THE COLORING OF GREEN TEA.

The following is a copy of my report to the Grocer on a sample of the ingredients actually used by the Chinese for coloring of tea, which sample was sent to the Grocer office by a reliable correspondent at Shanghai (November, 1873). I reprint it because the subject has a general interest and is commonly misunderstood:

I have examined the blue and the yellowish-white powders received from the office, and find that the blue is not indigo, as your Shanghai correspondent very naturally supposes, but is an ordinary commercial sample of Prussian blue. It is not so bright as some of our English samples, and by mere casual observation may easily be mistaken for indigo. Prussian blue is a well-known compound of iron, cyanogen, and potassium. Commercial samples usually contain a little clayey or other earthy impurities, which is the case with this Chinese sample. There are two kinds of Prussian blue—the insoluble, and the basic or soluble. The Chinese sample is insoluble.

This is important, seeing that we do not eat our tea-leaves, but merely drink an infusion of them; and thus even the very small quantity which faces the tea-leaf remains with the spent leaves, and is not swallowed by the tea-drinker, who therefore need have no fear of being poisoned by this ornamental adulterant.

Its insolubility is obvious, from the fact that green tea does not give a blue infusion, which would be the case if the Prussian blue were dissolved.

There are some curious facts bearing on this subject and connected with the history of the manufacture of Prussian blue. Messrs. Bramwell, of Newcastle-on-Tyne, who may be called the fathers of this branch of industry, established their works about a century ago. It was first sold at two guineas per lb.; in 1815 it had fallen to 10s. 6d., in 1820 to 2s. 6d., then down to 1s. 9d. in 1850. I see by the Price Current of the Oil Trade Review that the price has recently been somewhat higher.

In the early days of the trade a large portion of Messrs. Bramwell’s produce was exported to China. The Chinese then appear to have been the best customers of the British manufacturers of this article. Presently, however, the Chinese demand entirely ceased, and it was discovered that a common Chinese sailor, who had learned something of the importation of this pigment to his native country, came to England in an East Indiaman, visited, or more probably obtained employment at a Prussian blue manufactory, learned the process, and, on his return to China, started there a manufactury of his own, which was so successful that in a short time the whole of the Chinese demand was supplied by native manufacture; and thus ended our export trade. Those who think the Chinese are an unteachable and unimprovable people may reflect on this little history.

The yellowish powder is precisely what your Shanghai correspondent supposes. It is steatite, or “soapstone.” This name is very deceptive, and coupled with the greasy or unctuous feel of the substance, naturally leads to the supposition that it is really as it appears, an oleaginous substance. This, however, is not the case. It is a compound of silicia, magnesia, and water, with which are sometimes associated a little clay and oxide of iron. Like most magnesian minerals, it has a curiously smooth or slippery surface, and hence its name. It nearly resembles meerschaum, the smoothness of which all smokers understand.

When soapstone is powdered and rubbed over a moderately rough surface, it adheres, and forms a shining film; just as another unctuous mineral, graphite (the “black-lead” of the housemaid), covers and polishes ironwork. On this account, soapstone is used in some lubricating compounds, for giving the finishing polish to enameled cards, and for other similar purposes.

With a statement of these properties before us, and the interesting description of the process by your Shanghai correspondent, the whole riddle of green-tea coloring and facing is solved. The Prussian blue and soapstone being mixed together when dry in the manner described, the soapstone adheres to the surface of the particles of blue, and imparts to them not only a pale greenish color, but also its own unctuous, adhesive, and polishing properties. The mixture being well stirred in with the tea-leaves, covers them with this facing, and thus gives both the color and peculiar pearly lustre characteristic of some kinds of green tea. I should add that the soapstone, like the other ingredient, is insoluble, and therefore perfectly harmless.

Considering the object to be attained, it is evident from the above that John Chinaman understands his business, and needs no lessons from European chemists. It would puzzle all the Fellows of the Chemical Society, though they combined their efforts for the purpose, to devise a more effective, cheap, simple, and harmless method of satisfying the foolish demand for unnaturally colored tea-leaves.

When the tea-drinking public are sufficiently intelligent to prefer naturally colored leaves to the ornamental stuff they now select, Mr. Chinaman will assuredly be glad enough to discontinue the addition of the Prussian blue, which costs him so much more per pound than his tea-leaves, and will save him the trouble of the painting and varnishing now in demand.

In the meantime, it is satisfactory to know that, although a few silly people may be deceived, nobody is poisoned by this practice of coloring green tea. I say “a few silly people,” for there can be only a few, and those very silly indeed, who judge of their tea by its appearance rather than by the quality of the infusion it produces.

With these facts before us it is not difficult to trace the origin of the oft-repeated and contradicted statement that copper is used in coloring green tea. One of the essential ingredients in the manufacture of Prussian blue is sulphate of iron, the common commercial name which is “green copperas.” It is often supposed to contain copper, but this is not the case.

Your Shanghai correspondent overrates the market value of soapstone when he supposes that Chinese wax may be used as a cheap substitute. In many places—as, for instance, the “Lizard” district of Cornwall—great veins of this mineral occur, which, if needed, might be quarried in vast abundance, and at very little cost on account of its softness. The romantic scenery of Kynance Cove, its caverns, its natural arches, the “Devil’s Bellows,” the “Devil’s Post-office,” the “Devil’s Cauldrons,” and other fantastic formations of this part of the coast, attributed to his Satanic Majesty or the Druids, are the natural results of the waves beating away the veins of soft soapstone, and leaving the deformed skeleton rocks of harder serpentine behind.