INDEX
- Abydos, Temple of Seti, [89].
- Academic method of art teaching, the, [58–65].
- Action, representation of, [52], [54].
- Advertisements, the curse of modern, [77], [78], [84].
- Allegory in art, [278].
- Anagni, chasuble from the Cathedral of, [206].
- Animal forms in decoration, [203–224].
- Architecture, importance of, in art training, [44], [50].
- Art, influence of economic questions in, [23];
- value of sound traditions in, [29];
- social function of, [32];
- the teaching of, [35–56];
- sympathetic atmosphere a necessity for, [36–40];
- connection between architecture and, [44];
- essential unity of, [44], [48];
- the imitative and imaginative sides of, [48];
- advantage of architectural over pictorial training in, [50];
- methods of art teaching, [58–68];
- academic methods of teaching, [58–65];
- dominated by the sculptor’s art and aims, [64];
- modern possibilities of teaching, [66–68];
- Tolstoi’s views on, [69–75];
- the social and ethical bearings of, [88–101];
- influence of, in the church, [93];
- not the monopoly of the rich, [95–97];
- refining influence of, [97], [98];
- change in the conditions of the practice of, [99], [100].
- “Art Nouveau, L’,” [128], [129].
- Art Workers’ Guild, the, [18], [31];
- device for, [251], [253].
- Arts and Crafts Exhibition Society, the: formation of, [20];
- first exhibition of, [21];
- objects and principles of, [22].
- Assyrian reliefs, object and value of, [90].
- Bacchus, visit of, to Icarius, Romano-Greek relief, [106].
- Bamberg, Royal mantle from the Treasury of, [205].
- Barron, O., [200].
- Bell, R. A., [159].
- Bellamy’s “Looking Backward,” quoted, [83].
- Berthelet, Thomas, bindings by, [227], [229].
- Birmingham, scheme for frescoes illustrating local history at, [120].
- Blake, William, [5], [6].
- Bland, J. P., specimen of calligraphy by, [65].
- Blickling, ceiling at, [158].
- Book-covers, designing of, [225–236].
- Borgia apartments, decoration of the, [238], [239], [240], [248];
- model of, at South Kensington, [240], [248].
- Bournville, [121], [148];
- views in, [123].
- Brown, Ford Madox, [12];
- frescoes in the Manchester Town Hall by, [118], [119], [120].
- Building Acts, the, [126];
- local bye-laws, [152].
- Burges, William, [17].
- Burne-Jones, Sir E., [20], [162], [175], [240].
- Butterfield, William, [17].
- Calvert, Edward, [7], [8], [9].
- Carpaccio’s “Dream of St. Ursula,” [144], [147].
- Crane, Lancelot, figure composition by, [37].
- Crane, Lionel F., design for a collective dwelling by, [116];
- cottage at Letchworth designed by, [148–151].
- Central School of Arts and Crafts, the, [28], [29].
- Chesterton, G. K., his “G. F. Watts” criticised, [273–281].
- Cleobury, W. T., [133–139], [141], [143].
- Cobden-Sanderson, T. J., [230].
- Collective dwellings, [115–117].
- Commercialism, evil effects of, [84], [85], [94].
- Cretonne, printed, [160–162].
- Crivelli’s “Annunciation,” [142].
- Crouchback, Edmund, Earl of Lancaster, figure from the tomb of, [223].
- Dalpeyrat, M. Louis, [27].
- Day, Lewis F., [18], [203].
- “Decorative,” meaning of the word, [267].
- Decorative art, development of, in the nineteenth century, [2] et seq.;
- modern revival of, [15] et seq.;
- relation of the easel picture to, [265].
- “Denoline,” [252].
- Dress, absence of beauty in modern, [81–83];
- progress of taste in, [171–191];
- influence of the pre-Raphaelites on, [175];
- types of artistic, [177];
- types of children’s, [179];
- types of working, [181];
- modern and mediaeval, [185], [187].
- Dunkley, Miss L. M., designs for embroidery by, [45], [46].
- Eastlake, C. L., his “Hints on Household Taste,” [17].
- Egyptian hieroglyphics, [89], [90], [103];
- decorative art, [112].
- Enamelling, modern revival of, [26], [27].
- Exhibition of 1851, the, [3].
- “Fifteen, the,” [18].
- Fisher, Alexander, [27].
- Flats, effects of living in, [114], [115].
- Flaxman, John, [9].
- Fylfot, the, [104].
- Garden City Association, the, [121], [148].
- Genoa, Doria Palace, gesso decorations in, [248].
- Gesso, origin of, [247];
- fine examples of, [248];
- methods of working in, [249];
- Gesso Duro, [249];
- “Denoline,” [252];
- system of modelling in, [257].
- Gilding, use of, in decoration, [237–246].
- Gimson, Ernest W., cottage designed by, [152], [153], [155].
- Graining, [130].
