THE GREAT UNREST OF WHICH WE ARE PART
My thoughts went floating on vast and mystic currents as I sat to-day in solitude and half-shade by the creek—returning mainly to two principal centres. One of my cherish'd themes for a never-achiev'd poem has been the two impetuses of man and the universe—in the latter, creation's incessant unrest,{19} exfoliation, (Darwin's evolution, I suppose.) Indeed, what is Nature but change, in all its visible, and still more its invisible processes? Or what is humanity in its faith, love, heroism, poetry, even morals, but emotion?
Endnotes:
{19} "Fifty thousand years ago the constellation of the Great Bear or Dipper was a starry cross; a hundred thousand years hence the imaginary Dipper will be upside down, and the stars which form the bowl and handle will have changed places. The misty nebulae are moving, and besides are whirling around in great spirals, some one way, some another. Every molecule of matter in the whole universe is swinging to and fro; every particle of ether which fills space is in jelly-like vibration. Light is one kind of motion, heat another, electricity another, magnetism another, sound another. Every human sense is the result of motion; every perception, every thought is but motion of the molecules of the brain translated by that incomprehensible thing we call mind. The processes of growth, of existence, of decay, whether in worlds, or in the minutest organisms, are but motion."
BY EMERSON'S GRAVE
May 6, '82.—We stand by Emerson's new-made grave without sadness—indeed a solemn joy and faith, almost hauteur—our soul-benison no mere
"Warrior, rest, thy task is done,"
for one beyond the warriors of the world lies surely symboll'd here. A just man, poised on himself, all-loving, all-inclosing, and sane and clear as the sun. Nor does it seem so much Emerson himself we are here to honor—it is conscience, simplicity, culture, humanity's attributes at their best, yet applicable if need be to average affairs, and eligible to all. So used are we to suppose a heroic death can only come from out of battle or storm, or mighty personal contest, or amid dramatic incidents or danger, (have we not been taught so for ages by all the plays and poems?) that few even of those who most sympathizingly mourn Emerson's late departure will fully appreciate the ripen'd grandeur of that event, with its play of calm and fitness, like evening light on the sea.
How I shall henceforth dwell on the blessed hours when, not long since, I saw that benignant face, the clear eyes, the silently smiling mouth, the form yet upright in its great age—to the very last, with so much spring and cheeriness, and such an absence of decrepitude, that even the term venerable hardly seem'd fitting.
Perhaps the life now rounded and completed in its mortal development, and which nothing can change or harm more, has its most illustrious halo, not in its splendid intellectual or esthetic products, but as forming in its entirety one of the few (alas! how few!) perfect and flawless excuses for being, of the entire literary class.
We can say, as Abraham Lincoln at Gettysburg, It is not we who come to consecrate the dead—we reverently come to receive, if so it may be, some consecration to ourselves and daily work from him.