G
Gasparini, A., [41]
Geoffrey of Monmouth, [296], [453]
German Music, Wagner's essay on, [41]
Geyer, Ludwig, [2], [3];
"Slaughter of the Innocents," [3]
Gluck, [169] et seq.
"Götterdämmerung," [410], et seq.,
see also "[Der Ring des Nibelungen]";
Brünnhilde, character of, [416];
Brünnhilde, divinity gone, [411], [416];
Brünnhilde imparts wisdom and strength to Siegfried, [411];
Brünnhilde's deception, [418];
Brünnhilde's self-sacrifice, [421];
curse, in operation on Siegfried, [417];
drink of forgetfulness, [414];
drink of forgetfulness, antidote, [419];
"Dusk of the Gods," described, [415];
ethical ideas in, [416], [417], [421], [422];
expiation of sin of gods, [421], [422];
first performances, [362], [363];
Gibichung, origin of name, [412];
Grani, [412];
Gunther identified, [412];
Gutrune, identified, [412];
Hagen, character of, [413];
Hagen, mother of, [413];
Hagen, the ring and, [420];
music, [442];
see also [Leading Motives];
music, when written, [366];
"Nibelungen Lied," ideas taken from, [372];
Norns scene, [410];
original casts, [362], [363];
penetration of the fire, [409], [410];
produced at Bayreuth, [141];
return of ring to Rhine daughters, [417], [419], [421];
Rhine daughters, meeting with Siegfried, [419];
ring, connected with sin of gods, [416];
runes, Brünnhilde's, [411];
Siegfried matured, [411];
story of, [410] et seq.;
sword, between Siegfried and Brünnhilde, [417], [418];
Waltraute's narrative, [415];
Wotan's eye, how lost, [410];
Wotan's plan in, [420];
Wotan's spear, [410]
Gottfried von Strassburg, [108], [297]
Grail, Holy, see "[Parsifal]"
Greek drama, [168], see also [Art-Theories of Wagner]
Grimm Brothers, "Deutsche Sagen," [272]
Gross, Adolph, [152], [153]