives his reward in the world of her he loved, who went before him.
A tablet among those of his fathers, facing the Seigniorial pew, recorded, for a little, the name of the last d'Argentenaye; but now the proud Curé at length has had his will, and instead of its venerable house of God, Dormillière wears in its centre a pretentious nondescript structure of cut-stone.
Chrysler has done what he could to repair the country's loss by raising his voice with rejuvenated energy in support of good will and progress, in the Legislative halls.
"L'ideé Canadienne too," Quinet asserts with hope and fire, in his seer-like editorials, "is not lost; it is founded on the deepest basis of existence: on the simplicity of common sense; on the true affections, the true aspirations of the people, on righteousness, on love of God, on DESTINY!"
THE END.
End of Project Gutenberg's The Young Seigneur, by Wilfrid Châteauclair