NOTE TO A FRIEND
{Written on the fly-leaf of a copy of Specimen Days, sent to Peter Doyle, at Washington, June, 1883}
Pete, do you remember—(of course you do—I do well)—those great long jovial walks we had at times for years, (1866-'72) out of Washington city—often moonlight nights—'way to "Good Hope";—or, Sundays, up and down the Potomac shores, one side or the other, sometimes ten miles at a stretch? Or when you work'd on the horse-cars, and I waited for you, coming home late together—or resting and chatting at the Market, corner 7th street and the Avenue, and eating those nice musk or watermelons? Or during my tedious sickness and first paralysis ('73) how you used to come to my solitary garret-room and make up my bed, and enliven me, and chat for an hour or so—or perhaps go out and get the medicines Dr. Drinkard had order'd for me—before you went on duty?... Give my love to dear Mrs. and Mr. Nash, and tell them I have not forgotten them, and never will.
W.W.
WRITTEN IMPROMPTU IN AN ALBUM
Germantown, Phila., Dec. 26, '83. In memory of these merry Christmas days and nights—to my friends Mr. and Mrs. Williams, Churchie, May, Gurney, and little Aubrey.... A heavy snow-storm blocking up everything, and keeping us in. But souls, hearts, thoughts, unloos'd. And so—one and all, little and big—hav'n't we had a good time?
W.W.
THE PLACE GRATITUDE FILLS IN A FINE CHARACTER
From the Philadelphia Press, Nov. 27, 1884, (Thanksgiving number)
Scene.—A large family supper party, a night or two ago, with voices and laughter of the young, mellow faces of the old, and a by-and-by pause in the general joviality. "Now, Mr. Whitman," spoke up one of the girls, "what have you to say about Thanksgiving? Won't you give us a sermon in advance, to sober us down?" The sage nodded smilingly, look'd a moment at the blaze of the great wood fire, ran his forefinger right and left through the heavy white mustache that might have otherwise impeded his voice, and began: "Thanksgiving goes probably far deeper than you folks suppose. I am not sure but it is the source of the highest poetry—as in parts of the Bible. Ruskin, indeed, makes the central source of all great art to be praise (gratitude) to the Almighty for life, and the universe with its objects and play of action.
"We Americans devote an official day to it every year; yet I sometimes fear the real article is almost dead or dying in our self-sufficient, independent Republic. Gratitude, anyhow, has never been made half enough of by the moralists; it is indispensable to a complete character, man's or woman's—the disposition to be appreciative, thankful. That is the main matter, the element, inclination—what geologists call the trend. Of my own life and writings I estimate the giving thanks part, with what it infers, as essentially the best item. I should say the quality of gratitude rounds the whole emotional nature; I should say love and faith would quite lack vitality without it. There are people—shall I call them even religious people, as things go?—who have no such trend to their disposition."