- Greece, the artistic sense of, [90], [91].
- Greek, ornament, [104–107], [215];
- drapery, [173].
- Harvey, Alex. W., cottages designed by, [123], [148].
- Heraldic lions, [220–222].
- Hill, Vincent, panel by, [67].
- Holland Park, 1a, interior of, [131];
- gesso decorations in, [258–261].
- Home Arts and Industries Association, the, [19].
- House-decoration, Thoughts on, [110–170].
- Howard, Ebenezer, [121].
- Hungarian peasant costumes, [182], [183].
- Hunt, Holman, [9], [12].
- Kidd, A., stained glass panel by, [62].
- Knole, ceiling at, [158].
- Kruger, G. E., [195].
- Lacey, Miss C. M., Heraldic studies by, [47].
- Lanteri, Prof., [194].
- Letchworth, Garden City, cottage at, [148–151].
- Line, meaning of, in ornament, [107], [108].
- London, some aspects of, [76–83].
- Lucas van Leyden’s “Annunciation,” [144], [145].
- Mackim, Meade, and White, Messrs., [242].
- Manchester, frescoes in the Town Hall in, [120].
- Mantua, model of the room of Isabella d’Este at, [240].
- Martin, A. E., architectural design by, [42].
- Millais, Sir J. E., [11].
- Moira, Gerald, [159], [194].
- Moore, Sturge, [9].
- Morris, William, [15], [20], [24], [156], [162], [175], [272].
- “Municipal Journal,” the (New York), [81].
- “Mural feeling,” [265], [267].
- Muybridge, Mr., [52].
- National Association for the Advancement of Art in Relation to Industry, the, [19].
- New York, movement in favour of public beauty in, [81].
- Ornament and its meaning, [102–109];
- analogy of to music, [102];
- origins of, [103];
- two sources of meaning in, [106].
- Palermo, Cappella Reale, decoration of, [241], [242], [243].
- Palmer, Samuel, [9].
- Paris Exhibition, the English House at the, [162].
- Parr, H., studies by, [38], [39].
- Peleus and Thetis, Greek cylix, [105].
- Pictures, background for, [142], [144];
- relation of, to decorative art, [265–272].
- Pinturicchio’s decoration of the Appartamenti Borgia, [238], [239], [240], [248].
- Plaster, treatment of, [158], [159].
- Pomeroy, Mr., [159].
- Pompeian decoration, [113].
- Pre-Raphaelite movement, the, [12], [14], [15], [175].
- Pugin, A. W. N., [17].
- Ranworth rood-screen, [133–139], [141], [143].
- Reynes, John, binding by, [233].
- Richard II, figure of, in the Wilton picture, [219].
- Rigby, H. A., pen-drawings by, [55], [57].
- Rome, St. Peter’s, use of gilding in, [246].
- Rossetti, D. G., [10], [12], [15], [175].
- Royal College of Art, specimens of students’ work, [37–67].
- Ruskin, John, [14].
- Sandys, Frederick, [12], [13].
- Scott, Sir Walter, [10].
- Sevenoaks, Combe Bank, decorations at, [159].
- Shaw, Henry, [16].
- Shaw, Norman, [18].
- Shea, J. R., cabinet designed by, [59];
- wood carving by, [61].
- Sicilian Silk Patterns, [207–214], [218].
- South Kensington Museum, formation and influence of, [16].
- Southwold, rood-screen at, [247].
- Spooner, W. G., studies by, [49], [51], [53].
- Stencilling, development of, [136].
- Stevens, Alfred, [4].
- Stevenson, James A., frieze by, [63].
- Stothard, Thomas, [10].
- Street decorations, temporary, [192–202].
- Sykes, Godfrey, [4].
- Temple Bar, suggestion for temporary gatehouse at, [197].
- Tennyson, the Moxon edition of, [9–12].
- Thoreau’s “Walden,” [111].
- Tintoretto, [270].
- Tolstoi, Count, his “What is Art?” [69–75].
- Tristram, E. W., design for Tapestry by, [43].
- Van der Meer, [142].
- Van Dyck’s “Jan Arnolfini and his wife,” [142].
- Venice, St. Mark’s, mosaics in, [244];
- Ducal Palace, [271].
- Voysey, C. F. A., [147].
- Wall-paper designs, [163–169].
- Walton, George, [158].
- Watts, G. F., [240];
- Mr. Chesterton’s book on, [273–281].
- Webb, Philip, [15], [16], [131], [258], [259].
- Weeks, Harold, [250].
- Weeks, Osmund, [251].
- Westminster Bridge, decoration of, by students of the R.C.A., [194], [195].
- Whistler, J. McNeill, [242].
- Whitechapel, Wentworth Street, [79].
- Wilton House, the Vandyke room at, [243], [244], [245].
- Windsor, Lord, [200].
- Wotton Binder, binding by the, [235].
Chiswick Press